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Color name
RGB 127 143 184

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 143 184 it is the complementary color RGB 128 112 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 143 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 143 184 shade: RGB 132 143 179, RGB 149 161 198, RGB 166 179 217, RGB 183 197 236 and RGB 200 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 143 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 143 184 shade: RGB 127 143 184, RGB 110 125 165, RGB 93 107 146, RGB 76 89 127 and RGB 59 71 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 143 184 shade: RGB 126 142 184, RGB 126 127 184, RGB 141 126 184, RGB 157 126 184 and RGB 172 126 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 143 184 shade: RGB 126 142 184, RGB 126 127 184 and RGB 126 126 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 143 184 shade matches the following richer shades: RGB 126 142 184, RGB 110 135 200, RGB 94 128 216, RGB 78 121 232 and RGB 62 114 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 143 184 shade: RGB 126 142 184, RGB 142 149 168, RGB 158 157 152, RGB 174 164 136 and RGB 191 171 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 143 184 shade: RGB 126 173 184, RGB 126 158 184, RGB 126 143 184, RGB 126 127 184 and RGB 141 126 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 143 184 shade: RGB 81 99 147, RGB 100 119 169, RGB 126 142 184, RGB 153 166 199 and RGB 179 189 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 143 184 shade: RGB 127 143 184, RGB 179 126 184 and RGB 166 184 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 143 184 shade: RGB 127 143 184, RGB 184 126 143 and RGB 143 184 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 143 184 shade: RGB 127 143 184, RGB 179 126 184, RGB 184 168 126 and RGB 131 184 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 143 184 shade: RGB 127 143 184, RGB 184 126 171, RGB 184 168 126 and RGB 126 184 139

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

Complementary color

CMYK 0 / 13 / 45 / 50

HEX #807047

RGB 128 112 71

HSL 43.16, 0.29%, 0.39%

LAB 47.79, 0.14, 25.06

 

CMYK 26 / 20 / 0 / 30

HEX #848FB3

RGB 132 143 179

HSL 225.96, 0.24%, 0.61%

LAB 59.71, 4.25, -20.15

 

CMYK 25 / 19 / 0 / 22

HEX #95A1C6

RGB 149 161 198

HSL 225.31, 0.3%, 0.68%

LAB 66.49, 3.97, -20.38

 

CMYK 24 / 18 / 0 / 15

HEX #A6B3D9

RGB 166 179 217

HSL 224.71, 0.4%, 0.75%

LAB 73.13, 3.71, -20.63

 

CMYK 22 / 17 / 0 / 7

HEX #B7C5EC

RGB 183 197 236

HSL 224.15, 0.58%, 0.82%

LAB 79.65, 3.47, -20.89

 

CMYK 22 / 16 / 0 / 0

HEX #C8D7FF

RGB 200 215 255

HSL 223.64, 1%, 0.89%

LAB 86.06, 3.24, -21.17

 

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

CMYK 33 / 24 / 0 / 35

HEX #6E7DA5

RGB 110 125 165

HSL 223.64, 0.23%, 0.54%

LAB 52.62, 4.36, -23.13

 

CMYK 36 / 27 / 0 / 43

HEX #5D6B92

RGB 93 107 146

HSL 224.15, 0.22%, 0.47%

LAB 45.52, 4.78, -23.03

 

CMYK 40 / 30 / 0 / 50

HEX #4C597F

RGB 76 89 127

HSL 224.71, 0.25%, 0.4%

LAB 38.22, 5.3, -22.98

 

CMYK 45 / 34 / 0 / 58

HEX #3B476C

RGB 59 71 108

HSL 225.31, 0.29%, 0.33%

LAB 30.69, 5.97, -23.01

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 32 / 31 / 0 / 28

HEX #7E7FB8

RGB 126 127 184

HSL 238.97, 0.29%, 0.61%

LAB 55.15, 13.02, -30.06

 

CMYK 23 / 32 / 0 / 28

HEX #8D7EB8

RGB 141 126 184

HSL 255.52, 0.29%, 0.61%

LAB 56.13, 18.16, -28.44

 

CMYK 15 / 32 / 0 / 28

HEX #9D7EB8

RGB 157 126 184

HSL 272.07, 0.29%, 0.61%

LAB 57.61, 23.22, -26.04

 

CMYK 7 / 32 / 0 / 28

HEX #AC7EB8

RGB 172 126 184

HSL 287.59, 0.29%, 0.61%

LAB 59.12, 28.09, -23.59

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 32 / 31 / 0 / 28

HEX #7E7FB8

RGB 126 127 184

HSL 238.97, 0.29%, 0.61%

LAB 55.15, 13.02, -30.06

 

CMYK 32 / 32 / 0 / 28

HEX #7E7EB8

RGB 126 126 184

HSL 240, 0.29%, 0.61%

LAB 54.88, 13.61, -30.47

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 45 / 33 / 0 / 22

HEX #6E87C8

RGB 110 135 200

HSL 223.33, 0.45%, 0.61%

LAB 56.89, 8.37, -36.53

 

CMYK 56 / 41 / 0 / 15

HEX #5E80D8

RGB 94 128 216

HSL 223.28, 0.61%, 0.61%

LAB 54.84, 13.85, -48.86

 

CMYK 66 / 48 / 0 / 9

HEX #4E79E8

RGB 78 121 232

HSL 223.25, 0.77%, 0.61%

LAB 53.08, 20.64, -60.71

 

