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Color name
RGB 127 93 35

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 93 35 it is the complementary color RGB 128 162 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 93 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 93 35 shade: RGB 132 93 30, RGB 149 111 49, RGB 166 129 68, RGB 183 147 87 and RGB 200 165 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 93 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 93 35 shade: RGB 127 93 35, RGB 110 75 16, RGB 93 57 0, RGB 76 39 0 and RGB 59 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 93 35 shade: RGB 128 93 35, RGB 128 68 35, RGB 128 43 35 and RGB 128 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 93 35 shade: RGB 128 93 35, RGB 128 118 35, RGB 112 128 35, RGB 87 128 35 and RGB 62 128 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 93 35 shade matches the following richer shades: RGB 128 93 35, RGB 141 97 21 and RGB 154 100 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 93 35 shade: RGB 128 93 35, RGB 114 90 48, RGB 101 86 61, RGB 88 83 74 and RGB 75 79 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 93 35 shade: RGB 128 42 35, RGB 128 67 35, RGB 128 92 35, RGB 128 117 35 and RGB 114 128 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 93 35 shade: RGB 63 46 17, RGB 95 70 26, RGB 128 93 35, RGB 160 117 43 and RGB 192 141 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 93 35 shade: RGB 127 93 35, RGB 52 128 35 and RGB 55 35 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 93 35 shade: RGB 127 93 35, RGB 35 128 92 and RGB 92 35 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 93 35 shade: RGB 127 93 35, RGB 52 128 35, RGB 35 70 128 and RGB 111 35 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 93 35 shade: RGB 127 93 35, RGB 35 128 45, RGB 35 70 128 and RGB 128 35 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

Complementary color

CMYK 42 / 26 / 0 / 14

HEX #80A2DC

RGB 128 162 220

HSL 217.83, 0.57%, 0.68%

LAB 66.21, 3.14, -33.1

 

CMYK 0 / 30 / 77 / 48

HEX #845D1E

RGB 132 93 30

HSL 37.06, 0.63%, 0.32%

LAB 42.5, 9.76, 40.57

 

CMYK 0 / 26 / 67 / 42

HEX #956F31

RGB 149 111 49

HSL 37.2, 0.51%, 0.39%

LAB 49.47, 8.25, 39.43

 

CMYK 0 / 22 / 59 / 35

HEX #A68144

RGB 166 129 68

HSL 37.35, 0.42%, 0.46%

LAB 56.31, 7.04, 38.05

 

CMYK 0 / 20 / 52 / 28

HEX #B79357

RGB 183 147 87

HSL 37.5, 0.4%, 0.53%

LAB 63.03, 6.03, 36.65

 

CMYK 0 / 18 / 47 / 22

HEX #C8A56A

RGB 200 165 106

HSL 37.66, 0.46%, 0.6%

LAB 69.63, 5.2, 35.3

 

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B10

RGB 110 75 16

HSL 37.66, 0.75%, 0.25%

LAB 34.77, 9.39, 38.22

 

CMYK 0 / 39 / 100 / 64

HEX #5D3900

RGB 93 57 0

HSL 36.77, 1%, 0.18%

LAB 27.44, 11.57, 37.32

 

CMYK 0 / 49 / 100 / 70

HEX #4C2700

RGB 76 39 0

HSL 30.79, 1%, 0.15%

LAB 19.99, 14.4, 29.02

 

CMYK 0 / 64 / 100 / 77

HEX #3B1500

RGB 59 21 0

HSL 21.36, 1%, 0.12%

LAB 12.39, 17.3, 18.88

 

CMYK 0 / 27 / 73 / 50

HEX #805D23

RGB 128 93 35

HSL 37.42, 0.57%, 0.32%

LAB 42.06, 8.14, 37.63

 

CMYK 0 / 47 / 73 / 50

HEX #804423

RGB 128 68 35

HSL 21.29, 0.57%, 0.32%

LAB 35.68, 22.88, 30.77

 

CMYK 0 / 66 / 73 / 50

HEX #802B23

RGB 128 43 35

HSL 5.16, 0.57%, 0.32%

LAB 30.49, 36.19, 24.86

 

CMYK 0 / 73 / 73 / 50

HEX #802323

RGB 128 35 35

HSL 0, 0.57%, 0.32%

LAB 29.19, 39.72, 23.32

 

CMYK 0 / 27 / 73 / 50

HEX #805D23

RGB 128 93 35

HSL 37.42, 0.57%, 0.32%

LAB 42.06, 8.14, 37.63

 

CMYK 0 / 8 / 73 / 50

HEX #807623

RGB 128 118 35

HSL 53.55, 0.57%, 0.32%

LAB 49.09, -6.31, 44.79

 

CMYK 13 / 0 / 73 / 50

HEX #708023

RGB 112 128 35

HSL 70.32, 0.57%, 0.32%

LAB 50.69, -19.05, 45.92

 

CMYK 32 / 0 / 73 / 50

HEX #578023

RGB 87 128 35

HSL 86.45, 0.57%, 0.32%

LAB 48.99, -29.62, 43.66

 

CMYK 52 / 0 / 73 / 50

HEX #3E8023

RGB 62 128 35

HSL 102.58, 0.57%, 0.32%

LAB 47.73, -38.59, 41.97

 

CMYK 0 / 27 / 73 / 50

HEX #805D23

RGB 128 93 35

HSL 37.42, 0.57%, 0.32%

LAB 42.06, 8.14, 37.63

 

