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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 120 255 it is the complementary color RGB 128 135 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 120 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 120 255 shade: RGB 132 120 250, RGB 149 138 255, RGB 166 156 255, RGB 183 174 255 and RGB 200 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 120 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 120 255 shade: RGB 127 120 255, RGB 110 102 236, RGB 93 84 217, RGB 76 66 198 and RGB 59 48 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 120 255 shade: RGB 129 122 255, RGB 165 122 255, RGB 200 122 255, RGB 236 122 255 and RGB 255 122 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 120 255 shade: RGB 129 122 255 and RGB 122 122 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 120 255 shade matches the following richer shades: RGB 129 122 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 120 255 shade: RGB 129 122 255, RGB 138 133 244, RGB 148 143 233, RGB 158 154 222 and RGB 167 165 212

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 120 255 shade: RGB 122 186 255, RGB 122 151 255, RGB 129 122 255, RGB 164 122 255 and RGB 199 122 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 120 255 shade: RGB 51 39 255, RGB 90 81 255, RGB 129 122 255, RGB 168 163 255 and RGB 207 204 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 120 255 shade: RGB 127 120 255, RGB 255 122 221 and RGB 168 255 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 120 255 shade: RGB 127 120 255, RGB 255 129 122 and RGB 122 255 129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 120 255 shade: RGB 127 120 255, RGB 255 122 221, RGB 248 255 122 and RGB 122 255 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 120 255 shade: RGB 127 120 255, RGB 255 122 182, RGB 248 255 122 and RGB 122 255 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

Complementary color

CMYK 5 / 0 / 100 / 47

HEX #808700

RGB 128 135 0

HSL 63.11, 1%, 0.26%

LAB 53.94, -16.66, 58.2

 

CMYK 47 / 52 / 0 / 2

HEX #8478FA

RGB 132 120 250

HSL 245.54, 0.93%, 0.73%

LAB 57.31, 37.16, -63.74

 

CMYK 42 / 46 / 0 / 0

HEX #958AFF

RGB 149 138 255

HSL 245.64, 1%, 0.77%

LAB 63.17, 32, -57.04

 

CMYK 35 / 39 / 0 / 0

HEX #A69CFF

RGB 166 156 255

HSL 246.06, 1%, 0.81%

LAB 68.83, 25.97, -47.99

 

CMYK 28 / 32 / 0 / 0

HEX #B7AEFF

RGB 183 174 255

HSL 246.67, 1%, 0.84%

LAB 74.55, 20.52, -38.94

 

CMYK 22 / 25 / 0 / 0

HEX #C8C0FF

RGB 200 192 255

HSL 247.62, 1%, 0.88%

LAB 80.29, 15.58, -29.96

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 53 / 57 / 0 / 7

HEX #6E66EC

RGB 110 102 236

HSL 243.58, 0.78%, 0.66%

LAB 50.54, 39.1, -66.95

 

CMYK 57 / 61 / 0 / 15

HEX #5D54D9

RGB 93 84 217

HSL 244.06, 0.64%, 0.59%

LAB 43.77, 40.81, -67.25

 

CMYK 62 / 67 / 0 / 22

HEX #4C42C6

RGB 76 66 198

HSL 244.55, 0.54%, 0.52%

LAB 36.95, 42.7, -67.47

 

CMYK 67 / 73 / 0 / 30

HEX #3B30B3

RGB 59 48 179

HSL 245.04, 0.58%, 0.45%

LAB 30.15, 44.71, -67.48

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 35 / 52 / 0 / 0

HEX #A57AFF

RGB 165 122 255

HSL 259.4, 1%, 0.74%

LAB 60.9, 44.85, -60.57

 

CMYK 22 / 52 / 0 / 0

HEX #C87AFF

RGB 200 122 255

HSL 275.19, 1%, 0.74%

LAB 64.5, 53.48, -54.63

 

CMYK 7 / 52 / 0 / 0

HEX #EC7AFF

RGB 236 122 255

HSL 291.43, 1%, 0.74%

LAB 68.73, 62.75, -47.66

 

CMYK 0 / 52 / 7 / 0

HEX #FF7AED

RGB 255 122 237

HSL 308.12, 1%, 0.74%

LAB 70.38, 64.74, -35.04

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 52 / 52 / 0 / 0

HEX #7A7AFF

RGB 122 122 255

HSL 240, 1%, 0.74%

LAB 57.34, 35.41, -66.48

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 43 / 45 / 0 / 4

HEX #8A85F4

RGB 138 133 244

HSL 242.7, 0.83%, 0.74%

LAB 60.52, 29.21, -55.25

 

