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Color name
RGB 127 86 14

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 86 14 it is the complementary color RGB 128 169 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 86 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 86 14 shade: RGB 132 86 9, RGB 149 104 28, RGB 166 122 47, RGB 183 140 66 and RGB 200 158 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 86 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 86 14 shade: RGB 127 86 14, RGB 110 68 0, RGB 93 50 0, RGB 76 32 0 and RGB 59 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 86 14 shade: RGB 128 87 14, RGB 128 56 14, RGB 128 25 14 and RGB 128 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 86 14 shade: RGB 128 87 14, RGB 128 117 14, RGB 108 128 14, RGB 77 128 14 and RGB 46 128 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 86 14 shade matches the following richer shades: RGB 128 87 14 and RGB 140 90 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 86 14 shade: RGB 128 87 14, RGB 116 83 25, RGB 105 80 37, RGB 93 77 48 and RGB 82 74 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 86 14 shade: RGB 128 25 14, RGB 128 56 14, RGB 128 86 14, RGB 128 117 14 and RGB 109 128 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 86 14 shade: RGB 54 36 6, RGB 91 61 10, RGB 128 87 14, RGB 165 112 18 and RGB 202 137 22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 86 14 shade: RGB 127 86 14, RGB 33 128 14 and RGB 40 14 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 86 14 shade: RGB 127 86 14, RGB 14 128 86 and RGB 86 14 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 86 14 shade: RGB 127 86 14, RGB 33 128 14, RGB 14 56 128 and RGB 109 14 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 86 14 shade: RGB 127 86 14, RGB 14 128 29, RGB 14 56 128 and RGB 128 14 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

Complementary color

CMYK 47 / 30 / 0 / 5

HEX #80A9F1

RGB 128 169 241

HSL 218.23, 0.8%, 0.72%

LAB 68.98, 5.15, -40.31

 

CMYK 0 / 35 / 93 / 48

HEX #845609

RGB 132 86 9

HSL 37.56, 0.87%, 0.28%

LAB 40.54, 13.19, 46.4

 

CMYK 0 / 30 / 81 / 42

HEX #95681C

RGB 149 104 28

HSL 37.69, 0.68%, 0.35%

LAB 47.46, 11.2, 46.85

 

CMYK 0 / 27 / 72 / 35

HEX #A67A2F

RGB 166 122 47

HSL 37.82, 0.56%, 0.42%

LAB 54.27, 9.58, 46.09

 

CMYK 0 / 23 / 64 / 28

HEX #B78C42

RGB 183 140 66

HSL 37.95, 0.47%, 0.49%

LAB 60.97, 8.24, 44.89

 

CMYK 0 / 21 / 58 / 22

HEX #C89E55

RGB 200 158 85

HSL 38.09, 0.51%, 0.56%

LAB 67.57, 7.12, 43.56

 

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

CMYK 0 / 38 / 100 / 57

HEX #6E4400

RGB 110 68 0

HSL 37.09, 1%, 0.22%

LAB 32.81, 13.19, 42.41

 

CMYK 0 / 46 / 100 / 64

HEX #5D3200

RGB 93 50 0

HSL 32.26, 1%, 0.18%

LAB 25.59, 15.93, 35.66

 

CMYK 0 / 58 / 100 / 70

HEX #4C2000

RGB 76 32 0

HSL 25.26, 1%, 0.15%

LAB 18.23, 18.76, 26.97

 

CMYK 0 / 76 / 100 / 77

HEX #3B0E00

RGB 59 14 0

HSL 14.24, 1%, 0.12%

LAB 10.88, 21.28, 16.8

 

CMYK 0 / 32 / 89 / 50

HEX #80570E

RGB 128 87 14

HSL 38.42, 0.8%, 0.28%

LAB 40.31, 10.81, 44.58

 

CMYK 0 / 56 / 89 / 50

HEX #80380E

RGB 128 56 14

HSL 22.11, 0.8%, 0.28%

LAB 32.81, 28.73, 38.38

 

CMYK 0 / 80 / 89 / 50

HEX #80190E

RGB 128 25 14

HSL 5.79, 0.8%, 0.28%

LAB 27.62, 42.64, 34.03

 

CMYK 0 / 89 / 89 / 50

HEX #800E0E

RGB 128 14 14

HSL 0, 0.8%, 0.28%

LAB 26.55, 45.66, 33.1

 

CMYK 0 / 32 / 89 / 50

HEX #80570E

RGB 128 87 14

HSL 38.42, 0.8%, 0.28%

LAB 40.31, 10.81, 44.58

 

CMYK 0 / 9 / 89 / 50

HEX #80750E

RGB 128 117 14

HSL 54.21, 0.8%, 0.28%

LAB 48.69, -6.59, 51.44

 

CMYK 16 / 0 / 89 / 50

HEX #6C800E

RGB 108 128 14

HSL 70.53, 0.8%, 0.28%

LAB 50.28, -21.76, 52.05

 

CMYK 40 / 0 / 89 / 50

HEX #4D800E

RGB 77 128 14

HSL 86.84, 0.8%, 0.28%

LAB 48.32, -34.63, 49.61

 

CMYK 64 / 0 / 89 / 50

HEX #2E800E

RGB 46 128 14

HSL 103.16, 0.8%, 0.28%

LAB 47.04, -44.47, 48

 

CMYK 0 / 32 / 89 / 50

HEX #80570E

RGB 128 87 14

HSL 38.42, 0.8%, 0.28%

LAB 40.31, 10.81, 44.58

 

