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Color name
RGB 128 108 181

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 128 108 181 it is the complementary color RGB 127 147 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 128 108 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 128 108 181 shade: RGB 133 108 176, RGB 150 126 195, RGB 167 144 214, RGB 184 162 233 and RGB 201 180 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 128 108 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 128 108 181 shade: RGB 128 108 181, RGB 111 90 162, RGB 94 72 143, RGB 77 54 124 and RGB 60 36 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 128 108 181 shade: RGB 128 109 181, RGB 148 109 181, RGB 168 109 181, RGB 181 109 175 and RGB 181 109 156

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 128 108 181 shade: RGB 128 109 181, RGB 109 109 181 and RGB 109 109 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 128 108 181 shade matches the following richer shades: RGB 128 109 181, RGB 120 91 199, RGB 112 73 217, RGB 104 55 234 and RGB 96 38 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 128 108 181 shade: RGB 128 109 181, RGB 137 126 163, RGB 145 144 146, RGB 153 162 128 and RGB 161 180 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 128 108 181 shade: RGB 109 128 181, RGB 109 109 181, RGB 128 109 181, RGB 147 109 181 and RGB 167 109 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 128 108 181 shade: RGB 88 69 138, RGB 106 83 165, RGB 128 109 181, RGB 152 136 195 and RGB 176 164 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 128 108 181 shade: RGB 128 108 181, RGB 181 109 147 and RGB 118 181 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 128 108 181 shade: RGB 128 108 181, RGB 181 128 109 and RGB 109 181 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 128 108 181 shade: RGB 128 108 181, RGB 181 109 147, RGB 162 181 109 and RGB 109 181 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 128 108 181 shade: RGB 128 108 181, RGB 181 109 126, RGB 162 181 109 and RGB 109 181 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

Complementary color

CMYK 14 / 0 / 50 / 42

HEX #7F934A

RGB 127 147 74

HSL 76.44, 0.33%, 0.43%

LAB 57.92, -19.14, 36.03

 

CMYK 24 / 39 / 0 / 31

HEX #856CB0

RGB 133 108 176

HSL 262.06, 0.3%, 0.56%

LAB 50.51, 24.33, -32.64

 

CMYK 23 / 35 / 0 / 24

HEX #967EC3

RGB 150 126 195

HSL 260.87, 0.37%, 0.63%

LAB 57.41, 23.59, -32.66

 

CMYK 22 / 33 / 0 / 16

HEX #A790D6

RGB 167 144 214

HSL 259.71, 0.46%, 0.7%

LAB 64.17, 22.91, -32.71

 

CMYK 21 / 30 / 0 / 9

HEX #B8A2E9

RGB 184 162 233

HSL 258.59, 0.62%, 0.77%

LAB 70.81, 22.31, -32.79

 

CMYK 20 / 29 / 0 / 1

HEX #C9B4FC

RGB 201 180 252

HSL 257.5, 0.92%, 0.85%

LAB 77.33, 21.75, -32.9

 

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

CMYK 31 / 44 / 0 / 36

HEX #6F5AA2

RGB 111 90 162

HSL 257.5, 0.29%, 0.49%

LAB 43.21, 25.01, -36.04

 

CMYK 34 / 50 / 0 / 44

HEX #5E488F

RGB 94 72 143

HSL 258.59, 0.33%, 0.42%

LAB 35.98, 26.02, -36.18

 

CMYK 38 / 56 / 0 / 51

HEX #4D367C

RGB 77 54 124

HSL 259.71, 0.39%, 0.35%

LAB 28.57, 27.18, -36.36

 

CMYK 43 / 66 / 0 / 59

HEX #3C2469

RGB 60 36 105

HSL 260.87, 0.49%, 0.28%

LAB 20.99, 28.46, -36.5

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 18 / 40 / 0 / 29

HEX #946DB5

RGB 148 109 181

HSL 272.5, 0.33%, 0.57%

LAB 52.47, 29.52, -32.35

 

CMYK 7 / 40 / 0 / 29

HEX #A86DB5

RGB 168 109 181

HSL 289.17, 0.33%, 0.57%

LAB 54.66, 35.72, -28.79

 

CMYK 0 / 40 / 3 / 29

HEX #B56DAF

RGB 181 109 175

HSL 305, 0.33%, 0.57%

LAB 55.94, 38.68, -23.22

 

CMYK 0 / 40 / 14 / 29

HEX #B56D9C

RGB 181 109 156

HSL 320.83, 0.33%, 0.57%

LAB 55.24, 35.35, -13.28

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 40 / 54 / 0 / 22

HEX #785BC7

RGB 120 91 199

HSL 256.11, 0.49%, 0.57%

LAB 46.44, 36.89, -52.48

 

CMYK 48 / 66 / 0 / 15

HEX #7049D9

RGB 112 73 217

HSL 256.25, 0.65%, 0.57%

LAB 43.09, 50.36, -68.28

 

CMYK 56 / 76 / 0 / 8

HEX #6837EA

RGB 104 55 234

HSL 256.42, 0.81%, 0.57%

LAB 40.6, 62.69, -82.08

 

