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Color name
RGB 127 91 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 91 34 it is the complementary color RGB 128 164 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 91 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 91 34 shade: RGB 132 91 29, RGB 149 109 48, RGB 166 127 67, RGB 183 145 86 and RGB 200 163 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 91 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 91 34 shade: RGB 127 91 34, RGB 110 73 15, RGB 93 55 0, RGB 76 37 0 and RGB 59 19 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 91 34 shade: RGB 128 92 34, RGB 128 66 34, RGB 128 41 34 and RGB 128 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 91 34 shade: RGB 128 92 34, RGB 128 117 34, RGB 114 128 34, RGB 88 128 34 and RGB 63 128 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 91 34 shade matches the following richer shades: RGB 128 92 34, RGB 142 95 21 and RGB 155 98 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 91 34 shade: RGB 128 92 34, RGB 115 89 47, RGB 102 86 60, RGB 89 83 73 and RGB 76 80 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 91 34 shade: RGB 128 40 34, RGB 128 65 34, RGB 128 91 34, RGB 128 116 34 and RGB 116 128 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 91 34 shade: RGB 63 45 16, RGB 96 68 25, RGB 128 92 34, RGB 161 115 42 and RGB 194 138 51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 91 34 shade: RGB 127 91 34, RGB 53 128 34 and RGB 53 34 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 91 34 shade: RGB 127 91 34, RGB 34 128 91 and RGB 91 34 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 91 34 shade: RGB 127 91 34, RGB 53 128 34, RGB 34 72 128 and RGB 109 34 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 91 34 shade: RGB 127 91 34, RGB 34 128 43, RGB 34 72 128 and RGB 128 34 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

Complementary color

CMYK 42 / 26 / 0 / 13

HEX #80A4DD

RGB 128 164 221

HSL 216.77, 0.58%, 0.68%

LAB 66.79, 2.29, -32.75

 

CMYK 0 / 31 / 78 / 48

HEX #845B1D

RGB 132 91 29

HSL 36.12, 0.64%, 0.32%

LAB 41.96, 10.9, 40.48

 

CMYK 0 / 27 / 68 / 42

HEX #956D30

RGB 149 109 48

HSL 36.24, 0.51%, 0.39%

LAB 48.93, 9.34, 39.34

 

CMYK 0 / 23 / 60 / 35

HEX #A67F43

RGB 166 127 67

HSL 36.36, 0.42%, 0.46%

LAB 55.78, 8.08, 37.94

 

CMYK 0 / 21 / 53 / 28

HEX #B79156

RGB 183 145 86

HSL 36.49, 0.4%, 0.53%

LAB 62.5, 7.05, 36.52

 

CMYK 0 / 19 / 48 / 22

HEX #C8A369

RGB 200 163 105

HSL 36.63, 0.46%, 0.6%

LAB 69.11, 6.18, 35.16

 

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

CMYK 0 / 34 / 86 / 57

HEX #6E490F

RGB 110 73 15

HSL 36.63, 0.76%, 0.25%

LAB 34.22, 10.58, 38.12

 

CMYK 0 / 41 / 100 / 64

HEX #5D3700

RGB 93 55 0

HSL 35.48, 1%, 0.18%

LAB 26.9, 12.82, 36.85

 

CMYK 0 / 51 / 100 / 70

HEX #4C2500

RGB 76 37 0

HSL 29.21, 1%, 0.15%

LAB 19.47, 15.67, 28.42

 

CMYK 0 / 68 / 100 / 77

HEX #3B1300

RGB 59 19 0

HSL 19.32, 1%, 0.12%

LAB 11.93, 18.49, 18.25

 

CMYK 0 / 28 / 73 / 50

HEX #805C22

RGB 128 92 34

HSL 37.02, 0.58%, 0.32%

LAB 41.78, 8.68, 37.82

 

CMYK 0 / 48 / 73 / 50

HEX #804222

RGB 128 66 34

HSL 20.43, 0.58%, 0.32%

LAB 35.2, 23.97, 30.79

 

CMYK 0 / 68 / 73 / 50

HEX #802922

RGB 128 41 34

HSL 4.47, 0.58%, 0.32%

LAB 30.13, 37.06, 25.06

 

CMYK 0 / 73 / 73 / 50

HEX #802222

RGB 128 34 34

HSL 0, 0.58%, 0.32%

LAB 29.03, 40.08, 23.76

 

CMYK 0 / 28 / 73 / 50

HEX #805C22

RGB 128 92 34

HSL 37.02, 0.58%, 0.32%

LAB 41.78, 8.68, 37.82

 

CMYK 0 / 9 / 73 / 50

HEX #807522

RGB 128 117 34

HSL 52.98, 0.58%, 0.32%

LAB 48.79, -5.81, 44.91

 

CMYK 11 / 0 / 73 / 50

HEX #728022

RGB 114 128 34

HSL 68.94, 0.58%, 0.32%

LAB 50.84, -18.22, 46.52

 

CMYK 31 / 0 / 73 / 50

HEX #588022

RGB 88 128 34

HSL 85.53, 0.58%, 0.32%

LAB 49.04, -29.3, 44.13

 

CMYK 51 / 0 / 73 / 50

HEX #3F8022

RGB 63 128 34

HSL 101.49, 0.58%, 0.32%

LAB 47.77, -38.36, 42.42

 

CMYK 0 / 28 / 73 / 50

HEX #805C22

RGB 128 92 34

HSL 37.02, 0.58%, 0.32%

LAB 41.78, 8.68, 37.82

 

