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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 180 43 it is the complementary color RGB 127 75 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 180 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 180 43 shade: RGB 133 180 38, RGB 150 198 57, RGB 167 216 76, RGB 184 234 95 and RGB 201 252 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 180 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 111 162 24, RGB 94 144 5, RGB 77 126 0 and RGB 60 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 165 180 43, RGB 180 158 43, RGB 180 121 43 and RGB 180 84 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 91 180 43, RGB 54 180 43, RGB 43 180 69 and RGB 43 180 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 180 43 shade matches the following richer shades: RGB 128 180 43, RGB 133 198 25 and RGB 137 216 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 124 162 61, RGB 119 144 80, RGB 115 126 98 and RGB 111 108 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 180 43 shade: RGB 180 157 43, RGB 166 180 43, RGB 130 180 43, RGB 93 180 43 and RGB 57 180 43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 180 43 shade: RGB 81 114 27, RGB 105 147 35, RGB 128 180 43, RGB 150 207 58 and RGB 168 215 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 43 180 121 and RGB 176 43 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 43 130 180 and RGB 180 43 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 43 180 121, RGB 93 43 180 and RGB 180 43 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 180 43 shade: RGB 128 180 43, RGB 43 180 162, RGB 93 43 180 and RGB 180 43 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

Complementary color

CMYK 40 / 65 / 0 / 17

HEX #7F4BD4

RGB 127 75 212

HSL 262.77, 0.61%, 0.56%

LAB 44.66, 50.81, -62.8

 

CMYK 26 / 0 / 79 / 29

HEX #85B426

RGB 133 180 38

HSL 79.86, 0.65%, 0.43%

LAB 67.85, -35.42, 61.74

 

CMYK 24 / 0 / 71 / 22

HEX #96C639

RGB 150 198 57

HSL 80.43, 0.55%, 0.5%

LAB 74.3, -35.99, 61.95

 

CMYK 23 / 0 / 65 / 15

HEX #A7D84C

RGB 167 216 76

HSL 81, 0.64%, 0.57%

LAB 80.65, -36.39, 61.55

 

CMYK 21 / 0 / 59 / 8

HEX #B8EA5F

RGB 184 234 95

HSL 81.58, 0.77%, 0.65%

LAB 86.93, -36.68, 60.8

 

CMYK 20 / 0 / 55 / 1

HEX #C9FC72

RGB 201 252 114

HSL 82.17, 0.96%, 0.72%

LAB 93.13, -36.89, 59.88

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 31 / 0 / 85 / 36

HEX #6FA218

RGB 111 162 24

HSL 82.17, 0.74%, 0.36%

LAB 61.03, -36.44, 58.97

 

CMYK 35 / 0 / 97 / 44

HEX #5E9005

RGB 94 144 5

HSL 81.58, 0.93%, 0.29%

LAB 54.38, -35.49, 56.66

 

CMYK 39 / 0 / 100 / 51

HEX #4D7E00

RGB 77 126 0

HSL 83.33, 1%, 0.25%

LAB 47.62, -34.16, 51.88

 

CMYK 44 / 0 / 100 / 58

HEX #3C6C00

RGB 60 108 0

HSL 86.67, 1%, 0.21%

LAB 40.71, -32.63, 46.14

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 8 / 0 / 76 / 29

HEX #A5B42B

RGB 165 180 43

HSL 66.57, 0.61%, 0.44%

LAB 70.05, -22.07, 63

 

CMYK 0 / 12 / 76 / 29

HEX #B49E2B

RGB 180 158 43

HSL 50.36, 0.61%, 0.44%

LAB 65.22, -4.15, 58.97

 

CMYK 0 / 33 / 76 / 29

HEX #B4792B

RGB 180 121 43

HSL 34.16, 0.61%, 0.44%

LAB 55.64, 16.19, 49.78

 

CMYK 0 / 53 / 76 / 29

HEX #B4542B

RGB 180 84 43

HSL 17.96, 0.61%, 0.44%

LAB 47.26, 36.31, 41.31

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 49 / 0 / 76 / 29

HEX #5BB42B

RGB 91 180 43

HSL 98.98, 0.61%, 0.44%

LAB 65.78, -49.89, 57.45

 

CMYK 70 / 0 / 76 / 29

HEX #36B42B

RGB 54 180 43

HSL 115.18, 0.61%, 0.44%

LAB 64.64, -59, 55.95

 

CMYK 76 / 0 / 62 / 29

HEX #2BB445

RGB 43 180 69

HSL 131.39, 0.61%, 0.44%

LAB 64.63, -58.35, 45.47

 

CMYK 76 / 0 / 41 / 29

HEX #2BB46A

RGB 43 180 106

HSL 147.59, 0.61%, 0.44%

LAB 65.12, -52.66, 27.73

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 33 / 0 / 87 / 22

HEX #85C619

RGB 133 198 25

HSL 82.54, 0.78%, 0.44%

LAB 73.18, -43.82, 69.62

 

