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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 43 25 it is the complementary color RGB 128 212 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 43 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 43 25 shade: RGB 132 43 20, RGB 149 61 39, RGB 166 79 58, RGB 183 97 77 and RGB 200 115 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 43 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 110 25 6, RGB 93 7 0, RGB 76 0 0 and RGB 59 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 43 25 shade: RGB 127 43 25 and RGB 127 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 127 70 25, RGB 127 98 25, RGB 127 126 25 and RGB 101 127 25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 43 25 shade matches the following richer shades: RGB 127 43 25, RGB 140 35 12 and RGB 152 27 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 115 51 37, RGB 102 59 50, RGB 90 67 62 and RGB 78 75 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 43 25 shade: RGB 127 25 62, RGB 127 25 35, RGB 127 42 25, RGB 127 69 25 and RGB 127 97 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 43 25 shade: RGB 58 19 11, RGB 93 31 18, RGB 127 43 25, RGB 162 55 32 and RGB 196 66 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 90 127 25 and RGB 25 49 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 25 127 42 and RGB 42 25 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 90 127 25, RGB 25 110 127 and RGB 62 25 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 43 25 shade: RGB 127 43 25, RGB 59 127 25, RGB 25 110 127 and RGB 93 25 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

Complementary color

CMYK 44 / 8 / 0 / 10

HEX #80D4E6

RGB 128 212 230

HSL 190.59, 0.67%, 0.7%

LAB 80.4, -20.88, -16.84

 

CMYK 0 / 67 / 85 / 48

HEX #842B14

RGB 132 43 20

HSL 12.32, 0.74%, 0.3%

LAB 31.08, 37.04, 34.33

 

CMYK 0 / 59 / 74 / 42

HEX #953D27

RGB 149 61 39

HSL 12, 0.59%, 0.37%

LAB 37.61, 35.63, 31.6

 

CMYK 0 / 52 / 65 / 35

HEX #A64F3A

RGB 166 79 58

HSL 11.67, 0.48%, 0.44%

LAB 44.24, 34.16, 29.09

 

CMYK 0 / 47 / 58 / 28

HEX #B7614D

RGB 183 97 77

HSL 11.32, 0.42%, 0.51%

LAB 50.87, 32.76, 26.91

 

CMYK 0 / 43 / 52 / 22

HEX #C87360

RGB 200 115 96

HSL 10.96, 0.49%, 0.58%

LAB 57.45, 31.47, 25.03

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 77 / 95 / 57

HEX #6E1906

RGB 110 25 6

HSL 10.96, 0.9%, 0.23%

LAB 23.75, 36.35, 32.51

 

CMYK 0 / 92 / 100 / 64

HEX #5D0700

RGB 93 7 0

HSL 4.52, 1%, 0.18%

LAB 17.82, 36.29, 27.35

 

CMYK 0 / 100 / 100 / 70

HEX #4C0000

RGB 76 0 0

HSL 0, 1%, 0.15%

LAB 12.84, 33.37, 20.14

 

CMYK 0 / 100 / 100 / 77

HEX #3B0000

RGB 59 0 0

HSL 0, 1%, 0.12%

LAB 8.39, 28.22, 13.26

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 80 / 80 / 50

HEX #7F1919

RGB 127 25 25

HSL 0, 0.67%, 0.3%

LAB 27.51, 42.65, 27.62

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 45 / 80 / 50

HEX #7F4619

RGB 127 70 25

HSL 26.47, 0.67%, 0.3%

LAB 35.91, 20.77, 36.18

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 1 / 80 / 50

HEX #7F7E19

RGB 127 126 25

HSL 59.41, 0.67%, 0.3%

LAB 51.27, -11.67, 50.51

 

CMYK 20 / 0 / 80 / 50

HEX #657F19

RGB 101 127 25

HSL 75.29, 0.67%, 0.3%

LAB 49.52, -23.91, 48.15

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 75 / 91 / 45

HEX #8C230C

RGB 140 35 12

HSL 10.78, 0.84%, 0.3%

LAB 31.36, 43.05, 39

 

CMYK 0 / 82 / 100 / 40

HEX #981B00

RGB 152 27 0

HSL 10.66, 1%, 0.3%

LAB 32.83, 49.37, 46.07

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 56 / 68 / 55

HEX #733325

RGB 115 51 37

HSL 10.77, 0.51%, 0.3%

LAB 29.78, 27.05, 22.2

 

