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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 5 100 it is the complementary color RGB 127 250 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 5 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 5 100 shade: RGB 133 5 95, RGB 150 23 114, RGB 167 41 133, RGB 184 59 152 and RGB 201 77 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 5 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 5 100 shade: RGB 128 5 100, RGB 111 0 81, RGB 94 0 62, RGB 77 0 43 and RGB 60 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 5 100 shade: RGB 127 5 99, RGB 127 5 66, RGB 127 5 33 and RGB 127 5 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 5 100 shade: RGB 127 5 99, RGB 122 5 127, RGB 89 5 127, RGB 56 5 127 and RGB 23 5 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 5 100 shade matches the following richer shades: RGB 127 5 99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 5 100 shade: RGB 127 5 99, RGB 116 16 93, RGB 105 26 87, RGB 95 37 81 and RGB 84 48 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 5 100 shade: RGB 88 5 127, RGB 121 5 127, RGB 127 5 100, RGB 127 5 68 and RGB 127 5 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 5 100 shade: RGB 48 2 37, RGB 87 3 68, RGB 127 5 99, RGB 166 6 130 and RGB 206 8 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 5 100 shade: RGB 128 5 100, RGB 127 56 5 and RGB 5 127 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 5 100 shade: RGB 128 5 100, RGB 100 127 5 and RGB 5 100 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 5 100 shade: RGB 128 5 100, RGB 127 56 5, RGB 5 127 31 and RGB 5 76 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 5 100 shade: RGB 128 5 100, RGB 127 92 5, RGB 5 127 31 and RGB 5 39 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

Complementary color

CMYK 49 / 0 / 38 / 2

HEX #7FFA9B

RGB 127 250 155

HSL 133.66, 0.92%, 0.74%

LAB 89.51, -54.26, 35.22

 

CMYK 0 / 96 / 29 / 48

HEX #85055F

RGB 133 5 95

HSL 317.81, 0.93%, 0.27%

LAB 29.21, 54.5, -16.17

 

CMYK 0 / 85 / 24 / 41

HEX #961772

RGB 150 23 114

HSL 317.01, 0.73%, 0.34%

LAB 34.62, 57.42, -19.74

 

CMYK 0 / 75 / 20 / 35

HEX #A72985

RGB 167 41 133

HSL 316.19, 0.61%, 0.41%

LAB 40.4, 58.98, -22.39

 

CMYK 0 / 68 / 17 / 28

HEX #B83B98

RGB 184 59 152

HSL 315.36, 0.51%, 0.48%

LAB 46.43, 59.6, -24.35

 

CMYK 0 / 62 / 15 / 21

HEX #C94DAB

RGB 201 77 171

HSL 314.52, 0.53%, 0.55%

LAB 52.58, 59.65, -25.85

 

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

CMYK 0 / 100 / 27 / 56

HEX #6F0051

RGB 111 0 81

HSL 316.22, 1%, 0.22%

LAB 23.58, 48.87, -15.96

 

CMYK 0 / 100 / 34 / 63

HEX #5E003E

RGB 94 0 62

HSL 320.43, 1%, 0.18%

LAB 18.92, 42.72, -10.42

 

CMYK 0 / 100 / 44 / 70

HEX #4D002B

RGB 77 0 43

HSL 326.49, 1%, 0.15%

LAB 14.13, 36.43, -4.44

 

CMYK 0 / 100 / 60 / 76

HEX #3C0018

RGB 60 0 24

HSL 336, 1%, 0.12%

LAB 9.21, 30.02, 2.22

 

CMYK 0 / 96 / 22 / 50

HEX #7F0563

RGB 127 5 99

HSL 313.77, 0.92%, 0.26%

LAB 28.17, 53.7, -20.49

 

CMYK 0 / 96 / 48 / 50

HEX #7F0542

RGB 127 5 66

HSL 330, 0.92%, 0.26%

LAB 26.77, 50.01, -0.65

 

CMYK 0 / 96 / 74 / 50

HEX #7F0521

RGB 127 5 33

HSL 346.23, 0.92%, 0.26%

LAB 25.95, 47.75, 20.7

 

CMYK 0 / 96 / 96 / 50

HEX #7F0505

RGB 127 5 5

HSL 0, 0.92%, 0.26%

LAB 25.66, 46.93, 36.06

 

CMYK 0 / 96 / 22 / 50

HEX #7F0563

RGB 127 5 99

HSL 313.77, 0.92%, 0.26%

LAB 28.17, 53.7, -20.49

 

CMYK 4 / 96 / 0 / 50

HEX #7A057F

RGB 122 5 127

HSL 297.54, 0.92%, 0.26%

LAB 28.85, 56.91, -37.43

 

CMYK 30 / 96 / 0 / 50

HEX #59057F

RGB 89 5 127

HSL 281.31, 0.92%, 0.26%

LAB 22.88, 51.59, -47.38

 

CMYK 56 / 96 / 0 / 50

HEX #38057F

RGB 56 5 127

HSL 265.08, 0.92%, 0.26%

LAB 17.84, 47.74, -55.86

 

CMYK 82 / 96 / 0 / 50

HEX #17057F

RGB 23 5 127

HSL 248.85, 0.92%, 0.26%

LAB 14.53, 45.71, -61.44

 

