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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 225 192 it is the complementary color RGB 127 30 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 225 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 225 192 shade: RGB 133 225 187, RGB 150 243 206, RGB 167 255 225, RGB 184 255 244 and RGB 201 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 225 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 225 192 shade: RGB 128 225 192, RGB 111 207 173, RGB 94 189 154, RGB 77 171 135 and RGB 60 153 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 225 192 shade: RGB 126 224 191, RGB 126 224 165, RGB 126 224 138, RGB 141 224 126 and RGB 167 224 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 225 192 shade: RGB 126 224 191, RGB 126 224 218, RGB 126 205 224, RGB 126 179 224 and RGB 126 152 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 225 192 shade matches the following richer shades: RGB 126 224 191, RGB 114 237 195 and RGB 101 250 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 225 192 shade: RGB 126 224 191, RGB 139 212 187, RGB 152 199 183, RGB 165 186 179 and RGB 178 173 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 225 192 shade: RGB 126 224 138, RGB 126 224 164, RGB 126 224 190, RGB 126 224 216 and RGB 126 206 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 225 192 shade: RGB 60 209 158, RGB 93 217 175, RGB 126 224 191, RGB 160 232 208 and RGB 193 240 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 225 192 shade: RGB 128 225 192, RGB 126 141 224 and RGB 224 151 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 225 192 shade: RGB 128 225 192, RGB 190 126 224 and RGB 224 190 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 225 192 shade: RGB 128 225 192, RGB 126 141 224, RGB 224 126 161 and RGB 224 210 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 225 192 shade: RGB 128 225 192, RGB 141 126 224, RGB 224 126 161 and RGB 210 224 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

Complementary color

CMYK 0 / 76 / 50 / 50

HEX #7F1E3F

RGB 127 30 63

HSL 339.59, 0.62%, 0.31%

LAB 28.9, 43.4, 4.44

 

CMYK 41 / 0 / 17 / 12

HEX #85E1BB

RGB 133 225 187

HSL 155.22, 0.61%, 0.7%

LAB 83.14, -35.99, 10.06

 

CMYK 38 / 0 / 15 / 5

HEX #96F3CE

RGB 150 243 206

HSL 156.13, 0.79%, 0.77%

LAB 89.41, -35.77, 9.18

 

CMYK 35 / 0 / 12 / 0

HEX #A7FFE1

RGB 167 255 225

HSL 159.55, 1%, 0.83%

LAB 93.96, -32.79, 5.98

 

CMYK 28 / 0 / 4 / 0

HEX #B8FFF4

RGB 184 255 244

HSL 170.7, 1%, 0.86%

LAB 95.26, -24.09, -1.81

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

CMYK 46 / 0 / 16 / 19

HEX #6FCFAD

RGB 111 207 173

HSL 158.75, 0.5%, 0.62%

LAB 76.69, -36.4, 8.17

 

CMYK 50 / 0 / 19 / 26

HEX #5EBD9A

RGB 94 189 154

HSL 157.89, 0.42%, 0.55%

LAB 70.25, -36.54, 9.15

 

CMYK 55 / 0 / 21 / 33

HEX #4DAB87

RGB 77 171 135

HSL 157.02, 0.38%, 0.49%

LAB 63.72, -36.62, 10.22

 

CMYK 61 / 0 / 24 / 40

HEX #3C9974

RGB 60 153 116

HSL 156.13, 0.44%, 0.42%

LAB 57.08, -36.6, 11.4

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BF

RGB 126 224 191

HSL 159.8, 0.61%, 0.69%

LAB 82.65, -36.5, 7.21

 

CMYK 44 / 0 / 26 / 12

HEX #7EE0A5

RGB 126 224 165

HSL 143.88, 0.61%, 0.69%

LAB 82.09, -41.81, 20.09

 

CMYK 44 / 0 / 38 / 12

HEX #7EE08A

RGB 126 224 138

HSL 127.35, 0.61%, 0.69%

LAB 81.61, -46.52, 33.35

 

CMYK 37 / 0 / 44 / 12

HEX #8DE07E

RGB 141 224 126

HSL 110.82, 0.61%, 0.69%

LAB 82.1, -43.8, 40.12

 

CMYK 25 / 0 / 44 / 12

HEX #A7E07E

RGB 167 224 126

HSL 94.9, 0.61%, 0.69%

LAB 83.46, -35.13, 42.12

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BF

RGB 126 224 191

HSL 159.8, 0.61%, 0.69%

LAB 82.65, -36.5, 7.21

 

CMYK 44 / 0 / 3 / 12

HEX #7EE0DA

RGB 126 224 218

HSL 176.33, 0.61%, 0.69%

LAB 83.34, -30.26, -6.08

 

CMYK 44 / 8 / 0 / 12

HEX #7ECDE0

RGB 126 205 224

HSL 191.63, 0.61%, 0.69%

LAB 78.16, -19.38, -17.02

 

CMYK 44 / 20 / 0 / 12

HEX #7EB3E0

RGB 126 179 224

HSL 207.55, 0.61%, 0.69%

LAB 70.91, -5.7, -28.05

 

CMYK 44 / 32 / 0 / 12

HEX #7E98E0

RGB 126 152 224

HSL 224.08, 0.61%, 0.69%

LAB 63.57, 9.47, -39.44

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BF

RGB 126 224 191

HSL 159.8, 0.61%, 0.69%

LAB 82.65, -36.5, 7.21

 

