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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 163 178 it is the complementary color RGB 128 92 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 163 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 163 178 shade: RGB 132 163 173, RGB 149 181 192, RGB 166 199 211, RGB 183 217 230 and RGB 200 235 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 163 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 110 145 159, RGB 93 127 140, RGB 76 109 121 and RGB 59 91 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 127 149 178, RGB 127 135 178, RGB 132 127 178 and RGB 146 127 178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 127 149 178, RGB 127 135 178 and RGB 127 127 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 163 178 shade matches the following richer shades: RGB 127 163 178, RGB 110 170 195, RGB 94 177 211, RGB 77 183 228 and RGB 61 190 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 144 156 161, RGB 160 149 145, RGB 177 143 128 and RGB 193 136 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 163 178 shade: RGB 127 178 165, RGB 127 177 178, RGB 127 164 178, RGB 127 150 178 and RGB 127 136 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 163 178 shade: RGB 83 123 139, RGB 101 144 163, RGB 127 163 178, RGB 153 182 193 and RGB 179 200 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 152 127 178 and RGB 178 172 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 178 127 164 and RGB 164 178 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 152 127 178, RGB 178 141 127 and RGB 153 178 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 163 178 shade: RGB 127 163 178, RGB 167 127 178, RGB 178 141 127 and RGB 138 178 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

Complementary color

CMYK 0 / 28 / 40 / 50

HEX #805C4D

RGB 128 92 77

HSL 17.65, 0.25%, 0.4%

LAB 42.43, 12.64, 14.44

 

CMYK 24 / 6 / 0 / 32

HEX #84A3AD

RGB 132 163 173

HSL 194.63, 0.2%, 0.6%

LAB 65.06, -8.36, -8.71

 

CMYK 22 / 6 / 0 / 25

HEX #95B5C0

RGB 149 181 192

HSL 195.35, 0.25%, 0.67%

LAB 71.72, -8.37, -9.18

 

CMYK 21 / 6 / 0 / 17

HEX #A6C7D3

RGB 166 199 211

HSL 196, 0.34%, 0.74%

LAB 78.26, -8.38, -9.65

 

CMYK 20 / 6 / 0 / 10

HEX #B7D9E6

RGB 183 217 230

HSL 196.6, 0.48%, 0.81%

LAB 84.69, -8.41, -10.11

 

CMYK 20 / 6 / 0 / 2

HEX #C8EBF9

RGB 200 235 249

HSL 197.14, 0.8%, 0.88%

LAB 91.02, -8.43, -10.57

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 31 / 9 / 0 / 38

HEX #6E919F

RGB 110 145 159

HSL 197.14, 0.2%, 0.53%

LAB 58.1, -8.67, -11.34

 

CMYK 34 / 9 / 0 / 45

HEX #5D7F8C

RGB 93 127 140

HSL 196.6, 0.2%, 0.46%

LAB 51.15, -8.63, -10.9

 

CMYK 37 / 10 / 0 / 53

HEX #4C6D79

RGB 76 109 121

HSL 196, 0.23%, 0.39%

LAB 44.02, -8.58, -10.46

 

CMYK 42 / 11 / 0 / 60

HEX #3B5B66

RGB 59 91 102

HSL 195.35, 0.27%, 0.32%

LAB 36.69, -8.51, -10.01

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 29 / 16 / 0 / 30

HEX #7F95B2

RGB 127 149 178

HSL 214.12, 0.25%, 0.6%

LAB 60.98, -0.95, -17.69

 

CMYK 29 / 24 / 0 / 30

HEX #7F87B2

RGB 127 135 178

HSL 230.59, 0.25%, 0.6%

LAB 57.13, 7.07, -23.57

 

CMYK 26 / 29 / 0 / 30

HEX #847FB2

RGB 132 127 178

HSL 245.88, 0.25%, 0.6%

LAB 55.38, 13.29, -26.23

 

CMYK 18 / 29 / 0 / 30

HEX #927FB2

RGB 146 127 178

HSL 262.35, 0.25%, 0.6%

LAB 56.59, 17.73, -24.26

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 29 / 16 / 0 / 30

HEX #7F95B2

RGB 127 149 178

HSL 214.12, 0.25%, 0.6%

LAB 60.98, -0.95, -17.69

 

CMYK 29 / 24 / 0 / 30

HEX #7F87B2

RGB 127 135 178

HSL 230.59, 0.25%, 0.6%

LAB 57.13, 7.07, -23.57

 

CMYK 29 / 29 / 0 / 30

HEX #7F7FB2

RGB 127 127 178

HSL 240, 0.25%, 0.6%

LAB 54.97, 11.75, -26.89

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 44 / 13 / 0 / 24

HEX #6EAAC3

RGB 110 170 195

HSL 197.65, 0.41%, 0.6%

LAB 66.52, -12.81, -18.87

 

CMYK 55 / 16 / 0 / 17

HEX #5EB1D3

RGB 94 177 211

HSL 197.44, 0.57%, 0.6%

LAB 68.41, -15.64, -24.9

 

