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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 157 138 it is the complementary color RGB 128 98 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 157 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 157 138 shade: RGB 132 157 133, RGB 149 175 152, RGB 166 193 171, RGB 183 211 190 and RGB 200 229 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 157 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 157 138 shade: RGB 127 157 138, RGB 110 139 119, RGB 93 121 100, RGB 76 103 81 and RGB 59 85 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 157 138 shade: RGB 128 157 138, RGB 128 157 131, RGB 133 157 128, RGB 141 157 128 and RGB 148 157 128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 157 138 shade: RGB 128 157 138, RGB 128 157 146, RGB 128 157 154, RGB 128 152 157 and RGB 128 144 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 157 138 shade matches the following richer shades: RGB 128 157 138, RGB 110 175 134, RGB 91 193 129, RGB 73 211 124 and RGB 55 230 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 157 138 shade: RGB 128 157 138, RGB 146 139 143, RGB 164 121 148, RGB 182 102 153 and RGB 200 84 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 157 138 shade: RGB 133 157 128, RGB 128 157 131, RGB 128 157 138, RGB 128 157 146 and RGB 128 157 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 157 138 shade: RGB 88 114 98, RGB 106 138 117, RGB 128 157 138, RGB 151 175 160 and RGB 174 193 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 157 138 shade: RGB 127 157 138, RGB 128 140 157 and RGB 157 128 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 157 138 shade: RGB 127 157 138, RGB 138 128 157 and RGB 157 138 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 157 138 shade: RGB 127 157 138, RGB 128 140 157, RGB 157 128 146 and RGB 157 144 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 157 138 shade: RGB 127 157 138, RGB 128 132 157, RGB 157 128 146 and RGB 157 153 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

Complementary color

CMYK 0 / 23 / 9 / 50

HEX #806275

RGB 128 98 117

HSL 322, 0.13%, 0.44%

LAB 45.09, 15.48, -6

 

CMYK 16 / 0 / 15 / 38

HEX #849D85

RGB 132 157 133

HSL 122.4, 0.11%, 0.57%

LAB 62.26, -13.58, 9.66

 

CMYK 15 / 0 / 13 / 31

HEX #95AF98

RGB 149 175 152

HSL 126.92, 0.14%, 0.64%

LAB 68.98, -13.49, 8.82

 

CMYK 14 / 0 / 11 / 24

HEX #A6C1AB

RGB 166 193 171

HSL 131.11, 0.18%, 0.7%

LAB 75.57, -13.41, 8.02

 

CMYK 13 / 0 / 10 / 17

HEX #B7D3BE

RGB 183 211 190

HSL 135, 0.24%, 0.77%

LAB 82.04, -13.34, 7.26

 

CMYK 13 / 0 / 9 / 10

HEX #C8E5D1

RGB 200 229 209

HSL 138.62, 0.36%, 0.84%

LAB 88.41, -13.29, 6.54

 

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

CMYK 21 / 0 / 14 / 45

HEX #6E8B77

RGB 110 139 119

HSL 138.62, 0.12%, 0.49%

LAB 55.19, -14.53, 7.34

 

CMYK 23 / 0 / 17 / 53

HEX #5D7964

RGB 93 121 100

HSL 135, 0.13%, 0.42%

LAB 48.16, -14.71, 8.25

 

CMYK 26 / 0 / 21 / 60

HEX #4C6751

RGB 76 103 81

HSL 131.11, 0.15%, 0.35%

LAB 40.95, -14.93, 9.24

 

CMYK 31 / 0 / 27 / 67

HEX #3B553E

RGB 59 85 62

HSL 126.92, 0.18%, 0.28%

LAB 33.51, -15.19, 10.34

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 18 / 0 / 17 / 38

HEX #809D83

RGB 128 157 131

HSL 126.21, 0.13%, 0.56%

LAB 61.95, -15.39, 10.3

 

CMYK 15 / 0 / 18 / 38

HEX #859D80

RGB 133 157 128

HSL 109.66, 0.13%, 0.56%

LAB 62.22, -14.14, 12.41

 

CMYK 10 / 0 / 18 / 38

HEX #8D9D80

RGB 141 157 128

HSL 93.1, 0.13%, 0.56%

LAB 62.79, -11.18, 13.29

 

CMYK 6 / 0 / 18 / 38

HEX #949D80

RGB 148 157 128

HSL 78.62, 0.13%, 0.56%

LAB 63.32, -8.53, 14.11

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 18 / 0 / 7 / 38

HEX #809D92

RGB 128 157 146

HSL 157.24, 0.13%, 0.56%

LAB 62.32, -12.4, 2.4

 

CMYK 18 / 0 / 2 / 38

HEX #809D9A

RGB 128 157 154

HSL 173.79, 0.13%, 0.56%

LAB 62.54, -10.69, -1.79

 

CMYK 18 / 3 / 0 / 38

HEX #80989D

RGB 128 152 157

HSL 190.34, 0.13%, 0.56%

LAB 61.2, -7.3, -5.45

 

CMYK 18 / 8 / 0 / 38

HEX #80909D

RGB 128 144 157

HSL 206.9, 0.13%, 0.56%

LAB 58.95, -2.85, -8.81

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 37 / 0 / 23 / 31

HEX #6EAF86

RGB 110 175 134

HSL 142.15, 0.29%, 0.56%

LAB 66.29, -29.85, 14.58

 