CMYK 75 / 54 / 0 / 3

HEX #3E72F8

RGB 62 114 248

HSL 223.23, 0.93%, 0.61%

LAB 51.65, 28.53, -71.97

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 15 / 11 / 0 / 34

HEX #8E95A8

RGB 142 149 168

HSL 223.85, 0.13%, 0.61%

LAB 61.72, 1.51, -10.81

 

CMYK 0 / 1 / 4 / 38

HEX #9E9D98

RGB 158 157 152

HSL 50, 0.03%, 0.61%

LAB 64.68, -0.57, 2.73

 

CMYK 0 / 6 / 22 / 32

HEX #AEA488

RGB 174 164 136

HSL 44.21, 0.19%, 0.61%

LAB 67.52, -1.03, 15.85

 

CMYK 0 / 10 / 37 / 25

HEX #BFAB78

RGB 191 171 120

HSL 43.1, 0.36%, 0.61%

LAB 70.57, -0.19, 28.92

 

CMYK 32 / 6 / 0 / 28

HEX #7EADB8

RGB 126 173 184

HSL 191.38, 0.29%, 0.61%

LAB 67.86, -12.91, -10.68

 

CMYK 32 / 14 / 0 / 28

HEX #7E9EB8

RGB 126 158 184

HSL 206.9, 0.29%, 0.61%

LAB 63.63, -4.77, -17.04

 

CMYK 32 / 22 / 0 / 28

HEX #7E8FB8

RGB 126 143 184

HSL 222.41, 0.29%, 0.61%

LAB 59.47, 3.69, -23.39

 

CMYK 32 / 31 / 0 / 28

HEX #7E7FB8

RGB 126 127 184

HSL 238.97, 0.29%, 0.61%

LAB 55.15, 13.02, -30.06

 

CMYK 23 / 32 / 0 / 28

HEX #8D7EB8

RGB 141 126 184

HSL 255.52, 0.29%, 0.61%

LAB 56.13, 18.16, -28.44

 

CMYK 45 / 33 / 0 / 42

HEX #516393

RGB 81 99 147

HSL 223.64, 0.29%, 0.45%

LAB 42.43, 6.57, -28.5

 

CMYK 41 / 30 / 0 / 34

HEX #6477A9

RGB 100 119 169

HSL 223.48, 0.29%, 0.53%

LAB 50.41, 6.16, -28.92

 

CMYK 32 / 23 / 0 / 28

HEX #7E8EB8

RGB 126 142 184

HSL 223.45, 0.29%, 0.61%

LAB 59.2, 4.27, -23.81

 

CMYK 23 / 17 / 0 / 22

HEX #99A6C7

RGB 153 166 199

HSL 223.04, 0.29%, 0.69%

LAB 68.14, 2.66, -18.39

 

CMYK 16 / 11 / 0 / 16

HEX #B3BDD5

RGB 179 189 213

HSL 222.35, 0.29%, 0.77%

LAB 76.55, 1.46, -13.2

 

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

CMYK 3 / 32 / 0 / 28

HEX #B37EB8

RGB 179 126 184

HSL 294.83, 0.29%, 0.61%

LAB 59.86, 30.39, -22.39

 

CMYK 10 / 0 / 32 / 28

HEX #A6B87E

RGB 166 184 126

HSL 78.62, 0.29%, 0.61%

LAB 72.16, -16.12, 27.47

 

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

CMYK 0 / 32 / 22 / 28

HEX #B87E8F

RGB 184 126 143

HSL 342.41, 0.29%, 0.61%

LAB 59.06, 24.96, -0.03

 

CMYK 22 / 0 / 32 / 28

HEX #8FB87E

RGB 143 184 126

HSL 102.41, 0.29%, 0.61%

LAB 70.61, -24.65, 25.13

 

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

CMYK 3 / 32 / 0 / 28

HEX #B37EB8

RGB 179 126 184

HSL 294.83, 0.29%, 0.61%

LAB 59.86, 30.39, -22.39

 

CMYK 0 / 9 / 32 / 28

HEX #B8A87E

RGB 184 168 126

HSL 43.45, 0.29%, 0.61%

LAB 69.26, -0.65, 23.84

 

CMYK 29 / 0 / 32 / 28

HEX #83B87E

RGB 131 184 126

HSL 114.83, 0.29%, 0.61%

LAB 69.9, -28.84, 24.06

 

CMYK 31 / 22 / 0 / 28

HEX #7F8FB8

RGB 127 143 184

HSL 223.16, 0.29%, 0.61%

LAB 59.54, 3.99, -23.27

 

CMYK 0 / 32 / 7 / 28

HEX #B87EAB

RGB 184 126 171

HSL 313.45, 0.29%, 0.61%

LAB 59.94, 29.63, -14.8

 

CMYK 0 / 9 / 32 / 28

HEX #B8A87E

RGB 184 168 126

HSL 43.45, 0.29%, 0.61%

LAB 69.26, -0.65, 23.84

 

CMYK 32 / 0 / 24 / 28

HEX #7EB88B

RGB 126 184 139

HSL 133.45, 0.29%, 0.61%

LAB 69.88, -28.22, 16.99

 

Description

Color code: RGB 127 143 184 | qconv.com Color code: RGB 127 143 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 143 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 143 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 22 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 22% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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