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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 24 174 it is the complementary color RGB 127 231 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 24 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 24 174 shade: RGB 133 24 169, RGB 150 42 188, RGB 167 60 207, RGB 184 78 226 and RGB 201 96 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 24 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 24 174 shade: RGB 128 24 174, RGB 111 6 155, RGB 94 0 136, RGB 77 0 117 and RGB 60 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 24 174 shade: RGB 128 23 175, RGB 169 23 175, RGB 175 23 139, RGB 175 23 99 and RGB 175 23 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 24 174 shade: RGB 128 23 175, RGB 87 23 175, RGB 47 23 175 and RGB 23 23 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 24 174 shade matches the following richer shades: RGB 128 23 175 and RGB 134 7 191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 24 174 shade: RGB 128 23 175, RGB 122 39 158, RGB 116 56 142, RGB 110 72 126 and RGB 103 88 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 24 174 shade: RGB 46 23 175, RGB 86 23 175, RGB 127 23 175, RGB 167 23 175 and RGB 175 23 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 24 174 shade: RGB 75 13 102, RGB 101 18 138, RGB 128 23 175, RGB 155 28 211 and RGB 174 53 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 24 174 shade: RGB 128 24 174, RGB 175 23 41 and RGB 23 175 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 24 174 shade: RGB 128 24 174, RGB 175 127 23 and RGB 23 175 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 24 174 shade: RGB 128 24 174, RGB 175 23 41, RGB 71 175 23 and RGB 23 175 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 24 174 shade: RGB 128 24 174, RGB 175 51 23, RGB 71 175 23 and RGB 23 147 175

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

Complementary color

CMYK 45 / 0 / 65 / 9

HEX #7FE751

RGB 127 231 81

HSL 101.6, 0.76%, 0.61%

LAB 83.05, -55.99, 61.51

 

CMYK 21 / 86 / 0 / 34

HEX #8518A9

RGB 133 24 169

HSL 285.1, 0.75%, 0.38%

LAB 35.01, 62.72, -53.2

 

CMYK 20 / 78 / 0 / 26

HEX #962ABC

RGB 150 42 188

HSL 284.38, 0.63%, 0.45%

LAB 40.85, 64.18, -54.9

 

CMYK 19 / 71 / 0 / 19

HEX #A73CCF

RGB 167 60 207

HSL 283.67, 0.6%, 0.52%

LAB 46.91, 64.72, -56.04

 

CMYK 19 / 65 / 0 / 11

HEX #B84EE2

RGB 184 78 226

HSL 282.97, 0.72%, 0.6%

LAB 53.09, 64.69, -56.81

 

CMYK 18 / 61 / 0 / 4

HEX #C960F5

RGB 201 96 245

HSL 282.28, 0.88%, 0.67%

LAB 59.32, 64.32, -57.35

 

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

CMYK 28 / 96 / 0 / 39

HEX #6F069B

RGB 111 6 155

HSL 282.28, 0.93%, 0.32%

LAB 29.1, 60.13, -54.5

 

CMYK 31 / 100 / 0 / 47

HEX #5E0088

RGB 94 0 136

HSL 281.47, 1%, 0.27%

LAB 24.18, 55.19, -50.88

 

CMYK 34 / 100 / 0 / 54

HEX #4D0075

RGB 77 0 117

HSL 279.49, 1%, 0.23%

LAB 19.48, 49.1, -46.63

 

CMYK 39 / 100 / 0 / 62

HEX #3C0062

RGB 60 0 98

HSL 276.73, 1%, 0.19%

LAB 14.64, 42.84, -42.25

 

CMYK 27 / 87 / 0 / 31

HEX #8017AF

RGB 128 23 175

HSL 281.45, 0.77%, 0.39%

LAB 34.59, 63.34, -57.5

 

CMYK 3 / 87 / 0 / 31

HEX #A917AF

RGB 169 23 175

HSL 297.63, 0.77%, 0.39%

LAB 41.44, 70.21, -46.1

 

CMYK 0 / 87 / 21 / 31

HEX #AF178B

RGB 175 23 139

HSL 314.21, 0.77%, 0.39%

LAB 40.56, 66.18, -25.72

 

CMYK 0 / 87 / 43 / 31

HEX #AF1763

RGB 175 23 99

HSL 330, 0.77%, 0.39%

LAB 38.95, 61.73, -3.21

 

CMYK 0 / 87 / 67 / 31

HEX #AF173A

RGB 175 23 58

HSL 346.18, 0.77%, 0.39%

LAB 37.9, 58.73, 21.55

 

CMYK 27 / 87 / 0 / 31

HEX #8017AF

RGB 128 23 175

HSL 281.45, 0.77%, 0.39%

LAB 34.59, 63.34, -57.5

 

CMYK 50 / 87 / 0 / 31

HEX #5717AF

RGB 87 23 175

HSL 265.26, 0.77%, 0.39%

LAB 28.73, 57.85, -67.34

 

CMYK 73 / 87 / 0 / 31

HEX #2F17AF

RGB 47 23 175

HSL 249.47, 0.77%, 0.39%

LAB 24.68, 54.37, -74.18

 

CMYK 87 / 87 / 0 / 31

HEX #1717AF

RGB 23 23 175

HSL 240, 0.77%, 0.39%

LAB 23.3, 53.28, -76.5

 

CMYK 27 / 87 / 0 / 31

HEX #8017AF

RGB 128 23 175

HSL 281.45, 0.77%, 0.39%

LAB 34.59, 63.34, -57.5

 

