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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 139 194 it is the complementary color RGB 128 116 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 139 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 139 194 shade: RGB 132 139 189, RGB 149 157 208, RGB 166 175 227, RGB 183 193 246 and RGB 200 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 139 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 139 194 shade: RGB 127 139 194, RGB 110 121 175, RGB 93 103 156, RGB 76 85 137 and RGB 59 67 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 139 194 shade: RGB 127 139 193, RGB 133 127 193, RGB 151 127 193, RGB 169 127 193 and RGB 187 127 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 139 194 shade: RGB 127 139 193 and RGB 127 127 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 139 194 shade matches the following richer shades: RGB 127 139 193, RGB 112 129 208, RGB 97 119 224, RGB 81 110 239 and RGB 66 100 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 139 194 shade: RGB 127 139 193, RGB 142 149 178, RGB 158 159 163, RGB 173 168 147 and RGB 188 178 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 139 194 shade: RGB 127 174 193, RGB 127 157 193, RGB 127 139 193, RGB 133 127 193 and RGB 150 127 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 139 194 shade: RGB 77 92 161, RGB 99 114 180, RGB 127 139 193, RGB 155 164 207 and RGB 183 189 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 139 194 shade: RGB 127 139 194, RGB 193 127 192 and RGB 166 193 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 139 194 shade: RGB 127 139 194, RGB 193 127 139 and RGB 139 193 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 139 194 shade: RGB 127 139 194, RGB 193 127 192, RGB 193 181 127 and RGB 127 193 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 139 194 shade: RGB 127 139 194, RGB 193 127 172, RGB 193 181 127 and RGB 127 193 148

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

Complementary color

CMYK 0 / 9 / 52 / 50

HEX #80743D

RGB 128 116 61

HSL 49.25, 0.35%, 0.37%

LAB 48.78, -3.21, 31.82

 

CMYK 30 / 26 / 0 / 26

HEX #848BBD

RGB 132 139 189

HSL 232.63, 0.3%, 0.63%

LAB 59.02, 9.09, -26.88

 

CMYK 28 / 25 / 0 / 18

HEX #959DD0

RGB 149 157 208

HSL 231.86, 0.39%, 0.7%

LAB 65.79, 8.66, -26.99

 

CMYK 27 / 23 / 0 / 11

HEX #A6AFE3

RGB 166 175 227

HSL 231.15, 0.52%, 0.77%

LAB 72.44, 8.27, -27.13

 

CMYK 26 / 22 / 0 / 4

HEX #B7C1F6

RGB 183 193 246

HSL 230.48, 0.78%, 0.84%

LAB 78.96, 7.93, -27.3

 

CMYK 22 / 17 / 0 / 0

HEX #C8D3FF

RGB 200 211 255

HSL 228, 1%, 0.89%

LAB 85.04, 5.36, -22.71

 

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

CMYK 37 / 31 / 0 / 31

HEX #6E79AF

RGB 110 121 175

HSL 229.85, 0.29%, 0.56%

LAB 51.93, 9.48, -29.98

 

CMYK 40 / 34 / 0 / 39

HEX #5D679C

RGB 93 103 156

HSL 230.48, 0.25%, 0.49%

LAB 44.84, 10.13, -30.02

 

CMYK 45 / 38 / 0 / 46

HEX #4C5589

RGB 76 85 137

HSL 231.15, 0.29%, 0.42%

LAB 37.55, 10.93, -30.14

 

CMYK 50 / 43 / 0 / 54

HEX #3B4376

RGB 59 67 118

HSL 231.86, 0.33%, 0.35%

LAB 30.04, 11.94, -30.33

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 31 / 34 / 0 / 24

HEX #857FC1

RGB 133 127 193

HSL 245.45, 0.35%, 0.63%

LAB 56.1, 17.44, -33.67

 

CMYK 22 / 34 / 0 / 24

HEX #977FC1

RGB 151 127 193

HSL 261.82, 0.35%, 0.63%

LAB 57.66, 22.83, -31.12

 

CMYK 12 / 34 / 0 / 24

HEX #A97FC1

RGB 169 127 193

HSL 278.18, 0.35%, 0.63%

LAB 59.4, 28.45, -28.29

 

CMYK 3 / 34 / 0 / 24

HEX #BB7FC1

RGB 187 127 193

HSL 294.55, 0.35%, 0.63%

LAB 61.3, 34.2, -25.2

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 34 / 34 / 0 / 24

HEX #7F7FC1

RGB 127 127 193

HSL 240, 0.35%, 0.63%

LAB 55.63, 15.71, -34.45

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 46 / 38 / 0 / 18

HEX #7081D0

RGB 112 129 208

HSL 229.38, 0.51%, 0.63%

LAB 55.79, 14.81, -42.79

 

CMYK 57 / 47 / 0 / 12

HEX #6177E0

RGB 97 119 224

HSL 229.61, 0.67%, 0.63%

LAB 53.08, 22.53, -56.17

 

CMYK 66 / 54 / 0 / 6

HEX #516EEF

RGB 81 110 239

HSL 228.99, 0.83%, 0.63%

LAB 50.84, 30.31, -68.23

 

