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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 23 165 it is the complementary color RGB 128 232 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 23 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 23 165 shade: RGB 132 23 160, RGB 149 41 179, RGB 166 59 198, RGB 183 77 217 and RGB 200 95 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 23 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 23 165 shade: RGB 127 23 165, RGB 110 5 146, RGB 93 0 127, RGB 76 0 108 and RGB 59 0 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 23 165 shade: RGB 127 22 166, RGB 166 22 165, RGB 166 22 127, RGB 166 22 88 and RGB 166 22 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 23 165 shade: RGB 127 22 166, RGB 88 22 166, RGB 50 22 166 and RGB 22 22 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 23 165 shade matches the following richer shades: RGB 127 22 166 and RGB 134 7 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 23 165 shade: RGB 127 22 166, RGB 120 37 150, RGB 113 53 135, RGB 106 68 120 and RGB 99 83 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 23 165 shade: RGB 48 22 166, RGB 87 22 166, RGB 125 22 166, RGB 163 22 166 and RGB 166 22 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 23 165 shade: RGB 71 12 93, RGB 99 17 129, RGB 127 22 166, RGB 155 27 202 and RGB 177 44 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 23 165 shade: RGB 127 23 165, RGB 166 22 34 and RGB 22 166 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 23 165 shade: RGB 127 23 165, RGB 166 125 22 and RGB 22 166 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 23 165 shade: RGB 127 23 165, RGB 166 22 34, RGB 63 166 22 and RGB 22 166 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 23 165 shade: RGB 127 23 165, RGB 166 53 22, RGB 63 166 22 and RGB 22 134 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

Complementary color

CMYK 45 / 0 / 61 / 9

HEX #80E85A

RGB 128 232 90

HSL 103.94, 0.76%, 0.63%

LAB 83.46, -55.27, 58.27

 

CMYK 18 / 86 / 0 / 37

HEX #8417A0

RGB 132 23 160

HSL 287.74, 0.75%, 0.36%

LAB 34.1, 61.09, -49.25

 

CMYK 17 / 77 / 0 / 30

HEX #9529B3

RGB 149 41 179

HSL 286.96, 0.63%, 0.43%

LAB 39.97, 62.59, -51.03

 

CMYK 16 / 70 / 0 / 22

HEX #A63BC6

RGB 166 59 198

HSL 286.19, 0.55%, 0.5%

LAB 46.06, 63.14, -52.22

 

CMYK 16 / 65 / 0 / 15

HEX #B74DD9

RGB 183 77 217

HSL 285.43, 0.65%, 0.58%

LAB 52.27, 63.11, -53.04

 

CMYK 15 / 60 / 0 / 7

HEX #C85FEC

RGB 200 95 236

HSL 284.68, 0.79%, 0.65%

LAB 58.53, 62.75, -53.62

 

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

CMYK 25 / 97 / 0 / 43

HEX #6E0592

RGB 110 5 146

HSL 284.68, 0.93%, 0.3%

LAB 28.11, 58.4, -50.58

 

CMYK 27 / 100 / 0 / 50

HEX #5D007F

RGB 93 0 127

HSL 283.94, 1%, 0.25%

LAB 23.2, 53.26, -46.82

 

CMYK 30 / 100 / 0 / 58

HEX #4C006C

RGB 76 0 108

HSL 282.22, 1%, 0.21%

LAB 18.45, 47.08, -42.49

 

CMYK 34 / 100 / 0 / 65

HEX #3B0059

RGB 59 0 89

HSL 279.78, 1%, 0.17%

LAB 13.54, 40.7, -38.03

 

CMYK 23 / 87 / 0 / 35

HEX #7F16A6

RGB 127 22 166

HSL 283.75, 0.77%, 0.37%

LAB 33.65, 61.64, -53.66

 

CMYK 0 / 87 / 1 / 35

HEX #A616A5

RGB 166 22 165

HSL 300.42, 0.77%, 0.37%

LAB 40.24, 68.27, -42.09

 

CMYK 0 / 87 / 23 / 35

HEX #A6167F

RGB 166 22 127

HSL 316.25, 0.77%, 0.37%

LAB 38.22, 62.9, -22.07

 

CMYK 0 / 87 / 47 / 35

HEX #A61658

RGB 166 22 88

HSL 332.5, 0.77%, 0.37%

LAB 36.72, 58.7, 0.33

 

CMYK 0 / 87 / 70 / 35

HEX #A61631

RGB 166 22 49

HSL 348.75, 0.77%, 0.37%

LAB 35.8, 56.04, 24.23

 

CMYK 23 / 87 / 0 / 35

HEX #7F16A6

RGB 127 22 166

HSL 283.75, 0.77%, 0.37%

LAB 33.65, 61.64, -53.66

 

CMYK 47 / 87 / 0 / 35

HEX #5816A6

RGB 88 22 166

HSL 267.5, 0.77%, 0.37%

LAB 27.85, 56.08, -63.37

 

CMYK 70 / 87 / 0 / 35

HEX #3216A6

RGB 50 22 166

HSL 251.67, 0.77%, 0.37%

LAB 23.69, 52.4, -70.38

 

CMYK 87 / 87 / 0 / 35

HEX #1616A6

RGB 22 22 166

HSL 240, 0.77%, 0.37%

LAB 21.94, 50.95, -73.34

 

CMYK 23 / 87 / 0 / 35

HEX #7F16A6

RGB 127 22 166

HSL 283.75, 0.77%, 0.37%

LAB 33.65, 61.64, -53.66

 

