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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 202 183 it is the complementary color RGB 128 53 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 202 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 202 183 shade: RGB 132 202 178, RGB 149 220 197, RGB 166 238 216, RGB 183 255 235 and RGB 200 255 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 202 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 202 183 shade: RGB 127 202 183, RGB 110 184 164, RGB 93 166 145, RGB 76 148 126 and RGB 59 130 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 202 183 shade: RGB 129 202 183, RGB 129 202 164, RGB 129 202 144, RGB 133 202 129 and RGB 153 202 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 202 183 shade: RGB 129 202 183, RGB 129 201 202, RGB 129 181 202, RGB 129 161 202 and RGB 129 141 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 202 183 shade matches the following richer shades: RGB 129 202 183, RGB 114 216 190, RGB 100 231 198 and RGB 85 245 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 202 183 shade: RGB 129 202 183, RGB 143 187 176, RGB 158 173 169, RGB 172 159 162 and RGB 186 144 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 202 183 shade: RGB 129 202 143, RGB 129 202 163, RGB 129 202 182, RGB 129 202 202 and RGB 129 182 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 202 183 shade: RGB 73 175 149, RGB 100 190 167, RGB 129 202 183, RGB 158 214 200 and RGB 187 226 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 202 183 shade: RGB 127 202 183, RGB 129 134 202 and RGB 202 153 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 202 183 shade: RGB 127 202 183, RGB 182 129 202 and RGB 202 182 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 202 183 shade: RGB 127 202 183, RGB 129 134 202, RGB 202 129 148 and RGB 202 197 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 202 183 shade: RGB 127 202 183, RGB 146 129 202, RGB 202 129 148 and RGB 185 202 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

Complementary color

CMYK 0 / 59 / 44 / 50

HEX #803548

RGB 128 53 72

HSL 344.8, 0.41%, 0.35%

LAB 33.14, 34.36, 4.61

 

CMYK 35 / 0 / 12 / 21

HEX #84CAB2

RGB 132 202 178

HSL 159.43, 0.4%, 0.65%

LAB 76.29, -27.3, 5.02

 

CMYK 32 / 0 / 10 / 14

HEX #95DCC5

RGB 149 220 197

HSL 160.56, 0.5%, 0.72%

LAB 82.7, -27.09, 4.25

 

CMYK 30 / 0 / 9 / 7

HEX #A6EED8

RGB 166 238 216

HSL 161.67, 0.68%, 0.79%

LAB 89.02, -26.9, 3.51

 

CMYK 28 / 0 / 8 / 0

HEX #B7FFEB

RGB 183 255 235

HSL 163.33, 1%, 0.86%

LAB 94.99, -26.25, 2.42

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFE

RGB 200 255 254

HSL 178.91, 1%, 0.89%

LAB 96.39, -17.39, -5.21

 

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

CMYK 40 / 0 / 11 / 28

HEX #6EB8A4

RGB 110 184 164

HSL 163.78, 0.34%, 0.58%

LAB 69.67, -27.79, 2.92

 

CMYK 44 / 0 / 13 / 35

HEX #5DA691

RGB 93 166 145

HSL 162.74, 0.29%, 0.51%

LAB 63.05, -27.97, 3.78

 

CMYK 49 / 0 / 15 / 42

HEX #4C947E

RGB 76 148 126

HSL 161.67, 0.32%, 0.44%

LAB 56.31, -28.12, 4.7

 

CMYK 55 / 0 / 18 / 49

HEX #3B826B

RGB 59 130 107

HSL 160.56, 0.38%, 0.37%

LAB 49.44, -28.22, 5.73

 

CMYK 36 / 0 / 9 / 21

HEX #81CAB7

RGB 129 202 183

HSL 164.38, 0.41%, 0.65%

LAB 76.27, -27.06, 2.28

 

