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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 129 117 96 it is the complementary color RGB 126 138 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 129 117 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 129 117 96 shade: RGB 134 117 91, RGB 151 135 110, RGB 168 153 129, RGB 185 171 148 and RGB 202 189 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 129 117 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 129 117 96 shade: RGB 129 117 96, RGB 112 99 77, RGB 95 81 58, RGB 78 63 39 and RGB 61 45 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 129 117 96 shade: RGB 129 116 95, RGB 129 107 95, RGB 129 98 95 and RGB 129 95 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 129 117 96 shade: RGB 129 116 95, RGB 129 125 95, RGB 123 129 95, RGB 114 129 95 and RGB 104 129 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 129 117 96 shade matches the following richer shades: RGB 129 116 95, RGB 147 121 77, RGB 165 126 59, RGB 183 131 40 and RGB 201 136 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 129 117 96 shade: RGB 129 116 95, RGB 110 111 113, RGB 92 106 131, RGB 74 101 149 and RGB 56 96 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 129 117 96 shade: RGB 129 98 95, RGB 129 107 95, RGB 129 116 95, RGB 129 125 95 and RGB 123 129 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 129 117 96 shade: RGB 81 73 60, RGB 105 95 77, RGB 129 116 95, RGB 151 137 114 and RGB 168 157 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 129 117 96 shade: RGB 129 117 96, RGB 100 129 95 and RGB 103 95 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 129 117 96 shade: RGB 129 117 96, RGB 95 129 116 and RGB 116 95 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 129 117 96 shade: RGB 129 117 96, RGB 100 129 95, RGB 95 107 129 and RGB 123 95 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 129 117 96 shade: RGB 129 117 96, RGB 95 129 99, RGB 95 107 129 and RGB 129 95 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

Complementary color

CMYK 21 / 13 / 0 / 38

HEX #7E8A9F

RGB 126 138 159

HSL 218.18, 0.15%, 0.56%

LAB 57.19, 0.35, -12.6

 

CMYK 0 / 13 / 32 / 47

HEX #86755B

RGB 134 117 91

HSL 36.28, 0.19%, 0.44%

LAB 50.15, 2.42, 16.79

 

CMYK 0 / 11 / 27 / 41

HEX #97876E

RGB 151 135 110

HSL 36.59, 0.16%, 0.51%

LAB 57.11, 1.96, 15.66

 

CMYK 0 / 9 / 23 / 34

HEX #A89981

RGB 168 153 129

HSL 36.92, 0.18%, 0.58%

LAB 63.91, 1.58, 14.63

 

CMYK 0 / 8 / 20 / 27

HEX #B9AB94

RGB 185 171 148

HSL 37.3, 0.21%, 0.65%

LAB 70.58, 1.25, 13.67

 

CMYK 0 / 6 / 17 / 21

HEX #CABDA7

RGB 202 189 167

HSL 37.71, 0.25%, 0.72%

LAB 77.13, 0.95, 12.77

 

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

CMYK 0 / 12 / 31 / 56

HEX #70634D

RGB 112 99 77

HSL 37.71, 0.19%, 0.37%

LAB 42.62, 1.49, 14.42

 

CMYK 0 / 15 / 39 / 63

HEX #5F513A

RGB 95 81 58

HSL 37.3, 0.24%, 0.3%

LAB 35.25, 2.04, 15.69

 

CMYK 0 / 19 / 50 / 69

HEX #4E3F27

RGB 78 63 39

HSL 36.92, 0.33%, 0.23%

LAB 27.63, 2.78, 17.14

 

CMYK 0 / 26 / 67 / 76

HEX #3D2D14

RGB 61 45 20

HSL 36.59, 0.51%, 0.16%

LAB 19.72, 3.87, 18.77

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 0 / 17 / 26 / 49

HEX #816B5F

RGB 129 107 95

HSL 21.18, 0.15%, 0.44%

LAB 46.99, 6.73, 9.98

 

CMYK 0 / 24 / 26 / 49

HEX #81625F

RGB 129 98 95

HSL 5.29, 0.15%, 0.44%

LAB 44.56, 12.06, 6.55

 

CMYK 0 / 26 / 26 / 49

HEX #815F5F

RGB 129 95 95

HSL 0, 0.15%, 0.44%

LAB 43.77, 13.85, 5.42

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

CMYK 5 / 0 / 26 / 49

HEX #7B815F

RGB 123 129 95

HSL 70.59, 0.15%, 0.44%

LAB 52.66, -8.37, 17.73

 

CMYK 12 / 0 / 26 / 49

HEX #72815F

RGB 114 129 95

HSL 86.47, 0.15%, 0.44%

LAB 51.95, -12, 16.66

 

CMYK 19 / 0 / 26 / 49

HEX #68815F

RGB 104 129 95

HSL 104.12, 0.15%, 0.44%

LAB 51.23, -15.89, 15.55

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 0 / 18 / 48 / 42

HEX #93794D

RGB 147 121 77

HSL 37.71, 0.31%, 0.44%

LAB 52.3, 4.03, 27.84

 

CMYK 0 / 24 / 64 / 35

HEX #A57E3B

RGB 165 126 59

HSL 37.92, 0.47%, 0.44%

LAB 55.32, 7.61, 41.45

 

