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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 125 24 it is the complementary color RGB 128 130 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 125 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 125 24 shade: RGB 132 125 19, RGB 149 143 38, RGB 166 161 57, RGB 183 179 76 and RGB 200 197 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 125 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 125 24 shade: RGB 127 125 24, RGB 110 107 5, RGB 93 89 0, RGB 76 71 0 and RGB 59 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 125 24 shade: RGB 128 126 24, RGB 128 98 24, RGB 128 70 24, RGB 128 42 24 and RGB 128 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 125 24 shade: RGB 128 126 24, RGB 102 128 24, RGB 74 128 24, RGB 46 128 24 and RGB 24 128 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 125 24 shade matches the following richer shades: RGB 128 126 24 and RGB 140 138 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 125 24 shade: RGB 128 126 24, RGB 116 114 36, RGB 103 102 49, RGB 91 90 61 and RGB 79 78 73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 125 24 shade: RGB 128 69 24, RGB 128 97 24, RGB 128 125 24, RGB 104 128 24 and RGB 76 128 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 125 24 shade: RGB 59 58 11, RGB 93 92 17, RGB 128 126 24, RGB 163 160 31 and RGB 197 194 37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 125 24 shade: RGB 127 125 24, RGB 24 128 41 and RGB 83 24 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 125 24 shade: RGB 127 125 24, RGB 24 128 125 and RGB 125 24 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 125 24 shade: RGB 127 125 24, RGB 24 128 41, RGB 24 27 128 and RGB 128 24 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 125 24 shade: RGB 127 125 24, RGB 24 128 73, RGB 24 27 128 and RGB 128 24 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

Complementary color

CMYK 45 / 44 / 0 / 9

HEX #8082E7

RGB 128 130 231

HSL 238.83, 0.68%, 0.7%

LAB 58.34, 24.87, -51.56

 

CMYK 0 / 5 / 86 / 48

HEX #847D13

RGB 132 125 19

HSL 56.28, 0.75%, 0.3%

LAB 51.4, -9.01, 52.57

 

CMYK 0 / 4 / 74 / 42

HEX #958F26

RGB 149 143 38

HSL 56.76, 0.59%, 0.37%

LAB 58.2, -10.23, 53.13

 

CMYK 0 / 3 / 66 / 35

HEX #A6A139

RGB 166 161 57

HSL 57.25, 0.49%, 0.44%

LAB 64.88, -11.19, 52.73

 

CMYK 0 / 2 / 58 / 28

HEX #B7B34C

RGB 183 179 76

HSL 57.76, 0.43%, 0.51%

LAB 71.44, -11.96, 51.88

 

CMYK 0 / 1 / 53 / 22

HEX #C8C55F

RGB 200 197 95

HSL 58.29, 0.49%, 0.58%

LAB 77.9, -12.59, 50.83

 

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

CMYK 0 / 3 / 95 / 57

HEX #6E6B05

RGB 110 107 5

HSL 58.29, 0.91%, 0.23%

LAB 44, -9.81, 49

 

CMYK 0 / 4 / 100 / 64

HEX #5D5900

RGB 93 89 0

HSL 57.42, 1%, 0.18%

LAB 36.88, -8.01, 44.29

 

CMYK 0 / 7 / 100 / 70

HEX #4C4700

RGB 76 71 0

HSL 56.05, 1%, 0.15%

LAB 29.52, -5.99, 38.16

 

CMYK 0 / 10 / 100 / 77

HEX #3B3500

RGB 59 53 0

HSL 53.9, 1%, 0.12%

LAB 21.86, -3.83, 30.41

 

CMYK 0 / 2 / 81 / 50

HEX #807E18

RGB 128 126 24

HSL 58.85, 0.68%, 0.3%

LAB 51.36, -11.24, 50.93

 

CMYK 0 / 23 / 81 / 50

HEX #806218

RGB 128 98 24

HSL 42.69, 0.68%, 0.3%

LAB 43.35, 4.65, 43.71

 

CMYK 0 / 45 / 81 / 50

HEX #804618

RGB 128 70 24

HSL 26.54, 0.68%, 0.3%

LAB 36.05, 21.18, 36.85

 

CMYK 0 / 67 / 81 / 50

HEX #802A18

RGB 128 42 24

HSL 10.38, 0.68%, 0.3%

LAB 30.18, 36.14, 31.04

 

CMYK 0 / 81 / 81 / 50

HEX #801818

RGB 128 24 24

HSL 0, 0.68%, 0.3%

LAB 27.6, 43.26, 28.38

 

CMYK 0 / 2 / 81 / 50

HEX #807E18

RGB 128 126 24

HSL 58.85, 0.68%, 0.3%

LAB 51.36, -11.24, 50.93

 

CMYK 20 / 0 / 81 / 50

HEX #668018

RGB 102 128 24

HSL 75, 0.68%, 0.3%

LAB 49.89, -24.03, 48.84

 

CMYK 42 / 0 / 81 / 50

HEX #4A8018

RGB 74 128 24

HSL 91.15, 0.68%, 0.3%

LAB 48.21, -35.28, 46.67

 

CMYK 64 / 0 / 81 / 50

HEX #2E8018

RGB 46 128 24

HSL 107.31, 0.68%, 0.3%

LAB 47.09, -43.93, 45.21

 

CMYK 81 / 0 / 77 / 50

HEX #18801E

RGB 24 128 30

HSL 123.46, 0.68%, 0.3%

LAB 46.61, -47.79, 42.45

 

