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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 21 177 it is the complementary color RGB 128 234 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 21 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 21 177 shade: RGB 132 21 172, RGB 149 39 191, RGB 166 57 210, RGB 183 75 229 and RGB 200 93 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 21 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 21 177 shade: RGB 127 21 177, RGB 110 3 158, RGB 93 0 139, RGB 76 0 120 and RGB 59 0 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 21 177 shade: RGB 127 20 178, RGB 170 20 178, RGB 178 20 143, RGB 178 20 101 and RGB 178 20 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 21 177 shade: RGB 127 20 178, RGB 85 20 178, RGB 42 20 178 and RGB 20 20 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 21 177 shade matches the following richer shades: RGB 127 20 178 and RGB 133 4 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 21 177 shade: RGB 127 20 178, RGB 121 36 161, RGB 116 53 145, RGB 110 69 129 and RGB 104 85 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 21 177 shade: RGB 41 20 178, RGB 83 20 178, RGB 125 20 178, RGB 167 20 178 and RGB 178 20 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 21 177 shade: RGB 74 12 104, RGB 101 16 141, RGB 127 20 178, RGB 154 25 214 and RGB 173 50 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 21 177 shade: RGB 127 21 177, RGB 178 20 41 and RGB 20 178 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 21 177 shade: RGB 127 21 177, RGB 178 125 20 and RGB 20 178 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 21 177 shade: RGB 127 21 177, RGB 178 20 41, RGB 73 178 20 and RGB 20 178 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 21 177 shade: RGB 127 21 177, RGB 178 47 20, RGB 73 178 20 and RGB 20 151 178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

Complementary color

CMYK 45 / 0 / 67 / 8

HEX #80EA4E

RGB 128 234 78

HSL 100.77, 0.79%, 0.61%

LAB 83.96, -57.1, 63.67

 

CMYK 23 / 88 / 0 / 33

HEX #8415AC

RGB 132 21 172

HSL 284.11, 0.78%, 0.38%

LAB 34.84, 63.83, -55.28

 

CMYK 22 / 80 / 0 / 25

HEX #9527BF

RGB 149 39 191

HSL 283.42, 0.66%, 0.45%

LAB 40.58, 65.55, -57.11

 

CMYK 21 / 73 / 0 / 18

HEX #A639D2

RGB 166 57 210

HSL 282.75, 0.63%, 0.52%

LAB 46.56, 66.26, -58.34

 

CMYK 20 / 67 / 0 / 10

HEX #B74BE5

RGB 183 75 229

HSL 282.08, 0.75%, 0.6%

LAB 52.68, 66.35, -59.17

 

CMYK 19 / 63 / 0 / 3

HEX #C85DF8

RGB 200 93 248

HSL 281.42, 0.92%, 0.67%

LAB 58.87, 66.06, -59.75

 

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

CMYK 30 / 98 / 0 / 38

HEX #6E039E

RGB 110 3 158

HSL 281.42, 0.96%, 0.32%

LAB 29.03, 61.09, -56.45

 

CMYK 33 / 100 / 0 / 45

HEX #5D008B

RGB 93 0 139

HSL 280.14, 1%, 0.27%

LAB 24.29, 55.68, -52.59

 

CMYK 37 / 100 / 0 / 53

HEX #4C0078

RGB 76 0 120

HSL 278, 1%, 0.24%

LAB 19.61, 49.62, -48.36

 

CMYK 42 / 100 / 0 / 60

HEX #3B0065

RGB 59 0 101

HSL 275.05, 1%, 0.2%

LAB 14.79, 43.4, -44

 

CMYK 29 / 89 / 0 / 30

HEX #7F14B2

RGB 127 20 178

HSL 280.63, 0.8%, 0.39%

LAB 34.45, 64.47, -59.53

 

CMYK 4 / 89 / 0 / 30

HEX #AA14B2

RGB 170 20 178

HSL 296.96, 0.8%, 0.39%

LAB 41.63, 71.38, -47.58

 

CMYK 0 / 89 / 20 / 30

HEX #B2148F

RGB 178 20 143

HSL 313.29, 0.8%, 0.39%

LAB 41.13, 67.86, -27.22

 

CMYK 0 / 89 / 43 / 30

HEX #B21465

RGB 178 20 101

HSL 329.24, 0.8%, 0.39%

LAB 39.42, 63.2, -3.71

 

CMYK 0 / 89 / 67 / 30

HEX #B2143A

RGB 178 20 58

HSL 345.57, 0.8%, 0.39%

LAB 38.32, 60.1, 22.21

 

CMYK 29 / 89 / 0 / 30

HEX #7F14B2

RGB 127 20 178

HSL 280.63, 0.8%, 0.39%

LAB 34.45, 64.47, -59.53

 

CMYK 52 / 89 / 0 / 30

HEX #5514B2

RGB 85 20 178

HSL 264.68, 0.8%, 0.39%

LAB 28.5, 59.24, -69.52

 

CMYK 76 / 89 / 0 / 30

HEX #2A14B2

RGB 42 20 178

HSL 248.35, 0.8%, 0.39%

LAB 24.34, 56.02, -76.54

 

CMYK 89 / 89 / 0 / 30

HEX #1414B2

RGB 20 20 178

HSL 240, 0.8%, 0.39%

LAB 23.21, 55.22, -78.45

 

CMYK 29 / 89 / 0 / 30

HEX #7F14B2

RGB 127 20 178

HSL 280.63, 0.8%, 0.39%

LAB 34.45, 64.47, -59.53

 

