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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 14 199 it is the complementary color RGB 128 241 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 14 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 14 199 shade: RGB 132 14 194, RGB 149 32 213, RGB 166 50 232, RGB 183 68 251 and RGB 200 86 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 14 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 14 199 shade: RGB 127 14 199, RGB 110 0 180, RGB 93 0 161, RGB 76 0 142 and RGB 59 0 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 14 199 shade: RGB 127 13 200, RGB 178 13 200, RGB 200 13 172, RGB 200 13 122 and RGB 200 13 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 14 199 shade: RGB 127 13 200, RGB 77 13 200, RGB 27 13 200 and RGB 13 13 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 14 199 shade matches the following richer shades: RGB 127 13 200

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 14 199 shade: RGB 127 13 200, RGB 123 31 182, RGB 120 48 165, RGB 116 65 148 and RGB 112 83 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 14 199 shade: RGB 26 13 200, RGB 76 13 200, RGB 125 13 200, RGB 175 13 200 and RGB 200 13 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 14 199 shade: RGB 78 8 123, RGB 103 11 161, RGB 127 13 200, RGB 152 17 238 and RGB 168 55 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 14 199 shade: RGB 127 14 199, RGB 200 13 51 and RGB 13 200 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 14 199 shade: RGB 127 14 199, RGB 200 125 13 and RGB 13 200 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 14 199 shade: RGB 127 14 199, RGB 200 13 51, RGB 88 200 13 and RGB 13 200 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 14 199 shade: RGB 127 14 199, RGB 200 32 13, RGB 88 200 13 and RGB 13 181 200

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

Complementary color

CMYK 47 / 0 / 77 / 5

HEX #80F138

RGB 128 241 56

HSL 96.65, 0.87%, 0.58%

LAB 85.9, -61.21, 73.18

 

CMYK 32 / 93 / 0 / 24

HEX #840EC2

RGB 132 14 194

HSL 279.33, 0.87%, 0.41%

LAB 36.2, 69.43, -66.1

 

CMYK 30 / 85 / 0 / 16

HEX #9520D5

RGB 149 32 213

HSL 278.78, 0.74%, 0.48%

LAB 41.57, 71.86, -68.27

 

CMYK 28 / 78 / 0 / 9

HEX #A632E8

RGB 166 50 232

HSL 278.24, 0.8%, 0.55%

LAB 47.25, 73.12, -69.75

 

CMYK 27 / 73 / 0 / 2

HEX #B744FB

RGB 183 68 251

HSL 277.7, 0.96%, 0.63%

LAB 53.13, 73.59, -70.77

 

CMYK 22 / 66 / 0 / 0

HEX #C856FF

RGB 200 86 255

HSL 280.47, 1%, 0.67%

LAB 58.18, 70.51, -64.72

 

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

CMYK 39 / 100 / 0 / 29

HEX #6E00B4

RGB 110 0 180

HSL 276.67, 1%, 0.35%

LAB 30.9, 66.03, -66.64

 

CMYK 42 / 100 / 0 / 37

HEX #5D00A1

RGB 93 0 161

HSL 274.66, 1%, 0.32%

LAB 26.45, 60.3, -62.61

 

CMYK 46 / 100 / 0 / 44

HEX #4C008E

RGB 76 0 142

HSL 272.11, 1%, 0.28%

LAB 21.91, 54.47, -58.49

 

CMYK 52 / 100 / 0 / 52

HEX #3B007B

RGB 59 0 123

HSL 268.78, 1%, 0.24%

LAB 17.27, 48.55, -54.22

 

CMYK 37 / 94 / 0 / 22

HEX #7F0DC8

RGB 127 13 200

HSL 276.58, 0.88%, 0.42%

LAB 35.93, 70.17, -70.1

 

CMYK 11 / 94 / 0 / 22

HEX #B20DC8

RGB 178 13 200

HSL 292.94, 0.88%, 0.42%

LAB 44.12, 77.19, -56.4

 

CMYK 0 / 94 / 14 / 22

HEX #C80DAC

RGB 200 13 172

HSL 308.98, 0.88%, 0.42%

LAB 46.37, 76.84, -36.15

 

CMYK 0 / 94 / 39 / 22

HEX #C80D7A

RGB 200 13 122

HSL 325.03, 0.88%, 0.42%

LAB 44.19, 71.15, -9.26

 

CMYK 0 / 94 / 65 / 22

HEX #C80D47

RGB 200 13 71

HSL 341.39, 0.88%, 0.42%

LAB 42.8, 67.36, 20.68

 

CMYK 37 / 94 / 0 / 22

HEX #7F0DC8

RGB 127 13 200

HSL 276.58, 0.88%, 0.42%

LAB 35.93, 70.17, -70.1

 

CMYK 62 / 94 / 0 / 22

HEX #4D0DC8

RGB 77 13 200

HSL 260.53, 0.88%, 0.42%

LAB 29.5, 65.58, -80.92

 

CMYK 87 / 94 / 0 / 22

HEX #1B0DC8

RGB 27 13 200

HSL 244.49, 0.88%, 0.42%

LAB 25.84, 63.49, -87.12

 

CMYK 94 / 94 / 0 / 22

HEX #0D0DC8

RGB 13 13 200

HSL 240, 0.88%, 0.42%

LAB 25.39, 63.27, -87.87

 

