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Color name
RGB 128 85 90

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 85 90 it is the complementary color RGB 127 170 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 85 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 85 90 shade: RGB 133 85 85, RGB 150 103 104, RGB 167 121 123, RGB 184 139 142 and RGB 201 157 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 85 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 111 67 71, RGB 94 49 52, RGB 77 31 33 and RGB 60 13 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 85 90 shade: RGB 128 85 90 and RGB 128 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 128 85 102, RGB 128 85 113, RGB 128 85 125 and RGB 120 85 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 85 90 shade matches the following richer shades: RGB 128 85 90, RGB 145 68 77, RGB 163 51 64, RGB 180 33 50 and RGB 197 16 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 111 103 103, RGB 93 120 117, RGB 76 137 130 and RGB 59 154 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 85 90 shade: RGB 128 85 113, RGB 128 85 102, RGB 128 85 90, RGB 128 92 85 and RGB 128 103 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 85 90 shade: RGB 79 52 55, RGB 103 69 73, RGB 128 85 90, RGB 153 102 108 and RGB 169 127 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 124 128 85 and RGB 85 107 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 90 128 85 and RGB 85 90 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 124 128 85, RGB 85 128 123 and RGB 89 85 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 85 90 shade: RGB 128 85 90, RGB 112 128 85, RGB 85 128 123 and RGB 102 85 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

Complementary color

CMYK 25 / 0 / 3 / 33

HEX #7FAAA5

RGB 127 170 165

HSL 173.02, 0.2%, 0.58%

LAB 66.5, -15.49, -2.14

 

CMYK 0 / 36 / 36 / 48

HEX #855555

RGB 133 85 85

HSL 0, 0.22%, 0.43%

LAB 41.44, 19.97, 8.29

 

CMYK 0 / 31 / 31 / 41

HEX #966768

RGB 150 103 104

HSL 358.72, 0.19%, 0.5%

LAB 48.49, 19.05, 7.07

 

CMYK 0 / 28 / 26 / 35

HEX #A7797B

RGB 167 121 123

HSL 357.39, 0.21%, 0.56%

LAB 55.4, 18.26, 6.01

 

CMYK 0 / 24 / 23 / 28

HEX #B88B8E

RGB 184 139 142

HSL 356, 0.24%, 0.63%

LAB 62.18, 17.56, 5.06

 

CMYK 0 / 22 / 20 / 21

HEX #C99DA1

RGB 201 157 161

HSL 354.55, 0.29%, 0.7%

LAB 68.83, 16.94, 4.19

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 40 / 36 / 56

HEX #6F4347

RGB 111 67 71

HSL 354.55, 0.25%, 0.35%

LAB 33.67, 19.58, 5.64

 

CMYK 0 / 48 / 45 / 63

HEX #5E3134

RGB 94 49 52

HSL 356, 0.31%, 0.28%

LAB 26.23, 20.7, 7.18

 

CMYK 0 / 60 / 57 / 70

HEX #4D1F21

RGB 77 31 33

HSL 357.39, 0.43%, 0.21%

LAB 18.66, 21.95, 9.27

 

CMYK 0 / 78 / 77 / 76

HEX #3C0D0E

RGB 60 13 14

HSL 358.72, 0.64%, 0.14%

LAB 11.14, 23.04, 11.3

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 34 / 34 / 50

HEX #805555

RGB 128 85 85

HSL 0, 0.2%, 0.42%

LAB 40.8, 17.89, 7.3

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 34 / 20 / 50

HEX #805566

RGB 128 85 102

HSL 336.28, 0.2%, 0.42%

LAB 41.29, 20.53, -2.48

 

CMYK 0 / 34 / 12 / 50

HEX #805571

RGB 128 85 113

HSL 320.93, 0.2%, 0.42%

LAB 41.66, 22.47, -8.7

 

CMYK 0 / 34 / 2 / 50

HEX #80557D

RGB 128 85 125

HSL 304.19, 0.2%, 0.42%

LAB 42.1, 24.78, -15.36

 

CMYK 6 / 34 / 0 / 50

HEX #785580

RGB 120 85 128

HSL 288.84, 0.2%, 0.42%

LAB 41.29, 22.59, -18.51

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 53 / 47 / 43

HEX #91444D

RGB 145 68 77

HSL 352.99, 0.36%, 0.42%

LAB 39.05, 33.41, 10.15

 

CMYK 0 / 69 / 61 / 36

HEX #A33340

RGB 163 51 64

HSL 353.04, 0.52%, 0.42%

LAB 38.77, 46.82, 18.43

 

CMYK 0 / 82 / 72 / 29

HEX #B42132

RGB 180 33 50

HSL 353.06, 0.69%, 0.42%

LAB 39.62, 57.38, 28.89

 