CMYK 0 / 2 / 81 / 50

HEX #807E18

RGB 128 126 24

HSL 58.85, 0.68%, 0.3%

LAB 51.36, -11.24, 50.93

 

CMYK 0 / 1 / 91 / 45

HEX #8C8A0C

RGB 140 138 12

HSL 59.06, 0.84%, 0.3%

LAB 55.87, -12.52, 58.06

 

CMYK 0 / 2 / 81 / 50

HEX #807E18

RGB 128 126 24

HSL 58.85, 0.68%, 0.3%

LAB 51.36, -11.24, 50.93

 

CMYK 0 / 2 / 69 / 55

HEX #747224

RGB 116 114 36

HSL 58.5, 0.53%, 0.3%

LAB 46.81, -9.61, 41.7

 

CMYK 0 / 1 / 52 / 60

HEX #676631

RGB 103 102 49

HSL 58.89, 0.36%, 0.3%

LAB 42.17, -7.8, 29.81

 

CMYK 0 / 1 / 33 / 64

HEX #5B5A3D

RGB 91 90 61

HSL 58, 0.2%, 0.3%

LAB 37.61, -4.79, 16.94

 

CMYK 0 / 1 / 8 / 69

HEX #4F4E49

RGB 79 78 73

HSL 50, 0.04%, 0.3%

LAB 33.12, -0.63, 3.1

 

CMYK 0 / 46 / 81 / 50

HEX #804518

RGB 128 69 24

HSL 25.96, 0.68%, 0.3%

LAB 35.81, 21.76, 36.61

 

CMYK 0 / 24 / 81 / 50

HEX #806118

RGB 128 97 24

HSL 42.12, 0.68%, 0.3%

LAB 43.07, 5.24, 43.45

 

CMYK 0 / 2 / 81 / 50

HEX #807D18

RGB 128 125 24

HSL 58.27, 0.68%, 0.3%

LAB 51.06, -10.7, 50.67

 

CMYK 19 / 0 / 81 / 50

HEX #688018

RGB 104 128 24

HSL 73.85, 0.68%, 0.3%

LAB 50.03, -23.16, 49.02

 

CMYK 41 / 0 / 81 / 50

HEX #4C8018

RGB 76 128 24

HSL 90, 0.68%, 0.3%

LAB 48.31, -34.55, 46.8

 

CMYK 0 / 2 / 81 / 77

HEX #3B3A0B

RGB 59 58 11

HSL 58.75, 0.69%, 0.14%

LAB 23.61, -6.34, 27.73

 

CMYK 0 / 1 / 82 / 64

HEX #5D5C11

RGB 93 92 17

HSL 59.21, 0.69%, 0.22%

LAB 37.88, -9.16, 39.96

 

CMYK 0 / 2 / 81 / 50

HEX #807E18

RGB 128 126 24

HSL 58.85, 0.68%, 0.3%

LAB 51.36, -11.24, 50.93

 

CMYK 0 / 2 / 81 / 36

HEX #A3A01F

RGB 163 160 31

HSL 58.64, 0.68%, 0.38%

LAB 64.18, -13.23, 61.3

 

CMYK 0 / 2 / 81 / 23

HEX #C5C225

RGB 197 194 37

HSL 58.88, 0.68%, 0.46%

LAB 76.43, -15.6, 71.39

 

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

CMYK 81 / 0 / 68 / 50

HEX #188029

RGB 24 128 41

HSL 129.81, 0.68%, 0.3%

LAB 46.7, -46.7, 37.96

 

CMYK 35 / 81 / 0 / 50

HEX #531880

RGB 83 24 128

HSL 274.04, 0.68%, 0.3%

LAB 23.84, 45.47, -46.49

 

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

CMYK 81 / 0 / 2 / 50

HEX #18807D

RGB 24 128 125

HSL 178.27, 0.68%, 0.3%

LAB 48.4, -28.18, -6.47

 

CMYK 2 / 81 / 0 / 50

HEX #7D1880

RGB 125 24 128

HSL 298.27, 0.68%, 0.3%

LAB 30.81, 53.71, -34.88

 

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

CMYK 81 / 0 / 68 / 50

HEX #188029

RGB 24 128 41

HSL 129.81, 0.68%, 0.3%

LAB 46.7, -46.7, 37.96

 

CMYK 81 / 79 / 0 / 50

HEX #181B80

RGB 24 27 128

HSL 238.27, 0.68%, 0.3%

LAB 18.08, 36.15, -56.17

 

CMYK 0 / 81 / 13 / 50

HEX #80186F

RGB 128 24 111

HSL 309.81, 0.68%, 0.3%

LAB 30.38, 51.62, -24.77

 

CMYK 0 / 2 / 81 / 50

HEX #7F7D18

RGB 127 125 24

HSL 58.83, 0.68%, 0.3%

LAB 50.97, -11.16, 50.56

 

CMYK 81 / 0 / 43 / 50

HEX #188049

RGB 24 128 73

HSL 148.27, 0.68%, 0.3%

LAB 47.12, -41.69, 21.96

 

CMYK 81 / 79 / 0 / 50

HEX #181B80

RGB 24 27 128

HSL 238.27, 0.68%, 0.3%

LAB 18.08, 36.15, -56.17

 

CMYK 0 / 81 / 38 / 50

HEX #80184F

RGB 128 24 79

HSL 328.27, 0.68%, 0.3%

LAB 28.92, 47.35, -6.17

 

Description

Color code: RGB 127 125 24 | qconv.com Color code: RGB 127 125 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 125 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 125 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 81 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 81% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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