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Color name
RGB 127 66 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 66 80 it is the complementary color RGB 128 189 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 66 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 66 80 shade: RGB 132 66 75, RGB 149 84 94, RGB 166 102 113, RGB 183 120 132 and RGB 200 138 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 66 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 66 80 shade: RGB 127 66 80, RGB 110 48 61, RGB 93 30 42, RGB 76 12 23 and RGB 59 0 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 66 80 shade: RGB 127 65 80 and RGB 127 65 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 66 80 shade: RGB 127 65 80, RGB 127 65 96, RGB 127 65 113, RGB 125 65 127 and RGB 108 65 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 66 80 shade matches the following richer shades: RGB 127 65 80, RGB 143 50 71, RGB 159 34 63, RGB 174 18 54 and RGB 190 3 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 66 80 shade: RGB 127 65 80, RGB 112 81 88, RGB 96 97 97, RGB 80 112 105 and RGB 65 128 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 66 80 shade: RGB 127 65 113, RGB 127 65 96, RGB 127 65 80, RGB 127 67 65 and RGB 127 84 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 66 80 shade: RGB 73 37 46, RGB 100 51 63, RGB 127 65 80, RGB 155 79 97 and RGB 175 100 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 66 80 shade: RGB 127 66 80, RGB 127 125 65 and RGB 65 105 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 66 80 shade: RGB 127 66 80, RGB 80 127 65 and RGB 65 80 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 66 80 shade: RGB 127 66 80, RGB 127 125 65, RGB 65 127 113 and RGB 65 67 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 66 80 shade: RGB 127 66 80, RGB 111 127 65, RGB 65 127 113 and RGB 82 65 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

Complementary color

CMYK 32 / 0 / 7 / 26

HEX #80BDAF

RGB 128 189 175

HSL 166.23, 0.32%, 0.62%

LAB 72.28, -22.7, 0.81

 

CMYK 0 / 50 / 43 / 48

HEX #84424B

RGB 132 66 75

HSL 351.82, 0.33%, 0.39%

LAB 36.57, 29.23, 7.64

 

CMYK 0 / 44 / 37 / 42

HEX #95545E

RGB 149 84 94

HSL 350.77, 0.28%, 0.46%

LAB 43.56, 28.17, 6.08

 

CMYK 0 / 39 / 32 / 35

HEX #A66671

RGB 166 102 113

HSL 349.69, 0.26%, 0.53%

LAB 50.45, 27.19, 4.78

 

CMYK 0 / 34 / 28 / 28

HEX #B77884

RGB 183 120 132

HSL 348.57, 0.3%, 0.59%

LAB 57.24, 26.3, 3.66

 

CMYK 0 / 31 / 25 / 22

HEX #C88A97

RGB 200 138 151

HSL 347.42, 0.36%, 0.66%

LAB 63.91, 25.49, 2.68

 

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

CMYK 0 / 56 / 45 / 57

HEX #6E303D

RGB 110 48 61

HSL 347.42, 0.39%, 0.31%

LAB 28.81, 28.93, 5.22

 

CMYK 0 / 68 / 55 / 64

HEX #5D1E2A

RGB 93 30 42

HSL 348.57, 0.51%, 0.24%

LAB 21.66, 29.83, 7.59

 

CMYK 0 / 84 / 70 / 70

HEX #4C0C17

RGB 76 12 23

HSL 349.69, 0.73%, 0.17%

LAB 14.74, 30.06, 11.15

 

CMYK 0 / 100 / 93 / 77

HEX #3B0004

RGB 59 0 4

HSL 355.93, 1%, 0.12%

LAB 8.47, 28.43, 11.74

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 49 / 49 / 50

HEX #7F4141

RGB 127 65 65

HSL 0, 0.32%, 0.38%

LAB 35.35, 26.66, 12.16

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 49 / 24 / 50

HEX #7F4160

RGB 127 65 96

HSL 330, 0.32%, 0.38%

LAB 36.25, 30.78, -6.23

 

CMYK 0 / 49 / 11 / 50

HEX #7F4171

RGB 127 65 113

HSL 313.55, 0.32%, 0.38%

LAB 36.9, 33.64, -15.92

 

CMYK 2 / 49 / 0 / 50

HEX #7D417F

RGB 125 65 127

HSL 298.06, 0.32%, 0.38%

LAB 37.25, 35.66, -24.11

 

CMYK 15 / 49 / 0 / 50

HEX #6C417F

RGB 108 65 127

HSL 281.61, 0.32%, 0.38%

LAB 35.01, 30.32, -27.78

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 65 / 50 / 44

HEX #8F3247

RGB 143 50 71

HSL 346.45, 0.48%, 0.38%

LAB 35.15, 41.06, 8.46

 

CMYK 0 / 79 / 60 / 38

HEX #9F223F

RGB 159 34 63

HSL 346.08, 0.65%, 0.38%

LAB 35.74, 51.71, 14.9

 

CMYK 0 / 90 / 69 / 32

HEX #AE1236

RGB 174 18 54

HSL 346.15, 0.81%, 0.38%

LAB 37.29, 59.2, 23.28

 

