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Color name
RGB 128 125 64

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 125 64 it is the complementary color RGB 127 130 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 125 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 125 64 shade: RGB 133 125 59, RGB 150 143 78, RGB 167 161 97, RGB 184 179 116 and RGB 201 197 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 125 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 111 107 45, RGB 94 89 26, RGB 77 71 7 and RGB 60 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 128 108 64, RGB 128 91 64, RGB 128 74 64 and RGB 128 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 114 128 64, RGB 97 128 64, RGB 80 128 64 and RGB 64 128 66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 125 64 shade matches the following richer shades: RGB 128 125 64, RGB 144 140 49, RGB 160 154 33, RGB 175 168 17 and RGB 191 182 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 113 111 80, RGB 97 97 96, RGB 81 83 111 and RGB 66 69 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 125 64 shade: RGB 128 91 64, RGB 128 108 64, RGB 128 125 64, RGB 115 128 64 and RGB 97 128 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 125 64 shade: RGB 74 72 37, RGB 101 99 51, RGB 128 125 64, RGB 156 152 78 and RGB 176 173 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 64 128 74 and RGB 100 64 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 64 128 125 and RGB 125 64 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 64 128 74, RGB 64 68 128 and RGB 128 64 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 125 64 shade: RGB 128 125 64, RGB 64 128 93, RGB 64 68 128 and RGB 128 64 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

Complementary color

CMYK 34 / 32 / 0 / 25

HEX #7F82BF

RGB 127 130 191

HSL 237.19, 0.33%, 0.62%

LAB 56.33, 13.4, -32.22

 

CMYK 0 / 6 / 56 / 48

HEX #857D3B

RGB 133 125 59

HSL 53.51, 0.39%, 0.38%

LAB 51.8, -6.21, 36.57

 

CMYK 0 / 5 / 48 / 41

HEX #968F4E

RGB 150 143 78

HSL 54.17, 0.32%, 0.45%

LAB 58.68, -6.84, 35.31

 

CMYK 0 / 4 / 42 / 35

HEX #A7A161

RGB 167 161 97

HSL 54.86, 0.28%, 0.52%

LAB 65.41, -7.33, 34.05

 

CMYK 0 / 3 / 37 / 28

HEX #B8B374

RGB 184 179 116

HSL 55.59, 0.32%, 0.59%

LAB 72.02, -7.73, 32.83

 

CMYK 0 / 2 / 33 / 21

HEX #C9C587

RGB 201 197 135

HSL 56.36, 0.38%, 0.66%

LAB 78.52, -8.06, 31.66

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 0 / 4 / 59 / 56

HEX #6F6B2D

RGB 111 107 45

HSL 56.36, 0.42%, 0.31%

LAB 44.35, -7.33, 34.64

 

CMYK 0 / 5 / 72 / 63

HEX #5E591A

RGB 94 89 26

HSL 55.59, 0.57%, 0.24%

LAB 37.11, -6.44, 35.59

 

CMYK 0 / 8 / 91 / 70

HEX #4D4707

RGB 77 71 7

HSL 54.86, 0.83%, 0.16%

LAB 29.66, -5.17, 35.54

 

CMYK 0 / 12 / 100 / 76

HEX #3C3500

RGB 60 53 0

HSL 53, 1%, 0.12%

LAB 21.97, -3.28, 30.56

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 0 / 16 / 50 / 50

HEX #806C40

RGB 128 108 64

HSL 41.25, 0.33%, 0.38%

LAB 46.56, 1.69, 27.44

 

CMYK 0 / 29 / 50 / 50

HEX #805B40

RGB 128 91 64

HSL 25.31, 0.33%, 0.38%

LAB 41.91, 11.71, 21.53

 

CMYK 0 / 42 / 50 / 50

HEX #804A40

RGB 128 74 64

HSL 9.38, 0.33%, 0.38%

LAB 37.58, 21.78, 15.83

 

CMYK 0 / 50 / 50 / 50

HEX #804040

RGB 128 64 64

HSL 0, 0.33%, 0.38%

LAB 35.25, 27.52, 12.68

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 11 / 0 / 50 / 50

HEX #728040

RGB 114 128 64

HSL 73.13, 0.33%, 0.38%

LAB 51.14, -15.71, 32.79

 

CMYK 24 / 0 / 50 / 50

HEX #618040

RGB 97 128 64

HSL 89.06, 0.33%, 0.38%

LAB 49.92, -22.77, 31.03

 

CMYK 38 / 0 / 50 / 50

HEX #508040

RGB 80 128 64

HSL 105, 0.33%, 0.38%

LAB 48.9, -29.24, 29.55

 

CMYK 50 / 0 / 48 / 50

HEX #408042

RGB 64 128 66

HSL 121.88, 0.33%, 0.38%

LAB 48.16, -34.25, 27.38

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 0 / 3 / 66 / 44

HEX #908C31

RGB 144 140 49

HSL 57.47, 0.49%, 0.38%

LAB 56.98, -10.25, 47.34

 

