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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 148 131 it is the complementary color RGB 127 107 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 148 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 148 131 shade: RGB 133 148 126, RGB 150 166 145, RGB 167 184 164, RGB 184 202 183 and RGB 201 220 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 148 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 148 131 shade: RGB 128 148 131, RGB 111 130 112, RGB 94 112 93, RGB 77 94 74 and RGB 60 76 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 148 131 shade: RGB 127 148 130, RGB 129 148 127, RGB 135 148 127, RGB 141 148 127 and RGB 146 148 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 148 131 shade: RGB 127 148 130, RGB 127 148 136, RGB 127 148 141, RGB 127 148 147 and RGB 127 143 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 148 131 shade matches the following richer shades: RGB 127 148 130, RGB 108 167 117, RGB 89 186 103, RGB 70 205 90 and RGB 51 224 77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 148 131 shade: RGB 127 148 130, RGB 146 129 143, RGB 165 110 156, RGB 184 91 170 and RGB 203 72 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 148 131 shade: RGB 135 148 127, RGB 129 148 127, RGB 127 148 130, RGB 127 148 135 and RGB 127 148 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 148 131 shade: RGB 87 105 90, RGB 106 127 109, RGB 127 148 130, RGB 149 167 152 and RGB 172 185 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 148 131 shade: RGB 128 148 131, RGB 127 140 148 and RGB 148 127 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 148 131 shade: RGB 128 148 131, RGB 130 127 148 and RGB 148 130 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 148 131 shade: RGB 128 148 131, RGB 127 140 148, RGB 148 127 145 and RGB 148 134 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 148 131 shade: RGB 128 148 131, RGB 127 134 148, RGB 148 127 145 and RGB 148 140 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

Complementary color

CMYK 0 / 16 / 2 / 50

HEX #7F6B7C

RGB 127 107 124

HSL 309, 0.09%, 0.46%

LAB 47.6, 11.1, -6.48

 

CMYK 10 / 0 / 15 / 42

HEX #85947E

RGB 133 148 126

HSL 100.91, 0.09%, 0.54%

LAB 59.59, -9.67, 9.83

 

CMYK 10 / 0 / 13 / 35

HEX #96A691

RGB 150 166 145

HSL 105.71, 0.11%, 0.61%

LAB 66.37, -9.66, 8.98

 

CMYK 9 / 0 / 11 / 28

HEX #A7B8A4

RGB 167 184 164

HSL 111, 0.12%, 0.68%

LAB 73.01, -9.66, 8.17

 

CMYK 9 / 0 / 9 / 21

HEX #B8CAB7

RGB 184 202 183

HSL 116.84, 0.15%, 0.75%

LAB 79.53, -9.66, 7.4

 

CMYK 9 / 0 / 8 / 14

HEX #C9DCCA

RGB 201 220 202

HSL 123.16, 0.21%, 0.83%

LAB 85.94, -9.67, 6.67

 

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

CMYK 15 / 0 / 14 / 49

HEX #6F8270

RGB 111 130 112

HSL 123.16, 0.08%, 0.47%

LAB 52.41, -10.64, 7.45

 

CMYK 16 / 0 / 17 / 56

HEX #5E705D

RGB 94 112 93

HSL 116.84, 0.09%, 0.4%

LAB 45.3, -10.74, 8.36

 

CMYK 18 / 0 / 21 / 63

HEX #4D5E4A

RGB 77 94 74

HSL 111, 0.12%, 0.33%

LAB 37.98, -10.86, 9.35

 

CMYK 21 / 0 / 28 / 70

HEX #3C4C37

RGB 60 76 55

HSL 105.71, 0.16%, 0.26%

LAB 30.41, -11.01, 10.47

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 13 / 0 / 14 / 42

HEX #81947F

RGB 129 148 127

HSL 114.29, 0.09%, 0.54%

LAB 59.32, -10.97, 8.84

 

CMYK 9 / 0 / 14 / 42

HEX #87947F

RGB 135 148 127

HSL 97.14, 0.09%, 0.54%

LAB 59.76, -8.74, 9.53

 

CMYK 5 / 0 / 14 / 42

HEX #8D947F

RGB 141 148 127

HSL 80, 0.09%, 0.54%

LAB 60.23, -6.48, 10.25

 

CMYK 1 / 0 / 14 / 42

HEX #92947F

RGB 146 148 127

HSL 65.71, 0.09%, 0.54%

LAB 60.63, -4.57, 10.87

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 14 / 0 / 8 / 42

HEX #7F9488

RGB 127 148 136

HSL 145.71, 0.09%, 0.54%

LAB 59.41, -9.94, 3.83

 

CMYK 14 / 0 / 5 / 42

HEX #7F948D

RGB 127 148 141

HSL 160, 0.09%, 0.54%

LAB 59.54, -8.91, 1.18

 

CMYK 14 / 0 / 1 / 42

HEX #7F9493

RGB 127 148 147

HSL 177.14, 0.09%, 0.54%

LAB 59.71, -7.64, -1.99

 

CMYK 14 / 3 / 0 / 42

HEX #7F8F94

RGB 127 143 148

HSL 194.29, 0.09%, 0.54%

LAB 58.32, -4.65, -4.61

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 35 / 0 / 30 / 35

HEX #6CA775

RGB 108 167 117

HSL 129.15, 0.25%, 0.54%

LAB 63.43, -29.85, 19.94

 

