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Color name
RGB 127 59 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 59 25 it is the complementary color RGB 128 196 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 59 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 59 25 shade: RGB 132 59 20, RGB 149 77 39, RGB 166 95 58, RGB 183 113 77 and RGB 200 131 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 59 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 110 41 6, RGB 93 23 0, RGB 76 5 0 and RGB 59 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 127 31 25 and RGB 127 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 127 87 25, RGB 127 114 25, RGB 113 127 25 and RGB 85 127 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 59 25 shade matches the following richer shades: RGB 127 59 25, RGB 140 55 12 and RGB 152 51 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 115 63 37, RGB 102 67 50, RGB 90 71 62 and RGB 78 75 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 59 25 shade: RGB 127 25 45, RGB 127 32 25, RGB 127 59 25, RGB 127 86 25 and RGB 127 114 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 59 25 shade: RGB 58 27 11, RGB 93 43 18, RGB 127 59 25, RGB 162 75 32 and RGB 196 91 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 73 127 25 and RGB 25 32 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 25 127 59 and RGB 59 25 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 73 127 25, RGB 25 93 127 and RGB 79 25 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 59 25 shade: RGB 127 59 25, RGB 42 127 25, RGB 25 93 127 and RGB 110 25 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

Complementary color

CMYK 44 / 15 / 0 / 10

HEX #80C4E6

RGB 128 196 230

HSL 200, 0.67%, 0.7%

LAB 75.94, -12.66, -23.61

 

CMYK 0 / 55 / 85 / 48

HEX #843B14

RGB 132 59 20

HSL 20.89, 0.74%, 0.3%

LAB 34.16, 28.98, 37.17

 

CMYK 0 / 48 / 74 / 42

HEX #954D27

RGB 149 77 39

HSL 20.73, 0.59%, 0.37%

LAB 40.97, 27.12, 35.28

 

CMYK 0 / 43 / 65 / 35

HEX #A65F3A

RGB 166 95 58

HSL 20.56, 0.48%, 0.44%

LAB 47.75, 25.48, 33.29

 

CMYK 0 / 38 / 58 / 28

HEX #B7714D

RGB 183 113 77

HSL 20.38, 0.42%, 0.51%

LAB 54.46, 24.04, 31.44

 

CMYK 0 / 35 / 52 / 22

HEX #C88360

RGB 200 131 96

HSL 20.19, 0.49%, 0.58%

LAB 61.09, 22.79, 29.77

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 63 / 95 / 57

HEX #6E2906

RGB 110 41 6

HSL 20.19, 0.9%, 0.23%

LAB 26.49, 28.97, 35.11

 

CMYK 0 / 75 / 100 / 64

HEX #5D1700

RGB 93 23 0

HSL 14.84, 1%, 0.18%

LAB 19.8, 30.76, 29.66

 

CMYK 0 / 93 / 100 / 70

HEX #4C0500

RGB 76 5 0

HSL 3.95, 1%, 0.15%

LAB 13.5, 31.46, 21.03

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 76 / 80 / 50

HEX #7F1F19

RGB 127 31 25

HSL 3.53, 0.67%, 0.3%

LAB 28.28, 40.51, 28.43

 

CMYK 0 / 80 / 80 / 50

HEX #7F1919

RGB 127 25 25

HSL 0, 0.67%, 0.3%

LAB 27.51, 42.65, 27.62

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 31 / 80 / 50

HEX #7F5719

RGB 127 87 25

HSL 36.47, 0.67%, 0.3%

LAB 40.24, 10.72, 40.36

 

CMYK 0 / 10 / 80 / 50

HEX #7F7219

RGB 127 114 25

HSL 52.35, 0.67%, 0.3%

LAB 47.77, -5.01, 47.35

 

CMYK 11 / 0 / 80 / 50

HEX #717F19

RGB 113 127 25

HSL 68.24, 0.67%, 0.3%

LAB 50.4, -18.6, 49.29

 

CMYK 33 / 0 / 80 / 50

HEX #557F19

RGB 85 127 25

HSL 84.71, 0.67%, 0.3%

LAB 48.49, -30.58, 46.82

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 61 / 91 / 45

HEX #8C370C

RGB 140 55 12

HSL 20.16, 0.84%, 0.3%

LAB 34.67, 34.14, 41.52

 

CMYK 0 / 66 / 100 / 40

HEX #983300

RGB 152 51 0

HSL 20.13, 1%, 0.3%

LAB 36.07, 40.46, 47.88

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 45 / 68 / 55

HEX #733F25

RGB 115 63 37

HSL 20, 0.51%, 0.3%

LAB 32.55, 20.13, 25.52

 

