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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 29 28 it is the complementary color RGB 127 226 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 29 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 29 28 shade: RGB 133 29 23, RGB 150 47 42, RGB 167 65 61, RGB 184 83 80 and RGB 201 101 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 29 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 29 28 shade: RGB 128 29 28, RGB 111 11 9, RGB 94 0 0, RGB 77 0 0 and RGB 60 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 29 28 shade: RGB 129 29 28 and RGB 129 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 29 28 shade: RGB 129 29 28, RGB 129 56 28, RGB 129 84 28, RGB 129 111 28 and RGB 120 129 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 29 28 shade matches the following richer shades: RGB 129 29 28, RGB 142 16 15 and RGB 155 4 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 29 28 shade: RGB 129 29 28, RGB 116 42 41, RGB 104 54 54, RGB 91 67 66 and RGB 78 79 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 29 28 shade: RGB 129 28 82, RGB 129 28 55, RGB 129 28 28, RGB 129 55 28 and RGB 129 82 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 29 28 shade: RGB 61 14 13, RGB 95 21 21, RGB 129 29 28, RGB 163 37 35 and RGB 197 44 43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 29 28 shade: RGB 128 29 28, RGB 109 129 28 and RGB 28 68 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 29 28 shade: RGB 128 29 28, RGB 28 129 28 and RGB 28 28 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 29 28 shade: RGB 128 29 28, RGB 109 129 28, RGB 28 129 129 and RGB 48 28 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 29 28 shade: RGB 128 29 28, RGB 79 129 28, RGB 28 129 129 and RGB 79 28 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

Complementary color

CMYK 44 / 0 / 0 / 11

HEX #7FE2E3

RGB 127 226 227

HSL 180.6, 0.64%, 0.69%

LAB 84.2, -28.77, -9.56

 

CMYK 0 / 78 / 83 / 48

HEX #851D17

RGB 133 29 23

HSL 3.27, 0.71%, 0.31%

LAB 29.23, 43.18, 30.97

 

CMYK 0 / 69 / 72 / 41

HEX #962F2A

RGB 150 47 42

HSL 2.78, 0.56%, 0.38%

LAB 35.37, 42.72, 27.31

 

CMYK 0 / 61 / 63 / 35

HEX #A7413D

RGB 167 65 61

HSL 2.26, 0.46%, 0.45%

LAB 41.74, 41.76, 24.25

 

CMYK 0 / 55 / 57 / 28

HEX #B85350

RGB 184 83 80

HSL 1.73, 0.42%, 0.52%

LAB 48.2, 40.63, 21.74

 

CMYK 0 / 50 / 51 / 21

HEX #C96563

RGB 201 101 99

HSL 1.18, 0.49%, 0.59%

LAB 54.68, 39.47, 19.65

 

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

CMYK 0 / 90 / 92 / 56

HEX #6F0B09

RGB 111 11 9

HSL 1.18, 0.85%, 0.24%

LAB 22.44, 41.11, 30.01

 

CMYK 0 / 100 / 100 / 63

HEX #5E0000

RGB 94 0 0

HSL 0, 1%, 0.18%

LAB 17.37, 38.61, 26.85

 

CMYK 0 / 100 / 100 / 70

HEX #4D0000

RGB 77 0 0

HSL 0, 1%, 0.15%

LAB 13.09, 33.66, 20.53

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 78 / 78 / 49

HEX #811D1C

RGB 129 29 28

HSL 0.59, 0.64%, 0.31%

LAB 28.46, 42.05, 26.92

 

CMYK 0 / 78 / 78 / 49

HEX #811C1C

RGB 129 28 28

HSL 0, 0.64%, 0.31%

LAB 28.33, 42.4, 26.78

 

CMYK 0 / 78 / 78 / 49

HEX #811D1C

RGB 129 29 28

HSL 0.59, 0.64%, 0.31%

LAB 28.46, 42.05, 26.92

 

CMYK 0 / 57 / 78 / 49

HEX #81381C

RGB 129 56 28

HSL 16.63, 0.64%, 0.31%

LAB 33.09, 29.65, 31.88

 

CMYK 0 / 35 / 78 / 49

HEX #81541C

RGB 129 84 28

HSL 33.27, 0.64%, 0.31%

LAB 39.73, 13.58, 38.62

 

CMYK 0 / 14 / 78 / 49

HEX #816F1C

RGB 129 111 28

HSL 49.31, 0.64%, 0.31%

LAB 47.13, -2.23, 45.73

 

CMYK 7 / 0 / 78 / 49

HEX #78811C

RGB 120 129 28

HSL 65.35, 0.64%, 0.31%

LAB 51.58, -16.36, 49.58

 

CMYK 0 / 78 / 78 / 49

HEX #811D1C

RGB 129 29 28

HSL 0.59, 0.64%, 0.31%

LAB 28.46, 42.05, 26.92

 

CMYK 0 / 89 / 89 / 44

HEX #8E100F

RGB 142 16 15

HSL 0.47, 0.81%, 0.31%

LAB 29.8, 49.35, 36.56

 

CMYK 0 / 97 / 99 / 39

HEX #9B0402

RGB 155 4 2

HSL 0.78, 0.97%, 0.31%

LAB 31.94, 54.69, 44.99

 