CMYK 31 / 98 / 0 / 24

HEX #8504C2

RGB 133 4 194

HSL 280.74, 0.96%, 0.39%

LAB 35.92, 70.86, -66.55

 

CMYK 29 / 89 / 0 / 30

HEX #7F14B2

RGB 127 20 178

HSL 280.63, 0.8%, 0.39%

LAB 34.45, 64.47, -59.53

 

CMYK 25 / 78 / 0 / 37

HEX #7924A1

RGB 121 36 161

HSL 280.8, 0.63%, 0.39%

LAB 33.77, 55.35, -50.47

 

CMYK 20 / 63 / 0 / 43

HEX #743591

RGB 116 53 145

HSL 281.09, 0.46%, 0.39%

LAB 34.61, 43.3, -39.43

 

CMYK 15 / 47 / 0 / 49

HEX #6E4581

RGB 110 69 129

HSL 281, 0.3%, 0.39%

LAB 36.28, 29.05, -27

 

CMYK 8 / 25 / 0 / 56

HEX #685571

RGB 104 85 113

HSL 280.71, 0.14%, 0.39%

LAB 38.95, 13.53, -13.04

 

CMYK 77 / 89 / 0 / 30

HEX #2914B2

RGB 41 20 178

HSL 247.97, 0.8%, 0.39%

LAB 24.28, 55.97, -76.65

 

CMYK 53 / 89 / 0 / 30

HEX #5314B2

RGB 83 20 178

HSL 263.92, 0.8%, 0.39%

LAB 28.26, 59.04, -69.93

 

CMYK 30 / 89 / 0 / 30

HEX #7D14B2

RGB 125 20 178

HSL 279.87, 0.8%, 0.39%

LAB 34.14, 64.18, -60.06

 

CMYK 6 / 89 / 0 / 30

HEX #A714B2

RGB 167 20 178

HSL 295.82, 0.8%, 0.39%

LAB 41.1, 70.86, -48.44

 

CMYK 0 / 89 / 18 / 30

HEX #B21492

RGB 178 20 146

HSL 312.15, 0.8%, 0.39%

LAB 41.28, 68.24, -28.82

 

CMYK 29 / 88 / 0 / 59

HEX #4A0C68

RGB 74 12 104

HSL 280.43, 0.79%, 0.23%

LAB 18.88, 42.52, -39.18

 

CMYK 28 / 89 / 0 / 45

HEX #65108D

RGB 101 16 141

HSL 280.8, 0.8%, 0.31%

LAB 26.91, 53.9, -49.51

 

CMYK 29 / 89 / 0 / 30

HEX #7F14B2

RGB 127 20 178

HSL 280.63, 0.8%, 0.39%

LAB 34.45, 64.47, -59.53

 

CMYK 28 / 88 / 0 / 16

HEX #9A19D6

RGB 154 25 214

HSL 280.95, 0.79%, 0.47%

LAB 41.88, 74.32, -68.32

 

CMYK 25 / 78 / 0 / 10

HEX #AD32E6

RGB 173 50 230

HSL 281, 0.78%, 0.55%

LAB 48.11, 73.88, -67.19

 

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

CMYK 0 / 89 / 77 / 30

HEX #B21429

RGB 178 20 41

HSL 352.03, 0.8%, 0.39%

LAB 38.07, 59.36, 32.48

 

CMYK 89 / 0 / 65 / 30

HEX #14B23E

RGB 20 178 62

HSL 135.95, 0.8%, 0.39%

LAB 63.62, -61.05, 47.35

 

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

CMYK 0 / 30 / 89 / 30

HEX #B27D14

RGB 178 125 20

HSL 39.87, 0.8%, 0.39%

LAB 56.27, 12.31, 58.29

 

CMYK 89 / 0 / 30 / 30

HEX #14B27D

RGB 20 178 125

HSL 159.87, 0.8%, 0.39%

LAB 64.54, -50.2, 16.7

 

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

CMYK 0 / 89 / 77 / 30

HEX #B21429

RGB 178 20 41

HSL 352.03, 0.8%, 0.39%

LAB 38.07, 59.36, 32.48

 

CMYK 59 / 0 / 89 / 30

HEX #49B214

RGB 73 178 20

HSL 99.87, 0.8%, 0.39%

LAB 64.41, -55.3, 62.11

 

CMYK 89 / 0 / 12 / 30

HEX #14B29D

RGB 20 178 157

HSL 172.03, 0.8%, 0.39%

LAB 65.3, -42.06, 0.14

 

CMYK 28 / 88 / 0 / 31

HEX #7F15B1

RGB 127 21 177

HSL 280.77, 0.79%, 0.39%

LAB 34.44, 64.05, -58.95

 

CMYK 0 / 74 / 89 / 30

HEX #B22F14

RGB 178 47 20

HSL 10.25, 0.8%, 0.39%

LAB 40.49, 51.42, 45.86

 

CMYK 59 / 0 / 89 / 30

HEX #49B214

RGB 73 178 20

HSL 99.87, 0.8%, 0.39%

LAB 64.41, -55.3, 62.11

 

CMYK 89 / 15 / 0 / 30

HEX #1497B2

RGB 20 151 178

HSL 190.25, 0.8%, 0.39%

LAB 57.56, -22.71, -23.27

 

Description

Color code: RGB 127 21 177 | qconv.com Color code: RGB 127 21 177 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 21 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 21 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 88 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 88% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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