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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 127 112 it is the complementary color RGB 128 128 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 127 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 127 112 shade: RGB 132 127 107, RGB 149 145 126, RGB 166 163 145, RGB 183 181 164 and RGB 200 199 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 127 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 110 109 93, RGB 93 91 74, RGB 76 73 55 and RGB 59 55 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 127 123 112, RGB 127 119 112, RGB 127 115 112 and RGB 127 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 123 127 112, RGB 119 127 112, RGB 115 127 112 and RGB 112 127 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 127 112 shade matches the following richer shades: RGB 127 127 112, RGB 146 146 93, RGB 165 165 73, RGB 185 185 54 and RGB 204 204 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 107 107 132, RGB 88 88 151, RGB 68 68 170 and RGB 49 49 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 127 112 shade: RGB 127 119 112, RGB 127 123 112, RGB 127 127 112, RGB 123 127 112 and RGB 119 127 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 127 112 shade: RGB 83 83 73, RGB 105 105 93, RGB 127 127 112, RGB 147 147 133 and RGB 166 166 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 112 127 115 and RGB 121 112 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 112 127 127 and RGB 127 112 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 112 127 115, RGB 112 112 127 and RGB 127 112 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 127 112 shade: RGB 127 127 112, RGB 112 127 119, RGB 112 112 127 and RGB 127 112 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

Complementary color

CMYK 10 / 10 / 0 / 44

HEX #80808F

RGB 128 128 143

HSL 240, 0.06%, 0.53%

LAB 54.04, 3.14, -8.07

 

CMYK 0 / 4 / 19 / 48

HEX #847F6B

RGB 132 127 107

HSL 48, 0.1%, 0.47%

LAB 53.11, -1.69, 11.56

 

CMYK 0 / 3 / 15 / 42

HEX #95917E

RGB 149 145 126

HSL 49.57, 0.1%, 0.54%

LAB 60.02, -1.92, 10.62

 

CMYK 0 / 2 / 13 / 35

HEX #A6A391

RGB 166 163 145

HSL 51.43, 0.11%, 0.61%

LAB 66.78, -2.12, 9.74

 

CMYK 0 / 1 / 10 / 28

HEX #B7B5A4

RGB 183 181 164

HSL 53.68, 0.12%, 0.68%

LAB 73.41, -2.3, 8.91

 

CMYK 0 / 0 / 9 / 22

HEX #C8C7B7

RGB 200 199 183

HSL 56.47, 0.13%, 0.75%

LAB 79.92, -2.46, 8.13

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 0 / 1 / 15 / 57

HEX #6E6D5D

RGB 110 109 93

HSL 56.47, 0.08%, 0.4%

LAB 45.69, -2.65, 9.09

 

CMYK 0 / 2 / 20 / 64

HEX #5D5B4A

RGB 93 91 74

HSL 53.68, 0.11%, 0.33%

LAB 38.38, -2.44, 10.11

 

CMYK 0 / 4 / 28 / 70

HEX #4C4937

RGB 76 73 55

HSL 51.43, 0.16%, 0.26%

LAB 30.82, -2.16, 11.25

 

CMYK 0 / 7 / 39 / 77

HEX #3B3724

RGB 59 55 36

HSL 49.57, 0.24%, 0.19%

LAB 22.96, -1.78, 12.57

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 0 / 3 / 12 / 50

HEX #7F7B70

RGB 127 123 112

HSL 44, 0.06%, 0.47%

LAB 51.66, -0.54, 6.55

 

CMYK 0 / 6 / 12 / 50

HEX #7F7770

RGB 127 119 112

HSL 28, 0.06%, 0.47%

LAB 50.54, 1.76, 4.94

 

CMYK 0 / 9 / 12 / 50

HEX #7F7370

RGB 127 115 112

HSL 12, 0.06%, 0.47%

LAB 49.43, 4.09, 3.34

 

CMYK 0 / 12 / 12 / 50

HEX #7F7070

RGB 127 112 112

HSL 0, 0.06%, 0.47%

LAB 48.6, 5.85, 2.14

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 3 / 0 / 12 / 50

HEX #7B7F70

RGB 123 127 112

HSL 76, 0.06%, 0.47%

LAB 52.46, -4.39, 7.64

 

CMYK 6 / 0 / 12 / 50

HEX #777F70

RGB 119 127 112

HSL 92, 0.06%, 0.47%

LAB 52.14, -5.94, 7.14

 

CMYK 9 / 0 / 12 / 50

HEX #737F70

RGB 115 127 112

HSL 108, 0.06%, 0.47%

LAB 51.83, -7.47, 6.65

 

CMYK 12 / 0 / 11 / 50

HEX #707F71

RGB 112 127 113

HSL 124, 0.06%, 0.47%

LAB 51.63, -8.4, 5.75

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 0 / 0 / 36 / 43

HEX #92925D

RGB 146 146 93

HSL 60, 0.22%, 0.47%

LAB 59.4, -8.48, 28.13

 

