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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 118 65 it is the complementary color RGB 126 137 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 118 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 118 65 shade: RGB 134 118 60, RGB 151 136 79, RGB 168 154 98, RGB 185 172 117 and RGB 202 190 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 118 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 118 65 shade: RGB 129 118 65, RGB 112 100 46, RGB 95 82 27, RGB 78 64 8 and RGB 61 46 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 118 65 shade: RGB 128 117 64, RGB 128 100 64, RGB 128 83 64, RGB 128 66 64 and RGB 128 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 118 65 shade: RGB 128 117 64, RGB 122 128 64, RGB 105 128 64, RGB 88 128 64 and RGB 70 128 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 118 65 shade matches the following richer shades: RGB 128 117 64, RGB 144 128 49, RGB 160 138 33, RGB 175 148 17 and RGB 191 159 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 118 65 shade: RGB 128 117 64, RGB 113 107 80, RGB 97 97 96, RGB 81 87 111 and RGB 66 76 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 118 65 shade: RGB 128 83 64, RGB 128 100 64, RGB 128 117 64, RGB 123 128 64 and RGB 106 128 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 118 65 shade: RGB 74 67 37, RGB 101 92 51, RGB 128 117 64, RGB 156 142 78 and RGB 176 163 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 118 65 shade: RGB 129 118 65, RGB 64 128 65 and RGB 91 64 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 118 65 shade: RGB 129 118 65, RGB 64 128 117 and RGB 117 64 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 118 65 shade: RGB 129 118 65, RGB 64 128 65, RGB 64 76 128 and RGB 128 64 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 118 65 shade: RGB 129 118 65, RGB 64 128 85, RGB 64 76 128 and RGB 128 64 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

Complementary color

CMYK 34 / 28 / 0 / 25

HEX #7E89BE

RGB 126 137 190

HSL 229.69, 0.33%, 0.62%

LAB 58.08, 8.74, -28.94

 

CMYK 0 / 12 / 55 / 47

HEX #86763C

RGB 134 118 60

HSL 47.03, 0.38%, 0.38%

LAB 49.92, -1.73, 33.86

 

CMYK 0 / 10 / 48 / 41

HEX #97884F

RGB 151 136 79

HSL 47.5, 0.31%, 0.45%

LAB 56.83, -2.46, 32.53

 

CMYK 0 / 8 / 42 / 34

HEX #A89A62

RGB 168 154 98

HSL 48, 0.29%, 0.52%

LAB 63.6, -3.04, 31.23

 

CMYK 0 / 7 / 37 / 27

HEX #B9AC75

RGB 185 172 117

HSL 48.53, 0.33%, 0.59%

LAB 70.25, -3.51, 30.01

 

CMYK 0 / 6 / 33 / 21

HEX #CABE88

RGB 202 190 136

HSL 49.09, 0.38%, 0.66%

LAB 76.78, -3.91, 28.84

 

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

CMYK 0 / 11 / 59 / 56

HEX #70642E

RGB 112 100 46

HSL 49.09, 0.42%, 0.31%

LAB 42.39, -2.74, 31.9

 

CMYK 0 / 14 / 72 / 63

HEX #5F521B

RGB 95 82 27

HSL 48.53, 0.56%, 0.24%

LAB 35.1, -1.72, 33.07

 

CMYK 0 / 18 / 90 / 69

HEX #4E4008

RGB 78 64 8

HSL 48, 0.81%, 0.17%

LAB 27.58, -0.28, 33.42

 

CMYK 0 / 25 / 100 / 76

HEX #3D2E00

RGB 61 46 0

HSL 45.25, 1%, 0.12%

LAB 19.83, 1.84, 28.24

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 0 / 22 / 50 / 50

HEX #806440

RGB 128 100 64

HSL 33.75, 0.33%, 0.38%

LAB 44.34, 6.38, 24.65

 

CMYK 0 / 35 / 50 / 50

HEX #805340

RGB 128 83 64

HSL 17.81, 0.33%, 0.38%

LAB 39.83, 16.47, 18.81

 

CMYK 0 / 48 / 50 / 50

HEX #804240

RGB 128 66 64

HSL 1.88, 0.33%, 0.38%

LAB 35.71, 26.39, 13.3

 

CMYK 0 / 50 / 50 / 50

HEX #804040

RGB 128 64 64

HSL 0, 0.33%, 0.38%

LAB 35.25, 27.52, 12.68

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 5 / 0 / 50 / 50

HEX #7A8040

RGB 122 128 64

HSL 65.63, 0.33%, 0.38%

LAB 51.78, -12.26, 33.71

 

CMYK 18 / 0 / 50 / 50

HEX #698040

RGB 105 128 64

HSL 81.56, 0.33%, 0.38%

LAB 50.47, -19.51, 31.82

 

CMYK 31 / 0 / 50 / 50

HEX #588040

RGB 88 128 64

HSL 97.5, 0.33%, 0.38%

LAB 49.35, -26.29, 30.21

 

CMYK 45 / 0 / 50 / 50

HEX #468040

RGB 70 128 64

HSL 114.38, 0.33%, 0.38%

LAB 48.4, -32.67, 28.81

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 0 / 11 / 66 / 44

HEX #908031

RGB 144 128 49

HSL 49.89, 0.49%, 0.38%

LAB 53.59, -3.67, 43.74

 

