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Color name
RGB 128 186 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 186 89 it is the complementary color RGB 127 69 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 186 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 186 89 shade: RGB 133 186 84, RGB 150 204 103, RGB 167 222 122, RGB 184 240 141 and RGB 201 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 186 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 186 89 shade: RGB 128 186 89, RGB 111 168 70, RGB 94 150 51, RGB 77 132 32 and RGB 60 114 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 186 89 shade: RGB 128 185 89, RGB 154 185 89, RGB 180 185 89, RGB 185 165 89 and RGB 185 139 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 186 89 shade: RGB 128 185 89, RGB 102 185 89, RGB 89 185 102, RGB 89 185 128 and RGB 89 185 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 186 89 shade matches the following richer shades: RGB 128 185 89, RGB 124 204 70, RGB 120 223 51 and RGB 117 242 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 186 89 shade: RGB 128 185 89, RGB 131 166 108, RGB 135 147 127, RGB 139 128 146 and RGB 143 109 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 186 89 shade: RGB 180 185 89, RGB 155 185 89, RGB 129 185 89, RGB 104 185 89 and RGB 89 185 100

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 186 89 shade: RGB 88 135 56, RGB 107 165 69, RGB 128 185 89, RGB 150 197 118 and RGB 172 210 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 186 89 shade: RGB 128 186 89, RGB 89 185 164 and RGB 185 89 168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 186 89 shade: RGB 128 186 89, RGB 89 129 185 and RGB 185 89 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 186 89 shade: RGB 128 186 89, RGB 89 185 164, RGB 145 89 185 and RGB 185 89 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 186 89 shade: RGB 128 186 89, RGB 89 177 185, RGB 145 89 185 and RGB 185 97 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

Complementary color

CMYK 23 / 58 / 0 / 35

HEX #7F45A6

RGB 127 69 166

HSL 275.88, 0.41%, 0.46%

LAB 40.45, 42.57, -42.7

 

CMYK 28 / 0 / 55 / 27

HEX #85BA54

RGB 133 186 84

HSL 91.18, 0.43%, 0.53%

LAB 70, -34.72, 45.59

 

CMYK 26 / 0 / 50 / 20

HEX #96CC67

RGB 150 204 103

HSL 92.08, 0.5%, 0.6%

LAB 76.47, -34.74, 44.46

 

CMYK 25 / 0 / 45 / 13

HEX #A7DE7A

RGB 167 222 122

HSL 93, 0.6%, 0.67%

LAB 82.84, -34.7, 43.31

 

CMYK 23 / 0 / 41 / 6

HEX #B8F08D

RGB 184 240 141

HSL 93.94, 0.77%, 0.75%

LAB 89.13, -34.63, 42.16

 

CMYK 21 / 0 / 37 / 0

HEX #C9FFA0

RGB 201 255 160

HSL 94.11, 1%, 0.81%

LAB 94.52, -33.17, 39.97

 

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

CMYK 34 / 0 / 58 / 34

HEX #6FA846

RGB 111 168 70

HSL 94.9, 0.41%, 0.47%

LAB 63.2, -35.96, 43.98

 

CMYK 37 / 0 / 66 / 41

HEX #5E9633

RGB 94 150 51

HSL 93.94, 0.49%, 0.39%

LAB 56.52, -35.81, 44.92

 

CMYK 42 / 0 / 76 / 48

HEX #4D8420

RGB 77 132 32

HSL 93, 0.61%, 0.32%

LAB 49.72, -35.45, 45.38

 

CMYK 47 / 0 / 89 / 55

HEX #3C720D

RGB 60 114 13

HSL 92.08, 0.8%, 0.25%

LAB 42.8, -34.75, 44.72

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 17 / 0 / 52 / 27

HEX #9AB959

RGB 154 185 89

HSL 79.38, 0.41%, 0.54%

LAB 71.07, -25.74, 44.8

 

CMYK 3 / 0 / 52 / 27

HEX #B4B959

RGB 180 185 89

HSL 63.13, 0.41%, 0.54%

LAB 72.97, -15.24, 47.51

 

CMYK 0 / 11 / 52 / 27

HEX #B9A559

RGB 185 165 89

HSL 47.5, 0.41%, 0.54%

LAB 67.98, -2.7, 41.69

 

CMYK 0 / 25 / 52 / 27

HEX #B98B59

RGB 185 139 89

HSL 31.25, 0.41%, 0.54%

LAB 61.22, 11.48, 33.39

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 45 / 0 / 52 / 27

HEX #66B959

RGB 102 185 89

HSL 111.88, 0.41%, 0.54%

LAB 68.2, -44.15, 40.67

 

CMYK 52 / 0 / 45 / 27

HEX #59B966

RGB 89 185 102

HSL 128.13, 0.41%, 0.54%

LAB 67.86, -46.02, 33.6

 

CMYK 52 / 0 / 31 / 27

HEX #59B980

RGB 89 185 128

HSL 144.38, 0.41%, 0.54%

LAB 68.3, -41.45, 20.49

 

CMYK 52 / 0 / 17 / 27

HEX #59B99A

RGB 89 185 154

HSL 160.63, 0.41%, 0.54%

LAB 68.86, -35.89, 7.14

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 39 / 0 / 66 / 20

HEX #7CCC46

RGB 124 204 70

HSL 95.82, 0.57%, 0.54%

LAB 74.77, -47.04, 57

 

