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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 203 223 it is the complementary color RGB 127 52 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 203 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 203 223 shade: RGB 133 203 218, RGB 150 221 237, RGB 167 239 255, RGB 184 255 255 and RGB 201 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 203 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 111 185 204, RGB 94 167 185, RGB 77 149 166 and RGB 60 131 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 128 177 223, RGB 128 152 223, RGB 130 128 223 and RGB 155 128 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 128 177 223, RGB 128 152 223 and RGB 128 128 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 203 223 shade matches the following richer shades: RGB 128 203 223, RGB 115 210 236 and RGB 102 218 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 141 196 210, RGB 154 188 197, RGB 166 181 185 and RGB 179 173 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 203 223 shade: RGB 128 223 191, RGB 128 223 217, RGB 128 204 223, RGB 128 179 223 and RGB 128 153 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 203 223 shade: RGB 62 176 206, RGB 95 189 215, RGB 128 203 223, RGB 161 216 231 and RGB 194 230 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 166 128 223 and RGB 223 204 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 223 128 204 and RGB 204 223 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 166 128 223, RGB 223 147 128 and RGB 185 223 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 203 223 shade: RGB 128 203 223, RGB 194 128 223, RGB 223 147 128 and RGB 156 223 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

Complementary color

CMYK 0 / 59 / 75 / 50

HEX #7F3420

RGB 127 52 32

HSL 12.63, 0.6%, 0.31%

LAB 31.97, 31.15, 28.3

 

CMYK 39 / 7 / 0 / 15

HEX #85CBDA

RGB 133 203 218

HSL 190.59, 0.53%, 0.69%

LAB 77.73, -18.16, -14.4

 

CMYK 37 / 7 / 0 / 7

HEX #96DDED

RGB 150 221 237

HSL 191.03, 0.71%, 0.76%

LAB 84.13, -18.19, -14.86

 

CMYK 35 / 6 / 0 / 0

HEX #A7EFFF

RGB 167 239 255

HSL 190.91, 1%, 0.83%

LAB 90.4, -18.43, -14.82

 

CMYK 28 / 0 / 0 / 0

HEX #B8FFFF

RGB 184 255 255

HSL 180, 1%, 0.86%

LAB 95.55, -21.73, -7.06

 

CMYK 21 / 0 / 0 / 0

HEX #C9FFFF

RGB 201 255 255

HSL 180, 1%, 0.89%

LAB 96.47, -16.89, -5.6

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 46 / 9 / 0 / 20

HEX #6FB9CC

RGB 111 185 204

HSL 192.26, 0.48%, 0.62%

LAB 71.17, -18.03, -16.79

 

CMYK 49 / 10 / 0 / 27

HEX #5EA7B9

RGB 94 167 185

HSL 191.87, 0.39%, 0.55%

LAB 64.58, -17.87, -16.33

 

CMYK 54 / 10 / 0 / 35

HEX #4D95A6

RGB 77 149 166

HSL 191.46, 0.37%, 0.48%

LAB 57.87, -17.63, -15.84

 

CMYK 59 / 11 / 0 / 42

HEX #3C8393

RGB 60 131 147

HSL 191.03, 0.42%, 0.41%

LAB 51.04, -17.28, -15.32

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 43 / 21 / 0 / 13

HEX #80B1DF

RGB 128 177 223

HSL 209.05, 0.6%, 0.69%

LAB 70.43, -4.38, -28.24

 

CMYK 43 / 32 / 0 / 13

HEX #8098DF

RGB 128 152 223

HSL 224.84, 0.6%, 0.69%

LAB 63.65, 9.69, -38.75

 

CMYK 42 / 43 / 0 / 13

HEX #8280DF

RGB 130 128 223

HSL 241.26, 0.6%, 0.69%

LAB 57.57, 24.24, -48.31

 

CMYK 30 / 43 / 0 / 13

HEX #9B80DF

RGB 155 128 223

HSL 257.05, 0.6%, 0.69%

LAB 59.65, 30.79, -44.89

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 43 / 21 / 0 / 13

HEX #80B1DF

RGB 128 177 223

HSL 209.05, 0.6%, 0.69%

LAB 70.43, -4.38, -28.24

 

CMYK 43 / 32 / 0 / 13

HEX #8098DF

RGB 128 152 223

HSL 224.84, 0.6%, 0.69%

LAB 63.65, 9.69, -38.75

 

CMYK 43 / 43 / 0 / 13

HEX #8080DF

RGB 128 128 223

HSL 240, 0.6%, 0.69%

LAB 57.42, 23.74, -48.56

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 51 / 11 / 0 / 7

HEX #73D2EC

RGB 115 210 236

HSL 192.89, 0.76%, 0.69%

LAB 79.5, -21.18, -21.46

 