CMYK 53 / 0 / 33 / 24

HEX #5BC181

RGB 91 193 129

HSL 142.35, 0.45%, 0.56%

LAB 70.84, -44.21, 23.41

 

CMYK 65 / 0 / 41 / 17

HEX #49D37C

RGB 73 211 124

HSL 142.17, 0.61%, 0.56%

LAB 75.74, -56.2, 32.44

 

CMYK 76 / 0 / 48 / 10

HEX #37E677

RGB 55 230 119

HSL 141.94, 0.78%, 0.56%

LAB 81.15, -66.6, 41.78

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 0 / 5 / 2 / 43

HEX #928B8F

RGB 146 139 143

HSL 325.71, 0.03%, 0.56%

LAB 58.56, 3.36, -1.21

 

CMYK 0 / 26 / 10 / 36

HEX #A47994

RGB 164 121 148

HSL 322.33, 0.19%, 0.56%

LAB 55.79, 21.22, -8

 

CMYK 0 / 44 / 16 / 29

HEX #B66699

RGB 182 102 153

HSL 321.75, 0.35%, 0.56%

LAB 53.76, 38.96, -13.75

 

CMYK 0 / 58 / 21 / 22

HEX #C8549E

RGB 200 84 158

HSL 321.72, 0.51%, 0.56%

LAB 53.05, 54.38, -17.53

 

CMYK 15 / 0 / 18 / 38

HEX #859D80

RGB 133 157 128

HSL 109.66, 0.13%, 0.56%

LAB 62.22, -14.14, 12.41

 

CMYK 18 / 0 / 17 / 38

HEX #809D83

RGB 128 157 131

HSL 126.21, 0.13%, 0.56%

LAB 61.95, -15.39, 10.3

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 18 / 0 / 7 / 38

HEX #809D92

RGB 128 157 146

HSL 157.24, 0.13%, 0.56%

LAB 62.32, -12.4, 2.4

 

CMYK 18 / 0 / 2 / 38

HEX #809D9A

RGB 128 157 154

HSL 173.79, 0.13%, 0.56%

LAB 62.54, -10.69, -1.79

 

CMYK 23 / 0 / 14 / 55

HEX #587262

RGB 88 114 98

HSL 143.08, 0.13%, 0.4%

LAB 45.62, -13.07, 5.77

 

CMYK 23 / 0 / 15 / 46

HEX #6A8A75

RGB 106 138 117

HSL 140.63, 0.13%, 0.48%

LAB 54.58, -15.81, 7.59

 

CMYK 18 / 0 / 12 / 38

HEX #809D8A

RGB 128 157 138

HSL 140.69, 0.13%, 0.56%

LAB 62.12, -14.03, 6.61

 

CMYK 14 / 0 / 9 / 31

HEX #97AFA0

RGB 151 175 160

HSL 142.5, 0.13%, 0.64%

LAB 69.31, -11.27, 4.91

 

CMYK 10 / 0 / 6 / 24

HEX #AEC1B5

RGB 174 193 181

HSL 142.11, 0.13%, 0.72%

LAB 76.36, -8.79, 3.82

 

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

CMYK 18 / 11 / 0 / 38

HEX #808C9D

RGB 128 140 157

HSL 215.17, 0.13%, 0.56%

LAB 57.83, -0.59, -10.48

 

CMYK 0 / 18 / 18 / 38

HEX #9D8081

RGB 157 128 129

HSL 357.93, 0.13%, 0.56%

LAB 56.28, 11.3, 3.66

 

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

CMYK 12 / 18 / 0 / 38

HEX #8A809D

RGB 138 128 157

HSL 260.69, 0.13%, 0.56%

LAB 55.36, 9.71, -14.12

 

CMYK 0 / 12 / 18 / 38

HEX #9D8A80

RGB 157 138 128

HSL 20.69, 0.13%, 0.56%

LAB 58.88, 5.45, 7.97

 

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

CMYK 18 / 11 / 0 / 38

HEX #808C9D

RGB 128 140 157

HSL 215.17, 0.13%, 0.56%

LAB 57.83, -0.59, -10.48

 

CMYK 0 / 18 / 7 / 38

HEX #9D8092

RGB 157 128 146

HSL 322.76, 0.13%, 0.56%

LAB 56.76, 14.28, -5.47

 

CMYK 0 / 8 / 18 / 38

HEX #9D9080

RGB 157 144 128

HSL 33.1, 0.13%, 0.56%

LAB 60.49, 2.09, 10.25

 

CMYK 19 / 0 / 12 / 38

HEX #7F9D8A

RGB 127 157 138

HSL 142, 0.13%, 0.56%

LAB 62.05, -14.38, 6.5

 

CMYK 18 / 16 / 0 / 38

HEX #80849D

RGB 128 132 157

HSL 231.72, 0.13%, 0.56%

LAB 55.61, 3.99, -13.82

 

CMYK 0 / 18 / 7 / 38

HEX #9D8092

RGB 157 128 146

HSL 322.76, 0.13%, 0.56%

LAB 56.76, 14.28, -5.47

 

CMYK 0 / 3 / 18 / 38

HEX #9D9980

RGB 157 153 128

HSL 51.72, 0.13%, 0.56%

LAB 62.94, -2.89, 13.68

 

Description

Color code: RGB 127 157 138 | qconv.com Color code: RGB 127 157 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 157 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 157 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 12 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 12% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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