CMYK 46 / 0 / 77 / 13

HEX #78DF33

RGB 120 223 51

HSL 95.93, 0.73%, 0.54%

LAB 80.18, -57.12, 69.14

 

CMYK 52 / 0 / 87 / 5

HEX #75F220

RGB 117 242 32

HSL 95.71, 0.89%, 0.54%

LAB 85.7, -65.71, 78.66

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 21 / 0 / 35 / 35

HEX #83A66C

RGB 131 166 108

HSL 96.21, 0.25%, 0.54%

LAB 64.31, -22.82, 26.23

 

CMYK 8 / 0 / 14 / 42

HEX #87937F

RGB 135 147 127

HSL 96, 0.08%, 0.54%

LAB 59.48, -8.2, 9.13

 

CMYK 5 / 12 / 0 / 43

HEX #8B8092

RGB 139 128 146

HSL 276.67, 0.08%, 0.54%

LAB 55.08, 7.71, -8.16

 

CMYK 13 / 34 / 0 / 35

HEX #8F6DA5

RGB 143 109 165

HSL 276.43, 0.24%, 0.54%

LAB 51.26, 24.3, -24.99

 

CMYK 3 / 0 / 52 / 27

HEX #B4B959

RGB 180 185 89

HSL 63.13, 0.41%, 0.54%

LAB 72.97, -15.24, 47.51

 

CMYK 16 / 0 / 52 / 27

HEX #9BB959

RGB 155 185 89

HSL 78.75, 0.41%, 0.54%

LAB 71.14, -25.35, 44.89

 

CMYK 30 / 0 / 52 / 27

HEX #81B959

RGB 129 185 89

HSL 95, 0.41%, 0.54%

LAB 69.53, -35.16, 42.59

 

CMYK 44 / 0 / 52 / 27

HEX #68B959

RGB 104 185 89

HSL 110.63, 0.41%, 0.54%

LAB 68.29, -43.54, 40.79

 

CMYK 52 / 0 / 46 / 27

HEX #59B964

RGB 89 185 100

HSL 126.88, 0.41%, 0.54%

LAB 67.83, -46.32, 34.59

 

CMYK 35 / 0 / 59 / 47

HEX #588738

RGB 88 135 56

HSL 95.7, 0.41%, 0.37%

LAB 51.48, -30.63, 36.86

 

CMYK 35 / 0 / 58 / 35

HEX #6BA545

RGB 107 165 69

HSL 96.25, 0.41%, 0.46%

LAB 62.05, -36.14, 43.08

 

CMYK 31 / 0 / 52 / 27

HEX #80B959

RGB 128 185 89

HSL 95.63, 0.41%, 0.54%

LAB 69.48, -35.52, 42.51

 

CMYK 24 / 0 / 40 / 23

HEX #96C576

RGB 150 197 118

HSL 95.7, 0.41%, 0.62%

LAB 74.65, -29.6, 34.71

 

CMYK 18 / 0 / 30 / 18

HEX #ACD293

RGB 172 210 147

HSL 96.19, 0.41%, 0.7%

LAB 80.16, -23.86, 27.23

 

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

CMYK 52 / 0 / 11 / 27

HEX #59B9A4

RGB 89 185 164

HSL 166.88, 0.41%, 0.54%

LAB 69.11, -33.51, 2.02

 

CMYK 0 / 52 / 9 / 27

HEX #B959A8

RGB 185 89 168

HSL 310.63, 0.41%, 0.54%

LAB 52.16, 49.08, -24.94

 

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

CMYK 52 / 30 / 0 / 27

HEX #5981B9

RGB 89 129 185

HSL 215, 0.41%, 0.54%

LAB 53.31, 2.22, -33.69

 

CMYK 0 / 52 / 30 / 27

HEX #B95981

RGB 185 89 129

HSL 335, 0.41%, 0.54%

LAB 50.74, 43.2, -4.03

 

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

CMYK 52 / 0 / 11 / 27

HEX #59B9A4

RGB 89 185 164

HSL 166.88, 0.41%, 0.54%

LAB 69.11, -33.51, 2.02

 

CMYK 22 / 52 / 0 / 27

HEX #9159B9

RGB 145 89 185

HSL 275, 0.41%, 0.54%

LAB 47.84, 40.89, -41.99

 

CMYK 0 / 52 / 41 / 27

HEX #B9596E

RGB 185 89 110

HSL 346.88, 0.41%, 0.54%

LAB 50.2, 40.87, 6.55

 

CMYK 31 / 0 / 52 / 27

HEX #80BA59

RGB 128 186 89

HSL 95.88, 0.41%, 0.54%

LAB 69.77, -35.98, 42.86

 

CMYK 52 / 4 / 0 / 27

HEX #59B1B9

RGB 89 177 185

HSL 185, 0.41%, 0.54%

LAB 67.33, -24.13, -12.2

 

CMYK 22 / 52 / 0 / 27

HEX #9159B9

RGB 145 89 185

HSL 275, 0.41%, 0.54%

LAB 47.84, 40.89, -41.99

 

CMYK 0 / 48 / 52 / 27

HEX #B96159

RGB 185 97 89

HSL 5, 0.41%, 0.54%

LAB 51.36, 34.57, 20.64

 

Description

Color code: RGB 128 186 89 | qconv.com Color code: RGB 128 186 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 186 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 186 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 52 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 52% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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