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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 20 188 it is the complementary color RGB 128 235 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 20 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 20 188 shade: RGB 132 20 183, RGB 149 38 202, RGB 166 56 221, RGB 183 74 240 and RGB 200 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 20 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 20 188 shade: RGB 127 20 188, RGB 110 2 169, RGB 93 0 150, RGB 76 0 131 and RGB 59 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 20 188 shade: RGB 127 19 189, RGB 173 19 189, RGB 189 19 159, RGB 189 19 113 and RGB 189 19 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 20 188 shade: RGB 127 19 189, RGB 82 19 189, RGB 36 19 189 and RGB 19 19 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 20 188 shade matches the following richer shades: RGB 127 19 189 and RGB 132 2 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 20 188 shade: RGB 127 19 189, RGB 123 36 172, RGB 118 53 155, RGB 113 70 138 and RGB 109 87 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 20 188 shade: RGB 36 19 189, RGB 81 19 189, RGB 127 19 189, RGB 172 19 189 and RGB 189 19 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 20 188 shade: RGB 77 12 114, RGB 102 15 151, RGB 127 19 189, RGB 152 23 226 and RGB 170 57 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 20 188 shade: RGB 127 20 188, RGB 189 19 48 and RGB 19 189 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 20 188 shade: RGB 127 20 188, RGB 189 127 19 and RGB 19 189 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 20 188 shade: RGB 127 20 188, RGB 189 19 48, RGB 81 189 19 and RGB 19 189 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 20 188 shade: RGB 127 20 188, RGB 189 42 19, RGB 81 189 19 and RGB 19 166 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

Complementary color

CMYK 46 / 0 / 71 / 8

HEX #80EB43

RGB 128 235 67

HSL 98.21, 0.81%, 0.59%

LAB 84.18, -58.29, 67.95

 

CMYK 28 / 89 / 0 / 28

HEX #8414B7

RGB 132 20 183

HSL 281.23, 0.8%, 0.4%

LAB 35.64, 66.18, -60.52

 

CMYK 26 / 81 / 0 / 21

HEX #9526CA

RGB 149 38 202

HSL 280.61, 0.68%, 0.47%

LAB 41.28, 68.03, -62.38

 

CMYK 25 / 75 / 0 / 13

HEX #A638DD

RGB 166 56 221

HSL 280, 0.71%, 0.54%

LAB 47.18, 68.83, -63.63

 

CMYK 24 / 69 / 0 / 6

HEX #B74AF0

RGB 183 74 240

HSL 279.4, 0.85%, 0.62%

LAB 53.23, 68.99, -64.47

 

CMYK 22 / 64 / 0 / 0

HEX #C85CFF

RGB 200 92 255

HSL 279.75, 1%, 0.68%

LAB 59.12, 67.92, -63.22

 

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

CMYK 35 / 99 / 0 / 34

HEX #6E02A9

RGB 110 2 169

HSL 278.8, 0.98%, 0.34%

LAB 29.97, 63.47, -61.58

 

CMYK 38 / 100 / 0 / 41

HEX #5D0096

RGB 93 0 150

HSL 277.2, 1%, 0.29%

LAB 25.35, 57.97, -57.68

 

CMYK 42 / 100 / 0 / 49

HEX #4C0083

RGB 76 0 131

HSL 274.81, 1%, 0.26%

LAB 20.73, 52.02, -53.51

 

CMYK 47 / 100 / 0 / 56

HEX #3B0070

RGB 59 0 112

HSL 271.61, 1%, 0.22%

LAB 16, 45.95, -49.22

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 8 / 90 / 0 / 26

HEX #AD13BD

RGB 173 19 189

HSL 294.35, 0.82%, 0.41%

LAB 42.8, 73.82, -52.15

 

CMYK 0 / 90 / 16 / 26

HEX #BD139F

RGB 189 19 159

HSL 310.59, 0.82%, 0.41%

LAB 43.93, 72.3, -32.38

 

CMYK 0 / 90 / 40 / 26

HEX #BD1371

RGB 189 19 113

HSL 326.82, 0.82%, 0.41%

LAB 41.96, 67.06, -7.24

 

CMYK 0 / 90 / 64 / 26

HEX #BD1344

RGB 189 19 68

HSL 342.71, 0.82%, 0.41%

LAB 40.74, 63.65, 19.44

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 57 / 90 / 0 / 26

HEX #5213BD

RGB 82 19 189

HSL 262.24, 0.82%, 0.41%

LAB 29.24, 61.92, -74.85

 

CMYK 81 / 90 / 0 / 26

HEX #2413BD

RGB 36 19 189

HSL 246, 0.82%, 0.41%

LAB 25.31, 59.14, -81.5

 

