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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 147 61 it is the complementary color RGB 128 108 194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 147 61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 147 61 shade: RGB 132 147 56, RGB 149 165 75, RGB 166 183 94, RGB 183 201 113 and RGB 200 219 132

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 147 61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 110 129 42, RGB 93 111 23, RGB 76 93 4 and RGB 59 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 147 144 61, RGB 147 121 61, RGB 147 97 61 and RGB 147 74 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 104 147 61, RGB 81 147 61, RGB 61 147 65 and RGB 61 147 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 147 61 shade matches the following richer shades: RGB 127 147 61, RGB 136 164 44, RGB 145 181 27 and RGB 154 198 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 118 130 78, RGB 109 113 95, RGB 100 96 112 and RGB 91 79 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 147 61 shade: RGB 147 120 61, RGB 147 143 61, RGB 128 147 61, RGB 105 147 61 and RGB 83 147 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 147 61 shade: RGB 77 89 37, RGB 102 118 49, RGB 127 147 61, RGB 152 176 73 and RGB 169 190 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 61 147 97 and RGB 131 61 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 61 128 147 and RGB 147 61 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 61 147 97, RGB 80 61 147 and RGB 147 61 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 147 61 shade: RGB 127 147 61, RGB 61 147 123, RGB 80 61 147 and RGB 147 61 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

Complementary color

CMYK 34 / 44 / 0 / 24

HEX #806CC2

RGB 128 108 194

HSL 253.95, 0.41%, 0.59%

LAB 50.93, 27.54, -42.4

 

CMYK 10 / 0 / 62 / 42

HEX #849338

RGB 132 147 56

HSL 69.89, 0.45%, 0.4%

LAB 58.09, -18.72, 45.1

 

CMYK 10 / 0 / 55 / 35

HEX #95A54B

RGB 149 165 75

HSL 70.67, 0.38%, 0.47%

LAB 64.81, -19.15, 44.1

 

CMYK 9 / 0 / 49 / 28

HEX #A6B75E

RGB 166 183 94

HSL 71.46, 0.38%, 0.54%

LAB 71.41, -19.47, 42.97

 

CMYK 9 / 0 / 44 / 21

HEX #B7C971

RGB 183 201 113

HSL 72.27, 0.45%, 0.62%

LAB 77.89, -19.71, 41.8

 

CMYK 9 / 0 / 40 / 14

HEX #C8DB84

RGB 200 219 132

HSL 73.1, 0.55%, 0.69%

LAB 84.28, -19.89, 40.64

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 15 / 0 / 67 / 49

HEX #6E812A

RGB 110 129 42

HSL 73.1, 0.51%, 0.34%

LAB 50.9, -19.98, 43.16

 

CMYK 16 / 0 / 79 / 56

HEX #5D6F17

RGB 93 111 23

HSL 72.27, 0.66%, 0.26%

LAB 43.88, -19.33, 43.38

 

CMYK 18 / 0 / 96 / 64

HEX #4C5D04

RGB 76 93 4

HSL 71.46, 0.92%, 0.19%

LAB 36.69, -18.38, 42.28

 

CMYK 21 / 0 / 100 / 71

HEX #3B4B00

RGB 59 75 0

HSL 72.8, 1%, 0.15%

LAB 29.32, -16.9, 37.34

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 0 / 2 / 59 / 42

HEX #93903D

RGB 147 144 61

HSL 57.91, 0.41%, 0.41%

LAB 58.5, -10.21, 43.56

 

CMYK 0 / 18 / 59 / 42

HEX #93793D

RGB 147 121 61

HSL 41.86, 0.41%, 0.41%

LAB 52.08, 2.52, 36.21

 

CMYK 0 / 34 / 59 / 42

HEX #93613D

RGB 147 97 61

HSL 25.12, 0.41%, 0.41%

LAB 45.76, 16.35, 28.62

 

CMYK 0 / 50 / 59 / 42

HEX #934A3D

RGB 147 74 61

HSL 9.07, 0.41%, 0.41%

LAB 40.31, 29.43, 21.77

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 29 / 0 / 59 / 42

HEX #68933D

RGB 104 147 61

HSL 90, 0.41%, 0.41%

LAB 56.24, -29.73, 40.15

 

CMYK 45 / 0 / 59 / 42

HEX #51933D

RGB 81 147 61

HSL 106.05, 0.41%, 0.41%

LAB 55.02, -37.94, 38.44

 

CMYK 59 / 0 / 56 / 42

HEX #3D9341

RGB 61 147 65

HSL 122.79, 0.41%, 0.41%

LAB 54.28, -43.28, 35.39

 

CMYK 59 / 0 / 40 / 42

HEX #3D9358

RGB 61 147 88

HSL 138.84, 0.41%, 0.41%

LAB 54.62, -39.59, 23.67

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 17 / 0 / 73 / 36

HEX #88A42C

RGB 136 164 44

HSL 74, 0.58%, 0.41%

LAB 63.32, -26.36, 55.52

 