CMYK 52 / 0 / 45 / 27

HEX #59BA67

RGB 89 186 103

HSL 128.66, 0.41%, 0.54%

LAB 68.18, -46.27, 33.5

 

CMYK 66 / 0 / 56 / 20

HEX #46CD5A

RGB 70 205 90

HSL 128.89, 0.57%, 0.54%

LAB 73.35, -59.72, 46.12

 

CMYK 77 / 0 / 66 / 12

HEX #33E04D

RGB 51 224 77

HSL 129.02, 0.74%, 0.54%

LAB 78.78, -70.55, 57.87

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 0 / 12 / 2 / 43

HEX #92818F

RGB 146 129 143

HSL 310.59, 0.07%, 0.54%

LAB 55.88, 9.08, -5.16

 

CMYK 0 / 33 / 5 / 35

HEX #A56E9C

RGB 165 110 156

HSL 309.82, 0.23%, 0.54%

LAB 53.55, 29.29, -16.02

 

CMYK 0 / 51 / 8 / 28

HEX #B85BAA

RGB 184 91 170

HSL 309.03, 0.4%, 0.54%

LAB 52.48, 48.12, -25.62

 

CMYK 0 / 65 / 10 / 20

HEX #CB48B7

RGB 203 72 183

HSL 309.16, 0.56%, 0.54%

LAB 52.67, 64.05, -32.67

 

CMYK 9 / 0 / 14 / 42

HEX #87947F

RGB 135 148 127

HSL 97.14, 0.09%, 0.54%

LAB 59.76, -8.74, 9.53

 

CMYK 13 / 0 / 14 / 42

HEX #81947F

RGB 129 148 127

HSL 114.29, 0.09%, 0.54%

LAB 59.32, -10.97, 8.84

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 14 / 0 / 9 / 42

HEX #7F9487

RGB 127 148 135

HSL 142.86, 0.09%, 0.54%

LAB 59.38, -10.14, 4.36

 

CMYK 14 / 0 / 5 / 42

HEX #7F948D

RGB 127 148 141

HSL 160, 0.09%, 0.54%

LAB 59.54, -8.91, 1.18

 

CMYK 17 / 0 / 14 / 59

HEX #57695A

RGB 87 105 90

HSL 130, 0.09%, 0.38%

LAB 42.56, -10.04, 6.2

 

CMYK 17 / 0 / 14 / 50

HEX #6A7F6D

RGB 106 127 109

HSL 128.57, 0.09%, 0.46%

LAB 51.09, -11.43, 7.26

 

CMYK 14 / 0 / 12 / 42

HEX #7F9482

RGB 127 148 130

HSL 128.57, 0.09%, 0.54%

LAB 59.25, -11.13, 7.02

 

CMYK 11 / 0 / 9 / 35

HEX #95A798

RGB 149 167 152

HSL 130, 0.09%, 0.62%

LAB 66.74, -9.25, 5.62

 

CMYK 7 / 0 / 6 / 27

HEX #ACB9AE

RGB 172 185 174

HSL 129.23, 0.08%, 0.7%

LAB 73.88, -6.59, 4.03

 

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

CMYK 14 / 5 / 0 / 42

HEX #7F8C94

RGB 127 140 148

HSL 202.86, 0.09%, 0.54%

LAB 57.47, -2.97, -5.86

 

CMYK 0 / 14 / 11 / 42

HEX #947F84

RGB 148 127 132

HSL 345.71, 0.09%, 0.54%

LAB 55.22, 8.92, 0.27

 

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

CMYK 12 / 14 / 0 / 42

HEX #827F94

RGB 130 127 148

HSL 248.57, 0.09%, 0.54%

LAB 54.09, 5.52, -10.87

 

CMYK 0 / 12 / 14 / 42

HEX #94827F

RGB 148 130 127

HSL 8.57, 0.09%, 0.54%

LAB 55.88, 6.31, 4.13

 

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

CMYK 14 / 5 / 0 / 42

HEX #7F8C94

RGB 127 140 148

HSL 202.86, 0.09%, 0.54%

LAB 57.47, -2.97, -5.86

 

CMYK 0 / 14 / 2 / 42

HEX #947F91

RGB 148 127 145

HSL 308.57, 0.09%, 0.54%

LAB 55.6, 11.35, -6.71

 

CMYK 0 / 9 / 14 / 42

HEX #94867F

RGB 148 134 127

HSL 20, 0.09%, 0.54%

LAB 56.96, 4.04, 5.67

 

CMYK 14 / 0 / 11 / 42

HEX #809483

RGB 128 148 131

HSL 129, 0.09%, 0.54%

LAB 59.35, -10.57, 6.6

 

CMYK 14 / 9 / 0 / 42

HEX #7F8694

RGB 127 134 148

HSL 220, 0.09%, 0.54%

LAB 55.79, 0.44, -8.36

 

CMYK 0 / 14 / 2 / 42

HEX #947F91

RGB 148 127 145

HSL 308.57, 0.09%, 0.54%

LAB 55.6, 11.35, -6.71

 

CMYK 0 / 5 / 14 / 42

HEX #948C7F

RGB 148 140 127

HSL 37.14, 0.09%, 0.54%

LAB 58.59, 0.65, 8

 

Description

Color code: RGB 128 148 131 | qconv.com Color code: RGB 128 148 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 148 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 148 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 11 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 11% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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