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Color name
RGB 127 50 89

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 50 89 it is the complementary color RGB 128 205 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 50 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 50 89 shade: RGB 132 50 84, RGB 149 68 103, RGB 166 86 122, RGB 183 104 141 and RGB 200 122 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 50 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 50 89 shade: RGB 127 50 89, RGB 110 32 70, RGB 93 14 51, RGB 76 0 32 and RGB 59 0 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 50 89 shade: RGB 128 49 89, RGB 128 49 68 and RGB 128 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 50 89 shade: RGB 128 49 89, RGB 128 49 110, RGB 124 49 128, RGB 103 49 128 and RGB 82 49 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 50 89 shade matches the following richer shades: RGB 128 49 89, RGB 142 35 89, RGB 157 21 90 and RGB 171 6 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 50 89 shade: RGB 128 49 89, RGB 114 64 89, RGB 99 78 89, RGB 85 93 89 and RGB 70 107 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 50 89 shade: RGB 124 49 128, RGB 128 49 111, RGB 128 49 90, RGB 128 49 69 and RGB 128 51 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 50 89 shade: RGB 69 26 48, RGB 98 38 69, RGB 128 49 89, RGB 158 61 110 and RGB 185 75 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 50 89 shade: RGB 127 50 89, RGB 128 103 49 and RGB 49 121 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 50 89 shade: RGB 127 50 89, RGB 90 128 49 and RGB 49 90 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 50 89 shade: RGB 127 50 89, RGB 128 103 49, RGB 49 128 87 and RGB 49 74 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 50 89 shade: RGB 127 50 89, RGB 128 127 49, RGB 49 128 87 and RGB 49 51 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

Complementary color

CMYK 38 / 0 / 19 / 20

HEX #80CDA6

RGB 128 205 166

HSL 149.61, 0.44%, 0.65%

LAB 76.68, -32.39, 12

 

CMYK 0 / 62 / 36 / 48

HEX #843254

RGB 132 50 84

HSL 335.12, 0.45%, 0.36%

LAB 33.62, 38.73, -2.38

 

CMYK 0 / 54 / 31 / 42

HEX #954467

RGB 149 68 103

HSL 334.07, 0.37%, 0.43%

LAB 40.42, 38.04, -4.06

 

CMYK 0 / 48 / 27 / 35

HEX #A6567A

RGB 166 86 122

HSL 333, 0.32%, 0.49%

LAB 47.19, 37.22, -5.38

 

CMYK 0 / 43 / 23 / 28

HEX #B7688D

RGB 183 104 141

HSL 331.9, 0.35%, 0.56%

LAB 53.91, 36.37, -6.47

 

CMYK 0 / 39 / 20 / 22

HEX #C87AA0

RGB 200 122 160

HSL 330.77, 0.41%, 0.63%

LAB 60.55, 35.54, -7.39

 

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

CMYK 0 / 71 / 36 / 57

HEX #6E2046

RGB 110 32 70

HSL 330.77, 0.55%, 0.28%

LAB 26.13, 38.01, -4.7

 

CMYK 0 / 85 / 45 / 64

HEX #5D0E33

RGB 93 14 51

HSL 331.9, 0.74%, 0.21%

LAB 19.56, 37.38, -1.74

 

CMYK 0 / 100 / 58 / 70

HEX #4C0020

RGB 76 0 32

HSL 334.74, 1%, 0.15%

LAB 13.48, 35.09, 2.75

 

CMYK 0 / 100 / 78 / 77

HEX #3B000D

RGB 59 0 13

HSL 346.78, 1%, 0.12%

LAB 8.64, 28.91, 8.22

 

CMYK 0 / 62 / 30 / 50

HEX #803159

RGB 128 49 89

HSL 329.62, 0.45%, 0.35%

LAB 32.93, 38.53, -6.69

 

CMYK 0 / 62 / 47 / 50

HEX #803144

RGB 128 49 68

HSL 345.57, 0.45%, 0.35%

LAB 32.27, 35.95, 5.95

 

CMYK 0 / 62 / 62 / 50

HEX #803131

RGB 128 49 49

HSL 0, 0.45%, 0.35%

LAB 31.82, 34.19, 17.66

 

CMYK 0 / 62 / 30 / 50

HEX #803159

RGB 128 49 89

HSL 329.62, 0.45%, 0.35%

LAB 32.93, 38.53, -6.69

 

CMYK 0 / 62 / 14 / 50

HEX #80316E

RGB 128 49 110

HSL 313.67, 0.45%, 0.35%

LAB 33.8, 41.74, -18.8

 

CMYK 3 / 62 / 0 / 50

HEX #7C3180

RGB 124 49 128

HSL 296.96, 0.45%, 0.35%

LAB 34.07, 43.82, -29.73

 

CMYK 20 / 62 / 0 / 50

HEX #673180

RGB 103 49 128

HSL 281.01, 0.45%, 0.35%

LAB 30.97, 38.13, -34.84

 

CMYK 36 / 62 / 0 / 50

HEX #523180

RGB 82 49 128

HSL 265.06, 0.45%, 0.35%

LAB 28.24, 32.66, -39.35

 

CMYK 0 / 62 / 30 / 50

HEX #803159

RGB 128 49 89

HSL 329.62, 0.45%, 0.35%

LAB 32.93, 38.53, -6.69

 

CMYK 0 / 75 / 37 / 44

HEX #8E2359

RGB 142 35 89

HSL 329.72, 0.6%, 0.35%

LAB 33.29, 48.78, -5.89

 

