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Color name
RGB 127 173 151

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 173 151 it is the complementary color RGB 128 82 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 173 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 173 151 shade: RGB 132 173 146, RGB 149 191 165, RGB 166 209 184, RGB 183 227 203 and RGB 200 245 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 173 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 110 155 132, RGB 93 137 113, RGB 76 119 94 and RGB 59 101 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 127 173 139, RGB 128 173 127, RGB 140 173 127 and RGB 153 173 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 127 173 163, RGB 127 170 173, RGB 127 158 173 and RGB 127 145 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 173 151 shade matches the following richer shades: RGB 127 173 151, RGB 110 190 152, RGB 93 207 152, RGB 76 224 153 and RGB 59 241 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 144 156 150, RGB 161 139 149, RGB 178 122 149 and RGB 195 105 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 173 151 shade: RGB 128 173 127, RGB 127 173 138, RGB 127 173 151, RGB 127 173 163 and RGB 127 171 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 173 151 shade: RGB 85 133 110, RGB 102 157 131, RGB 127 173 151, RGB 152 189 171 and RGB 177 205 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 127 140 173 and RGB 173 132 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 151 127 173 and RGB 173 151 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 127 140 173, RGB 173 127 149 and RGB 173 160 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 173 151 shade: RGB 127 173 151, RGB 128 127 173, RGB 173 127 149 and RGB 172 173 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

Complementary color

CMYK 0 / 36 / 19 / 50

HEX #805268

RGB 128 82 104

HSL 331.3, 0.22%, 0.41%

LAB 40.61, 22.65, -4.72

 

CMYK 24 / 0 / 16 / 32

HEX #84AD92

RGB 132 173 146

HSL 140.49, 0.2%, 0.6%

LAB 67.18, -19.43, 9.41

 

CMYK 22 / 0 / 14 / 25

HEX #95BFA5

RGB 149 191 165

HSL 142.86, 0.25%, 0.67%

LAB 73.78, -19.25, 8.57

 

CMYK 21 / 0 / 12 / 18

HEX #A6D1B8

RGB 166 209 184

HSL 145.12, 0.32%, 0.74%

LAB 80.27, -19.09, 7.78

 

CMYK 19 / 0 / 11 / 11

HEX #B7E3CB

RGB 183 227 203

HSL 147.27, 0.44%, 0.8%

LAB 86.66, -18.95, 7.03

 

CMYK 18 / 0 / 9 / 4

HEX #C8F5DE

RGB 200 245 222

HSL 149.33, 0.69%, 0.87%

LAB 92.95, -18.83, 6.31

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 29 / 0 / 15 / 39

HEX #6E9B84

RGB 110 155 132

HSL 149.33, 0.18%, 0.52%

LAB 60.27, -20.29, 7.2

 

CMYK 32 / 0 / 18 / 46

HEX #5D8971

RGB 93 137 113

HSL 147.27, 0.19%, 0.45%

LAB 53.4, -20.53, 8.1

 

CMYK 36 / 0 / 21 / 53

HEX #4C775E

RGB 76 119 94

HSL 145.12, 0.22%, 0.38%

LAB 46.36, -20.81, 9.1

 

CMYK 42 / 0 / 26 / 60

HEX #3B654B

RGB 59 101 75

HSL 142.86, 0.26%, 0.31%

LAB 39.15, -21.1, 10.2

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8B

RGB 127 173 139

HSL 135.65, 0.22%, 0.59%

LAB 66.72, -22.46, 12.58

 

CMYK 26 / 0 / 27 / 32

HEX #80AD7F

RGB 128 173 127

HSL 118.7, 0.22%, 0.59%

LAB 66.53, -24.31, 18.89

 

CMYK 19 / 0 / 27 / 32

HEX #8CAD7F

RGB 140 173 127

HSL 103.04, 0.22%, 0.59%

LAB 67.27, -20.06, 20.04

 

CMYK 12 / 0 / 27 / 32

HEX #99AD7F

RGB 153 173 127

HSL 86.09, 0.22%, 0.59%

LAB 68.16, -15.25, 21.4

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 27 / 0 / 6 / 32

HEX #7FADA3

RGB 127 173 163

HSL 166.96, 0.22%, 0.59%

LAB 67.31, -17.5, 0.16

 

CMYK 27 / 2 / 0 / 32

HEX #7FAAAD

RGB 127 170 173

HSL 183.91, 0.22%, 0.59%

LAB 66.73, -13.66, -6.25

 

CMYK 27 / 9 / 0 / 32

HEX #7F9EAD

RGB 127 158 173

HSL 199.57, 0.22%, 0.59%

LAB 63.33, -7.19, -11.32

 

CMYK 27 / 16 / 0 / 32

HEX #7F91AD

RGB 127 145 173

HSL 216.52, 0.22%, 0.59%

LAB 59.69, 0.07, -16.81

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 42 / 0 / 20 / 25

HEX #6EBE98

RGB 110 190 152

HSL 151.5, 0.38%, 0.59%

LAB 71.15, -33.3, 11.6

 