CMYK 0 / 14 / 79 / 37

HEX #A08A21

RGB 160 138 33

HSL 49.61, 0.66%, 0.38%

LAB 57.81, -2.73, 54.91

 

CMYK 0 / 15 / 90 / 31

HEX #AF9411

RGB 175 148 17

HSL 49.75, 0.82%, 0.38%

LAB 61.94, -1.8, 63.29

 

CMYK 0 / 17 / 99 / 25

HEX #BF9F02

RGB 191 159 2

HSL 49.84, 0.98%, 0.38%

LAB 66.43, -0.71, 69.57

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 0 / 5 / 29 / 56

HEX #716B50

RGB 113 107 80

HSL 49.09, 0.17%, 0.38%

LAB 45.09, -2.34, 16.01

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 27 / 22 / 0 / 56

HEX #51576F

RGB 81 87 111

HSL 228, 0.16%, 0.38%

LAB 37.32, 3.58, -14.48

 

CMYK 48 / 40 / 0 / 50

HEX #424C7F

RGB 66 76 127

HSL 230.16, 0.32%, 0.38%

LAB 33.69, 10.83, -30.14

 

CMYK 0 / 35 / 50 / 50

HEX #805340

RGB 128 83 64

HSL 17.81, 0.33%, 0.38%

LAB 39.83, 16.47, 18.81

 

CMYK 0 / 22 / 50 / 50

HEX #806440

RGB 128 100 64

HSL 33.75, 0.33%, 0.38%

LAB 44.34, 6.38, 24.65

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 4 / 0 / 50 / 50

HEX #7B8040

RGB 123 128 64

HSL 64.69, 0.33%, 0.38%

LAB 51.86, -11.82, 33.83

 

CMYK 17 / 0 / 50 / 50

HEX #6A8040

RGB 106 128 64

HSL 80.63, 0.33%, 0.38%

LAB 50.54, -19.09, 31.93

 

CMYK 0 / 9 / 50 / 71

HEX #4A4325

RGB 74 67 37

HSL 48.65, 0.33%, 0.22%

LAB 28.39, -1.95, 19.24

 

CMYK 0 / 9 / 50 / 60

HEX #655C33

RGB 101 92 51

HSL 49.2, 0.33%, 0.3%

LAB 39, -2.69, 24.81

 

CMYK 0 / 9 / 50 / 50

HEX #807540

RGB 128 117 64

HSL 49.69, 0.33%, 0.38%

LAB 49.11, -3.48, 30.6

 

CMYK 0 / 9 / 50 / 39

HEX #9C8E4E

RGB 156 142 78

HSL 49.23, 0.33%, 0.46%

LAB 58.94, -3.7, 35.76

 

CMYK 0 / 7 / 44 / 31

HEX #B0A363

RGB 176 163 99

HSL 49.87, 0.33%, 0.54%

LAB 66.77, -4.44, 34.88

 

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

CMYK 50 / 0 / 49 / 50

HEX #408041

RGB 64 128 65

HSL 120.94, 0.33%, 0.38%

LAB 48.15, -34.41, 27.9

 

CMYK 29 / 50 / 0 / 50

HEX #5B4080

RGB 91 64 128

HSL 265.31, 0.33%, 0.38%

LAB 32.81, 26.01, -32

 

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

CMYK 50 / 0 / 9 / 50

HEX #408075

RGB 64 128 117

HSL 169.69, 0.33%, 0.38%

LAB 49.27, -23.42, -0.36

 

CMYK 9 / 50 / 0 / 50

HEX #754080

RGB 117 64 128

HSL 289.69, 0.33%, 0.38%

LAB 36, 33.92, -26.76

 

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

CMYK 50 / 0 / 49 / 50

HEX #408041

RGB 64 128 65

HSL 120.94, 0.33%, 0.38%

LAB 48.15, -34.41, 27.9

 

CMYK 50 / 41 / 0 / 50

HEX #404C80

RGB 64 76 128

HSL 228.75, 0.33%, 0.38%

LAB 33.6, 10.63, -30.91

 

CMYK 0 / 50 / 1 / 50

HEX #80407F

RGB 128 64 127

HSL 300.94, 0.33%, 0.38%

LAB 37.46, 37.14, -23.75

 

CMYK 0 / 9 / 50 / 49

HEX #817641

RGB 129 118 65

HSL 49.69, 0.33%, 0.38%

LAB 49.5, -3.5, 30.56

 

CMYK 50 / 0 / 34 / 50

HEX #408055

RGB 64 128 85

HSL 139.69, 0.33%, 0.38%

LAB 48.49, -30.87, 17.19

 

CMYK 50 / 41 / 0 / 50

HEX #404C80

RGB 64 76 128

HSL 228.75, 0.33%, 0.38%

LAB 33.6, 10.63, -30.91

 

CMYK 0 / 50 / 16 / 50

HEX #80406C

RGB 128 64 108

HSL 318.75, 0.33%, 0.38%

LAB 36.63, 33.66, -13.2

 

Description

Color code: RGB 129 118 65 | qconv.com Color code: RGB 129 118 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 118 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 118 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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