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Color name
RGB 128 224 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 224 151 it is the complementary color RGB 127 31 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 224 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 224 151 shade: RGB 133 224 146, RGB 150 242 165, RGB 167 255 184, RGB 184 255 203 and RGB 201 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 224 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 224 151 shade: RGB 128 224 151, RGB 111 206 132, RGB 94 188 113, RGB 77 170 94 and RGB 60 152 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 224 151 shade: RGB 127 224 150, RGB 130 224 127, RGB 156 224 127, RGB 182 224 127 and RGB 208 224 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 224 151 shade: RGB 127 224 150, RGB 127 224 176, RGB 127 224 202, RGB 127 219 224 and RGB 127 193 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 224 151 shade matches the following richer shades: RGB 127 224 150, RGB 114 236 144 and RGB 102 249 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 224 151 shade: RGB 127 224 150, RGB 140 211 157, RGB 153 198 164, RGB 166 185 170 and RGB 178 173 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 224 151 shade: RGB 156 224 127, RGB 130 224 127, RGB 127 224 150, RGB 127 224 175 and RGB 127 224 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 224 151 shade: RGB 61 208 96, RGB 94 216 123, RGB 127 224 150, RGB 160 232 178 and RGB 194 240 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 224 151 shade: RGB 128 224 151, RGB 127 182 224 and RGB 224 127 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 224 151 shade: RGB 128 224 151, RGB 150 127 224 and RGB 224 150 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 224 151 shade: RGB 128 224 151, RGB 127 182 224, RGB 224 127 201 and RGB 224 169 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 224 151 shade: RGB 128 224 151, RGB 127 153 224, RGB 224 127 201 and RGB 224 198 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

Complementary color

CMYK 0 / 76 / 18 / 50

HEX #7F1F68

RGB 127 31 104

HSL 314.38, 0.61%, 0.31%

LAB 30.62, 48.07, -19.91

 

CMYK 41 / 0 / 35 / 12

HEX #85E092

RGB 133 224 146

HSL 128.57, 0.59%, 0.7%

LAB 82.04, -43.22, 29.9

 

CMYK 38 / 0 / 32 / 5

HEX #96F2A5

RGB 150 242 165

HSL 129.78, 0.78%, 0.77%

LAB 88.31, -42.98, 28.76

 

CMYK 35 / 0 / 28 / 0

HEX #A7FFB8

RGB 167 255 184

HSL 131.59, 1%, 0.83%

LAB 93.1, -40.51, 25.77

 

CMYK 28 / 0 / 20 / 0

HEX #B8FFCB

RGB 184 255 203

HSL 136.06, 1%, 0.86%

LAB 94.32, -32.08, 17.92

 

CMYK 21 / 0 / 13 / 0

HEX #C9FFDE

RGB 201 255 222

HSL 143.33, 1%, 0.89%

LAB 95.67, -23.37, 10.22

 

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

CMYK 46 / 0 / 36 / 19

HEX #6FCE84

RGB 111 206 132

HSL 133.26, 0.49%, 0.62%

LAB 75.57, -44.01, 28.32

 

CMYK 50 / 0 / 40 / 26

HEX #5EBC71

RGB 94 188 113

HSL 132.13, 0.41%, 0.55%

LAB 69.14, -44.16, 29.6

 

CMYK 55 / 0 / 45 / 33

HEX #4DAA5E

RGB 77 170 94

HSL 130.97, 0.38%, 0.48%

LAB 62.62, -44.21, 30.96

 

CMYK 61 / 0 / 51 / 40

HEX #3C984B

RGB 60 152 75

HSL 129.78, 0.43%, 0.42%

LAB 56.01, -44.09, 32.39

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 42 / 0 / 43 / 12

HEX #82E07F

RGB 130 224 127

HSL 118.14, 0.61%, 0.69%

LAB 81.61, -47.02, 38.9

 

CMYK 30 / 0 / 43 / 12

HEX #9CE07F

RGB 156 224 127

HSL 102.06, 0.61%, 0.69%

LAB 82.87, -38.78, 40.75

 

CMYK 19 / 0 / 43 / 12

HEX #B6E07F

RGB 182 224 127

HSL 85.98, 0.61%, 0.69%

LAB 84.37, -29.62, 42.98

 

CMYK 7 / 0 / 43 / 12

HEX #D0E07F

RGB 208 224 127

HSL 69.9, 0.61%, 0.69%

LAB 86.13, -19.82, 45.55

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 43 / 0 / 21 / 12

HEX #7FE0B0

RGB 127 224 176

HSL 150.31, 0.61%, 0.69%

LAB 82.36, -39.39, 14.7

 

CMYK 43 / 0 / 10 / 12

HEX #7FE0CA

RGB 127 224 202

HSL 166.39, 0.61%, 0.69%

LAB 82.96, -33.79, 1.85

 

CMYK 43 / 2 / 0 / 12

HEX #7FDBE0

RGB 127 219 224

HSL 183.09, 0.61%, 0.69%

LAB 82.14, -26.13, -11.04

 

CMYK 43 / 14 / 0 / 12

HEX #7FC1E0

RGB 127 193 224

HSL 199.18, 0.61%, 0.69%

LAB 74.85, -12.94, -22.03

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 52 / 0 / 39 / 7

HEX #72EC90

RGB 114 236 144

HSL 134.75, 0.76%, 0.69%

LAB 84.78, -53.66, 34.41

 