CMYK 74 / 61 / 0 / 0

HEX #4264FE

RGB 66 100 254

HSL 229.15, 0.99%, 0.63%

LAB 48.8, 39.75, -79.95

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 20 / 16 / 0 / 30

HEX #8E95B2

RGB 142 149 178

HSL 228.33, 0.19%, 0.63%

LAB 62.05, 3.78, -15.96

 

CMYK 3 / 2 / 0 / 36

HEX #9E9FA3

RGB 158 159 163

HSL 228, 0.03%, 0.63%

LAB 65.52, 0.42, -2.21

 

CMYK 0 / 3 / 15 / 32

HEX #ADA893

RGB 173 168 147

HSL 48.46, 0.14%, 0.63%

LAB 68.75, -1.86, 11.49

 

CMYK 0 / 5 / 30 / 26

HEX #BCB284

RGB 188 178 132

HSL 49.29, 0.29%, 0.63%

LAB 72.36, -3.61, 24.85

 

CMYK 34 / 10 / 0 / 24

HEX #7FAEC1

RGB 127 174 193

HSL 197.27, 0.35%, 0.63%

LAB 68.49, -10.92, -14.71

 

CMYK 34 / 19 / 0 / 24

HEX #7F9DC1

RGB 127 157 193

HSL 212.73, 0.35%, 0.63%

LAB 63.73, -1.61, -21.92

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 31 / 34 / 0 / 24

HEX #857FC1

RGB 133 127 193

HSL 245.45, 0.35%, 0.63%

LAB 56.1, 17.44, -33.67

 

CMYK 22 / 34 / 0 / 24

HEX #967FC1

RGB 150 127 193

HSL 260.91, 0.35%, 0.63%

LAB 57.57, 22.53, -31.27

 

CMYK 52 / 43 / 0 / 37

HEX #4D5CA1

RGB 77 92 161

HSL 229.29, 0.35%, 0.47%

LAB 40.9, 14.44, -39.28

 

CMYK 45 / 37 / 0 / 29

HEX #6372B4

RGB 99 114 180

HSL 228.89, 0.35%, 0.55%

LAB 49.47, 12.18, -36.78

 

CMYK 34 / 28 / 0 / 24

HEX #7F8BC1

RGB 127 139 193

HSL 229.09, 0.35%, 0.63%

LAB 58.81, 8.67, -29.49

 

CMYK 25 / 21 / 0 / 19

HEX #9BA4CF

RGB 155 164 207

HSL 229.62, 0.35%, 0.71%

LAB 68.04, 6.29, -22.96

 

CMYK 17 / 14 / 0 / 14

HEX #B7BDDC

RGB 183 189 220

HSL 230.27, 0.35%, 0.79%

LAB 77.06, 4.24, -16.19

 

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

CMYK 0 / 34 / 1 / 24

HEX #C17FC0

RGB 193 127 192

HSL 300.91, 0.35%, 0.63%

LAB 61.93, 35.94, -23.61

 

CMYK 14 / 0 / 34 / 24

HEX #A6C17F

RGB 166 193 127

HSL 84.55, 0.35%, 0.63%

LAB 74.69, -20.53, 30.29

 

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

CMYK 0 / 34 / 28 / 24

HEX #C17F8B

RGB 193 127 139

HSL 349.09, 0.35%, 0.63%

LAB 60.23, 27.19, 4.1

 

CMYK 28 / 0 / 34 / 24

HEX #8BC17F

RGB 139 193 127

HSL 109.09, 0.35%, 0.63%

LAB 73, -30.25, 27.75

 

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

CMYK 0 / 34 / 1 / 24

HEX #C17FC0

RGB 193 127 192

HSL 300.91, 0.35%, 0.63%

LAB 61.93, 35.94, -23.61

 

CMYK 0 / 6 / 34 / 24

HEX #C1B57F

RGB 193 181 127

HSL 49.09, 0.35%, 0.63%

LAB 73.49, -3.86, 29.1

 

CMYK 34 / 0 / 34 / 24

HEX #7FC180

RGB 127 193 128

HSL 120.91, 0.35%, 0.63%

LAB 72.37, -34.09, 26.27

 

CMYK 35 / 28 / 0 / 24

HEX #7F8BC2

RGB 127 139 194

HSL 229.25, 0.35%, 0.63%

LAB 58.86, 8.94, -29.99

 

CMYK 0 / 34 / 11 / 24

HEX #C17FAC

RGB 193 127 172

HSL 319.09, 0.35%, 0.63%

LAB 61.22, 32.35, -13.34

 

CMYK 0 / 6 / 34 / 24

HEX #C1B57F

RGB 193 181 127

HSL 49.09, 0.35%, 0.63%

LAB 73.49, -3.86, 29.1

 

CMYK 34 / 0 / 23 / 24

HEX #7FC194

RGB 127 193 148

HSL 139.09, 0.35%, 0.63%

LAB 72.75, -30.54, 16.13

 

Description

Color code: RGB 127 139 194 | qconv.com Color code: RGB 127 139 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 139 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 139 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 28 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 28% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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