CMYK 37 / 94 / 0 / 22

HEX #7F0DC8

RGB 127 13 200

HSL 276.58, 0.88%, 0.42%

LAB 35.93, 70.17, -70.1

 

CMYK 37 / 94 / 0 / 22

HEX #7F0DC8

RGB 127 13 200

HSL 276.58, 0.88%, 0.42%

LAB 35.93, 70.17, -70.1

 

CMYK 32 / 83 / 0 / 29

HEX #7B1FB6

RGB 123 31 182

HSL 276.56, 0.71%, 0.42%

LAB 35.14, 61.85, -60.81

 

CMYK 27 / 71 / 0 / 35

HEX #7830A5

RGB 120 48 165

HSL 276.92, 0.55%, 0.42%

LAB 35.64, 51.13, -49.87

 

CMYK 22 / 56 / 0 / 42

HEX #744194

RGB 116 65 148

HSL 276.87, 0.39%, 0.42%

LAB 37.17, 37.59, -37.17

 

CMYK 14 / 36 / 0 / 49

HEX #705382

RGB 112 83 130

HSL 277.02, 0.22%, 0.42%

LAB 39.99, 21.5, -21.82

 

CMYK 87 / 94 / 0 / 22

HEX #1A0DC8

RGB 26 13 200

HSL 244.17, 0.88%, 0.42%

LAB 25.8, 63.47, -87.19

 

CMYK 62 / 94 / 0 / 22

HEX #4C0DC8

RGB 76 13 200

HSL 260.21, 0.88%, 0.42%

LAB 29.4, 65.51, -81.09

 

CMYK 38 / 94 / 0 / 22

HEX #7D0DC8

RGB 125 13 200

HSL 275.94, 0.88%, 0.42%

LAB 35.63, 69.94, -70.59

 

CMYK 13 / 94 / 0 / 22

HEX #AF0DC8

RGB 175 13 200

HSL 291.98, 0.88%, 0.42%

LAB 43.61, 76.72, -57.24

 

CMYK 0 / 94 / 13 / 22

HEX #C80DAF

RGB 200 13 175

HSL 308.02, 0.88%, 0.42%

LAB 46.53, 77.23, -37.68

 

CMYK 37 / 93 / 0 / 52

HEX #4E087B

RGB 78 8 123

HSL 276.52, 0.88%, 0.26%

LAB 20.92, 48.48, -48.12

 

CMYK 36 / 93 / 0 / 37

HEX #670BA1

RGB 103 11 161

HSL 276.8, 0.87%, 0.34%

LAB 28.63, 59.47, -58.97

 

CMYK 37 / 94 / 0 / 22

HEX #7F0DC8

RGB 127 13 200

HSL 276.58, 0.88%, 0.42%

LAB 35.93, 70.17, -70.1

 

CMYK 36 / 93 / 0 / 7

HEX #9811EE

RGB 152 17 238

HSL 276.65, 0.87%, 0.5%

LAB 43.14, 80.08, -79.96

 

CMYK 30 / 77 / 0 / 5

HEX #A837F1

RGB 168 55 241

HSL 276.45, 0.87%, 0.58%

LAB 48.77, 73.63, -72.35

 

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

CMYK 0 / 94 / 75 / 22

HEX #C80D33

RGB 200 13 51

HSL 347.81, 0.88%, 0.42%

LAB 42.47, 66.45, 32.65

 

CMYK 94 / 0 / 75 / 22

HEX #0DC833

RGB 13 200 51

HSL 132.19, 0.88%, 0.42%

LAB 70.62, -69.09, 58.99

 

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

CMYK 0 / 38 / 94 / 22

HEX #C87D0D

RGB 200 125 13

HSL 35.94, 0.88%, 0.42%

LAB 58.95, 21.94, 63.07

 

CMYK 94 / 0 / 38 / 22

HEX #0DC87D

RGB 13 200 125

HSL 155.94, 0.88%, 0.42%

LAB 71.47, -58.72, 26.12

 

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

CMYK 0 / 94 / 75 / 22

HEX #C80D33

RGB 200 13 51

HSL 347.81, 0.88%, 0.42%

LAB 42.47, 66.45, 32.65

 

CMYK 56 / 0 / 94 / 22

HEX #58C80D

RGB 88 200 13

HSL 95.94, 0.88%, 0.42%

LAB 71.83, -59.3, 69.62

 

CMYK 94 / 0 / 19 / 22

HEX #0DC8A3

RGB 13 200 163

HSL 168.13, 0.88%, 0.42%

LAB 72.25, -49.98, 6.92

 

CMYK 36 / 93 / 0 / 22

HEX #7F0EC7

RGB 127 14 199

HSL 276.65, 0.87%, 0.42%

LAB 35.89, 69.82, -69.58

 

CMYK 0 / 84 / 94 / 22

HEX #C8200D

RGB 200 32 13

HSL 6.1, 0.88%, 0.42%

LAB 43.27, 62.32, 52.51

 

CMYK 56 / 0 / 94 / 22

HEX #58C80D

RGB 88 200 13

HSL 95.94, 0.88%, 0.42%

LAB 71.83, -59.3, 69.62

 

CMYK 94 / 10 / 0 / 22

HEX #0DB5C8

RGB 13 181 200

HSL 186.1, 0.88%, 0.42%

LAB 67.5, -30.78, -20.37

 

Description

Color code: RGB 127 14 199 | qconv.com Color code: RGB 127 14 199 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 14 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 14 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 93 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 93% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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