CMYK 20 / 0 / 85 / 29

HEX #91B51B

RGB 145 181 27

HSL 74.03, 0.74%, 0.41%

LAB 68.86, -31.5, 65.82

 

CMYK 22 / 0 / 95 / 22

HEX #9AC60A

RGB 154 198 10

HSL 74.04, 0.9%, 0.41%

LAB 74.37, -36.07, 73.3

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 9 / 0 / 40 / 49

HEX #76824E

RGB 118 130 78

HSL 73.85, 0.25%, 0.41%

LAB 52.25, -13.41, 26.68

 

CMYK 4 / 0 / 16 / 56

HEX #6D715F

RGB 109 113 95

HSL 73.33, 0.09%, 0.41%

LAB 46.83, -5.01, 9.49

 

CMYK 11 / 14 / 0 / 56

HEX #646070

RGB 100 96 112

HSL 255, 0.08%, 0.41%

LAB 41.6, 5.05, -8.47

 

CMYK 29 / 39 / 0 / 49

HEX #5B4F81

RGB 91 79 129

HSL 254.4, 0.24%, 0.41%

LAB 36.75, 16.85, -26.42

 

CMYK 0 / 18 / 59 / 42

HEX #93783D

RGB 147 120 61

HSL 41.16, 0.41%, 0.41%

LAB 51.81, 3.09, 35.89

 

CMYK 0 / 3 / 59 / 42

HEX #938F3D

RGB 147 143 61

HSL 57.21, 0.41%, 0.41%

LAB 58.21, -9.67, 43.24

 

CMYK 13 / 0 / 59 / 42

HEX #80933D

RGB 128 147 61

HSL 73.26, 0.41%, 0.41%

LAB 57.84, -20, 42.41

 

CMYK 29 / 0 / 59 / 42

HEX #69933D

RGB 105 147 61

HSL 89.3, 0.41%, 0.41%

LAB 56.3, -29.34, 40.24

 

CMYK 44 / 0 / 59 / 42

HEX #53933D

RGB 83 147 61

HSL 104.65, 0.41%, 0.41%

LAB 55.12, -37.28, 38.57

 

CMYK 13 / 0 / 58 / 65

HEX #4D5925

RGB 77 89 37

HSL 73.85, 0.41%, 0.25%

LAB 35.71, -13.62, 28.13

 

CMYK 14 / 0 / 58 / 54

HEX #667631

RGB 102 118 49

HSL 73.91, 0.41%, 0.33%

LAB 46.98, -17.11, 35.4

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 14 / 0 / 59 / 31

HEX #98B049

RGB 152 176 73

HSL 73.98, 0.41%, 0.49%

LAB 68.17, -23.61, 48.93

 

CMYK 11 / 0 / 47 / 25

HEX #A9BE65

RGB 169 190 101

HSL 74.16, 0.41%, 0.57%

LAB 73.68, -21.04, 42.32

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 59 / 0 / 34 / 42

HEX #3D9361

RGB 61 147 97

HSL 145.12, 0.41%, 0.41%

LAB 54.79, -37.85, 18.91

 

CMYK 11 / 59 / 0 / 42

HEX #833D93

RGB 131 61 147

HSL 288.84, 0.41%, 0.41%

LAB 38.32, 43.62, -34.62

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 59 / 13 / 0 / 42

HEX #3D8093

RGB 61 128 147

HSL 193.26, 0.41%, 0.41%

LAB 50.14, -15.43, -16.68

 

CMYK 0 / 59 / 13 / 42

HEX #933D80

RGB 147 61 128

HSL 313.26, 0.41%, 0.41%

LAB 39.75, 44.69, -20.59

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 59 / 0 / 34 / 42

HEX #3D9361

RGB 61 147 97

HSL 145.12, 0.41%, 0.41%

LAB 54.79, -37.85, 18.91

 

CMYK 46 / 59 / 0 / 42

HEX #503D93

RGB 80 61 147

HSL 253.26, 0.41%, 0.41%

LAB 32.14, 30.42, -44.84

 

CMYK 0 / 59 / 24 / 42

HEX #933D6F

RGB 147 61 111

HSL 325.12, 0.41%, 0.41%

LAB 39.05, 42.03, -11.13

 

CMYK 14 / 0 / 59 / 42

HEX #7F933D

RGB 127 147 61

HSL 73.95, 0.41%, 0.41%

LAB 57.77, -20.42, 42.3

 

CMYK 59 / 0 / 16 / 42

HEX #3D937B

RGB 61 147 123

HSL 163.26, 0.41%, 0.41%

LAB 55.37, -31.93, 4.99

 

CMYK 46 / 59 / 0 / 42

HEX #503D93

RGB 80 61 147

HSL 253.26, 0.41%, 0.41%

LAB 32.14, 30.42, -44.84

 

CMYK 0 / 59 / 42 / 42

HEX #933D55

RGB 147 61 85

HSL 343.26, 0.41%, 0.41%

LAB 38.19, 38.64, 3.95

 

Description

Color code: RGB 127 147 61 | qconv.com Color code: RGB 127 147 61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 147 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 147 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 59 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 59% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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