CMYK 0 / 36 / 99 / 45

HEX #8C5A02

RGB 140 90 2

HSL 38.26, 0.97%, 0.28%

LAB 42.6, 14.47, 50.25

 

CMYK 0 / 32 / 89 / 50

HEX #80570E

RGB 128 87 14

HSL 38.42, 0.8%, 0.28%

LAB 40.31, 10.81, 44.58

 

CMYK 0 / 28 / 78 / 55

HEX #745319

RGB 116 83 25

HSL 38.24, 0.65%, 0.28%

LAB 37.79, 7.85, 37.51

 

CMYK 0 / 24 / 65 / 59

HEX #695025

RGB 105 80 37

HSL 37.94, 0.48%, 0.28%

LAB 35.74, 5.11, 28.89

 

CMYK 0 / 17 / 48 / 64

HEX #5D4D30

RGB 93 77 48

HSL 38.67, 0.32%, 0.28%

LAB 33.66, 2.29, 19.67

 

CMYK 0 / 10 / 27 / 68

HEX #524A3C

RGB 82 74 60

HSL 38.18, 0.15%, 0.28%

LAB 31.85, 0.76, 9.59

 

CMYK 0 / 80 / 89 / 50

HEX #80190E

RGB 128 25 14

HSL 5.79, 0.8%, 0.28%

LAB 27.62, 42.64, 34.03

 

CMYK 0 / 56 / 89 / 50

HEX #80380E

RGB 128 56 14

HSL 22.11, 0.8%, 0.28%

LAB 32.81, 28.73, 38.38

 

CMYK 0 / 33 / 89 / 50

HEX #80560E

RGB 128 86 14

HSL 37.89, 0.8%, 0.28%

LAB 40.04, 11.41, 44.36

 

CMYK 0 / 9 / 89 / 50

HEX #80750E

RGB 128 117 14

HSL 54.21, 0.8%, 0.28%

LAB 48.69, -6.59, 51.44

 

CMYK 15 / 0 / 89 / 50

HEX #6D800E

RGB 109 128 14

HSL 70, 0.8%, 0.28%

LAB 50.36, -21.31, 52.15

 

CMYK 0 / 33 / 89 / 79

HEX #362406

RGB 54 36 6

HSL 37.5, 0.8%, 0.12%

LAB 15.79, 5.13, 20.73

 

CMYK 0 / 33 / 89 / 64

HEX #5B3D0A

RGB 91 61 10

HSL 37.78, 0.8%, 0.2%

LAB 28.34, 8.4, 33.92

 

CMYK 0 / 32 / 89 / 50

HEX #80570E

RGB 128 87 14

HSL 38.42, 0.8%, 0.28%

LAB 40.31, 10.81, 44.58

 

CMYK 0 / 32 / 89 / 35

HEX #A57012

RGB 165 112 18

HSL 38.37, 0.8%, 0.36%

LAB 51.42, 13.68, 54.31

 

CMYK 0 / 32 / 89 / 21

HEX #CA8916

RGB 202 137 22

HSL 38.33, 0.8%, 0.44%

LAB 62.09, 16.42, 63.57

 

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

CMYK 74 / 0 / 89 / 50

HEX #21800E

RGB 33 128 14

HSL 110, 0.8%, 0.28%

LAB 46.7, -47.33, 47.57

 

CMYK 69 / 89 / 0 / 50

HEX #280E80

RGB 40 14 128

HSL 253.68, 0.8%, 0.28%

LAB 17.1, 43.77, -57.76

 

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

CMYK 89 / 0 / 33 / 50

HEX #0E8056

RGB 14 128 86

HSL 157.89, 0.8%, 0.28%

LAB 47.24, -39.9, 14.7

 

CMYK 33 / 89 / 0 / 50

HEX #560E80

RGB 86 14 128

HSL 277.89, 0.8%, 0.28%

LAB 23.17, 49.28, -47.55

 

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

CMYK 74 / 0 / 89 / 50

HEX #21800E

RGB 33 128 14

HSL 110, 0.8%, 0.28%

LAB 46.7, -47.33, 47.57

 

CMYK 89 / 56 / 0 / 50

HEX #0E3880

RGB 14 56 128

HSL 217.89, 0.8%, 0.28%

LAB 25.2, 15.71, -44.52

 

CMYK 15 / 89 / 0 / 50

HEX #6D0E80

RGB 109 14 128

HSL 290, 0.8%, 0.28%

LAB 27.08, 53.13, -41.02

 

CMYK 0 / 32 / 89 / 50

HEX #7F560E

RGB 127 86 14

HSL 38.23, 0.8%, 0.28%

LAB 39.91, 10.93, 44.2

 

CMYK 89 / 0 / 77 / 50

HEX #0E801D

RGB 14 128 29

HSL 127.89, 0.8%, 0.28%

LAB 46.47, -49.05, 42.64

 

CMYK 89 / 56 / 0 / 50

HEX #0E3880

RGB 14 56 128

HSL 217.89, 0.8%, 0.28%

LAB 25.2, 15.71, -44.52

 

CMYK 0 / 89 / 12 / 50

HEX #800E71

RGB 128 14 113

HSL 307.89, 0.8%, 0.28%

LAB 29.65, 54.33, -27.19

 

Description

Color code: RGB 127 86 14 | qconv.com Color code: RGB 127 86 14 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 86 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 86 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 89 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 89% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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