CMYK 0 / 96 / 22 / 50

HEX #7F0563

RGB 127 5 99

HSL 313.77, 0.92%, 0.26%

LAB 28.17, 53.7, -20.49

 

CMYK 0 / 96 / 22 / 50

HEX #7F0563

RGB 127 5 99

HSL 313.77, 0.92%, 0.26%

LAB 28.17, 53.7, -20.49

 

CMYK 0 / 86 / 20 / 55

HEX #74105D

RGB 116 16 93

HSL 313.8, 0.76%, 0.26%

LAB 26.37, 48.28, -19.53

 

CMYK 0 / 75 / 17 / 59

HEX #691A57

RGB 105 26 87

HSL 313.67, 0.6%, 0.26%

LAB 25.05, 41.43, -17.8

 

CMYK 0 / 61 / 15 / 63

HEX #5F2551

RGB 95 37 81

HSL 314.48, 0.44%, 0.26%

LAB 24.8, 32.39, -14.33

 

CMYK 0 / 43 / 10 / 67

HEX #54304C

RGB 84 48 76

HSL 313.33, 0.27%, 0.26%

LAB 25.32, 21.17, -10.35

 

CMYK 31 / 96 / 0 / 50

HEX #58057F

RGB 88 5 127

HSL 280.82, 0.92%, 0.26%

LAB 22.71, 51.45, -47.67

 

CMYK 5 / 96 / 0 / 50

HEX #79057F

RGB 121 5 127

HSL 297.05, 0.92%, 0.26%

LAB 28.66, 56.73, -37.74

 

CMYK 0 / 96 / 21 / 50

HEX #7F0564

RGB 127 5 100

HSL 313.28, 0.92%, 0.26%

LAB 28.22, 53.83, -21.06

 

CMYK 0 / 96 / 46 / 50

HEX #7F0544

RGB 127 5 68

HSL 329.02, 0.92%, 0.26%

LAB 26.84, 50.19, -1.91

 

CMYK 0 / 96 / 72 / 50

HEX #7F0523

RGB 127 5 35

HSL 345.25, 0.92%, 0.26%

LAB 25.99, 47.85, 19.4

 

CMYK 0 / 96 / 23 / 81

HEX #300225

RGB 48 2 37

HSL 314.35, 0.92%, 0.1%

LAB 7.27, 27.14, -11.03

 

CMYK 0 / 97 / 22 / 66

HEX #570344

RGB 87 3 68

HSL 313.57, 0.93%, 0.18%

LAB 17.96, 41.06, -16.22

 

CMYK 0 / 96 / 22 / 50

HEX #7F0563

RGB 127 5 99

HSL 313.77, 0.92%, 0.26%

LAB 28.17, 53.7, -20.49

 

CMYK 0 / 96 / 22 / 35

HEX #A60682

RGB 166 6 130

HSL 313.5, 0.93%, 0.34%

LAB 37.57, 65.6, -24.95

 

CMYK 0 / 96 / 22 / 19

HEX #CE08A1

RGB 206 8 161

HSL 313.64, 0.93%, 0.42%

LAB 46.8, 77.04, -28.85

 

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

CMYK 0 / 56 / 96 / 50

HEX #7F3805

RGB 127 56 5

HSL 25.08, 0.92%, 0.26%

LAB 32.59, 28.1, 41.55

 

CMYK 96 / 0 / 18 / 50

HEX #057F68

RGB 5 127 104

HSL 168.69, 0.92%, 0.26%

LAB 47.25, -35.4, 4.2

 

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

CMYK 21 / 0 / 96 / 50

HEX #647F05

RGB 100 127 5

HSL 73.28, 0.92%, 0.26%

LAB 49.37, -25.01, 52.85

 

CMYK 96 / 21 / 0 / 50

HEX #05647F

RGB 5 100 127

HSL 193.28, 0.92%, 0.26%

LAB 39.03, -14.06, -21.93

 

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

CMYK 0 / 56 / 96 / 50

HEX #7F3805

RGB 127 56 5

HSL 25.08, 0.92%, 0.26%

LAB 32.59, 28.1, 41.55

 

CMYK 96 / 0 / 76 / 50

HEX #057F1F

RGB 5 127 31

HSL 132.79, 0.92%, 0.26%

LAB 46.06, -49.28, 41.43

 

CMYK 96 / 40 / 0 / 50

HEX #054C7F

RGB 5 76 127

HSL 205.08, 0.92%, 0.26%

LAB 31.19, 0.82, -34.26

 

CMYK 0 / 96 / 22 / 50

HEX #800564

RGB 128 5 100

HSL 313.66, 0.92%, 0.26%

LAB 28.43, 54.05, -20.73

 

CMYK 0 / 28 / 96 / 50

HEX #7F5C05

RGB 127 92 5

HSL 42.79, 0.92%, 0.26%

LAB 41.5, 7.16, 47.91

 

CMYK 96 / 0 / 76 / 50

HEX #057F1F

RGB 5 127 31

HSL 132.79, 0.92%, 0.26%

LAB 46.06, -49.28, 41.43

 

CMYK 96 / 69 / 0 / 50

HEX #05277F

RGB 5 39 127

HSL 223.28, 0.92%, 0.26%

LAB 20.11, 26.83, -52.22

 

Description

Color code: RGB 128 5 100 | qconv.com Color code: RGB 128 5 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 5 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 5 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 96 magenta, 22 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 96% 22% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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