CMYK 36 / 39 / 0 / 9

HEX #948FE9

RGB 148 143 233

HSL 243.33, 0.67%, 0.74%

LAB 63.2, 22.87, -44.89

 

CMYK 29 / 31 / 0 / 13

HEX #9E9ADE

RGB 158 154 222

HSL 243.53, 0.51%, 0.74%

LAB 66.25, 16.49, -33.98

 

CMYK 21 / 22 / 0 / 17

HEX #A7A5D4

RGB 167 165 212

HSL 242.55, 0.35%, 0.74%

LAB 69.38, 10.6, -23.58

 

CMYK 52 / 27 / 0 / 0

HEX #7ABAFF

RGB 122 186 255

HSL 211.13, 1%, 0.74%

LAB 73.85, -1.58, -40.31

 

CMYK 52 / 41 / 0 / 0

HEX #7A97FF

RGB 122 151 255

HSL 226.92, 1%, 0.74%

LAB 64.56, 18.33, -54.94

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 36 / 52 / 0 / 0

HEX #A47AFF

RGB 164 122 255

HSL 258.95, 1%, 0.74%

LAB 60.81, 44.61, -60.73

 

CMYK 22 / 52 / 0 / 0

HEX #C77AFF

RGB 199 122 255

HSL 274.74, 1%, 0.74%

LAB 64.39, 53.22, -54.81

 

CMYK 80 / 85 / 0 / 0

HEX #3327FF

RGB 51 39 255

HSL 243.33, 1%, 0.58%

LAB 36.7, 70.95, -100.49

 

CMYK 65 / 68 / 0 / 0

HEX #5A51FF

RGB 90 81 255

HSL 243.1, 1%, 0.66%

LAB 46.01, 53.95, -85.01

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 34 / 36 / 0 / 0

HEX #A8A3FF

RGB 168 163 255

HSL 243.26, 1%, 0.82%

LAB 70.69, 22.55, -45.05

 

CMYK 19 / 20 / 0 / 0

HEX #CFCCFF

RGB 207 204 255

HSL 243.53, 1%, 0.9%

LAB 83.79, 11.21, -24.56

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADD

RGB 255 122 221

HSL 315.34, 1%, 0.74%

LAB 69.75, 62.25, -27.18

 

CMYK 34 / 0 / 52 / 0

HEX #A8FF7A

RGB 168 255 122

HSL 99.25, 1%, 0.74%

LAB 92.24, -48.85, 54.81

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 0 / 49 / 52 / 0

HEX #FF817A

RGB 255 129 122

HSL 3.16, 1%, 0.74%

LAB 68.29, 47.2, 26.14

 

CMYK 52 / 0 / 49 / 0

HEX #7AFF81

RGB 122 255 129

HSL 123.16, 1%, 0.74%

LAB 90.43, -61.29, 48.94

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 0 / 52 / 13 / 0

HEX #FF7ADD

RGB 255 122 221

HSL 315.34, 1%, 0.74%

LAB 69.75, 62.25, -27.18

 

CMYK 3 / 0 / 52 / 0

HEX #F8FF7A

RGB 248 255 122

HSL 63.16, 1%, 0.74%

LAB 97.18, -19.76, 61.85

 

CMYK 52 / 0 / 39 / 0

HEX #7AFF9B

RGB 122 255 155

HSL 134.89, 1%, 0.74%

LAB 90.79, -57.48, 36.88

 

CMYK 50 / 53 / 0 / 0

HEX #7F78FF

RGB 127 120 255

HSL 243.11, 1%, 0.74%

LAB 57.24, 37.58, -66.63

 

CMYK 0 / 52 / 29 / 0

HEX #FF7AB6

RGB 255 122 182

HSL 332.93, 1%, 0.74%

LAB 68.43, 56.85, -7.4

 

CMYK 3 / 0 / 52 / 0

HEX #F8FF7A

RGB 248 255 122

HSL 63.16, 1%, 0.74%

LAB 97.18, -19.76, 61.85

 

CMYK 52 / 0 / 24 / 0

HEX #7AFFC3

RGB 122 255 195

HSL 152.93, 1%, 0.74%

LAB 91.5, -50.2, 17.67

 

Description

Color code: RGB 127 120 255 | qconv.com Color code: RGB 127 120 255 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 120 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 120 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 53 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 53% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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