CMYK 0 / 31 / 85 / 45

HEX #8D6115

RGB 141 97 21

HSL 38, 0.74%, 0.32%

LAB 44.61, 11.29, 46.53

 

CMYK 0 / 35 / 95 / 40

HEX #9A6408

RGB 154 100 8

HSL 37.81, 0.9%, 0.32%

LAB 46.98, 15.29, 52.71

 

CMYK 0 / 27 / 73 / 50

HEX #805D23

RGB 128 93 35

HSL 37.42, 0.57%, 0.32%

LAB 42.06, 8.14, 37.63

 

CMYK 0 / 21 / 58 / 55

HEX #725A30

RGB 114 90 48

HSL 38.18, 0.41%, 0.32%

LAB 39.75, 4.29, 27.74

 

CMYK 0 / 15 / 40 / 60

HEX #65563D

RGB 101 86 61

HSL 37.5, 0.25%, 0.32%

LAB 37.41, 2.14, 16.85

 

CMYK 0 / 6 / 16 / 65

HEX #58534A

RGB 88 83 74

HSL 38.57, 0.09%, 0.32%

LAB 35.51, 0.28, 6

 

CMYK 14 / 9 / 0 / 66

HEX #4B4F57

RGB 75 79 87

HSL 220, 0.07%, 0.32%

LAB 33.51, 0.26, -5.25

 

CMYK 0 / 67 / 73 / 50

HEX #802A23

RGB 128 42 35

HSL 4.52, 0.57%, 0.32%

LAB 30.32, 36.66, 24.65

 

CMYK 0 / 48 / 73 / 50

HEX #804323

RGB 128 67 35

HSL 20.65, 0.57%, 0.32%

LAB 35.45, 23.46, 30.5

 

CMYK 0 / 28 / 73 / 50

HEX #805C23

RGB 128 92 35

HSL 36.77, 0.57%, 0.32%

LAB 41.79, 8.73, 37.35

 

CMYK 0 / 9 / 73 / 50

HEX #807523

RGB 128 117 35

HSL 52.9, 0.57%, 0.32%

LAB 48.8, -5.75, 44.5

 

CMYK 11 / 0 / 73 / 50

HEX #728023

RGB 114 128 35

HSL 69.03, 0.57%, 0.32%

LAB 50.85, -18.16, 46.13

 

CMYK 0 / 27 / 73 / 75

HEX #3F2E11

RGB 63 46 17

HSL 37.83, 0.58%, 0.16%

LAB 20.25, 3.99, 21.26

 

CMYK 0 / 26 / 73 / 63

HEX #5F461A

RGB 95 70 26

HSL 38.26, 0.57%, 0.24%

LAB 31.55, 5.58, 29.81

 

CMYK 0 / 27 / 73 / 50

HEX #805D23

RGB 128 93 35

HSL 37.42, 0.57%, 0.32%

LAB 42.06, 8.14, 37.63

 

CMYK 0 / 27 / 73 / 37

HEX #A0752B

RGB 160 117 43

HSL 37.95, 0.58%, 0.4%

LAB 52.25, 9.48, 45.61

 

CMYK 0 / 27 / 73 / 25

HEX #C08D34

RGB 192 141 52

HSL 38.14, 0.57%, 0.48%

LAB 62.09, 10.83, 52.81

 

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

CMYK 59 / 0 / 73 / 50

HEX #348023

RGB 52 128 35

HSL 109.03, 0.57%, 0.32%

LAB 47.35, -41.53, 41.45

 

CMYK 57 / 73 / 0 / 50

HEX #372380

RGB 55 35 128

HSL 252.9, 0.57%, 0.32%

LAB 22.21, 35.21, -49.3

 

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

CMYK 73 / 0 / 28 / 50

HEX #23805C

RGB 35 128 92

HSL 156.77, 0.57%, 0.32%

LAB 47.71, -35.9, 11.93

 

CMYK 28 / 73 / 0 / 50

HEX #5C2380

RGB 92 35 128

HSL 276.77, 0.57%, 0.32%

LAB 26.84, 42.5, -41.56

 

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

CMYK 59 / 0 / 73 / 50

HEX #348023

RGB 52 128 35

HSL 109.03, 0.57%, 0.32%

LAB 47.35, -41.53, 41.45

 

CMYK 73 / 45 / 0 / 50

HEX #234680

RGB 35 70 128

HSL 217.42, 0.57%, 0.32%

LAB 30.15, 8.45, -36.5

 

CMYK 13 / 73 / 0 / 50

HEX #6F2380

RGB 111 35 128

HSL 289.03, 0.57%, 0.32%

LAB 29.76, 46.8, -36.7

 

CMYK 0 / 27 / 72 / 50

HEX #7F5D23

RGB 127 93 35

HSL 37.83, 0.57%, 0.32%

LAB 41.94, 7.67, 37.47

 

CMYK 73 / 0 / 65 / 50

HEX #23802D

RGB 35 128 45

HSL 126.45, 0.57%, 0.32%

LAB 46.95, -44.43, 36.45

 

CMYK 73 / 45 / 0 / 50

HEX #234680

RGB 35 70 128

HSL 217.42, 0.57%, 0.32%

LAB 30.15, 8.45, -36.5

 

CMYK 0 / 73 / 9 / 50

HEX #802375

RGB 128 35 117

HSL 307.1, 0.57%, 0.32%

LAB 31.98, 48.91, -26.07

 

Description

Color code: RGB 127 93 35 | qconv.com Color code: RGB 127 93 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 93 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 93 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 72 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 72% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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