CMYK 0 / 4 / 79 / 37

HEX #A09A21

RGB 160 154 33

HSL 57.17, 0.66%, 0.38%

LAB 62.25, -11.35, 58.91

 

CMYK 0 / 4 / 90 / 31

HEX #AFA811

RGB 175 168 17

HSL 57.34, 0.82%, 0.38%

LAB 67.4, -12.42, 67.56

 

CMYK 0 / 5 / 99 / 25

HEX #BFB602

RGB 191 182 2

HSL 57.14, 0.98%, 0.38%

LAB 72.59, -12.77, 74.01

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 0 / 2 / 29 / 56

HEX #716F50

RGB 113 111 80

HSL 56.36, 0.17%, 0.38%

LAB 46.26, -4.65, 17.59

 

CMYK 0 / 0 / 1 / 62

HEX #616160

RGB 97 97 96

HSL 60, 0.01%, 0.38%

LAB 41.11, -0.21, 0.56

 

CMYK 27 / 25 / 0 / 56

HEX #51536F

RGB 81 83 111

HSL 236, 0.16%, 0.38%

LAB 36.14, 6.1, -16.29

 

CMYK 48 / 46 / 0 / 50

HEX #42457F

RGB 66 69 127

HSL 237.05, 0.32%, 0.38%

LAB 31.69, 15.44, -33.31

 

CMYK 0 / 29 / 50 / 50

HEX #805B40

RGB 128 91 64

HSL 25.31, 0.33%, 0.38%

LAB 41.91, 11.71, 21.53

 

CMYK 0 / 16 / 50 / 50

HEX #806C40

RGB 128 108 64

HSL 41.25, 0.33%, 0.38%

LAB 46.56, 1.69, 27.44

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 10 / 0 / 50 / 50

HEX #738040

RGB 115 128 64

HSL 72.19, 0.33%, 0.38%

LAB 51.21, -15.29, 32.9

 

CMYK 24 / 0 / 50 / 50

HEX #618040

RGB 97 128 64

HSL 89.06, 0.33%, 0.38%

LAB 49.92, -22.77, 31.03

 

CMYK 0 / 3 / 50 / 71

HEX #4A4825

RGB 74 72 37

HSL 56.76, 0.33%, 0.22%

LAB 29.97, -5.05, 21.21

 

CMYK 0 / 2 / 50 / 60

HEX #656333

RGB 101 99 51

HSL 57.6, 0.33%, 0.3%

LAB 41.1, -6.79, 27.39

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 0 / 3 / 50 / 39

HEX #9C984E

RGB 156 152 78

HSL 56.92, 0.33%, 0.46%

LAB 61.72, -9.12, 39.12

 

CMYK 0 / 2 / 44 / 31

HEX #B0AD63

RGB 176 173 99

HSL 57.66, 0.33%, 0.54%

LAB 69.48, -9.73, 38.27

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 50 / 0 / 42 / 50

HEX #40804A

RGB 64 128 74

HSL 129.38, 0.33%, 0.38%

LAB 48.29, -32.93, 23.14

 

CMYK 22 / 50 / 0 / 50

HEX #644080

RGB 100 64 128

HSL 273.75, 0.33%, 0.38%

LAB 33.85, 28.7, -30.29

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 50 / 0 / 2 / 50

HEX #40807D

RGB 64 128 125

HSL 177.19, 0.33%, 0.38%

LAB 49.51, -21.25, -4.71

 

CMYK 2 / 50 / 0 / 50

HEX #7D4080

RGB 125 64 128

HSL 297.19, 0.33%, 0.38%

LAB 37.09, 36.4, -24.98

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 50 / 0 / 42 / 50

HEX #40804A

RGB 64 128 74

HSL 129.38, 0.33%, 0.38%

LAB 48.29, -32.93, 23.14

 

CMYK 50 / 47 / 0 / 50

HEX #404480

RGB 64 68 128

HSL 236.25, 0.33%, 0.38%

LAB 31.31, 15.92, -34.55

 

CMYK 0 / 50 / 7 / 50

HEX #804077

RGB 128 64 119

HSL 308.44, 0.33%, 0.38%

LAB 37.09, 35.62, -19.36

 

CMYK 0 / 2 / 50 / 50

HEX #807D40

RGB 128 125 64

HSL 57.19, 0.33%, 0.38%

LAB 51.41, -7.97, 33.4

 

CMYK 50 / 0 / 27 / 50

HEX #40805D

RGB 64 128 93

HSL 147.19, 0.33%, 0.38%

LAB 48.66, -29.21, 12.81

 

CMYK 50 / 47 / 0 / 50

HEX #404480

RGB 64 68 128

HSL 236.25, 0.33%, 0.38%

LAB 31.31, 15.92, -34.55

 

CMYK 0 / 50 / 22 / 50

HEX #804064

RGB 128 64 100

HSL 326.25, 0.33%, 0.38%

LAB 36.32, 32.33, -8.63

 

Description

Color code: RGB 128 125 64 | qconv.com Color code: RGB 128 125 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 125 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 125 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 50 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 50% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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