CMYK 0 / 0 / 56 / 35

HEX #A5A549

RGB 165 165 73

HSL 60, 0.39%, 0.47%

LAB 66.05, -12.58, 46.81

 

CMYK 0 / 0 / 71 / 27

HEX #B9B936

RGB 185 185 54

HSL 60, 0.55%, 0.47%

LAB 73.07, -15.53, 62.67

 

CMYK 0 / 0 / 83 / 20

HEX #CCCC23

RGB 204 204 35

HSL 60, 0.71%, 0.47%

LAB 79.7, -17.66, 74.88

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 19 / 19 / 0 / 48

HEX #6B6B84

RGB 107 107 132

HSL 240, 0.1%, 0.47%

LAB 46.05, 5.62, -13.77

 

CMYK 42 / 42 / 0 / 41

HEX #585897

RGB 88 88 151

HSL 240, 0.26%, 0.47%

LAB 40.06, 16.63, -34.58

 

CMYK 60 / 60 / 0 / 33

HEX #4444AA

RGB 68 68 170

HSL 240, 0.43%, 0.47%

LAB 34.53, 30.97, -54.93

 

CMYK 74 / 74 / 0 / 25

HEX #3131BE

RGB 49 49 190

HSL 240, 0.59%, 0.47%

LAB 30.8, 46.71, -72.96

 

CMYK 0 / 6 / 12 / 50

HEX #7F7770

RGB 127 119 112

HSL 28, 0.06%, 0.47%

LAB 50.54, 1.76, 4.94

 

CMYK 0 / 3 / 12 / 50

HEX #7F7B70

RGB 127 123 112

HSL 44, 0.06%, 0.47%

LAB 51.66, -0.54, 6.55

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 3 / 0 / 12 / 50

HEX #7B7F70

RGB 123 127 112

HSL 76, 0.06%, 0.47%

LAB 52.46, -4.39, 7.64

 

CMYK 6 / 0 / 12 / 50

HEX #777F70

RGB 119 127 112

HSL 92, 0.06%, 0.47%

LAB 52.14, -5.94, 7.14

 

CMYK 0 / 0 / 12 / 67

HEX #535349

RGB 83 83 73

HSL 60, 0.06%, 0.31%

LAB 35.02, -2.03, 5.86

 

CMYK 0 / 0 / 11 / 59

HEX #69695D

RGB 105 105 93

HSL 60, 0.06%, 0.39%

LAB 44.08, -2.34, 6.75

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 0 / 0 / 10 / 42

HEX #939385

RGB 147 147 133

HSL 60, 0.06%, 0.55%

LAB 60.57, -2.59, 7.41

 

CMYK 0 / 0 / 7 / 35

HEX #A6A69B

RGB 166 166 155

HSL 60, 0.06%, 0.63%

LAB 67.83, -2.02, 5.69

RGB 166 166 155

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 12 / 0 / 9 / 50

HEX #707F73

RGB 112 127 115

HSL 132, 0.06%, 0.47%

LAB 51.68, -8, 4.66

 

CMYK 5 / 12 / 0 / 50

HEX #79707F

RGB 121 112 127

HSL 276, 0.06%, 0.47%

LAB 48.49, 6.52, -7

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 12 / 0 / 0 / 50

HEX #707F7F

RGB 112 127 127

HSL 180, 0.06%, 0.47%

LAB 52.01, -5.48, -1.87

 

CMYK 0 / 12 / 0 / 50

HEX #7F707F

RGB 127 112 127

HSL 300, 0.06%, 0.47%

LAB 49.05, 8.75, -6.11

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 12 / 0 / 9 / 50

HEX #707F73

RGB 112 127 115

HSL 132, 0.06%, 0.47%

LAB 51.68, -8, 4.66

 

CMYK 12 / 12 / 0 / 50

HEX #70707F

RGB 112 112 127

HSL 240, 0.06%, 0.47%

LAB 47.71, 3.23, -8.25

 

CMYK 0 / 12 / 2 / 50

HEX #7F707C

RGB 127 112 124

HSL 312, 0.06%, 0.47%

LAB 48.95, 8.14, -4.47

 

CMYK 0 / 0 / 12 / 50

HEX #7F7F70

RGB 127 127 112

HSL 60, 0.06%, 0.47%

LAB 52.8, -2.82, 8.16

 

CMYK 12 / 0 / 6 / 50

HEX #707F77

RGB 112 127 119

HSL 148, 0.06%, 0.47%

LAB 51.79, -7.19, 2.47

 

CMYK 12 / 12 / 0 / 50

HEX #70707F

RGB 112 112 127

HSL 240, 0.06%, 0.47%

LAB 47.71, 3.23, -8.25

 

CMYK 0 / 12 / 6 / 50

HEX #7F7077

RGB 127 112 119

HSL 332, 0.06%, 0.47%

LAB 48.8, 7.16, -1.73

 

Description

Color code: RGB 127 127 112 | qconv.com Color code: RGB 127 127 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 127 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 127 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 12 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 12% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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