CMYK 0 / 78 / 78 / 49

HEX #811D1C

RGB 129 29 28

HSL 0.59, 0.64%, 0.31%

LAB 28.46, 42.05, 26.92

 

CMYK 0 / 64 / 65 / 55

HEX #742A29

RGB 116 42 41

HSL 0.8, 0.48%, 0.31%

LAB 28.19, 32.5, 17.72

 

CMYK 0 / 48 / 48 / 59

HEX #683636

RGB 104 54 54

HSL 0, 0.32%, 0.31%

LAB 29.03, 22.22, 9.98

 

CMYK 0 / 26 / 27 / 64

HEX #5B4342

RGB 91 67 66

HSL 2.4, 0.16%, 0.31%

LAB 30.95, 10.2, 4.64

 

CMYK 1 / 0 / 0 / 69

HEX #4E4F4F

RGB 78 79 79

HSL 180, 0.01%, 0.31%

LAB 33.51, -0.4, -0.15

 

CMYK 0 / 78 / 36 / 49

HEX #811C52

RGB 129 28 82

HSL 327.92, 0.64%, 0.31%

LAB 29.68, 46.7, -6.99

 

CMYK 0 / 78 / 57 / 49

HEX #811C37

RGB 129 28 55

HSL 343.96, 0.64%, 0.31%

LAB 28.83, 44.03, 9.76

 

CMYK 0 / 78 / 78 / 49

HEX #811C1C

RGB 129 28 28

HSL 0, 0.64%, 0.31%

LAB 28.33, 42.4, 26.78

 

CMYK 0 / 57 / 78 / 49

HEX #81371C

RGB 129 55 28

HSL 16.04, 0.64%, 0.31%

LAB 32.88, 30.19, 31.66

 

CMYK 0 / 36 / 78 / 49

HEX #81521C

RGB 129 82 28

HSL 32.08, 0.64%, 0.31%

LAB 39.22, 14.77, 38.11

 

CMYK 0 / 77 / 79 / 76

HEX #3D0E0D

RGB 61 14 13

HSL 1.25, 0.65%, 0.15%

LAB 11.52, 22.88, 12.35

 

CMYK 0 / 78 / 78 / 63

HEX #5F1515

RGB 95 21 21

HSL 0, 0.64%, 0.23%

LAB 20.14, 33.11, 20.1

 

CMYK 0 / 78 / 78 / 49

HEX #811D1C

RGB 129 29 28

HSL 0.59, 0.64%, 0.31%

LAB 28.46, 42.05, 26.92

 

CMYK 0 / 77 / 79 / 36

HEX #A32523

RGB 163 37 35

HSL 0.94, 0.65%, 0.39%

LAB 36.43, 50.5, 33.36

 

CMYK 0 / 78 / 78 / 23

HEX #C52C2B

RGB 197 44 43

HSL 0.39, 0.64%, 0.47%

LAB 44.01, 58.94, 38.84

 

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

CMYK 16 / 0 / 78 / 49

HEX #6D811C

RGB 109 129 28

HSL 71.88, 0.64%, 0.31%

LAB 50.73, -21.28, 48.48

 

CMYK 78 / 47 / 0 / 49

HEX #1C4481

RGB 28 68 129

HSL 216.24, 0.64%, 0.31%

LAB 29.33, 9.18, -38.45

 

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

CMYK 78 / 0 / 78 / 49

HEX #1C811C

RGB 28 129 28

HSL 120, 0.64%, 0.31%

LAB 47.02, -47.68, 43.62

 

CMYK 78 / 78 / 0 / 49

HEX #1C1C81

RGB 28 28 129

HSL 240, 0.64%, 0.31%

LAB 18.64, 36.24, -55.88

 

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

CMYK 16 / 0 / 78 / 49

HEX #6D811C

RGB 109 129 28

HSL 71.88, 0.64%, 0.31%

LAB 50.73, -21.28, 48.48

 

CMYK 78 / 0 / 0 / 49

HEX #1C8181

RGB 28 129 129

HSL 180, 0.64%, 0.31%

LAB 48.92, -27, -8.04

 

CMYK 63 / 78 / 0 / 49

HEX #301C81

RGB 48 28 129

HSL 251.88, 0.64%, 0.31%

LAB 20.22, 38.41, -53.22

 

CMYK 0 / 77 / 78 / 50

HEX #801D1C

RGB 128 29 28

HSL 0.6, 0.64%, 0.31%

LAB 28.25, 41.71, 26.64

 

CMYK 39 / 0 / 78 / 49

HEX #4F811C

RGB 79 129 28

HSL 89.7, 0.64%, 0.31%

LAB 48.82, -33.64, 45.99

 

CMYK 78 / 0 / 0 / 49

HEX #1C8181

RGB 28 129 129

HSL 180, 0.64%, 0.31%

LAB 48.92, -27, -8.04

 

CMYK 39 / 78 / 0 / 49

HEX #4F1C81

RGB 79 28 129

HSL 270.3, 0.64%, 0.31%

LAB 23.93, 43.33, -47

 

Description

Color code: RGB 128 29 28 | qconv.com Color code: RGB 128 29 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 29 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 29 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 78 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 78% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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