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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 127 125 18 it is the complementary color RGB 128 130 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 127 125 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 127 125 18 shade: RGB 132 125 13, RGB 149 143 32, RGB 166 161 51, RGB 183 179 70 and RGB 200 197 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 127 125 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 127 125 18 shade: RGB 127 125 18, RGB 110 107 0, RGB 93 89 0, RGB 76 71 0 and RGB 59 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 127 125 18 shade: RGB 124 122 17, RGB 124 94 17, RGB 124 65 17, RGB 124 36 17 and RGB 124 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 127 125 18 shade: RGB 124 122 17, RGB 98 124 17, RGB 69 124 17, RGB 40 124 17 and RGB 17 124 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 127 125 18 shade matches the following richer shades: RGB 124 122 17 and RGB 136 134 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 127 125 18 shade: RGB 124 122 17, RGB 113 111 29, RGB 101 100 40, RGB 90 89 52 and RGB 78 78 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 127 125 18 shade: RGB 124 64 17, RGB 124 92 17, RGB 124 121 17, RGB 99 124 17 and RGB 71 124 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 127 125 18 shade: RGB 52 51 7, RGB 88 87 12, RGB 124 122 17, RGB 161 158 23 and RGB 197 194 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 127 125 18 shade: RGB 127 125 18, RGB 17 124 35 and RGB 78 17 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 127 125 18 shade: RGB 127 125 18, RGB 17 124 121 and RGB 121 17 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 127 125 18 shade: RGB 127 125 18, RGB 17 124 35, RGB 17 21 124 and RGB 124 17 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 127 125 18 shade: RGB 127 125 18, RGB 17 124 67, RGB 17 21 124 and RGB 124 17 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

Complementary color

CMYK 46 / 45 / 0 / 7

HEX #8082ED

RGB 128 130 237

HSL 238.9, 0.75%, 0.72%

LAB 58.67, 26.61, -54.38

 

CMYK 0 / 5 / 90 / 48

HEX #847D0D

RGB 132 125 13

HSL 56.47, 0.82%, 0.28%

LAB 51.38, -9.17, 54

 

CMYK 0 / 4 / 79 / 42

HEX #958F20

RGB 149 143 32

HSL 56.92, 0.65%, 0.35%

LAB 58.17, -10.49, 55.19

 

CMYK 0 / 3 / 69 / 35

HEX #A6A133

RGB 166 161 51

HSL 57.39, 0.53%, 0.43%

LAB 64.83, -11.54, 55.14

 

CMYK 0 / 2 / 62 / 28

HEX #B7B346

RGB 183 179 70

HSL 57.88, 0.45%, 0.5%

LAB 71.38, -12.39, 54.49

 

CMYK 0 / 1 / 56 / 22

HEX #C8C559

RGB 200 197 89

HSL 58.38, 0.5%, 0.57%

LAB 77.84, -13.07, 53.53

 

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

CMYK 0 / 3 / 100 / 57

HEX #6E6B00

RGB 110 107 0

HSL 58.36, 1%, 0.22%

LAB 43.99, -9.93, 50.19

 

CMYK 0 / 4 / 100 / 64

HEX #5D5900

RGB 93 89 0

HSL 57.42, 1%, 0.18%

LAB 36.88, -8.01, 44.29

 

CMYK 0 / 7 / 100 / 70

HEX #4C4700

RGB 76 71 0

HSL 56.05, 1%, 0.15%

LAB 29.52, -5.99, 38.16

 

CMYK 0 / 10 / 100 / 77

HEX #3B3500

RGB 59 53 0

HSL 53.9, 1%, 0.12%

LAB 21.86, -3.83, 30.41

 

CMYK 0 / 2 / 86 / 51

HEX #7C7A11

RGB 124 122 17

HSL 58.88, 0.76%, 0.28%

LAB 49.79, -11.16, 51.45

 

CMYK 0 / 24 / 86 / 51

HEX #7C5E11

RGB 124 94 17

HSL 43.18, 0.76%, 0.28%

LAB 41.74, 4.83, 44.62

 

CMYK 0 / 48 / 86 / 51

HEX #7C4111

RGB 124 65 17

HSL 26.92, 0.76%, 0.28%

LAB 34.2, 22.02, 38.07

 

CMYK 0 / 71 / 86 / 51

HEX #7C2411

RGB 124 36 17

HSL 10.65, 0.76%, 0.28%

LAB 28.35, 37.12, 32.81

 

CMYK 0 / 86 / 86 / 51

HEX #7C1111

RGB 124 17 17

HSL 0, 0.76%, 0.28%

LAB 25.94, 43.81, 30.59

 

CMYK 0 / 2 / 86 / 51

HEX #7C7A11

RGB 124 122 17

HSL 58.88, 0.76%, 0.28%

LAB 49.79, -11.16, 51.45

 

CMYK 21 / 0 / 86 / 51

HEX #627C11

RGB 98 124 17

HSL 74.58, 0.76%, 0.28%

LAB 48.33, -24.05, 49.37

 

CMYK 44 / 0 / 86 / 51

HEX #457C11

RGB 69 124 17

HSL 90.84, 0.76%, 0.28%

LAB 46.61, -35.69, 47.2

 

CMYK 68 / 0 / 86 / 51

HEX #287C11

RGB 40 124 17

HSL 107.1, 0.76%, 0.28%

LAB 45.51, -44.32, 45.8

 

CMYK 86 / 0 / 81 / 51

HEX #117C18

RGB 17 124 24

HSL 123.93, 0.76%, 0.28%

LAB 45.08, -47.84, 43.07

 

