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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 97 174 it is the complementary color RGB 129 158 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 97 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 97 174 shade: RGB 131 97 169, RGB 148 115 188, RGB 165 133 207, RGB 182 151 226 and RGB 199 169 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 97 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 97 174 shade: RGB 126 97 174, RGB 109 79 155, RGB 92 61 136, RGB 75 43 117 and RGB 58 25 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 97 174 shade: RGB 125 96 173, RGB 146 96 173, RGB 167 96 173, RGB 173 96 159 and RGB 173 96 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 97 174 shade: RGB 125 96 173, RGB 105 96 173 and RGB 96 96 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 97 174 shade matches the following richer shades: RGB 125 96 173, RGB 120 77 192, RGB 116 58 212, RGB 111 38 231 and RGB 106 19 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 97 174 shade: RGB 125 96 173, RGB 130 116 154, RGB 135 135 134, RGB 140 154 115 and RGB 144 174 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 97 174 shade: RGB 96 109 173, RGB 104 96 173, RGB 124 96 173, RGB 145 96 173 and RGB 165 96 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 97 174 shade: RGB 86 63 123, RGB 105 77 151, RGB 125 96 173, RGB 147 124 187 and RGB 170 151 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 97 174 shade: RGB 126 97 174, RGB 173 96 130 and RGB 99 173 96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 97 174 shade: RGB 126 97 174, RGB 173 124 96 and RGB 96 173 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 97 174 shade: RGB 126 97 174, RGB 173 96 130, RGB 145 173 96 and RGB 96 173 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 97 174 shade: RGB 126 97 174, RGB 173 96 107, RGB 145 173 96 and RGB 96 173 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

Complementary color

CMYK 18 / 0 / 49 / 38

HEX #819E51

RGB 129 158 81

HSL 82.6, 0.32%, 0.47%

LAB 61.41, -23.14, 36.73

 

CMYK 22 / 43 / 0 / 34

HEX #8361A9

RGB 131 97 169

HSL 268.33, 0.3%, 0.52%

LAB 47.29, 28.5, -33.61

 

CMYK 21 / 39 / 0 / 26

HEX #9473BC

RGB 148 115 188

HSL 267.12, 0.35%, 0.59%

LAB 54.23, 27.68, -33.65

 

CMYK 20 / 36 / 0 / 19

HEX #A585CF

RGB 165 133 207

HSL 265.95, 0.44%, 0.67%

LAB 61.03, 26.94, -33.7

 

CMYK 19 / 33 / 0 / 11

HEX #B697E2

RGB 182 151 226

HSL 264.8, 0.56%, 0.74%

LAB 67.7, 26.26, -33.78

 

CMYK 19 / 31 / 0 / 4

HEX #C7A9F5

RGB 199 169 245

HSL 263.68, 0.79%, 0.81%

LAB 74.26, 25.63, -33.88

 

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

CMYK 30 / 49 / 0 / 39

HEX #6D4F9B

RGB 109 79 155

HSL 263.68, 0.32%, 0.46%

LAB 39.93, 29.23, -37.07

 

CMYK 32 / 55 / 0 / 47

HEX #5C3D88

RGB 92 61 136

HSL 264.8, 0.38%, 0.39%

LAB 32.68, 30.29, -37.16

 

CMYK 36 / 63 / 0 / 54

HEX #4B2B75

RGB 75 43 117

HSL 265.95, 0.46%, 0.31%

LAB 25.28, 31.4, -37.21

 

CMYK 41 / 74 / 0 / 62

HEX #3A1962

RGB 58 25 98

HSL 267.12, 0.59%, 0.24%

LAB 17.81, 32.38, -37.07

 

CMYK 28 / 45 / 0 / 32

HEX #7D60AD

RGB 125 96 173

HSL 262.6, 0.32%, 0.53%

LAB 46.64, 28.32, -37.03

 

CMYK 16 / 45 / 0 / 32

HEX #9260AD

RGB 146 96 173

HSL 278.96, 0.32%, 0.53%

LAB 48.88, 34.53, -33.35

 

CMYK 3 / 45 / 0 / 32

HEX #A760AD

RGB 167 96 173

HSL 295.32, 0.32%, 0.53%

LAB 51.38, 40.92, -29.25

 

CMYK 0 / 45 / 8 / 32

HEX #AD609F

RGB 173 96 159

HSL 310.91, 0.32%, 0.53%

LAB 51.56, 40.2, -20.73

 

CMYK 0 / 45 / 20 / 32

HEX #AD608A

RGB 173 96 138

HSL 327.27, 0.32%, 0.53%

LAB 50.79, 36.72, -9.5

 

CMYK 28 / 45 / 0 / 32

HEX #7D60AD

RGB 125 96 173

HSL 262.6, 0.32%, 0.53%

LAB 46.64, 28.32, -37.03

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 45 / 45 / 0 / 32

HEX #6060AD

RGB 96 96 173

HSL 240, 0.32%, 0.53%

LAB 44.05, 20.39, -41.3

 

CMYK 28 / 45 / 0 / 32

HEX #7D60AD

RGB 125 96 173

HSL 262.6, 0.32%, 0.53%

LAB 46.64, 28.32, -37.03

 

CMYK 38 / 60 / 0 / 25

HEX #784DC0

RGB 120 77 192

HSL 262.43, 0.48%, 0.53%

LAB 42.92, 42.99, -54.08

 

CMYK 45 / 73 / 0 / 17

HEX #743AD4

RGB 116 58 212

HSL 262.6, 0.64%, 0.53%

LAB 40.4, 57.24, -69.79

 