CMYK 36 / 0 / 19 / 21

HEX #81CAA4

RGB 129 202 164

HSL 148.77, 0.41%, 0.65%

LAB 75.82, -31.09, 11.85

 

CMYK 36 / 0 / 29 / 21

HEX #81CA90

RGB 129 202 144

HSL 132.33, 0.41%, 0.65%

LAB 75.4, -34.89, 21.94

 

CMYK 34 / 0 / 36 / 21

HEX #85CA81

RGB 133 202 129

HSL 116.71, 0.41%, 0.65%

LAB 75.33, -36.14, 29.75

 

CMYK 24 / 0 / 36 / 21

HEX #99CA81

RGB 153 202 129

HSL 100.27, 0.41%, 0.65%

LAB 76.44, -29.38, 31.4

 

CMYK 36 / 0 / 9 / 21

HEX #81CAB7

RGB 129 202 183

HSL 164.38, 0.41%, 0.65%

LAB 76.27, -27.06, 2.28

 

CMYK 36 / 0 / 0 / 21

HEX #81C9CA

RGB 129 201 202

HSL 180.82, 0.41%, 0.65%

LAB 76.5, -22.15, -7.64

 

CMYK 36 / 10 / 0 / 21

HEX #81B5CA

RGB 129 181 202

HSL 197.26, 0.41%, 0.65%

LAB 70.86, -11.82, -16.08

 

CMYK 36 / 20 / 0 / 21

HEX #81A1CA

RGB 129 161 202

HSL 213.7, 0.41%, 0.65%

LAB 65.3, -0.92, -24.54

 

CMYK 36 / 30 / 0 / 21

HEX #818DCA

RGB 129 141 202

HSL 230.14, 0.41%, 0.65%

LAB 59.87, 10.5, -32.92

 

CMYK 36 / 0 / 9 / 21

HEX #81CAB7

RGB 129 202 183

HSL 164.38, 0.41%, 0.65%

LAB 76.27, -27.06, 2.28

 

CMYK 47 / 0 / 12 / 15

HEX #72D8BE

RGB 114 216 190

HSL 164.71, 0.57%, 0.65%

LAB 79.84, -35.98, 3.63

 

CMYK 57 / 0 / 14 / 9

HEX #64E7C6

RGB 100 231 198

HSL 164.89, 0.73%, 0.65%

LAB 83.93, -43.89, 5.25

 

CMYK 65 / 0 / 16 / 4

HEX #55F5CD

RGB 85 245 205

HSL 165, 0.89%, 0.65%

LAB 87.8, -50.84, 7.1

 

CMYK 36 / 0 / 9 / 21

HEX #81CAB7

RGB 129 202 183

HSL 164.38, 0.41%, 0.65%

LAB 76.27, -27.06, 2.28

 

CMYK 24 / 0 / 6 / 27

HEX #8FBBB0

RGB 143 187 176

HSL 165, 0.24%, 0.65%

LAB 72.57, -16.91, 0.79

 

CMYK 9 / 0 / 2 / 32

HEX #9EADA9

RGB 158 173 169

HSL 164, 0.08%, 0.65%

LAB 69.48, -6.02, 0.25

 

CMYK 0 / 8 / 6 / 33

HEX #AC9FA2

RGB 172 159 162

HSL 346.15, 0.07%, 0.65%

LAB 66.65, 5.27, 0.14

 

CMYK 0 / 23 / 17 / 27

HEX #BA909B

RGB 186 144 155

HSL 344.29, 0.23%, 0.65%

LAB 63.96, 17.58, 0.3

 

CMYK 36 / 0 / 29 / 21

HEX #81CA8F

RGB 129 202 143

HSL 131.51, 0.41%, 0.65%

LAB 75.38, -35.06, 22.44

 

CMYK 36 / 0 / 19 / 21

HEX #81CAA3

RGB 129 202 163

HSL 147.95, 0.41%, 0.65%

LAB 75.79, -31.29, 12.36

 