CMYK 0 / 87 / 43 / 38

HEX #9D155A

RGB 157 21 90

HSL 329.56, 0.76%, 0.35%

LAB 34.89, 56.84, -3.85

 

CMYK 0 / 96 / 47 / 33

HEX #AB065A

RGB 171 6 90

HSL 329.45, 0.93%, 0.35%

LAB 36.98, 62.48, -0.45

 

CMYK 0 / 62 / 30 / 50

HEX #803159

RGB 128 49 89

HSL 329.62, 0.45%, 0.35%

LAB 32.93, 38.53, -6.69

 

CMYK 0 / 44 / 22 / 55

HEX #724059

RGB 114 64 89

HSL 330, 0.28%, 0.35%

LAB 33.91, 25.36, -5.46

 

CMYK 0 / 21 / 10 / 61

HEX #634E59

RGB 99 78 89

HSL 328.57, 0.12%, 0.35%

LAB 35.64, 10.85, -3.1

 

CMYK 9 / 0 / 4 / 64

HEX #555D59

RGB 85 93 89

HSL 150, 0.04%, 0.35%

LAB 38.69, -4, 1.22

 

CMYK 35 / 0 / 17 / 58

HEX #466B59

RGB 70 107 89

HSL 150.81, 0.21%, 0.35%

LAB 42.06, -17.51, 5.93

 

CMYK 3 / 62 / 0 / 50

HEX #7C3180

RGB 124 49 128

HSL 296.96, 0.45%, 0.35%

LAB 34.07, 43.82, -29.73

 

CMYK 0 / 62 / 13 / 50

HEX #80316F

RGB 128 49 111

HSL 312.91, 0.45%, 0.35%

LAB 33.84, 41.91, -19.36

 

CMYK 0 / 62 / 30 / 50

HEX #80315A

RGB 128 49 90

HSL 328.86, 0.45%, 0.35%

LAB 32.97, 38.67, -7.28

 

CMYK 0 / 62 / 46 / 50

HEX #803145

RGB 128 49 69

HSL 344.81, 0.45%, 0.35%

LAB 32.29, 36.05, 5.34

 

CMYK 0 / 60 / 62 / 50

HEX #803331

RGB 128 51 49

HSL 1.52, 0.45%, 0.35%

LAB 32.21, 33.17, 18.16

 

CMYK 0 / 62 / 30 / 73

HEX #451A30

RGB 69 26 48

HSL 329.3, 0.45%, 0.19%

LAB 16.59, 23.58, -4.53

 

CMYK 0 / 61 / 30 / 62

HEX #622645

RGB 98 38 69

HSL 329, 0.44%, 0.27%

LAB 24.99, 30.93, -5.95

 

CMYK 0 / 62 / 30 / 50

HEX #803159

RGB 128 49 89

HSL 329.62, 0.45%, 0.35%

LAB 32.93, 38.53, -6.69

 

CMYK 0 / 61 / 30 / 38

HEX #9E3D6E

RGB 158 61 110

HSL 329.69, 0.44%, 0.43%

LAB 40.79, 45.43, -7.71

 

CMYK 0 / 59 / 29 / 27

HEX #B94B83

RGB 185 75 131

HSL 329.45, 0.44%, 0.51%

LAB 48.24, 50.23, -8.95

 

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

CMYK 0 / 20 / 62 / 50

HEX #806731

RGB 128 103 49

HSL 41.01, 0.45%, 0.35%

LAB 44.96, 3.22, 33.71

 

CMYK 62 / 5 / 0 / 50

HEX #317980

RGB 49 121 128

HSL 185.32, 0.45%, 0.35%

LAB 46.82, -19.96, -10.54

 

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

CMYK 30 / 0 / 62 / 50

HEX #5A8031

RGB 90 128 49

HSL 88.86, 0.45%, 0.35%

LAB 49.29, -27.24, 37.8

 

CMYK 62 / 30 / 0 / 50

HEX #315A80

RGB 49 90 128

HSL 208.86, 0.45%, 0.35%

LAB 36.97, -1.98, -25.66

 

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

CMYK 0 / 20 / 62 / 50

HEX #806731

RGB 128 103 49

HSL 41.01, 0.45%, 0.35%

LAB 44.96, 3.22, 33.71

 

CMYK 62 / 0 / 32 / 50

HEX #318057

RGB 49 128 87

HSL 148.86, 0.45%, 0.35%

LAB 47.98, -34.31, 15.25

 

CMYK 62 / 42 / 0 / 50

HEX #314A80

RGB 49 74 128

HSL 221.01, 0.45%, 0.35%

LAB 32.05, 8.39, -33.42

 

CMYK 0 / 61 / 30 / 50

HEX #7F3259

RGB 127 50 89

HSL 329.61, 0.44%, 0.35%

LAB 32.95, 37.7, -6.69

 

CMYK 0 / 1 / 62 / 50

HEX #807F31

RGB 128 127 49

HSL 59.24, 0.45%, 0.35%

LAB 51.83, -10.39, 41.41

 

CMYK 62 / 0 / 32 / 50

HEX #318057

RGB 49 128 87

HSL 148.86, 0.45%, 0.35%

LAB 47.98, -34.31, 15.25

 

CMYK 62 / 60 / 0 / 50

HEX #313380

RGB 49 51 128

HSL 238.48, 0.45%, 0.35%

LAB 25.5, 23.97, -43.95

 

Description

Color code: RGB 127 50 89 | qconv.com Color code: RGB 127 50 89 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 50 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 50 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 30 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 30% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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