CMYK 52 / 84 / 0 / 9

HEX #6F26E7

RGB 111 38 231

HSL 262.69, 0.8%, 0.53%

LAB 38.79, 69.32, -83.33

 

CMYK 58 / 92 / 0 / 2

HEX #6A13FB

RGB 106 19 251

HSL 262.5, 0.97%, 0.53%

LAB 38.72, 78.37, -94.77

 

CMYK 28 / 45 / 0 / 32

HEX #7D60AD

RGB 125 96 173

HSL 262.6, 0.32%, 0.53%

LAB 46.64, 28.32, -37.03

 

CMYK 16 / 25 / 0 / 40

HEX #82749A

RGB 130 116 154

HSL 262.11, 0.16%, 0.53%

LAB 51.35, 13.34, -18.53

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 9 / 0 / 25 / 40

HEX #8C9A73

RGB 140 154 115

HSL 81.54, 0.16%, 0.53%

LAB 61.59, -12.1, 18.86

 

CMYK 17 / 0 / 45 / 32

HEX #90AE5F

RGB 144 174 95

HSL 82.78, 0.33%, 0.53%

LAB 67.3, -23.59, 37.07

 

CMYK 45 / 37 / 0 / 32

HEX #606DAD

RGB 96 109 173

HSL 229.87, 0.32%, 0.53%

LAB 47.55, 12.34, -35.75

 

CMYK 40 / 45 / 0 / 32

HEX #6860AD

RGB 104 96 173

HSL 246.23, 0.32%, 0.53%

LAB 44.7, 22.47, -40.22

 

CMYK 28 / 45 / 0 / 32

HEX #7C60AD

RGB 124 96 173

HSL 261.82, 0.32%, 0.53%

LAB 46.54, 28.03, -37.19

 

CMYK 16 / 45 / 0 / 32

HEX #9160AD

RGB 145 96 173

HSL 278.18, 0.32%, 0.53%

LAB 48.76, 34.23, -33.53

 

CMYK 5 / 45 / 0 / 32

HEX #A560AD

RGB 165 96 173

HSL 293.77, 0.32%, 0.53%

LAB 51.13, 40.31, -29.66

 

CMYK 30 / 49 / 0 / 52

HEX #563F7B

RGB 86 63 123

HSL 263, 0.32%, 0.36%

LAB 31.72, 23.79, -30.64

 

CMYK 30 / 49 / 0 / 41

HEX #694D97

RGB 105 77 151

HSL 262.7, 0.32%, 0.45%

LAB 38.8, 28.25, -36.47

 

CMYK 28 / 45 / 0 / 32

HEX #7D60AD

RGB 125 96 173

HSL 262.6, 0.32%, 0.53%

LAB 46.64, 28.32, -37.03

 

CMYK 21 / 34 / 0 / 27

HEX #937CBB

RGB 147 124 187

HSL 261.9, 0.32%, 0.61%

LAB 56.29, 21.91, -29.86

 

CMYK 15 / 25 / 0 / 21

HEX #AA97C9

RGB 170 151 201

HSL 262.8, 0.32%, 0.69%

LAB 65.67, 16.93, -23.14

 

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

CMYK 0 / 45 / 25 / 32

HEX #AD6082

RGB 173 96 130

HSL 333.51, 0.32%, 0.53%

LAB 50.52, 35.51, -5.13

 

CMYK 43 / 0 / 45 / 32

HEX #63AD60

RGB 99 173 96

HSL 117.66, 0.32%, 0.53%

LAB 64.47, -38.93, 32.46

 

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

CMYK 0 / 28 / 45 / 32

HEX #AD7C60

RGB 173 124 96

HSL 21.82, 0.32%, 0.53%

LAB 56.23, 15.51, 22.81

 

CMYK 45 / 0 / 28 / 32

HEX #60AD7C

RGB 96 173 124

HSL 141.82, 0.32%, 0.53%

LAB 64.83, -34.99, 17.93

 

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

CMYK 0 / 45 / 25 / 32

HEX #AD6082

RGB 173 96 130

HSL 333.51, 0.32%, 0.53%

LAB 50.52, 35.51, -5.13

 

CMYK 16 / 0 / 45 / 32

HEX #91AD60

RGB 145 173 96

HSL 81.82, 0.32%, 0.53%

LAB 67.09, -22.58, 36.32

 

CMYK 45 / 0 / 19 / 32

HEX #60AD8C

RGB 96 173 140

HSL 154.29, 0.32%, 0.53%

LAB 65.17, -31.68, 9.62

 

CMYK 28 / 44 / 0 / 32

HEX #7E61AE

RGB 126 97 174

HSL 262.6, 0.32%, 0.53%

LAB 47.03, 28.27, -36.99

 

CMYK 0 / 45 / 38 / 32

HEX #AD606B

RGB 173 96 107

HSL 351.43, 0.32%, 0.53%

LAB 49.87, 32.41, 7.65

 

CMYK 16 / 0 / 45 / 32

HEX #91AD60

RGB 145 173 96

HSL 81.82, 0.32%, 0.53%

LAB 67.09, -22.58, 36.32

 

CMYK 45 / 0 / 6 / 32

HEX #60ADA3

RGB 96 173 163

HSL 172.21, 0.32%, 0.53%

LAB 65.76, -26.28, -2.29

 

Description

Color code: RGB 126 97 174 | qconv.com Color code: RGB 126 97 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 97 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 97 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 44 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 44% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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