CMYK 59 / 0 / 45 / 2

HEX #66F989

RGB 102 249 137

HSL 134.29, 0.92%, 0.69%

LAB 88.15, -62.52, 42.15

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 34 / 0 / 26 / 17

HEX #8CD39D

RGB 140 211 157

HSL 134.37, 0.45%, 0.69%

LAB 78.81, -33.36, 19.85

 

CMYK 23 / 0 / 17 / 22

HEX #99C6A4

RGB 153 198 164

HSL 134.67, 0.28%, 0.69%

LAB 75.97, -21.64, 12.26

 

CMYK 10 / 0 / 8 / 27

HEX #A6B9AA

RGB 166 185 170

HSL 132.63, 0.12%, 0.69%

LAB 73.36, -9.43, 5.39

 

CMYK 0 / 3 / 1 / 30

HEX #B2ADB1

RGB 178 173 177

HSL 312, 0.03%, 0.69%

LAB 71.23, 2.52, -1.42

 

CMYK 30 / 0 / 43 / 12

HEX #9CE07F

RGB 156 224 127

HSL 102.06, 0.61%, 0.69%

LAB 82.87, -38.78, 40.75

 

CMYK 42 / 0 / 43 / 12

HEX #82E07F

RGB 130 224 127

HSL 118.14, 0.61%, 0.69%

LAB 81.61, -47.02, 38.9

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 43 / 0 / 22 / 12

HEX #7FE0AF

RGB 127 224 175

HSL 149.69, 0.61%, 0.69%

LAB 82.33, -39.59, 15.2

 

CMYK 43 / 0 / 10 / 12

HEX #7FE0C9

RGB 127 224 201

HSL 165.77, 0.61%, 0.69%

LAB 82.93, -34.02, 2.34

 

CMYK 71 / 0 / 54 / 18

HEX #3DD060

RGB 61 208 96

HSL 134.29, 0.61%, 0.53%

LAB 74.16, -61.59, 44.22

 

CMYK 56 / 0 / 43 / 15

HEX #5ED87B

RGB 94 216 123

HSL 134.26, 0.61%, 0.61%

LAB 77.83, -53.91, 35.77

 

CMYK 43 / 0 / 33 / 12

HEX #7FE096

RGB 127 224 150

HSL 134.23, 0.61%, 0.69%

LAB 81.85, -44.25, 27.55

 

CMYK 31 / 0 / 23 / 9

HEX #A0E8B2

RGB 160 232 178

HSL 135, 0.61%, 0.77%

LAB 86.21, -33.21, 19.28

 

CMYK 19 / 0 / 15 / 6

HEX #C2F0CD

RGB 194 240 205

HSL 134.35, 0.61%, 0.85%

LAB 90.87, -21.43, 12.09

 

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

CMYK 43 / 19 / 0 / 12

HEX #7FB6E0

RGB 127 182 224

HSL 205.98, 0.61%, 0.69%

LAB 71.79, -7.07, -26.69

 

CMYK 0 / 43 / 36 / 12

HEX #E07F8F

RGB 224 127 143

HSL 350.1, 0.61%, 0.69%

LAB 64.17, 39.14, 7.97

 

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

CMYK 33 / 43 / 0 / 12

HEX #967FE0

RGB 150 127 224

HSL 254.23, 0.61%, 0.69%

LAB 59.02, 30.27, -46.48

 

CMYK 0 / 33 / 43 / 12

HEX #E0967F

RGB 224 150 127

HSL 14.23, 0.61%, 0.69%

LAB 68.89, 25.17, 23.49

 

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

CMYK 43 / 19 / 0 / 12

HEX #7FB6E0

RGB 127 182 224

HSL 205.98, 0.61%, 0.69%

LAB 71.79, -7.07, -26.69

 

CMYK 0 / 43 / 10 / 12

HEX #E07FC9

RGB 224 127 201

HSL 314.23, 0.61%, 0.69%

LAB 65.94, 47.39, -22.23

 

CMYK 0 / 25 / 43 / 12

HEX #E0A97F

RGB 224 169 127

HSL 25.98, 0.61%, 0.69%

LAB 73.39, 14.97, 29.5

 

CMYK 43 / 0 / 33 / 12

HEX #80E097

RGB 128 224 151

HSL 134.38, 0.61%, 0.69%

LAB 81.91, -43.8, 27.12

 

CMYK 43 / 32 / 0 / 12

HEX #7F99E0

RGB 127 153 224

HSL 223.92, 0.61%, 0.69%

LAB 63.9, 9.14, -38.92

 

CMYK 0 / 43 / 10 / 12

HEX #E07FC9

RGB 224 127 201

HSL 314.23, 0.61%, 0.69%

LAB 65.94, 47.39, -22.23

 

CMYK 0 / 12 / 43 / 12

HEX #E0C67F

RGB 224 198 127

HSL 43.92, 0.61%, 0.69%

LAB 80.61, -0.36, 38.87

 

Description

Color code: RGB 128 224 151 | qconv.com Color code: RGB 128 224 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 224 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 224 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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