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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 170 52 it is the complementary color RGB 128 85 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 170 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 170 52 shade: RGB 132 170 47, RGB 149 188 66, RGB 166 206 85, RGB 183 224 104 and RGB 200 242 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 170 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 170 52 shade: RGB 127 170 52, RGB 110 152 33, RGB 93 134 14, RGB 76 116 0 and RGB 59 98 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 170 52 shade: RGB 128 171 52, RGB 160 171 52, RGB 171 150 52, RGB 171 118 52 and RGB 171 86 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 170 52 shade: RGB 128 171 52, RGB 96 171 52, RGB 64 171 52, RGB 52 171 73 and RGB 52 171 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 170 52 shade matches the following richer shades: RGB 128 171 52, RGB 133 189 34 and RGB 138 207 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 170 52 shade: RGB 128 171 52, RGB 123 153 70, RGB 118 135 89, RGB 113 117 107 and RGB 108 99 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 170 52 shade: RGB 171 149 52, RGB 161 171 52, RGB 130 171 52, RGB 98 171 52 and RGB 66 171 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 170 52 shade: RGB 81 108 33, RGB 104 140 43, RGB 128 171 52, RGB 150 197 68 and RGB 168 207 99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 170 52 shade: RGB 127 170 52, RGB 52 171 118 and RGB 165 52 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 170 52 shade: RGB 127 170 52, RGB 52 130 171 and RGB 171 52 130

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 170 52 shade: RGB 127 170 52, RGB 52 171 118, RGB 94 52 171 and RGB 171 52 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 170 52 shade: RGB 127 170 52, RGB 52 171 153, RGB 94 52 171 and RGB 171 52 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

Complementary color

CMYK 37 / 58 / 0 / 20

HEX #8055CB

RGB 128 85 203

HSL 261.86, 0.53%, 0.56%

LAB 46.17, 43.27, -55.17

 

CMYK 22 / 0 / 72 / 33

HEX #84AA2F

RGB 132 170 47

HSL 78.54, 0.57%, 0.43%

LAB 64.85, -30.71, 55.85

 

CMYK 21 / 0 / 65 / 26

HEX #95BC42

RGB 149 188 66

HSL 79.18, 0.48%, 0.5%

LAB 71.38, -31.15, 55.44

 

CMYK 19 / 0 / 59 / 19

HEX #A6CE55

RGB 166 206 85

HSL 79.83, 0.55%, 0.57%

LAB 77.82, -31.47, 54.64

 

CMYK 18 / 0 / 54 / 12

HEX #B7E068

RGB 183 224 104

HSL 80.5, 0.66%, 0.64%

LAB 84.16, -31.68, 53.66

 

CMYK 17 / 0 / 49 / 5

HEX #C8F27B

RGB 200 242 123

HSL 81.18, 0.82%, 0.72%

LAB 90.42, -31.83, 52.59

 

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

CMYK 28 / 0 / 78 / 40

HEX #6E9821

RGB 110 152 33

HSL 81.18, 0.64%, 0.36%

LAB 57.92, -31.86, 53.57

 

CMYK 31 / 0 / 90 / 47

HEX #5D860E

RGB 93 134 14

HSL 80.5, 0.81%, 0.29%

LAB 51.16, -31.1, 52.39

 

CMYK 34 / 0 / 100 / 55

HEX #4C7400

RGB 76 116 0

HSL 80.69, 1%, 0.23%

LAB 44.27, -30.01, 49.27

 

CMYK 40 / 0 / 100 / 62

HEX #3B6200

RGB 59 98 0

HSL 83.88, 1%, 0.19%

LAB 37.23, -28.5, 43.41

 

CMYK 25 / 0 / 70 / 33

HEX #80AB34

RGB 128 171 52

HSL 81.68, 0.53%, 0.44%

LAB 64.93, -32.45, 53.95

 

CMYK 6 / 0 / 70 / 33

HEX #A0AB34

RGB 160 171 52

HSL 65.55, 0.53%, 0.44%

LAB 67.16, -19.24, 56.92

 

CMYK 0 / 12 / 70 / 33

HEX #AB9634

RGB 171 150 52

HSL 49.41, 0.53%, 0.44%

LAB 62.27, -3.41, 52.29

 

CMYK 0 / 31 / 70 / 33

HEX #AB7634

RGB 171 118 52

HSL 33.28, 0.53%, 0.44%

LAB 53.88, 14.35, 43.5

 

CMYK 0 / 50 / 70 / 33

HEX #AB5634

RGB 171 86 52

HSL 17.14, 0.53%, 0.44%

LAB 46.39, 32.09, 35.2

 

CMYK 25 / 0 / 70 / 33

HEX #80AB34

RGB 128 171 52

HSL 81.68, 0.53%, 0.44%

LAB 64.93, -32.45, 53.95

 

CMYK 44 / 0 / 70 / 33

HEX #60AB34

RGB 96 171 52

HSL 97.82, 0.53%, 0.44%

LAB 63.23, -44.07, 51.65

 

CMYK 63 / 0 / 70 / 33

HEX #40AB34

RGB 64 171 52

HSL 113.95, 0.53%, 0.44%

LAB 62.05, -53.09, 50.05

 

CMYK 70 / 0 / 57 / 33

HEX #34AB49

RGB 52 171 73

HSL 130.59, 0.53%, 0.44%

LAB 61.94, -53.25, 40.53

 

CMYK 70 / 0 / 39 / 33

HEX #34AB69

RGB 52 171 105

HSL 146.72, 0.53%, 0.44%

LAB 62.4, -48.03, 24.71

 

CMYK 25 / 0 / 70 / 33

HEX #80AB34

RGB 128 171 52

HSL 81.68, 0.53%, 0.44%

LAB 64.93, -32.45, 53.95

 