CMYK 0 / 2 / 86 / 51

HEX #7C7A11

RGB 124 122 17

HSL 58.88, 0.76%, 0.28%

LAB 49.79, -11.16, 51.45

 

CMYK 0 / 1 / 96 / 47

HEX #888606

RGB 136 134 6

HSL 59.08, 0.92%, 0.28%

LAB 54.34, -12.33, 57.75

 

CMYK 0 / 2 / 86 / 51

HEX #7C7A11

RGB 124 122 17

HSL 58.88, 0.76%, 0.28%

LAB 49.79, -11.16, 51.45

 

CMYK 0 / 2 / 74 / 56

HEX #716F1D

RGB 113 111 29

HSL 58.57, 0.59%, 0.28%

LAB 45.59, -9.75, 43.33

 

CMYK 0 / 1 / 60 / 60

HEX #656428

RGB 101 100 40

HSL 59.02, 0.43%, 0.28%

LAB 41.27, -8.42, 33.46

 

CMYK 0 / 1 / 42 / 65

HEX #5A5934

RGB 90 89 52

HSL 58.42, 0.27%, 0.28%

LAB 37.05, -5.88, 21.55

 

CMYK 0 / 0 / 18 / 69

HEX #4E4E40

RGB 78 78 64

HSL 60, 0.1%, 0.28%

LAB 32.79, -2.8, 8.31

 

CMYK 0 / 48 / 86 / 51

HEX #7C4011

RGB 124 64 17

HSL 26.36, 0.76%, 0.28%

LAB 33.97, 22.59, 37.86

 

CMYK 0 / 26 / 86 / 51

HEX #7C5C11

RGB 124 92 17

HSL 42.06, 0.76%, 0.28%

LAB 41.18, 6.01, 44.14

 

CMYK 0 / 2 / 86 / 51

HEX #7C7911

RGB 124 121 17

HSL 58.32, 0.76%, 0.28%

LAB 49.5, -10.61, 51.2

 

CMYK 20 / 0 / 86 / 51

HEX #637C11

RGB 99 124 17

HSL 74.02, 0.76%, 0.28%

LAB 48.4, -23.61, 49.46

 

CMYK 43 / 0 / 86 / 51

HEX #477C11

RGB 71 124 17

HSL 89.72, 0.76%, 0.28%

LAB 46.7, -34.97, 47.33

 

CMYK 0 / 2 / 87 / 80

HEX #343307

RGB 52 51 7

HSL 58.67, 0.76%, 0.12%

LAB 20.49, -5.9, 25.85

 

CMYK 0 / 1 / 86 / 65

HEX #58570C

RGB 88 87 12

HSL 59.21, 0.76%, 0.2%

LAB 35.83, -8.93, 39.62

 

CMYK 0 / 2 / 86 / 51

HEX #7C7A11

RGB 124 122 17

HSL 58.88, 0.76%, 0.28%

LAB 49.79, -11.16, 51.45

 

CMYK 0 / 2 / 86 / 37

HEX #A19E17

RGB 161 158 23

HSL 58.7, 0.75%, 0.36%

LAB 63.42, -13.32, 62.65

 

CMYK 0 / 2 / 86 / 23

HEX #C5C21C

RGB 197 194 28

HSL 58.93, 0.75%, 0.44%

LAB 76.4, -15.84, 73.46

 

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

CMYK 86 / 0 / 72 / 51

HEX #117C23

RGB 17 124 35

HSL 130.09, 0.76%, 0.28%

LAB 45.16, -46.87, 38.9

 

CMYK 37 / 86 / 0 / 51

HEX #4E117C

RGB 78 17 124

HSL 274.21, 0.76%, 0.28%

LAB 21.86, 46.21, -47.22

 

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

CMYK 86 / 0 / 2 / 51

HEX #117C79

RGB 17 124 121

HSL 178.32, 0.76%, 0.28%

LAB 46.86, -28.11, -6.41

 

CMYK 2 / 86 / 0 / 51

HEX #79117C

RGB 121 17 124

HSL 298.32, 0.76%, 0.28%

LAB 29.21, 54.01, -34.96

 

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

CMYK 86 / 0 / 72 / 51

HEX #117C23

RGB 17 124 35

HSL 130.09, 0.76%, 0.28%

LAB 45.16, -46.87, 38.9

 

CMYK 86 / 83 / 0 / 51

HEX #11157C

RGB 17 21 124

HSL 237.76, 0.76%, 0.28%

LAB 16.06, 37.71, -56.99

 

CMYK 0 / 86 / 14 / 51

HEX #7C116B

RGB 124 17 107

HSL 309.53, 0.76%, 0.28%

LAB 28.77, 51.93, -24.79

 

CMYK 0 / 2 / 86 / 50

HEX #7F7D12

RGB 127 125 18

HSL 58.9, 0.75%, 0.28%

LAB 50.95, -11.37, 52.27

 

CMYK 86 / 0 / 46 / 51

HEX #117C43

RGB 17 124 67

HSL 148.04, 0.76%, 0.28%

LAB 45.55, -42.13, 23.24

 

CMYK 86 / 83 / 0 / 51

HEX #11157C

RGB 17 21 124

HSL 237.76, 0.76%, 0.28%

LAB 16.06, 37.71, -56.99

 

CMYK 0 / 86 / 40 / 51

HEX #7C114A

RGB 124 17 74

HSL 328.04, 0.76%, 0.28%

LAB 27.24, 47.66, -5.43

 

Description

Color code: RGB 127 125 18 | qconv.com Color code: RGB 127 125 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 125 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 125 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 86 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 86% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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