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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 97 152 it is the complementary color RGB 129 158 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 97 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 97 152 shade: RGB 131 97 147, RGB 148 115 166, RGB 165 133 185, RGB 182 151 204 and RGB 199 169 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 97 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 109 79 133, RGB 92 61 114, RGB 75 43 95 and RGB 58 25 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 141 97 152, RGB 152 97 148, RGB 152 97 133 and RGB 152 97 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 111 97 152 and RGB 97 97 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 97 152 shade matches the following richer shades: RGB 126 97 152, RGB 127 77 172, RGB 128 57 192, RGB 129 36 213 and RGB 130 16 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 125 117 132, RGB 124 137 112, RGB 123 158 91 and RGB 122 178 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 97 152 shade: RGB 97 98 152, RGB 111 97 152, RGB 125 97 152, RGB 140 97 152 and RGB 152 97 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 97 152 shade: RGB 84 65 102, RGB 105 81 127, RGB 126 97 152, RGB 146 121 169 and RGB 167 146 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 152 97 113 and RGB 97 152 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 152 125 97 and RGB 97 152 125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 152 97 113, RGB 124 152 97 and RGB 97 152 136

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 97 152 shade: RGB 126 97 152, RGB 152 98 97, RGB 124 152 97 and RGB 97 151 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

Complementary color

CMYK 18 / 0 / 35 / 38

HEX #819E67

RGB 129 158 103

HSL 91.64, 0.22%, 0.51%

LAB 61.74, -20.26, 25.52

 

CMYK 11 / 34 / 0 / 42

HEX #836193

RGB 131 97 147

HSL 280.8, 0.2%, 0.48%

LAB 46.29, 23.37, -22.16

 

CMYK 11 / 31 / 0 / 35

HEX #9473A6

RGB 148 115 166

HSL 278.82, 0.22%, 0.55%

LAB 53.29, 22.67, -22.4

 

CMYK 11 / 28 / 0 / 27

HEX #A585B9

RGB 165 133 185

HSL 276.92, 0.27%, 0.62%

LAB 60.14, 22.03, -22.65

 

CMYK 11 / 26 / 0 / 20

HEX #B697CC

RGB 182 151 204

HSL 275.09, 0.34%, 0.7%

LAB 66.85, 21.45, -22.91

 

CMYK 11 / 24 / 0 / 13

HEX #C7A9DF

RGB 199 169 223

HSL 273.33, 0.46%, 0.77%

LAB 73.45, 20.92, -23.17

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 18 / 41 / 0 / 48

HEX #6D4F85

RGB 109 79 133

HSL 273.33, 0.25%, 0.42%

LAB 38.79, 23.66, -25.54

 

CMYK 19 / 46 / 0 / 55

HEX #5C3D72

RGB 92 61 114

HSL 275.09, 0.3%, 0.34%

LAB 31.41, 24.54, -25.43

 

CMYK 21 / 55 / 0 / 63

HEX #4B2B5F

RGB 75 43 95

HSL 276.92, 0.38%, 0.27%

LAB 23.84, 25.5, -25.31

 

CMYK 24 / 67 / 0 / 70

HEX #3A194C

RGB 58 25 76

HSL 278.82, 0.5%, 0.2%

LAB 16.09, 26.39, -25.05

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 7 / 36 / 0 / 40

HEX #8D6198

RGB 141 97 152

HSL 288, 0.22%, 0.49%

LAB 47.6, 27.79, -23.02

 

CMYK 0 / 36 / 3 / 40

HEX #986194

RGB 152 97 148

HSL 304.36, 0.22%, 0.49%

LAB 48.71, 30.68, -18.82

 

CMYK 0 / 36 / 13 / 40

HEX #986185

RGB 152 97 133

HSL 320.73, 0.22%, 0.49%

LAB 48.16, 27.91, -10.74

 

CMYK 0 / 36 / 22 / 40

HEX #986177

RGB 152 97 119

HSL 336, 0.22%, 0.49%

LAB 47.7, 25.56, -3.04

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 27 / 36 / 0 / 40

HEX #6F6198

RGB 111 97 152

HSL 255.27, 0.22%, 0.49%

LAB 44.51, 18.08, -28.05

 

CMYK 36 / 36 / 0 / 40

HEX #616198

RGB 97 97 152

HSL 240, 0.22%, 0.49%

LAB 43.3, 13.84, -30.04

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 26 / 55 / 0 / 33

HEX #7F4DAC

RGB 127 77 172

HSL 271.58, 0.38%, 0.49%

LAB 42.46, 39.62, -43.05

 

CMYK 33 / 70 / 0 / 25

HEX #8039C0

RGB 128 57 192

HSL 271.56, 0.54%, 0.49%

LAB 40.12, 54.92, -58.58

 

CMYK 39 / 83 / 0 / 16

HEX #8124D5

RGB 129 36 213

HSL 271.53, 0.71%, 0.49%

LAB 39.13, 67.95, -72.38

 