CMYK 0 / 33 / 85 / 44

HEX #8E5F15

RGB 142 95 21

HSL 36.69, 0.74%, 0.32%

LAB 44.22, 12.92, 46.24

 

CMYK 0 / 37 / 95 / 39

HEX #9B6207

RGB 155 98 7

HSL 36.89, 0.91%, 0.32%

LAB 46.6, 16.88, 52.73

 

CMYK 0 / 28 / 73 / 50

HEX #805C22

RGB 128 92 34

HSL 37.02, 0.58%, 0.32%

LAB 41.78, 8.68, 37.82

 

CMYK 0 / 23 / 59 / 55

HEX #73592F

RGB 115 89 47

HSL 37.06, 0.42%, 0.32%

LAB 39.57, 5.27, 28.11

 

CMYK 0 / 16 / 41 / 60

HEX #66563C

RGB 102 86 60

HSL 37.14, 0.26%, 0.32%

LAB 37.49, 2.46, 17.58

 

CMYK 0 / 7 / 18 / 65

HEX #595349

RGB 89 83 73

HSL 37.5, 0.1%, 0.32%

LAB 35.58, 0.53, 6.74

 

CMYK 13 / 8 / 0 / 66

HEX #4C5057

RGB 76 80 87

HSL 218.18, 0.07%, 0.32%

LAB 33.9, 0.02, -4.66

 

CMYK 0 / 69 / 73 / 50

HEX #802822

RGB 128 40 34

HSL 3.83, 0.58%, 0.32%

LAB 29.97, 37.51, 24.86

 

CMYK 0 / 49 / 73 / 50

HEX #804122

RGB 128 65 34

HSL 19.79, 0.58%, 0.32%

LAB 34.97, 24.55, 30.54

 

CMYK 0 / 29 / 73 / 50

HEX #805B22

RGB 128 91 34

HSL 36.38, 0.58%, 0.32%

LAB 41.51, 9.27, 37.54

 

CMYK 0 / 9 / 73 / 50

HEX #807422

RGB 128 116 34

HSL 52.34, 0.58%, 0.32%

LAB 48.51, -5.24, 44.63

 

CMYK 9 / 0 / 73 / 50

HEX #748022

RGB 116 128 34

HSL 67.66, 0.58%, 0.32%

LAB 51, -17.33, 46.72

 

CMYK 0 / 29 / 75 / 75

HEX #3F2D10

RGB 63 45 16

HSL 37.02, 0.59%, 0.15%

LAB 19.93, 4.58, 21.47

 

CMYK 0 / 29 / 74 / 62

HEX #604419

RGB 96 68 25

HSL 36.34, 0.59%, 0.24%

LAB 31.09, 7.26, 29.88

 

CMYK 0 / 28 / 73 / 50

HEX #805C22

RGB 128 92 34

HSL 37.02, 0.58%, 0.32%

LAB 41.78, 8.68, 37.82

 

CMYK 0 / 29 / 74 / 37

HEX #A1732A

RGB 161 115 42

HSL 36.81, 0.59%, 0.4%

LAB 51.84, 11.02, 45.68

 

CMYK 0 / 29 / 74 / 24

HEX #C28A33

RGB 194 138 51

HSL 36.5, 0.58%, 0.48%

LAB 61.56, 13.31, 52.77

 

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

CMYK 59 / 0 / 73 / 50

HEX #358022

RGB 53 128 34

HSL 107.87, 0.58%, 0.32%

LAB 47.38, -41.34, 41.9

 

CMYK 59 / 73 / 0 / 50

HEX #352280

RGB 53 34 128

HSL 252.13, 0.58%, 0.32%

LAB 21.8, 35.46, -49.98

 

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

CMYK 73 / 0 / 29 / 50

HEX #22805B

RGB 34 128 91

HSL 156.38, 0.58%, 0.32%

LAB 47.67, -36.3, 12.44

 

CMYK 29 / 73 / 0 / 50

HEX #5B2280

RGB 91 34 128

HSL 276.38, 0.58%, 0.32%

LAB 26.52, 42.75, -42.07

 

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

CMYK 59 / 0 / 73 / 50

HEX #358022

RGB 53 128 34

HSL 107.87, 0.58%, 0.32%

LAB 47.38, -41.34, 41.9

 

CMYK 73 / 44 / 0 / 50

HEX #224880

RGB 34 72 128

HSL 215.74, 0.58%, 0.32%

LAB 30.72, 6.93, -35.59

 

CMYK 15 / 73 / 0 / 50

HEX #6D2280

RGB 109 34 128

HSL 287.87, 0.58%, 0.32%

LAB 29.3, 46.75, -37.46

 

CMYK 0 / 28 / 73 / 50

HEX #7F5B22

RGB 127 91 34

HSL 36.77, 0.58%, 0.32%

LAB 41.39, 8.8, 37.38

 

CMYK 73 / 0 / 66 / 50

HEX #22802B

RGB 34 128 43

HSL 125.74, 0.58%, 0.32%

LAB 46.91, -44.85, 37.33

 

CMYK 73 / 44 / 0 / 50

HEX #224880

RGB 34 72 128

HSL 215.74, 0.58%, 0.32%

LAB 30.72, 6.93, -35.59

 

CMYK 0 / 73 / 7 / 50

HEX #802277

RGB 128 34 119

HSL 305.74, 0.58%, 0.32%

LAB 31.95, 49.61, -27.37

 

Description

Color code: RGB 127 91 34 | qconv.com Color code: RGB 127 91 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 91 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 91 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 73 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 73% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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