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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 162 229 it is the complementary color RGB 127 93 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 162 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 162 229 shade: RGB 133 162 224, RGB 150 180 243, RGB 167 198 255, RGB 184 216 255 and RGB 201 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 162 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 162 229 shade: RGB 128 162 229, RGB 111 144 210, RGB 94 126 191, RGB 77 108 172 and RGB 60 90 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 162 229 shade: RGB 128 162 228, RGB 128 134 228, RGB 148 128 228, RGB 175 128 228 and RGB 202 128 228

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 162 229 shade: RGB 128 162 228, RGB 128 134 228 and RGB 128 128 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 162 229 shade matches the following richer shades: RGB 128 162 228, RGB 115 157 241 and RGB 103 153 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 162 229 shade: RGB 128 162 228, RGB 140 166 216, RGB 152 170 204, RGB 165 174 191 and RGB 177 178 179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 162 229 shade: RGB 128 217 228, RGB 128 190 228, RGB 128 163 228, RGB 128 136 228 and RGB 146 128 228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 162 229 shade: RGB 59 111 214, RGB 93 136 221, RGB 128 162 228, RGB 162 187 236 and RGB 196 212 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 162 229 shade: RGB 128 162 229, RGB 213 128 228 and RGB 203 228 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 162 229 shade: RGB 128 162 229, RGB 228 128 163 and RGB 163 228 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 162 229 shade: RGB 128 162 229, RGB 213 128 228, RGB 228 193 128 and RGB 143 228 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 162 229 shade: RGB 128 162 229, RGB 228 128 213, RGB 228 193 128 and RGB 128 228 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

Complementary color

CMYK 0 / 27 / 80 / 50

HEX #7F5D1A

RGB 127 93 26

HSL 39.8, 0.66%, 0.3%

LAB 41.87, 7.21, 41.48

 

CMYK 41 / 28 / 0 / 12

HEX #85A2E0

RGB 133 162 224

HSL 220.88, 0.59%, 0.7%

LAB 66.68, 5.55, -34.56

 

CMYK 38 / 26 / 0 / 5

HEX #96B4F3

RGB 150 180 243

HSL 220.65, 0.79%, 0.77%

LAB 73.28, 5.08, -34.6

 

CMYK 35 / 22 / 0 / 0

HEX #A7C6FF

RGB 167 198 255

HSL 218.86, 1%, 0.83%

LAB 79.51, 2.88, -31.35

 

CMYK 28 / 15 / 0 / 0

HEX #B8D8FF

RGB 184 216 255

HSL 212.96, 1%, 0.86%

LAB 85.26, -1.97, -22.48

 

CMYK 21 / 8 / 0 / 0

HEX #C9EAFF

RGB 201 234 255

HSL 203.33, 1%, 0.89%

LAB 91, -6.34, -13.73

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 47 / 31 / 0 / 18

HEX #6F90D2

RGB 111 144 210

HSL 220, 0.52%, 0.63%

LAB 59.87, 6.31, -37.5

 

CMYK 51 / 34 / 0 / 25

HEX #5E7EBF

RGB 94 126 191

HSL 220.21, 0.43%, 0.56%

LAB 53.02, 7.07, -37.56

 

CMYK 55 / 37 / 0 / 33

HEX #4D6CAC

RGB 77 108 172

HSL 220.42, 0.38%, 0.49%

LAB 46.02, 8.01, -37.66

 

CMYK 61 / 41 / 0 / 40

HEX #3C5A99

RGB 60 90 153

HSL 220.65, 0.44%, 0.42%

LAB 38.85, 9.21, -37.82

 

CMYK 44 / 29 / 0 / 11

HEX #80A2E4

RGB 128 162 228

HSL 219.6, 0.65%, 0.7%

LAB 66.54, 5.39, -36.99

 

CMYK 44 / 41 / 0 / 11

HEX #8086E4

RGB 128 134 228

HSL 236.4, 0.65%, 0.7%

LAB 59.2, 21.64, -48.54

 

CMYK 35 / 44 / 0 / 11

HEX #9480E4

RGB 148 128 228

HSL 252, 0.65%, 0.7%

LAB 59.28, 30.21, -48.3

 

CMYK 23 / 44 / 0 / 11

HEX #AF80E4

RGB 175 128 228

HSL 268.2, 0.65%, 0.7%

LAB 61.79, 37.53, -44.18

 

CMYK 11 / 44 / 0 / 11

HEX #CA80E4

RGB 202 128 228

HSL 284.4, 0.65%, 0.7%

LAB 64.64, 45.2, -39.5

 

CMYK 44 / 29 / 0 / 11

HEX #80A2E4

RGB 128 162 228

HSL 219.6, 0.65%, 0.7%

LAB 66.54, 5.39, -36.99

 

CMYK 44 / 41 / 0 / 11

HEX #8086E4

RGB 128 134 228

HSL 236.4, 0.65%, 0.7%

LAB 59.2, 21.64, -48.54

 

CMYK 44 / 44 / 0 / 11

HEX #8080E4

RGB 128 128 228

HSL 240, 0.65%, 0.7%

LAB 57.68, 25.18, -50.94

 

CMYK 44 / 29 / 0 / 11

HEX #80A2E4

RGB 128 162 228

HSL 219.6, 0.65%, 0.7%

LAB 66.54, 5.39, -36.99

 

CMYK 52 / 35 / 0 / 5

HEX #739DF1

RGB 115 157 241

HSL 220, 0.82%, 0.7%

LAB 65.05, 9.05, -46.53

 