CMYK 55 / 0 / 27 / 19

HEX #5DCF98

RGB 93 207 152

HSL 151.05, 0.54%, 0.59%

LAB 75.59, -45.16, 17.73

 

CMYK 66 / 0 / 32 / 12

HEX #4CE099

RGB 76 224 153

HSL 151.22, 0.7%, 0.59%

LAB 80.26, -55.23, 23.57

 

CMYK 76 / 0 / 36 / 5

HEX #3BF19A

RGB 59 241 154

HSL 151.32, 0.87%, 0.59%

LAB 85.08, -63.87, 29.53

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 8 / 0 / 4 / 39

HEX #909C96

RGB 144 156 150

HSL 150, 0.06%, 0.59%

LAB 63.27, -5.47, 1.66

 

CMYK 0 / 14 / 7 / 37

HEX #A18B95

RGB 161 139 149

HSL 332.73, 0.1%, 0.59%

LAB 60.08, 10.05, -2.26

 

CMYK 0 / 31 / 16 / 30

HEX #B27A95

RGB 178 122 149

HSL 331.07, 0.27%, 0.59%

LAB 57.61, 25.94, -5.7

 

CMYK 0 / 46 / 24 / 24

HEX #C36994

RGB 195 105 148

HSL 331.33, 0.43%, 0.59%

LAB 55.93, 41.03, -7.39

 

CMYK 26 / 0 / 27 / 32

HEX #80AD7F

RGB 128 173 127

HSL 118.7, 0.22%, 0.59%

LAB 66.53, -24.31, 18.89

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8A

RGB 127 173 138

HSL 134.35, 0.22%, 0.59%

LAB 66.7, -22.65, 13.1

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 27 / 0 / 6 / 32

HEX #7FADA3

RGB 127 173 163

HSL 166.96, 0.22%, 0.59%

LAB 67.31, -17.5, 0.16

 

CMYK 27 / 1 / 0 / 32

HEX #7FABAD

RGB 127 171 173

HSL 182.61, 0.22%, 0.59%

LAB 67.02, -14.19, -5.82

 

CMYK 36 / 0 / 17 / 48

HEX #55856E

RGB 85 133 110

HSL 151.25, 0.22%, 0.43%

LAB 51.65, -21.69, 7.29

 

CMYK 35 / 0 / 17 / 38

HEX #669D83

RGB 102 157 131

HSL 151.64, 0.22%, 0.51%

LAB 60.41, -24.06, 7.9

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 20 / 0 / 10 / 26

HEX #98BDAB

RGB 152 189 171

HSL 150.81, 0.22%, 0.67%

LAB 73.55, -16.06, 5.01

 

CMYK 14 / 0 / 6 / 20

HEX #B1CDC0

RGB 177 205 192

HSL 152.14, 0.22%, 0.75%

LAB 80.08, -11.9, 3.31

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 27 / 19 / 0 / 32

HEX #7F8CAD

RGB 127 140 173

HSL 223.04, 0.22%, 0.59%

LAB 58.31, 2.92, -18.91

 

CMYK 0 / 24 / 27 / 32

HEX #AD847F

RGB 173 132 127

HSL 6.52, 0.22%, 0.59%

LAB 58.9, 14.98, 8.78

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 13 / 27 / 0 / 32

HEX #977FAD

RGB 151 127 173

HSL 271.3, 0.22%, 0.59%

LAB 56.86, 18.24, -20.95

 

CMYK 0 / 13 / 27 / 32

HEX #AD977F

RGB 173 151 127

HSL 31.3, 0.22%, 0.59%

LAB 63.79, 4.37, 15.65

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 27 / 19 / 0 / 32

HEX #7F8CAD

RGB 127 140 173

HSL 223.04, 0.22%, 0.59%

LAB 58.31, 2.92, -18.91

 

CMYK 0 / 27 / 14 / 32

HEX #AD7F95

RGB 173 127 149

HSL 331.3, 0.22%, 0.59%

LAB 58.26, 21.29, -4.81

 

CMYK 0 / 8 / 27 / 32

HEX #ADA07F

RGB 173 160 127

HSL 43.04, 0.22%, 0.59%

LAB 66.18, -0.57, 18.95

 

CMYK 27 / 0 / 13 / 32

HEX #7FAD97

RGB 127 173 151

HSL 151.3, 0.22%, 0.59%

LAB 67, -20.07, 6.36

 

CMYK 26 / 27 / 0 / 32

HEX #807FAD

RGB 128 127 173

HSL 241.3, 0.22%, 0.59%

LAB 54.85, 10.79, -24.2

 

CMYK 0 / 27 / 14 / 32

HEX #AD7F95

RGB 173 127 149

HSL 331.3, 0.22%, 0.59%

LAB 58.26, 21.29, -4.81

 

CMYK 1 / 0 / 27 / 32

HEX #ACAD7F

RGB 172 173 127

HSL 61.3, 0.22%, 0.59%

LAB 69.6, -7.94, 23.59

 

Description

Color code: RGB 127 173 151 | qconv.com Color code: RGB 127 173 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 173 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 173 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 13% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Cru Digital | Web De...
Link: http://crudigital.com.au

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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