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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 113 64 it is the complementary color RGB 126 142 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 113 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 113 64 shade: RGB 134 113 59, RGB 151 131 78, RGB 168 149 97, RGB 185 167 116 and RGB 202 185 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 113 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 113 64 shade: RGB 129 113 64, RGB 112 95 45, RGB 95 77 26, RGB 78 59 7 and RGB 61 41 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 113 64 shade: RGB 129 113 63, RGB 129 95 63, RGB 129 78 63 and RGB 129 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 113 64 shade: RGB 129 113 63, RGB 128 129 63, RGB 110 129 63, RGB 92 129 63 and RGB 74 129 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 113 64 shade matches the following richer shades: RGB 129 113 63, RGB 145 121 48, RGB 161 129 32, RGB 176 137 16 and RGB 192 145 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 113 64 shade: RGB 129 113 63, RGB 114 105 79, RGB 98 97 95, RGB 82 89 110 and RGB 67 81 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 113 64 shade: RGB 129 78 63, RGB 129 95 63, RGB 129 113 63, RGB 128 129 63 and RGB 111 129 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 113 64 shade: RGB 74 65 36, RGB 102 89 50, RGB 129 113 63, RGB 157 137 77 and RGB 177 158 98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 113 64 shade: RGB 129 113 64, RGB 67 129 63 and RGB 87 63 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 113 64 shade: RGB 129 113 64, RGB 63 129 113 and RGB 113 63 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 113 64 shade: RGB 129 113 64, RGB 67 129 63, RGB 63 80 129 and RGB 126 63 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 113 64 shade: RGB 129 113 64, RGB 63 129 80, RGB 63 80 129 and RGB 129 63 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

Complementary color

CMYK 34 / 26 / 0 / 25

HEX #7E8EBF

RGB 126 142 191

HSL 225.23, 0.34%, 0.62%

LAB 59.47, 6.11, -27.35

 

CMYK 0 / 16 / 56 / 47

HEX #86713B

RGB 134 113 59

HSL 43.2, 0.39%, 0.38%

LAB 48.5, 1.04, 32.71

 

CMYK 0 / 13 / 48 / 41

HEX #97834E

RGB 151 131 78

HSL 43.56, 0.32%, 0.45%

LAB 55.44, 0.23, 31.33

 

CMYK 0 / 11 / 42 / 34

HEX #A89561

RGB 168 149 97

HSL 43.94, 0.29%, 0.52%

LAB 62.24, -0.42, 30.02

 

CMYK 0 / 10 / 37 / 27

HEX #B9A774

RGB 185 167 116

HSL 44.35, 0.33%, 0.59%

LAB 68.91, -0.96, 28.78

 

CMYK 0 / 8 / 33 / 21

HEX #CAB987

RGB 202 185 135

HSL 44.78, 0.39%, 0.66%

LAB 75.45, -1.41, 27.61

 

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

CMYK 0 / 15 / 60 / 56

HEX #705F2D

RGB 112 95 45

HSL 44.78, 0.43%, 0.31%

LAB 40.93, 0.11, 30.73

 

CMYK 0 / 19 / 73 / 63

HEX #5F4D1A

RGB 95 77 26

HSL 44.35, 0.57%, 0.24%

LAB 33.6, 1.25, 31.98

 

CMYK 0 / 24 / 91 / 69

HEX #4E3B07

RGB 78 59 7

HSL 43.94, 0.84%, 0.17%

LAB 26.05, 2.85, 32.46

 

CMYK 0 / 33 / 100 / 76

HEX #3D2900

RGB 61 41 0

HSL 40.33, 1%, 0.12%

LAB 18.27, 5.18, 26.43

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 0 / 26 / 51 / 49

HEX #815F3F

RGB 129 95 63

HSL 29.09, 0.34%, 0.38%

LAB 43.08, 9.68, 23.64

 

CMYK 0 / 40 / 51 / 49

HEX #814E3F

RGB 129 78 63

HSL 13.64, 0.34%, 0.38%

LAB 38.68, 19.75, 17.93

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 1 / 0 / 51 / 49

HEX #80813F

RGB 128 129 63

HSL 60.91, 0.34%, 0.38%

LAB 52.56, -10.27, 35.3

 

CMYK 15 / 0 / 51 / 49

HEX #6E813F

RGB 110 129 63

HSL 77.27, 0.34%, 0.38%

LAB 51.12, -18.06, 33.23

 

CMYK 29 / 0 / 51 / 49

HEX #5C813F

RGB 92 129 63

HSL 93.64, 0.34%, 0.38%

LAB 49.9, -25.37, 31.46

 

CMYK 43 / 0 / 51 / 49

HEX #4A813F

RGB 74 129 63

HSL 110, 0.34%, 0.38%

LAB 48.9, -31.94, 30.01

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 0 / 17 / 67 / 43

HEX #917930

RGB 145 121 48

HSL 45.15, 0.5%, 0.38%

LAB 51.73, 0.65, 42.25

 

CMYK 0 / 20 / 80 / 37

HEX #A18120

RGB 161 129 32

HSL 45.12, 0.67%, 0.38%

LAB 55.46, 2.68, 53.17

 