CMYK 0 / 92 / 81 / 23

HEX #C51025

RGB 197 16 37

HSL 353.04, 0.85%, 0.42%

LAB 41.81, 64.86, 39.95

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 7 / 7 / 56

HEX #6F6767

RGB 111 103 103

HSL 0, 0.04%, 0.42%

LAB 44.32, 3.15, 1.13

 

CMYK 23 / 0 / 3 / 53

HEX #5D7875

RGB 93 120 117

HSL 173.33, 0.13%, 0.42%

LAB 48.32, -10.42, -1.57

 

CMYK 45 / 0 / 5 / 46

HEX #4C8982

RGB 76 137 130

HSL 173.11, 0.29%, 0.42%

LAB 52.99, -21.56, -2.43

 

CMYK 62 / 0 / 7 / 40

HEX #3B9A8F

RGB 59 154 143

HSL 173.05, 0.45%, 0.42%

LAB 58.06, -30.42, -2.52

 

CMYK 0 / 34 / 12 / 50

HEX #805571

RGB 128 85 113

HSL 320.93, 0.2%, 0.42%

LAB 41.66, 22.47, -8.7

 

CMYK 0 / 34 / 20 / 50

HEX #805566

RGB 128 85 102

HSL 336.28, 0.2%, 0.42%

LAB 41.29, 20.53, -2.48

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 28 / 34 / 50

HEX #805C55

RGB 128 92 85

HSL 9.77, 0.2%, 0.42%

LAB 42.61, 13.72, 9.85

 

CMYK 0 / 20 / 34 / 50

HEX #806755

RGB 128 103 85

HSL 25.12, 0.2%, 0.42%

LAB 45.56, 7.19, 13.94

 

CMYK 0 / 34 / 30 / 69

HEX #4F3437

RGB 79 52 55

HSL 353.33, 0.21%, 0.26%

LAB 24.93, 12.67, 3.04

 

CMYK 0 / 33 / 29 / 60

HEX #674549

RGB 103 69 73

HSL 352.94, 0.2%, 0.34%

LAB 33.18, 15.27, 3.53

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 0 / 33 / 29 / 40

HEX #99666C

RGB 153 102 108

HSL 352.94, 0.2%, 0.5%

LAB 48.71, 21.4, 5.04

 

CMYK 0 / 25 / 22 / 34

HEX #A97F83

RGB 169 127 131

HSL 354.29, 0.2%, 0.58%

LAB 57.32, 16.85, 4.16

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 3 / 0 / 34 / 50

HEX #7C8055

RGB 124 128 85

HSL 65.58, 0.2%, 0.42%

LAB 52.26, -8.87, 22.89

 

CMYK 34 / 16 / 0 / 50

HEX #556B80

RGB 85 107 128

HSL 209.3, 0.2%, 0.42%

LAB 44.24, -2.7, -14.28

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 30 / 0 / 34 / 50

HEX #5A8055

RGB 90 128 85

HSL 113.02, 0.2%, 0.42%

LAB 49.82, -22.34, 19.2

 

CMYK 34 / 30 / 0 / 50

HEX #555A80

RGB 85 90 128

HSL 233.02, 0.2%, 0.42%

LAB 39.25, 7.72, -21.95

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 3 / 0 / 34 / 50

HEX #7C8055

RGB 124 128 85

HSL 65.58, 0.2%, 0.42%

LAB 52.26, -8.87, 22.89

 

CMYK 34 / 0 / 4 / 50

HEX #55807B

RGB 85 128 123

HSL 173.02, 0.2%, 0.42%

LAB 50.45, -15.99, -2.03

 

CMYK 30 / 34 / 0 / 50

HEX #595580

RGB 89 85 128

HSL 245.58, 0.2%, 0.42%

LAB 38.16, 12.14, -23.61

 

CMYK 0 / 34 / 30 / 50

HEX #80555A

RGB 128 85 90

HSL 353.02, 0.2%, 0.42%

LAB 40.94, 18.62, 4.41

 

CMYK 13 / 0 / 34 / 50

HEX #708055

RGB 112 128 85

HSL 82.33, 0.2%, 0.42%

LAB 51.31, -13.82, 21.46

 

CMYK 34 / 0 / 4 / 50

HEX #55807B

RGB 85 128 123

HSL 173.02, 0.2%, 0.42%

LAB 50.45, -15.99, -2.03

 

CMYK 20 / 34 / 0 / 50

HEX #665580

RGB 102 85 128

HSL 263.72, 0.2%, 0.42%

LAB 39.38, 16.41, -21.62

 

Description

Color code: RGB 128 85 90 | qconv.com Color code: RGB 128 85 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 85 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 85 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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