CMYK 52 / 0 / 18 / 7

HEX #72EDC3

RGB 114 237 195

HSL 159.51, 0.77%, 0.69%

LAB 86.05, -44.27, 9.92

 

CMYK 60 / 0 / 20 / 2

HEX #65FAC7

RGB 101 250 199

HSL 159.46, 0.94%, 0.69%

LAB 89.52, -51.55, 12.72

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BF

RGB 126 224 191

HSL 159.8, 0.61%, 0.69%

LAB 82.65, -36.5, 7.21

 

CMYK 34 / 0 / 12 / 17

HEX #8BD4BB

RGB 139 212 187

HSL 159.45, 0.46%, 0.69%

LAB 79.71, -28.22, 5.17

 

CMYK 24 / 0 / 8 / 22

HEX #98C7B7

RGB 152 199 183

HSL 159.57, 0.3%, 0.69%

LAB 76.64, -18.73, 2.98

 

CMYK 11 / 0 / 4 / 27

HEX #A5BAB3

RGB 165 186 179

HSL 160, 0.13%, 0.69%

LAB 73.79, -8.57, 1.1

 

CMYK 0 / 3 / 2 / 30

HEX #B2ADAF

RGB 178 173 175

HSL 336, 0.03%, 0.69%

LAB 71.18, 2.15, -0.4

 

CMYK 44 / 0 / 38 / 12

HEX #7EE08A

RGB 126 224 138

HSL 127.35, 0.61%, 0.69%

LAB 81.61, -46.52, 33.35

 

CMYK 44 / 0 / 27 / 12

HEX #7EE0A4

RGB 126 224 164

HSL 143.27, 0.61%, 0.69%

LAB 82.07, -42, 20.58

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BE

RGB 126 224 190

HSL 159.18, 0.61%, 0.69%

LAB 82.63, -36.71, 7.71

 

CMYK 44 / 0 / 4 / 12

HEX #7EE0D8

RGB 126 224 216

HSL 175.1, 0.61%, 0.69%

LAB 83.29, -30.75, -5.1

 

CMYK 44 / 8 / 0 / 12

HEX #7ECEE0

RGB 126 206 224

HSL 191.02, 0.61%, 0.69%

LAB 78.44, -19.89, -16.59

 

CMYK 71 / 0 / 24 / 18

HEX #3CD19E

RGB 60 209 158

HSL 159.46, 0.62%, 0.53%

LAB 75.47, -50.7, 14.25

 

CMYK 57 / 0 / 19 / 15

HEX #5DD9AF

RGB 93 217 175

HSL 159.68, 0.62%, 0.61%

LAB 79.07, -44.48, 10.41

 

CMYK 44 / 0 / 15 / 12

HEX #7EE0BF

RGB 126 224 191

HSL 159.8, 0.61%, 0.69%

LAB 82.65, -36.5, 7.21

 

CMYK 31 / 0 / 10 / 9

HEX #A0E8D0

RGB 160 232 208

HSL 160, 0.61%, 0.77%

LAB 86.87, -27.41, 4.54

 

CMYK 20 / 0 / 7 / 6

HEX #C1F0E0

RGB 193 240 224

HSL 159.57, 0.61%, 0.85%

LAB 91.25, -18.18, 2.76

 

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

CMYK 44 / 37 / 0 / 12

HEX #7E8DE0

RGB 126 141 224

HSL 230.82, 0.61%, 0.69%

LAB 60.66, 15.87, -44

 

CMYK 0 / 33 / 44 / 12

HEX #E0977E

RGB 224 151 126

HSL 15.31, 0.61%, 0.69%

LAB 69.1, 24.52, 24.33

 

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

CMYK 15 / 44 / 0 / 12

HEX #BE7EE0

RGB 190 126 224

HSL 279.18, 0.61%, 0.69%

LAB 62.72, 41.99, -40.38

 

CMYK 0 / 15 / 44 / 12

HEX #E0BE7E

RGB 224 190 126

HSL 39.18, 0.61%, 0.69%

LAB 78.57, 3.72, 36.77

 

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

CMYK 44 / 37 / 0 / 12

HEX #7E8DE0

RGB 126 141 224

HSL 230.82, 0.61%, 0.69%

LAB 60.66, 15.87, -44

 

CMYK 0 / 44 / 28 / 12

HEX #E07EA1

RGB 224 126 161

HSL 338.57, 0.61%, 0.69%

LAB 64.44, 41.93, -1.88

 

CMYK 0 / 6 / 44 / 12

HEX #E0D27E

RGB 224 210 126

HSL 51.43, 0.61%, 0.69%

LAB 83.68, -6.64, 43.25

 

CMYK 43 / 0 / 15 / 12

HEX #80E1C0

RGB 128 225 192

HSL 159.59, 0.62%, 0.69%

LAB 83.04, -36.23, 7.26

 

CMYK 37 / 44 / 0 / 12

HEX #8D7EE0

RGB 141 126 224

HSL 249.18, 0.61%, 0.69%

LAB 58, 28.49, -48.13

 

CMYK 0 / 44 / 28 / 12

HEX #E07EA1

RGB 224 126 161

HSL 338.57, 0.61%, 0.69%

LAB 64.44, 41.93, -1.88

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07E

RGB 210 224 126

HSL 68.57, 0.61%, 0.69%

LAB 86.27, -19.15, 46.24

 

Description

Color code: RGB 128 225 192 | qconv.com Color code: RGB 128 225 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 225 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 225 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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