CMYK 0 / 22 / 91 / 31

HEX #B08910

RGB 176 137 16

HSL 45.38, 0.83%, 0.38%

LAB 59.12, 4.66, 61.35

 

CMYK 0 / 24 / 99 / 25

HEX #C09101

RGB 192 145 1

HSL 45.24, 0.99%, 0.38%

LAB 62.89, 7.3, 67.28

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 0 / 8 / 31 / 55

HEX #72694F

RGB 114 105 79

HSL 44.57, 0.18%, 0.38%

LAB 44.58, -0.89, 15.93

 

CMYK 0 / 1 / 3 / 62

HEX #62615F

RGB 98 97 95

HSL 40, 0.02%, 0.38%

LAB 41.17, -0.01, 1.27

 

CMYK 25 / 19 / 0 / 57

HEX #52596E

RGB 82 89 110

HSL 225, 0.15%, 0.38%

LAB 37.96, 2.41, -12.89

 

CMYK 47 / 36 / 0 / 51

HEX #43517E

RGB 67 81 126

HSL 225.76, 0.31%, 0.38%

LAB 35.17, 7.52, -27.18

 

CMYK 0 / 40 / 51 / 49

HEX #814E3F

RGB 129 78 63

HSL 13.64, 0.34%, 0.38%

LAB 38.68, 19.75, 17.93

 

CMYK 0 / 26 / 51 / 49

HEX #815F3F

RGB 129 95 63

HSL 29.09, 0.34%, 0.38%

LAB 43.08, 9.68, 23.64

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 1 / 0 / 51 / 49

HEX #80813F

RGB 128 129 63

HSL 60.91, 0.34%, 0.38%

LAB 52.56, -10.27, 35.3

 

CMYK 14 / 0 / 51 / 49

HEX #6F813F

RGB 111 129 63

HSL 76.36, 0.34%, 0.38%

LAB 51.2, -17.63, 33.34

 

CMYK 0 / 12 / 51 / 71

HEX #4A4124

RGB 74 65 36

HSL 45.79, 0.35%, 0.22%

LAB 27.75, -0.81, 19.05

 

CMYK 0 / 13 / 51 / 60

HEX #665932

RGB 102 89 50

HSL 45, 0.34%, 0.3%

LAB 38.2, -0.54, 24.41

 

CMYK 0 / 12 / 51 / 49

HEX #81713F

RGB 129 113 63

HSL 45.45, 0.34%, 0.38%

LAB 48.05, -0.85, 29.87

 

CMYK 0 / 13 / 51 / 38

HEX #9D894D

RGB 157 137 77

HSL 45, 0.34%, 0.46%

LAB 57.65, -0.6, 34.73

 

CMYK 0 / 11 / 45 / 31

HEX #B19E62

RGB 177 158 98

HSL 45.57, 0.34%, 0.54%

LAB 65.5, -1.43, 33.82

 

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

CMYK 48 / 0 / 51 / 49

HEX #43813F

RGB 67 129 63

HSL 116.36, 0.34%, 0.38%

LAB 48.58, -34.23, 29.54

 

CMYK 33 / 51 / 0 / 49

HEX #573F81

RGB 87 63 129

HSL 261.82, 0.34%, 0.38%

LAB 32.18, 25.74, -33.65

 

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

CMYK 51 / 0 / 12 / 49

HEX #3F8171

RGB 63 129 113

HSL 165.45, 0.34%, 0.38%

LAB 49.43, -25.22, 2.23

 

CMYK 12 / 51 / 0 / 49

HEX #713F81

RGB 113 63 129

HSL 285.45, 0.34%, 0.38%

LAB 35.3, 33.47, -28.51

 

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

CMYK 48 / 0 / 51 / 49

HEX #43813F

RGB 67 129 63

HSL 116.36, 0.34%, 0.38%

LAB 48.58, -34.23, 29.54

 

CMYK 51 / 38 / 0 / 49

HEX #3F5081

RGB 63 80 129

HSL 224.55, 0.34%, 0.38%

LAB 34.76, 8.09, -29.7

 

CMYK 2 / 51 / 0 / 49

HEX #7E3F81

RGB 126 63 129

HSL 297.27, 0.34%, 0.38%

LAB 37.07, 37.46, -25.61

 

CMYK 0 / 12 / 50 / 49

HEX #817140

RGB 129 113 64

HSL 45.23, 0.34%, 0.38%

LAB 48.07, -0.75, 29.34

 

CMYK 51 / 0 / 38 / 49

HEX #3F8150

RGB 63 129 80

HSL 135.45, 0.34%, 0.38%

LAB 48.68, -32.59, 20.28

 

CMYK 51 / 38 / 0 / 49

HEX #3F5081

RGB 63 80 129

HSL 224.55, 0.34%, 0.38%

LAB 34.76, 8.09, -29.7

 

CMYK 0 / 51 / 12 / 49

HEX #813F71

RGB 129 63 113

HSL 314.55, 0.34%, 0.38%

LAB 36.77, 35.41, -16.1

 

Description

Color code: RGB 129 113 64 | qconv.com Color code: RGB 129 113 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 113 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 113 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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