CMYK 37 / 0 / 97 / 15

HEX #89D807

RGB 137 216 7

HSL 82.68, 0.94%, 0.44%

LAB 78.72, -50.2, 76.61

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 23 / 0 / 62 / 36

HEX #7CA23D

RGB 124 162 61

HSL 82.57, 0.45%, 0.44%

LAB 62.05, -29.09, 47.03

 

CMYK 17 / 0 / 44 / 44

HEX #779050

RGB 119 144 80

HSL 83.44, 0.29%, 0.44%

LAB 56.53, -20.14, 31.06

 

CMYK 9 / 0 / 22 / 51

HEX #737E62

RGB 115 126 98

HSL 83.57, 0.13%, 0.44%

LAB 51.21, -9.44, 13.91

 

CMYK 4 / 7 / 0 / 55

HEX #6F6C74

RGB 111 108 116

HSL 262.5, 0.04%, 0.44%

LAB 46.13, 2.82, -4.04

 

CMYK 0 / 13 / 76 / 29

HEX #B49D2B

RGB 180 157 43

HSL 49.93, 0.61%, 0.44%

LAB 64.96, -3.61, 58.72

 

CMYK 8 / 0 / 76 / 29

HEX #A6B42B

RGB 166 180 43

HSL 66.13, 0.61%, 0.44%

LAB 70.12, -21.64, 63.1

 

CMYK 28 / 0 / 76 / 29

HEX #82B42B

RGB 130 180 43

HSL 81.9, 0.61%, 0.44%

LAB 67.7, -36.34, 59.96

 

CMYK 48 / 0 / 76 / 29

HEX #5DB42B

RGB 93 180 43

HSL 98.1, 0.61%, 0.44%

LAB 65.86, -49.28, 57.55

 

CMYK 68 / 0 / 76 / 29

HEX #39B42B

RGB 57 180 43

HSL 113.87, 0.61%, 0.44%

LAB 64.71, -58.42, 56.04

 

CMYK 29 / 0 / 76 / 55

HEX #51721B

RGB 81 114 27

HSL 82.76, 0.62%, 0.28%

LAB 44.04, -25.85, 41.75

 

CMYK 29 / 0 / 76 / 42

HEX #699323

RGB 105 147 35

HSL 82.5, 0.62%, 0.36%

LAB 56.08, -31.41, 51.03

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 28 / 0 / 72 / 19

HEX #96CF3A

RGB 150 207 58

HSL 82.95, 0.61%, 0.52%

LAB 76.93, -39.96, 64.21

 

CMYK 22 / 0 / 58 / 16

HEX #A8D75B

RGB 168 215 91

HSL 82.74, 0.61%, 0.6%

LAB 80.56, -34.36, 55.12

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 76 / 0 / 33 / 29

HEX #2BB479

RGB 43 180 121

HSL 154.16, 0.61%, 0.44%

LAB 65.39, -49.65, 20.08

 

CMYK 2 / 76 / 0 / 29

HEX #B02BB4

RGB 176 43 180

HSL 298.25, 0.61%, 0.44%

LAB 44.59, 67.53, -43.96

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 76 / 28 / 0 / 29

HEX #2B82B4

RGB 43 130 180

HSL 201.9, 0.61%, 0.44%

LAB 51.58, -8.39, -33.65

 

CMYK 0 / 76 / 28 / 29

HEX #B42B82

RGB 180 43 130

HSL 321.9, 0.61%, 0.44%

LAB 42.83, 61.21, -16.62

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 76 / 0 / 33 / 29

HEX #2BB479

RGB 43 180 121

HSL 154.16, 0.61%, 0.44%

LAB 65.39, -49.65, 20.08

 

CMYK 48 / 76 / 0 / 29

HEX #5D2BB4

RGB 93 43 180

HSL 261.9, 0.61%, 0.44%

LAB 32.59, 52.18, -63.95

 

CMYK 0 / 76 / 43 / 29

HEX #B42B67

RGB 180 43 103

HSL 333.72, 0.61%, 0.44%

LAB 41.86, 58.22, -1.33

 

CMYK 29 / 0 / 76 / 29

HEX #80B42B

RGB 128 180 43

HSL 82.77, 0.61%, 0.44%

LAB 67.58, -37.11, 59.81

 

CMYK 76 / 0 / 10 / 29

HEX #2BB4A2

RGB 43 180 162

HSL 172.12, 0.61%, 0.44%

LAB 66.34, -39.59, -1.07

 

CMYK 48 / 76 / 0 / 29

HEX #5D2BB4

RGB 93 43 180

HSL 261.9, 0.61%, 0.44%

LAB 32.59, 52.18, -63.95

 

CMYK 0 / 76 / 66 / 29

HEX #B42B3E

RGB 180 43 62

HSL 351.68, 0.61%, 0.44%

LAB 40.86, 55.03, 23.01

 

Description

Color code: RGB 128 180 43 | qconv.com Color code: RGB 128 180 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 180 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 180 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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