CMYK 0 / 98 / 76 / 25

HEX #BE032E

RGB 190 3 46

HSL 346.2, 0.97%, 0.38%

LAB 39.93, 64.8, 32.23

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 28 / 21 / 56

HEX #705158

RGB 112 81 88

HSL 346.45, 0.16%, 0.38%

LAB 37.9, 14.14, 1.02

 

CMYK 1 / 0 / 0 / 62

HEX #606161

RGB 96 97 97

HSL 180, 0.01%, 0.38%

LAB 41.06, -0.39, -0.14

 

CMYK 29 / 0 / 6 / 56

HEX #507069

RGB 80 112 105

HSL 166.88, 0.17%, 0.38%

LAB 44.68, -13.16, 0.16

 

CMYK 49 / 0 / 11 / 50

HEX #418072

RGB 65 128 114

HSL 166.67, 0.33%, 0.38%

LAB 49.22, -23.95, 1.35

 

CMYK 0 / 49 / 11 / 50

HEX #7F4171

RGB 127 65 113

HSL 313.55, 0.32%, 0.38%

LAB 36.9, 33.64, -15.92

 

CMYK 0 / 49 / 24 / 50

HEX #7F4160

RGB 127 65 96

HSL 330, 0.32%, 0.38%

LAB 36.25, 30.78, -6.23

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 47 / 49 / 50

HEX #7F4341

RGB 127 67 65

HSL 1.94, 0.32%, 0.38%

LAB 35.81, 25.52, 12.78

 

CMYK 0 / 34 / 49 / 50

HEX #7F5441

RGB 127 84 65

HSL 18.39, 0.32%, 0.38%

LAB 39.97, 15.54, 18.38

 

CMYK 0 / 49 / 37 / 71

HEX #49252E

RGB 73 37 46

HSL 345, 0.33%, 0.22%

LAB 19.79, 18.23, 1.66

 

CMYK 0 / 49 / 37 / 61

HEX #64333F

RGB 100 51 63

HSL 345.31, 0.32%, 0.3%

LAB 27.94, 23.48, 2.44

 

CMYK 0 / 49 / 37 / 50

HEX #7F4150

RGB 127 65 80

HSL 345.48, 0.32%, 0.38%

LAB 35.74, 28.46, 3.18

 

CMYK 0 / 49 / 37 / 39

HEX #9B4F61

RGB 155 79 97

HSL 345.79, 0.32%, 0.46%

LAB 43.39, 33.6, 4.11

 

CMYK 0 / 43 / 33 / 31

HEX #AF6475

RGB 175 100 117

HSL 346.4, 0.32%, 0.54%

LAB 51.28, 32.25, 3.74

 

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

CMYK 0 / 2 / 49 / 50

HEX #7F7D41

RGB 127 125 65

HSL 58.06, 0.32%, 0.38%

LAB 51.34, -8.31, 32.76

 

CMYK 49 / 17 / 0 / 50

HEX #41697F

RGB 65 105 127

HSL 201.29, 0.32%, 0.38%

LAB 42.4, -7.6, -16.6

 

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

CMYK 37 / 0 / 49 / 50

HEX #507F41

RGB 80 127 65

HSL 105.48, 0.32%, 0.38%

LAB 48.59, -28.62, 28.63

 

CMYK 49 / 37 / 0 / 50

HEX #41507F

RGB 65 80 127

HSL 225.48, 0.32%, 0.38%

LAB 34.79, 7.96, -28.41

 

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

CMYK 0 / 2 / 49 / 50

HEX #7F7D41

RGB 127 125 65

HSL 58.06, 0.32%, 0.38%

LAB 51.34, -8.31, 32.76

 

CMYK 49 / 0 / 11 / 50

HEX #417F71

RGB 65 127 113

HSL 166.45, 0.32%, 0.38%

LAB 48.88, -23.69, 1.43

 

CMYK 49 / 47 / 0 / 50

HEX #41437F

RGB 65 67 127

HSL 238.06, 0.32%, 0.38%

LAB 31.04, 16.51, -34.34

 

CMYK 0 / 48 / 37 / 50

HEX #7F4250

RGB 127 66 80

HSL 346.23, 0.32%, 0.38%

LAB 35.96, 27.9, 3.5

 

CMYK 13 / 0 / 49 / 50

HEX #6F7F41

RGB 111 127 65

HSL 75.48, 0.32%, 0.38%

LAB 50.62, -16.35, 31.58

 

CMYK 49 / 0 / 11 / 50

HEX #417F71

RGB 65 127 113

HSL 166.45, 0.32%, 0.38%

LAB 48.88, -23.69, 1.43

 

CMYK 35 / 49 / 0 / 50

HEX #52417F

RGB 82 65 127

HSL 256.45, 0.32%, 0.38%

LAB 32.05, 22.47, -32.65

 

Description

Color code: RGB 127 66 80 | qconv.com Color code: RGB 127 66 80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 66 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 66 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 37 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 37% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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