CMYK 59 / 12 / 0 / 3

HEX #66DAF8

RGB 102 218 248

HSL 192.33, 0.91%, 0.69%

LAB 81.7, -24.35, -24.55

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 33 / 7 / 0 / 18

HEX #8DC4D2

RGB 141 196 210

HSL 192.17, 0.43%, 0.69%

LAB 75.94, -14.39, -12.72

 

CMYK 22 / 5 / 0 / 23

HEX #9ABCC5

RGB 154 188 197

HSL 192.56, 0.27%, 0.69%

LAB 74.11, -9.41, -8.33

 

CMYK 10 / 2 / 0 / 27

HEX #A6B5B9

RGB 166 181 185

HSL 192.63, 0.12%, 0.69%

LAB 72.67, -4.37, -3.82

 

CMYK 0 / 3 / 4 / 30

HEX #B3ADAC

RGB 179 173 172

HSL 8.57, 0.04%, 0.69%

LAB 71.18, 1.96, 1.26

 

CMYK 43 / 0 / 14 / 13

HEX #80DFBF

RGB 128 223 191

HSL 159.79, 0.6%, 0.69%

LAB 82.45, -35.53, 6.93

 

CMYK 43 / 0 / 3 / 13

HEX #80DFD9

RGB 128 223 217

HSL 176.21, 0.6%, 0.69%

LAB 83.11, -29.55, -5.88

 

CMYK 43 / 9 / 0 / 13

HEX #80CCDF

RGB 128 204 223

HSL 192, 0.6%, 0.69%

LAB 77.94, -18.65, -16.81

 

CMYK 43 / 20 / 0 / 13

HEX #80B3DF

RGB 128 179 223

HSL 207.79, 0.6%, 0.69%

LAB 70.98, -5.47, -27.39

 

CMYK 43 / 31 / 0 / 13

HEX #8099DF

RGB 128 153 223

HSL 224.21, 0.6%, 0.69%

LAB 63.92, 9.11, -38.33

 

CMYK 70 / 15 / 0 / 19

HEX #3EB0CE

RGB 62 176 206

HSL 192.5, 0.6%, 0.53%

LAB 66.92, -22.17, -24.5

 

CMYK 56 / 12 / 0 / 16

HEX #5FBDD7

RGB 95 189 215

HSL 193, 0.6%, 0.61%

LAB 72.05, -20.52, -21.52

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 30 / 6 / 0 / 9

HEX #A1D8E7

RGB 161 216 231

HSL 192.86, 0.59%, 0.77%

LAB 83.16, -14.11, -13.07

 

CMYK 19 / 4 / 0 / 6

HEX #C2E6EF

RGB 194 230 239

HSL 192, 0.58%, 0.85%

LAB 89.06, -9.81, -8.29

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 26 / 43 / 0 / 13

HEX #A680DF

RGB 166 128 223

HSL 264, 0.6%, 0.69%

LAB 60.67, 33.83, -43.21

 

CMYK 0 / 9 / 43 / 13

HEX #DFCC80

RGB 223 204 128

HSL 48, 0.6%, 0.69%

LAB 82.07, -3.76, 40.21

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 0 / 43 / 9 / 13

HEX #DF80CC

RGB 223 128 204

HSL 312, 0.6%, 0.69%

LAB 66.13, 47.07, -23.63

 

CMYK 9 / 0 / 43 / 13

HEX #CCDF80

RGB 204 223 128

HSL 72, 0.6%, 0.69%

LAB 85.59, -20.76, 44.33

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 26 / 43 / 0 / 13

HEX #A680DF

RGB 166 128 223

HSL 264, 0.6%, 0.69%

LAB 60.67, 33.83, -43.21

 

CMYK 0 / 34 / 43 / 13

HEX #DF9380

RGB 223 147 128

HSL 12, 0.6%, 0.69%

LAB 68.1, 26.49, 21.86

 

CMYK 17 / 0 / 43 / 13

HEX #B9DF80

RGB 185 223 128

HSL 84, 0.6%, 0.69%

LAB 84.3, -27.93, 42.43

 

CMYK 43 / 9 / 0 / 13

HEX #80CBDF

RGB 128 203 223

HSL 192.63, 0.6%, 0.69%

LAB 77.66, -18.14, -17.23

 

CMYK 13 / 43 / 0 / 13

HEX #C280DF

RGB 194 128 223

HSL 281.68, 0.6%, 0.69%

LAB 63.54, 41.86, -38.51

 

CMYK 0 / 34 / 43 / 13

HEX #DF9380

RGB 223 147 128

HSL 12, 0.6%, 0.69%

LAB 68.1, 26.49, 21.86

 

CMYK 30 / 0 / 43 / 13

HEX #9CDF80

RGB 156 223 128

HSL 102.32, 0.6%, 0.69%

LAB 82.59, -38.2, 39.91

 

Description

Color code: RGB 128 203 223 | qconv.com Color code: RGB 128 203 223 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 203 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 203 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 9 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 9% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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