CMYK 44 / 93 / 0 / 9

HEX #8210E9

RGB 130 16 233

HSL 271.52, 0.87%, 0.49%

LAB 39.58, 76.9, -83.08

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 5 / 11 / 0 / 48

HEX #7D7584

RGB 125 117 132

HSL 272, 0.06%, 0.49%

LAB 50.39, 6.1, -7.09

 

CMYK 9 / 0 / 18 / 46

HEX #7C8970

RGB 124 137 112

HSL 91.2, 0.1%, 0.49%

LAB 55.43, -9.58, 11.84

 

CMYK 22 / 0 / 42 / 38

HEX #7B9E5B

RGB 123 158 91

HSL 91.34, 0.27%, 0.49%

LAB 61.15, -24.24, 31.12

 

CMYK 31 / 0 / 60 / 30

HEX #7AB247

RGB 122 178 71

HSL 91.4, 0.43%, 0.49%

LAB 66.85, -36.39, 47.84

 

CMYK 36 / 36 / 0 / 40

HEX #616298

RGB 97 98 152

HSL 238.91, 0.22%, 0.49%

LAB 43.57, 13.22, -29.61

 

CMYK 27 / 36 / 0 / 40

HEX #6F6198

RGB 111 97 152

HSL 255.27, 0.22%, 0.49%

LAB 44.51, 18.08, -28.05

 

CMYK 18 / 36 / 0 / 40

HEX #7D6198

RGB 125 97 152

HSL 270.55, 0.22%, 0.49%

LAB 45.87, 22.54, -25.83

 

CMYK 8 / 36 / 0 / 40

HEX #8C6198

RGB 140 97 152

HSL 286.91, 0.22%, 0.49%

LAB 47.48, 27.46, -23.2

 

CMYK 0 / 36 / 2 / 40

HEX #986195

RGB 152 97 149

HSL 303.27, 0.22%, 0.49%

LAB 48.75, 30.87, -19.36

 

CMYK 18 / 36 / 0 / 60

HEX #544166

RGB 84 65 102

HSL 270.81, 0.22%, 0.33%

LAB 30.94, 16.3, -18.63

 

CMYK 17 / 36 / 0 / 50

HEX #69517F

RGB 105 81 127

HSL 271.3, 0.22%, 0.41%

LAB 38.59, 19.65, -22.21

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 14 / 28 / 0 / 34

HEX #9279A9

RGB 146 121 169

HSL 271.25, 0.22%, 0.57%

LAB 54.71, 19.18, -21.97

 

CMYK 10 / 21 / 0 / 27

HEX #A792B9

RGB 167 146 185

HSL 272.31, 0.22%, 0.65%

LAB 63.57, 15.31, -17.4

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 0 / 36 / 26 / 40

HEX #986171

RGB 152 97 113

HSL 342.55, 0.22%, 0.49%

LAB 47.52, 24.62, 0.3

 

CMYK 36 / 0 / 32 / 40

HEX #619867

RGB 97 152 103

HSL 126.55, 0.22%, 0.49%

LAB 58.02, -28.71, 20.2

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 0 / 18 / 36 / 40

HEX #987D61

RGB 152 125 97

HSL 30.55, 0.22%, 0.49%

LAB 54.24, 6.25, 19.18

 

CMYK 36 / 0 / 18 / 40

HEX #61987D

RGB 97 152 125

HSL 150.55, 0.22%, 0.49%

LAB 58.49, -24.37, 8.52

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 0 / 36 / 26 / 40

HEX #986171

RGB 152 97 113

HSL 342.55, 0.22%, 0.49%

LAB 47.52, 24.62, 0.3

 

CMYK 18 / 0 / 36 / 40

HEX #7C9861

RGB 124 152 97

HSL 90.55, 0.22%, 0.49%

LAB 59.53, -19.98, 25.81

 

CMYK 36 / 0 / 11 / 40

HEX #619888

RGB 97 152 136

HSL 162.55, 0.22%, 0.49%

LAB 58.77, -21.92, 2.68

 

CMYK 17 / 36 / 0 / 40

HEX #7E6198

RGB 126 97 152

HSL 271.64, 0.22%, 0.49%

LAB 45.98, 22.86, -25.66

 

CMYK 0 / 36 / 36 / 40

HEX #986261

RGB 152 98 97

HSL 1.09, 0.22%, 0.49%

LAB 47.33, 21.78, 9.65

 

CMYK 18 / 0 / 36 / 40

HEX #7C9861

RGB 124 152 97

HSL 90.55, 0.22%, 0.49%

LAB 59.53, -19.98, 25.81

 

CMYK 36 / 1 / 0 / 40

HEX #619798

RGB 97 151 152

HSL 181.09, 0.22%, 0.49%

LAB 58.92, -17.51, -6.2

 

Description

Color code: RGB 126 97 152 | qconv.com Color code: RGB 126 97 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 97 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 97 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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