CMYK 26 / 96 / 0 / 29

HEX #8607B5

RGB 134 7 181

HSL 283.79, 0.93%, 0.37%

LAB 35.12, 68.12, -60.19

 

CMYK 23 / 87 / 0 / 35

HEX #7F16A6

RGB 127 22 166

HSL 283.75, 0.77%, 0.37%

LAB 33.65, 61.64, -53.66

 

CMYK 20 / 75 / 0 / 41

HEX #782596

RGB 120 37 150

HSL 284.07, 0.6%, 0.37%

LAB 32.96, 52.48, -45.11

 

CMYK 16 / 61 / 0 / 47

HEX #713587

RGB 113 53 135

HSL 283.9, 0.44%, 0.37%

LAB 33.58, 40.28, -34.95

 

CMYK 12 / 43 / 0 / 53

HEX #6A4478

RGB 106 68 120

HSL 283.85, 0.28%, 0.37%

LAB 35.11, 26.28, -23.28

 

CMYK 5 / 20 / 0 / 59

HEX #635368

RGB 99 83 104

HSL 285.71, 0.11%, 0.37%

LAB 37.55, 10.88, -9.64

 

CMYK 71 / 87 / 0 / 35

HEX #3016A6

RGB 48 22 166

HSL 250.83, 0.77%, 0.37%

LAB 23.52, 52.26, -70.66

 

CMYK 48 / 87 / 0 / 35

HEX #5716A6

RGB 87 22 166

HSL 267.08, 0.77%, 0.37%

LAB 27.72, 55.96, -63.59

 

CMYK 25 / 87 / 0 / 35

HEX #7D16A6

RGB 125 22 166

HSL 282.92, 0.77%, 0.37%

LAB 33.32, 61.32, -54.19

 

CMYK 2 / 87 / 0 / 35

HEX #A316A6

RGB 163 22 166

HSL 298.75, 0.77%, 0.37%

LAB 39.77, 67.87, -43.47

 

CMYK 0 / 87 / 22 / 35

HEX #A61682

RGB 166 22 130

HSL 315, 0.77%, 0.37%

LAB 38.36, 63.28, -23.72

 

CMYK 24 / 87 / 0 / 64

HEX #470C5D

RGB 71 12 93

HSL 283.7, 0.77%, 0.21%

LAB 17.43, 39.52, -34.28

 

CMYK 23 / 87 / 0 / 49

HEX #631181

RGB 99 17 129

HSL 283.93, 0.77%, 0.29%

LAB 25.68, 50.82, -44.01

 

CMYK 23 / 87 / 0 / 35

HEX #7F16A6

RGB 127 22 166

HSL 283.75, 0.77%, 0.37%

LAB 33.65, 61.64, -53.66

 

CMYK 23 / 87 / 0 / 21

HEX #9B1BCA

RGB 155 27 202

HSL 283.89, 0.76%, 0.45%

LAB 41.24, 71.78, -62.4

 

CMYK 22 / 81 / 0 / 11

HEX #B12CE2

RGB 177 44 226

HSL 283.85, 0.76%, 0.53%

LAB 47.8, 75.56, -65.39

 

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

CMYK 0 / 87 / 80 / 35

HEX #A61622

RGB 166 22 34

HSL 355, 0.77%, 0.37%

LAB 35.59, 55.43, 33.25

 

CMYK 87 / 0 / 59 / 35

HEX #16A644

RGB 22 166 68

HSL 139.17, 0.77%, 0.37%

LAB 59.76, -56.3, 40.22

 

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

CMYK 0 / 25 / 87 / 35

HEX #A67D16

RGB 166 125 22

HSL 42.92, 0.77%, 0.37%

LAB 54.9, 6.9, 56.07

 

CMYK 87 / 0 / 25 / 35

HEX #16A67D

RGB 22 166 125

HSL 162.92, 0.77%, 0.37%

LAB 60.71, -45.31, 11.36

 

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

CMYK 0 / 87 / 80 / 35

HEX #A61622

RGB 166 22 34

HSL 355, 0.77%, 0.37%

LAB 35.59, 55.43, 33.25

 

CMYK 62 / 0 / 87 / 35

HEX #3FA616

RGB 63 166 22

HSL 102.92, 0.77%, 0.37%

LAB 60.24, -53.51, 57.94

 

CMYK 87 / 0 / 7 / 35

HEX #16A69A

RGB 22 166 154

HSL 175, 0.77%, 0.37%

LAB 61.46, -37.48, -3.81

 

CMYK 23 / 86 / 0 / 35

HEX #7F17A5

RGB 127 23 165

HSL 283.94, 0.76%, 0.37%

LAB 33.65, 61.2, -53.04

 

CMYK 0 / 68 / 87 / 35

HEX #A63516

RGB 166 53 22

HSL 12.92, 0.77%, 0.37%

LAB 39.09, 45.05, 42.9

 

CMYK 62 / 0 / 87 / 35

HEX #3FA616

RGB 63 166 22

HSL 102.92, 0.77%, 0.37%

LAB 60.24, -53.51, 57.94

 

CMYK 87 / 19 / 0 / 35

HEX #1686A6

RGB 22 134 166

HSL 193.33, 0.77%, 0.37%

LAB 51.81, -17.71, -25.25

 

Description

Color code: RGB 127 23 165 | qconv.com Color code: RGB 127 23 165 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 23 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 23 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 86 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 86% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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