CMYK 66 / 20 / 0 / 11

HEX #4DB7E4

RGB 77 183 228

HSL 197.88, 0.74%, 0.6%

LAB 70.21, -16.66, -31.48

 

CMYK 75 / 22 / 0 / 4

HEX #3DBEF4

RGB 61 190 244

HSL 197.7, 0.89%, 0.6%

LAB 72.46, -17.32, -36.7

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 11 / 3 / 0 / 37

HEX #909CA1

RGB 144 156 161

HSL 197.65, 0.08%, 0.6%

LAB 63.57, -3.23, -4.08

 

CMYK 0 / 7 / 9 / 37

HEX #A09591

RGB 160 149 145

HSL 16, 0.07%, 0.6%

LAB 62.52, 3.33, 3.56

 

CMYK 0 / 19 / 28 / 31

HEX #B18F80

RGB 177 143 128

HSL 18.37, 0.24%, 0.6%

LAB 62.13, 10.54, 12.82

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 29 / 0 / 7 / 30

HEX #7FB2A5

RGB 127 178 165

HSL 164.71, 0.25%, 0.6%

LAB 68.8, -19.64, 1.22

 

CMYK 29 / 1 / 0 / 30

HEX #7FB1B2

RGB 127 177 178

HSL 181.18, 0.25%, 0.6%

LAB 68.87, -16.16, -5.84

 

CMYK 29 / 8 / 0 / 30

HEX #7FA4B2

RGB 127 164 178

HSL 196.47, 0.25%, 0.6%

LAB 65.18, -9.25, -11.34

 

CMYK 29 / 16 / 0 / 30

HEX #7F96B2

RGB 127 150 178

HSL 212.94, 0.25%, 0.6%

LAB 61.25, -1.51, -17.27

 

CMYK 29 / 24 / 0 / 30

HEX #7F88B2

RGB 127 136 178

HSL 229.41, 0.25%, 0.6%

LAB 57.4, 6.49, -23.15

 

CMYK 40 / 12 / 0 / 45

HEX #537B8B

RGB 83 123 139

HSL 197.14, 0.25%, 0.44%

LAB 49.34, -9.57, -13.11

 

CMYK 38 / 12 / 0 / 36

HEX #6590A3

RGB 101 144 163

HSL 198.39, 0.25%, 0.52%

LAB 57.42, -9.71, -14.7

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 21 / 6 / 0 / 24

HEX #99B6C1

RGB 153 182 193

HSL 196.5, 0.24%, 0.68%

LAB 72.28, -7.42, -8.87

 

CMYK 14 / 4 / 0 / 18

HEX #B3C8D1

RGB 179 200 209

HSL 198, 0.25%, 0.76%

LAB 79.33, -5.24, -6.9

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 15 / 29 / 0 / 30

HEX #987FB2

RGB 152 127 178

HSL 269.41, 0.25%, 0.6%

LAB 57.14, 19.68, -23.37

 

CMYK 0 / 3 / 29 / 30

HEX #B2AC7F

RGB 178 172 127

HSL 52.94, 0.25%, 0.6%

LAB 69.83, -5.04, 23.98

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 0 / 29 / 8 / 30

HEX #B27FA4

RGB 178 127 164

HSL 316.47, 0.25%, 0.6%

LAB 59.27, 25.72, -11.86

 

CMYK 8 / 0 / 29 / 30

HEX #A4B27F

RGB 164 178 127

HSL 76.47, 0.25%, 0.6%

LAB 70.36, -13.66, 24.51

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 15 / 29 / 0 / 30

HEX #987FB2

RGB 152 127 178

HSL 269.41, 0.25%, 0.6%

LAB 57.14, 19.68, -23.37

 

CMYK 0 / 21 / 29 / 30

HEX #B28D7F

RGB 178 141 127

HSL 16.47, 0.25%, 0.6%

LAB 61.69, 11.91, 12.8

 

CMYK 14 / 0 / 29 / 30

HEX #99B27F

RGB 153 178 127

HSL 89.41, 0.25%, 0.6%

LAB 69.57, -17.83, 23.31

 

CMYK 29 / 8 / 0 / 30

HEX #7FA3B2

RGB 127 163 178

HSL 197.65, 0.25%, 0.6%

LAB 64.9, -8.71, -11.77

 

CMYK 6 / 29 / 0 / 30

HEX #A77FB2

RGB 167 127 178

HSL 287.06, 0.25%, 0.6%

LAB 58.61, 24.64, -20.99

 

CMYK 0 / 21 / 29 / 30

HEX #B28D7F

RGB 178 141 127

HSL 16.47, 0.25%, 0.6%

LAB 61.69, 11.91, 12.8

 

CMYK 22 / 0 / 29 / 30

HEX #8AB27F

RGB 138 178 127

HSL 107.06, 0.25%, 0.6%

LAB 68.59, -23.3, 21.81

 

Description

Color code: RGB 127 163 178 | qconv.com Color code: RGB 127 163 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 163 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 163 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 8 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 8% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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