CMYK 0 / 42 / 51 / 60

HEX #663B32

RGB 102 59 50

HSL 10.38, 0.34%, 0.3%

LAB 29.87, 17.88, 13.67

 

CMYK 0 / 26 / 31 / 65

HEX #5A433E

RGB 90 67 62

HSL 10.71, 0.18%, 0.3%

LAB 30.73, 9.1, 6.88

 

CMYK 0 / 4 / 5 / 69

HEX #4E4B4A

RGB 78 75 74

HSL 15, 0.03%, 0.3%

LAB 32.14, 1.03, 1.03

 

CMYK 0 / 80 / 51 / 50

HEX #7F193E

RGB 127 25 62

HSL 338.24, 0.67%, 0.3%

LAB 28.26, 45.02, 4.2

 

CMYK 0 / 80 / 72 / 50

HEX #7F1923

RGB 127 25 35

HSL 354.12, 0.67%, 0.3%

LAB 27.65, 43.1, 21.43

 

CMYK 0 / 67 / 80 / 50

HEX #7F2A19

RGB 127 42 25

HSL 10, 0.67%, 0.3%

LAB 30.01, 35.81, 30.23

 

CMYK 0 / 46 / 80 / 50

HEX #7F4519

RGB 127 69 25

HSL 25.88, 0.67%, 0.3%

LAB 35.67, 21.35, 35.94

 

CMYK 0 / 24 / 80 / 50

HEX #7F6119

RGB 127 97 25

HSL 42.35, 0.67%, 0.3%

LAB 42.96, 4.8, 42.92

 

CMYK 0 / 67 / 81 / 77

HEX #3A130B

RGB 58 19 11

HSL 10.21, 0.68%, 0.14%

LAB 11.89, 18.71, 13.67

 

CMYK 0 / 67 / 81 / 64

HEX #5D1F12

RGB 93 31 18

HSL 10.4, 0.68%, 0.22%

LAB 21.4, 27.56, 23.31

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 0 / 66 / 80 / 36

HEX #A23720

RGB 162 55 32

HSL 10.62, 0.67%, 0.38%

LAB 38.76, 43.06, 37.37

 

CMYK 0 / 66 / 81 / 23

HEX #C44226

RGB 196 66 38

HSL 10.63, 0.68%, 0.46%

LAB 46.67, 50.48, 44.12

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 29 / 0 / 80 / 50

HEX #5A7F19

RGB 90 127 25

HSL 81.76, 0.67%, 0.3%

LAB 48.79, -28.56, 47.21

 

CMYK 80 / 61 / 0 / 50

HEX #19317F

RGB 25 49 127

HSL 225.88, 0.67%, 0.3%

LAB 23.46, 21.31, -46.71

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 80 / 0 / 67 / 50

HEX #197F2A

RGB 25 127 42

HSL 130, 0.67%, 0.3%

LAB 46.38, -46.1, 37.15

 

CMYK 67 / 80 / 0 / 50

HEX #2A197F

RGB 42 25 127

HSL 250, 0.67%, 0.3%

LAB 18.88, 38.63, -54.17

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 29 / 0 / 80 / 50

HEX #5A7F19

RGB 90 127 25

HSL 81.76, 0.67%, 0.3%

LAB 48.79, -28.56, 47.21

 

CMYK 80 / 13 / 0 / 50

HEX #196E7F

RGB 25 110 127

HSL 190, 0.67%, 0.3%

LAB 42.6, -18.06, -16.42

 

CMYK 51 / 80 / 0 / 50

HEX #3E197F

RGB 62 25 127

HSL 261.76, 0.67%, 0.3%

LAB 21.02, 41.3, -50.57

 

CMYK 0 / 66 / 80 / 50

HEX #7F2B19

RGB 127 43 25

HSL 10.59, 0.67%, 0.3%

LAB 30.18, 35.33, 30.42

 

CMYK 54 / 0 / 80 / 50

HEX #3B7F19

RGB 59 127 25

HSL 100, 0.67%, 0.3%

LAB 47.21, -39.85, 45.16

 

CMYK 80 / 13 / 0 / 50

HEX #196E7F

RGB 25 110 127

HSL 190, 0.67%, 0.3%

LAB 42.6, -18.06, -16.42

 

CMYK 27 / 80 / 0 / 50

HEX #5D197F

RGB 93 25 127

HSL 280, 0.67%, 0.3%

LAB 25.43, 46.71, -43.2

 

Description

Color code: RGB 127 43 25 | qconv.com Color code: RGB 127 43 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 43 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 43 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 80 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 80% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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