CMYK 0 / 28 / 78 / 28

HEX #B78328

RGB 183 131 40

HSL 38.18, 0.64%, 0.44%

LAB 58.46, 11.83, 53.85

 

CMYK 0 / 32 / 89 / 21

HEX #C98816

RGB 201 136 22

HSL 38.21, 0.8%, 0.44%

LAB 61.73, 16.52, 63.24

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 3 / 2 / 0 / 56

HEX #6E6F71

RGB 110 111 113

HSL 220, 0.01%, 0.44%

LAB 46.81, 0.03, -1.25

 

CMYK 30 / 19 / 0 / 49

HEX #5C6A83

RGB 92 106 131

HSL 218.46, 0.17%, 0.44%

LAB 44.55, 0.94, -15.57

 

CMYK 50 / 32 / 0 / 42

HEX #4A6595

RGB 74 101 149

HSL 218.4, 0.34%, 0.44%

LAB 42.66, 4.12, -29.36

 

CMYK 66 / 43 / 0 / 35

HEX #3860A7

RGB 56 96 167

HSL 218.38, 0.5%, 0.44%

LAB 41.21, 9.62, -42.42

 

CMYK 0 / 24 / 26 / 49

HEX #81625F

RGB 129 98 95

HSL 5.29, 0.15%, 0.44%

LAB 44.56, 12.06, 6.55

 

CMYK 0 / 17 / 26 / 49

HEX #816B5F

RGB 129 107 95

HSL 21.18, 0.15%, 0.44%

LAB 46.99, 6.73, 9.98

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 0 / 3 / 26 / 49

HEX #817D5F

RGB 129 125 95

HSL 52.94, 0.15%, 0.44%

LAB 52.02, -3.66, 16.94

 

CMYK 5 / 0 / 26 / 49

HEX #7B815F

RGB 123 129 95

HSL 70.59, 0.15%, 0.44%

LAB 52.66, -8.37, 17.73

 

CMYK 0 / 10 / 26 / 68

HEX #51493C

RGB 81 73 60

HSL 37.14, 0.15%, 0.28%

LAB 31.44, 0.94, 9.01

 

CMYK 0 / 10 / 27 / 59

HEX #695F4D

RGB 105 95 77

HSL 38.57, 0.15%, 0.36%

LAB 40.77, 0.84, 11.77

 

CMYK 0 / 10 / 26 / 49

HEX #81745F

RGB 129 116 95

HSL 37.06, 0.15%, 0.44%

LAB 49.48, 1.48, 13.45

 

CMYK 0 / 9 / 25 / 41

HEX #978972

RGB 151 137 114

HSL 37.3, 0.15%, 0.52%

LAB 57.74, 1.43, 14.26

 

CMYK 0 / 7 / 18 / 34

HEX #A89D8A

RGB 168 157 138

HSL 38, 0.15%, 0.6%

LAB 65.18, 0.77, 11.39

 

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

CMYK 22 / 0 / 26 / 49

HEX #64815F

RGB 100 129 95

HSL 111.18, 0.15%, 0.44%

LAB 50.96, -17.4, 15.14

 

CMYK 20 / 26 / 0 / 49

HEX #675F81

RGB 103 95 129

HSL 254.12, 0.15%, 0.44%

LAB 42.24, 10.81, -17.82

 

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

CMYK 26 / 0 / 10 / 49

HEX #5F8174

RGB 95 129 116

HSL 157.06, 0.15%, 0.44%

LAB 51.15, -14.95, 3.15

 

CMYK 10 / 26 / 0 / 49

HEX #745F81

RGB 116 95 129

HSL 277.06, 0.15%, 0.44%

LAB 43.48, 15.35, -15.81

 

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

CMYK 22 / 0 / 26 / 49

HEX #64815F

RGB 100 129 95

HSL 111.18, 0.15%, 0.44%

LAB 50.96, -17.4, 15.14

 

CMYK 26 / 17 / 0 / 49

HEX #5F6B81

RGB 95 107 129

HSL 218.82, 0.15%, 0.44%

LAB 44.99, 0.8, -13.68

 

CMYK 5 / 26 / 0 / 49

HEX #7B5F81

RGB 123 95 129

HSL 289.41, 0.15%, 0.44%

LAB 44.2, 17.85, -14.64

 

CMYK 0 / 9 / 26 / 49

HEX #817560

RGB 129 117 96

HSL 38.18, 0.15%, 0.44%

LAB 49.78, 1.06, 13.29

 

CMYK 26 / 0 / 23 / 49

HEX #5F8163

RGB 95 129 99

HSL 127.06, 0.15%, 0.44%

LAB 50.73, -18.49, 12.45

 

CMYK 26 / 17 / 0 / 49

HEX #5F6B81

RGB 95 107 129

HSL 218.82, 0.15%, 0.44%

LAB 44.99, 0.8, -13.68

 

CMYK 0 / 26 / 4 / 49

HEX #815F7C

RGB 129 95 124

HSL 308.82, 0.15%, 0.44%

LAB 44.67, 19, -10.85

 

Description

Color code: RGB 129 117 96 | qconv.com Color code: RGB 129 117 96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 117 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 117 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 26 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 26% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - Каминные топки - куп...
Link: http://kamin-iliya.ru

Verification of their color palette as a manufacturer!

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