CMYK 30 / 96 / 0 / 25

HEX #8607BF

RGB 134 7 191

HSL 281.41, 0.93%, 0.39%

LAB 35.95, 70.02, -64.74

 

CMYK 27 / 87 / 0 / 31

HEX #8017AF

RGB 128 23 175

HSL 281.45, 0.77%, 0.39%

LAB 34.59, 63.34, -57.5

 

CMYK 23 / 75 / 0 / 38

HEX #7A279E

RGB 122 39 158

HSL 281.85, 0.6%, 0.39%

LAB 34.1, 53.78, -48.12

 

CMYK 18 / 61 / 0 / 44

HEX #74388E

RGB 116 56 142

HSL 281.86, 0.43%, 0.39%

LAB 34.99, 41.08, -36.98

 

CMYK 13 / 43 / 0 / 51

HEX #6E487E

RGB 110 72 126

HSL 282.22, 0.27%, 0.39%

LAB 36.85, 26.57, -24.26

 

CMYK 6 / 20 / 0 / 57

HEX #67586E

RGB 103 88 110

HSL 280.91, 0.11%, 0.39%

LAB 39.56, 10.63, -10.28

 

CMYK 74 / 87 / 0 / 31

HEX #2E17AF

RGB 46 23 175

HSL 249.08, 0.77%, 0.39%

LAB 24.6, 54.31, -74.3

 

CMYK 51 / 87 / 0 / 31

HEX #5617AF

RGB 86 23 175

HSL 264.87, 0.77%, 0.39%

LAB 28.61, 57.74, -67.55

 

CMYK 27 / 87 / 0 / 31

HEX #7F17AF

RGB 127 23 175

HSL 281.05, 0.77%, 0.39%

LAB 34.44, 63.19, -57.77

 

CMYK 5 / 87 / 0 / 31

HEX #A717AF

RGB 167 23 175

HSL 296.84, 0.77%, 0.39%

LAB 41.09, 69.85, -46.68

 

CMYK 0 / 87 / 19 / 31

HEX #AF178E

RGB 175 23 142

HSL 313.03, 0.77%, 0.39%

LAB 40.7, 66.57, -27.33

 

CMYK 26 / 87 / 0 / 60

HEX #4B0D66

RGB 75 13 102

HSL 281.8, 0.77%, 0.23%

LAB 18.98, 41.94, -37.69

 

CMYK 27 / 87 / 0 / 46

HEX #65128A

RGB 101 18 138

HSL 281.5, 0.77%, 0.31%

LAB 26.83, 52.76, -47.77

 

CMYK 27 / 87 / 0 / 31

HEX #8017AF

RGB 128 23 175

HSL 281.45, 0.77%, 0.39%

LAB 34.59, 63.34, -57.5

 

CMYK 27 / 87 / 0 / 17

HEX #9B1CD3

RGB 155 28 211

HSL 281.64, 0.77%, 0.47%

LAB 42, 73.27, -66.37

 

CMYK 23 / 77 / 0 / 11

HEX #AE35E3

RGB 174 53 227

HSL 281.72, 0.76%, 0.55%

LAB 48.37, 72.5, -65.05

 

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

CMYK 0 / 87 / 77 / 31

HEX #AF1729

RGB 175 23 41

HSL 352.89, 0.77%, 0.39%

LAB 37.64, 57.97, 31.83

 

CMYK 87 / 0 / 62 / 31

HEX #17AF42

RGB 23 175 66

HSL 136.97, 0.77%, 0.39%

LAB 62.71, -59.39, 44.56

 

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

CMYK 0 / 27 / 87 / 31

HEX #AF7F17

RGB 175 127 23

HSL 41.05, 0.77%, 0.39%

LAB 56.44, 9.91, 57.48

 

CMYK 87 / 0 / 27 / 31

HEX #17AF7F

RGB 23 175 127

HSL 161.05, 0.77%, 0.39%

LAB 63.65, -48.36, 14.37

 

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

CMYK 0 / 87 / 77 / 31

HEX #AF1729

RGB 175 23 41

HSL 352.89, 0.77%, 0.39%

LAB 37.64, 57.97, 31.83

 

CMYK 59 / 0 / 87 / 31

HEX #47AF17

RGB 71 175 23

HSL 101.05, 0.77%, 0.39%

LAB 63.39, -54.64, 60.58

 

CMYK 87 / 0 / 10 / 31

HEX #17AF9D

RGB 23 175 157

HSL 172.89, 0.77%, 0.39%

LAB 64.38, -40.57, -1.19

 

CMYK 26 / 86 / 0 / 32

HEX #8018AE

RGB 128 24 174

HSL 281.6, 0.76%, 0.39%

LAB 34.6, 62.9, -56.9

 

CMYK 0 / 71 / 87 / 31

HEX #AF3317

RGB 175 51 23

HSL 11.05, 0.77%, 0.39%

LAB 40.48, 48.99, 44.29

 

CMYK 59 / 0 / 87 / 31

HEX #47AF17

RGB 71 175 23

HSL 101.05, 0.77%, 0.39%

LAB 63.39, -54.64, 60.58

 

CMYK 87 / 16 / 0 / 31

HEX #1793AF

RGB 23 147 175

HSL 191.05, 0.77%, 0.39%

LAB 56.23, -21.45, -23.59

 

Description

Color code: RGB 128 24 174 | qconv.com Color code: RGB 128 24 174 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 24 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 24 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 86 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 86% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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