CMYK 62 / 85 / 0 / 1

HEX #6026FC

RGB 96 38 252

HSL 256.26, 0.97%, 0.57%

LAB 39.41, 73.12, -94.21

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 16 / 23 / 0 / 36

HEX #897EA3

RGB 137 126 163

HSL 257.84, 0.17%, 0.57%

LAB 54.95, 11.89, -18.21

 

CMYK 1 / 1 / 0 / 43

HEX #919092

RGB 145 144 146

HSL 270, 0.01%, 0.57%

LAB 59.93, 0.76, -0.94

 

CMYK 6 / 0 / 21 / 36

HEX #99A280

RGB 153 162 128

HSL 75.88, 0.15%, 0.57%

LAB 65.1, -9.31, 16.64

 

CMYK 11 / 0 / 39 / 29

HEX #A1B46E

RGB 161 180 110

HSL 76.29, 0.32%, 0.57%

LAB 70.42, -18.13, 33.54

 

CMYK 40 / 29 / 0 / 29

HEX #6D80B5

RGB 109 128 181

HSL 224.17, 0.33%, 0.57%

LAB 54.05, 6.73, -30.14

 

CMYK 40 / 40 / 0 / 29

HEX #6D6DB5

RGB 109 109 181

HSL 240, 0.33%, 0.57%

LAB 48.91, 18.16, -38.19

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 19 / 40 / 0 / 29

HEX #936DB5

RGB 147 109 181

HSL 271.67, 0.33%, 0.57%

LAB 52.37, 29.21, -32.52

 

CMYK 8 / 40 / 0 / 29

HEX #A76DB5

RGB 167 109 181

HSL 288.33, 0.33%, 0.57%

LAB 54.54, 35.41, -28.98

 

CMYK 36 / 50 / 0 / 46

HEX #58458A

RGB 88 69 138

HSL 256.52, 0.33%, 0.41%

LAB 34.33, 24.8, -35.79

 

CMYK 36 / 50 / 0 / 35

HEX #6A53A5

RGB 106 83 165

HSL 256.83, 0.33%, 0.49%

LAB 41.16, 28.69, -41.1

 

CMYK 29 / 40 / 0 / 29

HEX #806DB5

RGB 128 109 181

HSL 255.83, 0.33%, 0.57%

LAB 50.53, 23.52, -35.54

 

CMYK 22 / 30 / 0 / 24

HEX #9888C3

RGB 152 136 195

HSL 256.27, 0.33%, 0.65%

LAB 60.09, 18.42, -28.49

 

CMYK 16 / 22 / 0 / 18

HEX #B0A4D1

RGB 176 164 209

HSL 256, 0.33%, 0.73%

LAB 69.74, 13.33, -21.32

 

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

CMYK 0 / 40 / 19 / 29

HEX #B56D93

RGB 181 109 147

HSL 328.33, 0.33%, 0.57%

LAB 54.94, 33.88, -8.48

 

CMYK 35 / 0 / 40 / 29

HEX #76B56D

RGB 118 181 109

HSL 112.5, 0.33%, 0.57%

LAB 68.02, -34.48, 30.44

 

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

CMYK 0 / 29 / 40 / 29

HEX #B5806D

RGB 181 128 109

HSL 15.83, 0.33%, 0.57%

LAB 58.38, 18.05, 18.48

 

CMYK 40 / 0 / 29 / 29

HEX #6DB580

RGB 109 181 128

HSL 135.83, 0.33%, 0.57%

LAB 67.92, -34.13, 20.09

 

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

CMYK 0 / 40 / 19 / 29

HEX #B56D93

RGB 181 109 147

HSL 328.33, 0.33%, 0.57%

LAB 54.94, 33.88, -8.48

 

CMYK 10 / 0 / 40 / 29

HEX #A2B56D

RGB 162 181 109

HSL 75.83, 0.33%, 0.57%

LAB 70.76, -18.37, 34.5

 

CMYK 40 / 0 / 22 / 29

HEX #6DB58E

RGB 109 181 142

HSL 147.5, 0.33%, 0.57%

LAB 68.21, -31.4, 12.89

 

CMYK 29 / 40 / 0 / 29

HEX #806CB5

RGB 128 108 181

HSL 256.44, 0.33%, 0.57%

LAB 50.28, 24.11, -35.94

 

CMYK 0 / 40 / 30 / 29

HEX #B56D7E

RGB 181 109 126

HSL 345.83, 0.33%, 0.57%

LAB 54.31, 30.78, 2.9

 

CMYK 10 / 0 / 40 / 29

HEX #A2B56D

RGB 162 181 109

HSL 75.83, 0.33%, 0.57%

LAB 70.76, -18.37, 34.5

 

CMYK 40 / 0 / 9 / 29

HEX #6DB5A4

RGB 109 181 164

HSL 165.83, 0.33%, 0.57%

LAB 68.74, -26.59, 1.57

 

Description

Color code: RGB 128 108 181 | qconv.com Color code: RGB 128 108 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 108 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 108 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 40 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 40% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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