CMYK 30 / 0 / 82 / 26

HEX #85BD22

RGB 133 189 34

HSL 81.68, 0.7%, 0.44%

LAB 70.52, -39.62, 65.27

 

CMYK 33 / 0 / 92 / 19

HEX #8ACF10

RGB 138 207 16

HSL 81.68, 0.86%, 0.44%

LAB 76.11, -46, 73.6

 

CMYK 25 / 0 / 70 / 33

HEX #80AB34

RGB 128 171 52

HSL 81.68, 0.53%, 0.44%

LAB 64.93, -32.45, 53.95

 

CMYK 20 / 0 / 54 / 40

HEX #7B9946

RGB 123 153 70

HSL 81.69, 0.37%, 0.44%

LAB 59.38, -24.24, 39.72

 

CMYK 13 / 0 / 34 / 47

HEX #768759

RGB 118 135 89

HSL 82.17, 0.21%, 0.44%

LAB 53.92, -14.58, 22.75

 

CMYK 3 / 0 / 9 / 54

HEX #71756B

RGB 113 117 107

HSL 84, 0.04%, 0.44%

LAB 48.63, -3.51, 4.99

 

CMYK 14 / 21 / 0 / 51

HEX #6C637D

RGB 108 99 125

HSL 260.77, 0.12%, 0.44%

LAB 43.64, 9.15, -13.21

 

CMYK 0 / 13 / 70 / 33

HEX #AB9534

RGB 171 149 52

HSL 48.91, 0.53%, 0.44%

LAB 62, -2.87, 52.02

 

CMYK 6 / 0 / 70 / 33

HEX #A1AB34

RGB 161 171 52

HSL 65.04, 0.53%, 0.44%

LAB 67.24, -18.81, 57.03

 

CMYK 24 / 0 / 70 / 33

HEX #82AB34

RGB 130 171 52

HSL 80.67, 0.53%, 0.44%

LAB 65.06, -31.66, 54.11

 

CMYK 43 / 0 / 70 / 33

HEX #62AB34

RGB 98 171 52

HSL 96.81, 0.53%, 0.44%

LAB 63.32, -43.41, 51.77

 

CMYK 61 / 0 / 70 / 33

HEX #42AB34

RGB 66 171 52

HSL 112.94, 0.53%, 0.44%

LAB 62.11, -52.62, 50.13

 

CMYK 25 / 0 / 69 / 58

HEX #516C21

RGB 81 108 33

HSL 81.6, 0.53%, 0.28%

LAB 42.13, -22.41, 37.29

 

CMYK 26 / 0 / 69 / 45

HEX #688C2B

RGB 104 140 43

HSL 82.27, 0.53%, 0.36%

LAB 53.89, -27.96, 45.73

 

CMYK 25 / 0 / 70 / 33

HEX #80AB34

RGB 128 171 52

HSL 81.68, 0.53%, 0.44%

LAB 64.93, -32.45, 53.95

 

CMYK 24 / 0 / 65 / 23

HEX #96C544

RGB 150 197 68

HSL 81.86, 0.53%, 0.52%

LAB 74.08, -34.8, 57.5

 

CMYK 19 / 0 / 52 / 19

HEX #A8CF63

RGB 168 207 99

HSL 81.67, 0.53%, 0.6%

LAB 78.37, -29.88, 48.93

 

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

CMYK 70 / 0 / 31 / 33

HEX #34AB76

RGB 52 171 118

HSL 153.28, 0.53%, 0.44%

LAB 62.65, -45.36, 17.99

 

CMYK 4 / 70 / 0 / 33

HEX #A534AB

RGB 165 52 171

HSL 296.97, 0.53%, 0.44%

LAB 43.35, 60.62, -40.72

 

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

CMYK 70 / 24 / 0 / 33

HEX #3482AB

RGB 52 130 171

HSL 200.67, 0.53%, 0.44%

LAB 51.42, -10.29, -28.69

 

CMYK 0 / 70 / 24 / 33

HEX #AB3482

RGB 171 52 130

HSL 320.67, 0.53%, 0.44%

LAB 42.35, 55.74, -17.49

 

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

CMYK 70 / 0 / 31 / 33

HEX #34AB76

RGB 52 171 118

HSL 153.28, 0.53%, 0.44%

LAB 62.65, -45.36, 17.99

 

CMYK 45 / 70 / 0 / 33

HEX #5E34AB

RGB 94 52 171

HSL 261.18, 0.53%, 0.44%

LAB 33.51, 45.48, -57.07

 

CMYK 0 / 70 / 38 / 33

HEX #AB346A

RGB 171 52 106

HSL 332.77, 0.53%, 0.44%

LAB 41.46, 52.78, -3.98

 

CMYK 25 / 0 / 69 / 33

HEX #7FAA34

RGB 127 170 52

HSL 81.86, 0.53%, 0.44%

LAB 64.57, -32.38, 53.56

 

CMYK 70 / 0 / 11 / 33

HEX #34AB99

RGB 52 171 153

HSL 170.92, 0.53%, 0.44%

LAB 63.47, -36.82, -0.24

 

CMYK 45 / 70 / 0 / 33

HEX #5E34AB

RGB 94 52 171

HSL 261.18, 0.53%, 0.44%

LAB 33.51, 45.48, -57.07

 

CMYK 0 / 70 / 59 / 33

HEX #AB3446

RGB 171 52 70

HSL 350.92, 0.53%, 0.44%

LAB 40.5, 49.47, 17.23

 

Description

Color code: RGB 127 170 52 | qconv.com Color code: RGB 127 170 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 170 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 170 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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