CMYK 0 / 34 / 51 / 60

HEX #664332

RGB 102 67 50

HSL 19.62, 0.34%, 0.3%

LAB 31.96, 12.95, 16.45

 

CMYK 0 / 21 / 31 / 65

HEX #5A473E

RGB 90 71 62

HSL 19.29, 0.18%, 0.3%

LAB 31.87, 6.58, 8.48

 

CMYK 0 / 4 / 5 / 69

HEX #4E4B4A

RGB 78 75 74

HSL 15, 0.03%, 0.3%

LAB 32.14, 1.03, 1.03

 

CMYK 0 / 80 / 65 / 50

HEX #7F192D

RGB 127 25 45

HSL 348.24, 0.67%, 0.3%

LAB 27.84, 43.69, 15.04

 

CMYK 0 / 75 / 80 / 50

HEX #7F2019

RGB 127 32 25

HSL 4.12, 0.67%, 0.3%

LAB 28.42, 40.12, 28.58

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 32 / 80 / 50

HEX #7F5619

RGB 127 86 25

HSL 35.88, 0.67%, 0.3%

LAB 39.98, 11.32, 40.11

 

CMYK 0 / 10 / 80 / 50

HEX #7F7219

RGB 127 114 25

HSL 52.35, 0.67%, 0.3%

LAB 47.77, -5.01, 47.35

 

CMYK 0 / 53 / 81 / 77

HEX #3A1B0B

RGB 58 27 11

HSL 20.43, 0.68%, 0.14%

LAB 13.87, 13.68, 16.33

 

CMYK 0 / 54 / 81 / 64

HEX #5D2B12

RGB 93 43 18

HSL 20, 0.68%, 0.22%

LAB 23.99, 20.85, 26.06

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 0 / 54 / 80 / 36

HEX #A24B20

RGB 162 75 32

HSL 19.85, 0.67%, 0.38%

LAB 42.49, 33.3, 41.05

 

CMYK 0 / 54 / 81 / 23

HEX #C45B26

RGB 196 91 38

HSL 20.13, 0.68%, 0.46%

LAB 51.1, 38.86, 48.36

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 43 / 0 / 80 / 50

HEX #497F19

RGB 73 127 25

HSL 91.76, 0.67%, 0.3%

LAB 47.84, -35.15, 45.97

 

CMYK 80 / 75 / 0 / 50

HEX #19207F

RGB 25 32 127

HSL 235.88, 0.67%, 0.3%

LAB 19.11, 32.83, -53.85

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 80 / 0 / 54 / 50

HEX #197F3B

RGB 25 127 59

HSL 140, 0.67%, 0.3%

LAB 46.58, -43.72, 28.92

 

CMYK 54 / 80 / 0 / 50

HEX #3B197F

RGB 59 25 127

HSL 260, 0.67%, 0.3%

LAB 20.66, 40.86, -51.18

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 43 / 0 / 80 / 50

HEX #497F19

RGB 73 127 25

HSL 91.76, 0.67%, 0.3%

LAB 47.84, -35.15, 45.97

 

CMYK 80 / 27 / 0 / 50

HEX #195D7F

RGB 25 93 127

HSL 200, 0.67%, 0.3%

LAB 37.06, -8.24, -24.98

 

CMYK 38 / 80 / 0 / 50

HEX #4F197F

RGB 79 25 127

HSL 271.76, 0.67%, 0.3%

LAB 23.3, 44.12, -46.75

 

CMYK 0 / 54 / 80 / 50

HEX #7F3B19

RGB 127 59 25

HSL 20, 0.67%, 0.3%

LAB 33.37, 27.04, 33.66

 

CMYK 67 / 0 / 80 / 50

HEX #2A7F19

RGB 42 127 25

HSL 110, 0.67%, 0.3%

LAB 46.63, -44.46, 44.41

 

CMYK 80 / 27 / 0 / 50

HEX #195D7F

RGB 25 93 127

HSL 200, 0.67%, 0.3%

LAB 37.06, -8.24, -24.98

 

CMYK 13 / 80 / 0 / 50

HEX #6E197F

RGB 110 25 127

HSL 290, 0.67%, 0.3%

LAB 28.23, 50.1, -38.54

 

Description

Color code: RGB 127 59 25 | qconv.com Color code: RGB 127 59 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 59 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 59 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 80 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 80% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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