CMYK 59 / 40 / 0 / 1

HEX #6799FD

RGB 103 153 253

HSL 220, 0.97%, 0.7%

LAB 63.96, 12.73, -54.85

 

CMYK 44 / 29 / 0 / 11

HEX #80A2E4

RGB 128 162 228

HSL 219.6, 0.65%, 0.7%

LAB 66.54, 5.39, -36.99

 

CMYK 35 / 23 / 0 / 15

HEX #8CA6D8

RGB 140 166 216

HSL 219.47, 0.49%, 0.7%

LAB 67.88, 3.04, -28.26

 

CMYK 25 / 17 / 0 / 20

HEX #98AACC

RGB 152 170 204

HSL 219.23, 0.34%, 0.7%

LAB 69.32, 1.32, -19.38

 

CMYK 14 / 9 / 0 / 25

HEX #A5AEBF

RGB 165 174 191

HSL 219.23, 0.17%, 0.7%

LAB 70.89, 0.33, -9.75

 

CMYK 1 / 1 / 0 / 30

HEX #B1B2B3

RGB 177 178 179

HSL 210, 0.01%, 0.7%

LAB 72.52, -0.16, -0.64

 

CMYK 44 / 5 / 0 / 11

HEX #80D9E4

RGB 128 217 228

HSL 186.6, 0.65%, 0.7%

LAB 81.74, -23.89, -13.77

 

CMYK 44 / 17 / 0 / 11

HEX #80BEE4

RGB 128 190 228

HSL 202.8, 0.65%, 0.7%

LAB 74.2, -10.03, -25.17

 

CMYK 44 / 29 / 0 / 11

HEX #80A3E4

RGB 128 163 228

HSL 219, 0.65%, 0.7%

LAB 66.81, 4.82, -36.57

 

CMYK 44 / 40 / 0 / 11

HEX #8088E4

RGB 128 136 228

HSL 235.2, 0.65%, 0.7%

LAB 59.71, 20.46, -47.73

 

CMYK 36 / 44 / 0 / 11

HEX #9280E4

RGB 146 128 228

HSL 250.8, 0.65%, 0.7%

LAB 59.11, 29.69, -48.58

 

CMYK 72 / 48 / 0 / 16

HEX #3B6FD6

RGB 59 111 214

HSL 219.87, 0.65%, 0.54%

LAB 48.45, 17.71, -58.05

 

CMYK 58 / 38 / 0 / 13

HEX #5D88DD

RGB 93 136 221

HSL 219.84, 0.65%, 0.62%

LAB 57.23, 10.47, -47.89

 

CMYK 44 / 29 / 0 / 11

HEX #80A2E4

RGB 128 162 228

HSL 219.6, 0.65%, 0.7%

LAB 66.54, 5.39, -36.99

 

CMYK 31 / 21 / 0 / 7

HEX #A2BBEC

RGB 162 187 236

HSL 219.73, 0.66%, 0.78%

LAB 75.62, 2.72, -27.15

 

CMYK 19 / 13 / 0 / 5

HEX #C4D4F3

RGB 196 212 243

HSL 219.57, 0.66%, 0.86%

LAB 84.63, 0.99, -17

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 7 / 44 / 0 / 11

HEX #D580E4

RGB 213 128 228

HSL 291, 0.65%, 0.7%

LAB 65.89, 48.38, -37.45

 

CMYK 11 / 0 / 44 / 11

HEX #CBE480

RGB 203 228 128

HSL 75, 0.65%, 0.7%

LAB 86.87, -23.57, 45.91

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 0 / 44 / 29 / 11

HEX #E480A3

RGB 228 128 163

HSL 339, 0.65%, 0.7%

LAB 65.42, 42.55, -1.52

 

CMYK 29 / 0 / 44 / 11

HEX #A3E480

RGB 163 228 128

HSL 99, 0.65%, 0.7%

LAB 84.4, -38.08, 42.28

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 7 / 44 / 0 / 11

HEX #D580E4

RGB 213 128 228

HSL 291, 0.65%, 0.7%

LAB 65.89, 48.38, -37.45

 

CMYK 0 / 15 / 44 / 11

HEX #E4C180

RGB 228 193 128

HSL 39, 0.65%, 0.7%

LAB 79.72, 3.96, 37.3

 

CMYK 37 / 0 / 44 / 11

HEX #8FE480

RGB 143 228 128

HSL 111, 0.65%, 0.7%

LAB 83.38, -44.63, 40.78

 

CMYK 44 / 29 / 0 / 10

HEX #80A2E5

RGB 128 162 229

HSL 219.8, 0.66%, 0.7%

LAB 66.59, 5.67, -37.48

 

CMYK 0 / 44 / 7 / 11

HEX #E480D5

RGB 228 128 213

HSL 309, 0.65%, 0.7%

LAB 67.08, 50.12, -27.14

 

CMYK 0 / 15 / 44 / 11

HEX #E4C180

RGB 228 193 128

HSL 39, 0.65%, 0.7%

LAB 79.72, 3.96, 37.3

 

CMYK 44 / 0 / 37 / 11

HEX #80E48F

RGB 128 228 143

HSL 129, 0.65%, 0.7%

LAB 82.94, -46.85, 32.59

 

Description

Color code: RGB 128 162 229 | qconv.com Color code: RGB 128 162 229 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 162 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 162 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 29 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 29% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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