CMYK 36 / 0 / 10 / 21

HEX #81CAB6

RGB 129 202 182

HSL 163.56, 0.41%, 0.65%

LAB 76.24, -27.28, 2.78

 

CMYK 36 / 0 / 0 / 21

HEX #81CACA

RGB 129 202 202

HSL 180, 0.41%, 0.65%

LAB 76.78, -22.65, -7.21

 

CMYK 36 / 10 / 0 / 21

HEX #81B6CA

RGB 129 182 202

HSL 196.44, 0.41%, 0.65%

LAB 71.14, -12.35, -15.66

 

CMYK 58 / 0 / 15 / 31

HEX #49AF95

RGB 73 175 149

HSL 164.71, 0.41%, 0.49%

LAB 65.16, -35.99, 4.5

 

CMYK 47 / 0 / 12 / 25

HEX #64BEA7

RGB 100 190 167

HSL 164.67, 0.41%, 0.57%

LAB 71.1, -32.56, 3.3

 

CMYK 36 / 0 / 9 / 21

HEX #81CAB7

RGB 129 202 183

HSL 164.38, 0.41%, 0.65%

LAB 76.27, -27.06, 2.28

 

CMYK 26 / 0 / 7 / 16

HEX #9ED6C8

RGB 158 214 200

HSL 165, 0.41%, 0.73%

LAB 81.58, -20.87, 1.09

 

CMYK 17 / 0 / 4 / 11

HEX #BBE2D8

RGB 187 226 216

HSL 164.62, 0.4%, 0.81%

LAB 86.96, -14.65, 0.65

 

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

CMYK 36 / 34 / 0 / 21

HEX #8186CA

RGB 129 134 202

HSL 235.89, 0.41%, 0.65%

LAB 58.02, 14.59, -35.8

 

CMYK 0 / 24 / 36 / 21

HEX #CA9981

RGB 202 153 129

HSL 19.73, 0.41%, 0.65%

LAB 67.22, 15.08, 19.72

 

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

CMYK 10 / 36 / 0 / 21

HEX #B681CA

RGB 182 129 202

HSL 283.56, 0.41%, 0.65%

LAB 61.58, 33.32, -29.9

 

CMYK 0 / 10 / 36 / 21

HEX #CAB681

RGB 202 182 129

HSL 43.56, 0.41%, 0.65%

LAB 74.57, -0.55, 29.61

 

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

CMYK 36 / 34 / 0 / 21

HEX #8186CA

RGB 129 134 202

HSL 235.89, 0.41%, 0.65%

LAB 58.02, 14.59, -35.8

 

CMYK 0 / 36 / 27 / 21

HEX #CA8194

RGB 202 129 148

HSL 344.38, 0.41%, 0.65%

LAB 61.99, 30.71, 1.63

 

CMYK 0 / 2 / 36 / 21

HEX #CAC581

RGB 202 197 129

HSL 55.89, 0.41%, 0.65%

LAB 78.5, -8.39, 34.76

 

CMYK 37 / 0 / 9 / 21

HEX #7FCAB7

RGB 127 202 183

HSL 164.8, 0.41%, 0.65%

LAB 76.17, -27.61, 2.13

 

CMYK 28 / 36 / 0 / 21

HEX #9281CA

RGB 146 129 202

HSL 253.97, 0.41%, 0.65%

LAB 58.11, 22.37, -35.56

 

CMYK 0 / 36 / 27 / 21

HEX #CA8194

RGB 202 129 148

HSL 344.38, 0.41%, 0.65%

LAB 61.99, 30.71, 1.63

 

CMYK 8 / 0 / 36 / 21

HEX #B9CA81

RGB 185 202 129

HSL 73.97, 0.41%, 0.65%

LAB 78.54, -17.56, 34.56

 

Description

Color code: RGB 127 202 183 | qconv.com Color code: RGB 127 202 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 202 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 202 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 9 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 9% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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