CMYK 90 / 90 / 0 / 26

HEX #1313BD

RGB 19 19 189

HSL 240, 0.82%, 0.41%

LAB 24.57, 58.68, -82.75

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 36 / 99 / 0 / 19

HEX #8402CE

RGB 132 2 206

HSL 278.24, 0.98%, 0.41%

LAB 36.75, 73.33, -72.21

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 28 / 79 / 0 / 33

HEX #7B24AC

RGB 123 36 172

HSL 278.38, 0.65%, 0.41%

LAB 34.91, 58.06, -55.24

 

CMYK 24 / 66 / 0 / 39

HEX #76359B

RGB 118 53 155

HSL 278.24, 0.49%, 0.41%

LAB 35.53, 46.05, -44.04

 

CMYK 18 / 49 / 0 / 46

HEX #71468A

RGB 113 70 138

HSL 277.94, 0.33%, 0.41%

LAB 37.35, 31.5, -30.83

 

CMYK 10 / 28 / 0 / 53

HEX #6D5779

RGB 109 87 121

HSL 278.82, 0.16%, 0.41%

LAB 40.33, 15.93, -15.82

 

CMYK 81 / 90 / 0 / 26

HEX #2413BD

RGB 36 19 189

HSL 246, 0.82%, 0.41%

LAB 25.31, 59.14, -81.5

 

CMYK 57 / 90 / 0 / 26

HEX #5113BD

RGB 81 19 189

HSL 261.88, 0.82%, 0.41%

LAB 29.13, 61.83, -75.04

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 9 / 90 / 0 / 26

HEX #AC13BD

RGB 172 19 189

HSL 294, 0.82%, 0.41%

LAB 42.63, 73.65, -52.43

 

CMYK 0 / 90 / 15 / 26

HEX #BD13A1

RGB 189 19 161

HSL 309.88, 0.82%, 0.41%

LAB 44.03, 72.57, -33.42

 

CMYK 32 / 89 / 0 / 55

HEX #4D0C72

RGB 77 12 114

HSL 278.24, 0.81%, 0.25%

LAB 20.27, 45.27, -43.41

 

CMYK 32 / 90 / 0 / 41

HEX #660F97

RGB 102 15 151

HSL 278.38, 0.82%, 0.33%

LAB 27.85, 56.4, -54.15

 

CMYK 33 / 90 / 0 / 26

HEX #7F13BD

RGB 127 19 189

HSL 278.12, 0.82%, 0.41%

LAB 35.31, 66.89, -64.66

 

CMYK 33 / 90 / 0 / 11

HEX #9817E2

RGB 152 23 226

HSL 278.13, 0.82%, 0.49%

LAB 42.43, 76.77, -74.3

 

CMYK 27 / 76 / 0 / 8

HEX #AA39EA

RGB 170 57 234

HSL 278.31, 0.81%, 0.57%

LAB 48.78, 71.83, -68.39

 

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

CMYK 0 / 90 / 75 / 26

HEX #BD1330

RGB 189 19 48

HSL 349.76, 0.82%, 0.41%

LAB 40.41, 62.71, 31.5

 

CMYK 90 / 0 / 69 / 26

HEX #13BD3B

RGB 19 189 59

HSL 134.12, 0.82%, 0.41%

LAB 67.16, -64.81, 52.45

 

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

CMYK 0 / 33 / 90 / 26

HEX #BD7F13

RGB 189 127 19

HSL 38.12, 0.82%, 0.41%

LAB 58.08, 16.11, 60.52

 

CMYK 90 / 0 / 33 / 26

HEX #13BD7F

RGB 19 189 127

HSL 158.12, 0.82%, 0.41%

LAB 68.07, -54, 20.47

 

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

CMYK 0 / 90 / 75 / 26

HEX #BD1330

RGB 189 19 48

HSL 349.76, 0.82%, 0.41%

LAB 40.41, 62.71, 31.5

 

CMYK 57 / 0 / 90 / 26

HEX #51BD13

RGB 81 189 19

HSL 98.12, 0.82%, 0.41%

LAB 68.16, -57.13, 65.59

 

CMYK 90 / 0 / 15 / 26

HEX #13BDA1

RGB 19 189 161

HSL 170.12, 0.82%, 0.41%

LAB 68.83, -45.71, 3.07

 

CMYK 32 / 89 / 0 / 26

HEX #7F14BC

RGB 127 20 188

HSL 278.21, 0.81%, 0.41%

LAB 35.29, 66.49, -64.1

 

CMYK 0 / 78 / 90 / 26

HEX #BD2A13

RGB 189 42 19

HSL 8.12, 0.82%, 0.41%

LAB 42.03, 56.53, 48.39

 

CMYK 57 / 0 / 90 / 26

HEX #51BD13

RGB 81 189 19

HSL 98.12, 0.82%, 0.41%

LAB 68.16, -57.13, 65.59

 

CMYK 90 / 12 / 0 / 26

HEX #13A6BD

RGB 19 166 189

HSL 188.12, 0.82%, 0.41%

LAB 62.58, -26.72, -21.77

 

Description

Color code: RGB 127 20 188 | qconv.com Color code: RGB 127 20 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 20 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 20 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 89 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 89% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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