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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 79 129 it is the complementary color RGB 129 176 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 79 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 79 129 shade: RGB 131 79 124, RGB 148 97 143, RGB 165 115 162, RGB 182 133 181 and RGB 199 151 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 79 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 109 61 110, RGB 92 43 91, RGB 75 25 72 and RGB 58 7 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 129 79 119, RGB 129 79 105, RGB 129 79 92 and RGB 129 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 113 79 129, RGB 99 79 129, RGB 86 79 129 and RGB 79 79 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 79 129 shade matches the following richer shades: RGB 126 79 129, RGB 141 62 146, RGB 156 45 163, RGB 171 28 180 and RGB 186 11 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 111 96 112, RGB 96 113 95, RGB 81 130 78 and RGB 67 147 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 79 129 shade: RGB 99 79 129, RGB 112 79 129, RGB 126 79 129, RGB 129 79 119 and RGB 129 79 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 79 129 shade: RGB 76 48 78, RGB 101 63 104, RGB 126 79 129, RGB 151 95 155 and RGB 168 119 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 129 86 79 and RGB 79 129 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 129 126 79 and RGB 79 129 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 129 86 79, RGB 82 129 79 and RGB 79 122 129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 79 129 shade: RGB 126 79 129, RGB 129 101 79, RGB 82 129 79 and RGB 79 107 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

Complementary color

CMYK 27 / 0 / 28 / 31

HEX #81B07E

RGB 129 176 126

HSL 116.4, 0.24%, 0.59%

LAB 67.44, -25.62, 20.7

 

CMYK 0 / 40 / 5 / 49

HEX #834F7C

RGB 131 79 124

HSL 308.08, 0.25%, 0.41%

LAB 41.01, 29.14, -16.38

 

CMYK 0 / 34 / 3 / 42

HEX #94618F

RGB 148 97 143

HSL 305.88, 0.21%, 0.48%

LAB 48.04, 28.35, -16.92

 

CMYK 0 / 30 / 2 / 35

HEX #A573A2

RGB 165 115 162

HSL 303.6, 0.22%, 0.55%

LAB 54.94, 27.6, -17.4

 

CMYK 0 / 27 / 1 / 29

HEX #B685B5

RGB 182 133 181

HSL 301.22, 0.25%, 0.62%

LAB 61.7, 26.9, -17.84

 

CMYK 0 / 25 / 0 / 22

HEX #C797C8

RGB 199 151 200

HSL 298.78, 0.31%, 0.69%

LAB 68.35, 26.26, -18.26

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 1 / 45 / 0 / 57

HEX #6D3D6E

RGB 109 61 110

HSL 298.78, 0.29%, 0.34%

LAB 33.38, 29.25, -19.67

 

CMYK 0 / 53 / 1 / 64

HEX #5C2B5B

RGB 92 43 91

HSL 301.22, 0.36%, 0.26%

LAB 26.04, 30.04, -19.06

 

CMYK 0 / 67 / 4 / 71

HEX #4B1948

RGB 75 25 72

HSL 303.6, 0.5%, 0.2%

LAB 18.62, 30.55, -18.11

 

CMYK 0 / 88 / 9 / 77

HEX #3A0735

RGB 58 7 53

HSL 305.88, 0.78%, 0.13%

LAB 11.34, 30.15, -16.41

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 39 / 8 / 49

HEX #814F77

RGB 129 79 119

HSL 312, 0.24%, 0.41%

LAB 40.56, 27.49, -14.03

 

CMYK 0 / 39 / 19 / 49

HEX #814F69

RGB 129 79 105

HSL 328.8, 0.24%, 0.41%

LAB 40.05, 24.96, -6.16

 

CMYK 0 / 39 / 29 / 49

HEX #814F5C

RGB 129 79 92

HSL 344.4, 0.24%, 0.41%

LAB 39.63, 22.87, 1.3

 

CMYK 0 / 39 / 39 / 49

HEX #814F4F

RGB 129 79 79

HSL 0, 0.24%, 0.41%

LAB 39.28, 21.04, 8.88

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 12 / 39 / 0 / 49

HEX #714F81

RGB 113 79 129

HSL 280.8, 0.24%, 0.41%

LAB 39.05, 24.04, -22.65

 

CMYK 23 / 39 / 0 / 49

HEX #634F81

RGB 99 79 129

HSL 264, 0.24%, 0.41%

LAB 37.53, 19.41, -25.13

 

CMYK 33 / 39 / 0 / 49

HEX #564F81

RGB 86 79 129

HSL 248.4, 0.24%, 0.41%

LAB 36.28, 15.29, -27.18

 

CMYK 39 / 39 / 0 / 49

HEX #4F4F81

RGB 79 79 129

HSL 240, 0.24%, 0.41%

LAB 35.67, 13.18, -28.18

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 3 / 58 / 0 / 43

HEX #8D3E92

RGB 141 62 146

HSL 296.43, 0.4%, 0.41%

LAB 39.89, 45.68, -31.44

 

CMYK 4 / 72 / 0 / 36

HEX #9C2DA3

RGB 156 45 163

HSL 296.44, 0.57%, 0.41%

LAB 40.56, 59.74, -40.49

 

CMYK 5 / 84 / 0 / 29

HEX #AB1CB4

RGB 171 28 180

HSL 296.45, 0.73%, 0.41%

LAB 42.44, 70.38, -47.45

 

CMYK 6 / 94 / 0 / 23

HEX #BA0BC5

RGB 186 11 197

HSL 296.45, 0.89%, 0.41%

LAB 45.23, 78.18, -52.79

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 1 / 14 / 0 / 56

HEX #6F6070

RGB 111 96 112

HSL 296.25, 0.08%, 0.41%

LAB 42.64, 9.19, -6.81

 

CMYK 15 / 0 / 16 / 56

HEX #60715F

RGB 96 113 95

HSL 116.67, 0.09%, 0.41%

LAB 45.8, -10.14, 7.89

 

CMYK 38 / 0 / 40 / 49

HEX #51824E

RGB 81 130 78

HSL 116.54, 0.25%, 0.41%

LAB 49.82, -27.73, 23.06

 

CMYK 54 / 0 / 59 / 42

HEX #43933D

RGB 67 147 61

HSL 115.81, 0.41%, 0.41%

LAB 54.45, -42.19, 37.62

 

CMYK 23 / 39 / 0 / 49

HEX #634F81

RGB 99 79 129

HSL 264, 0.24%, 0.41%

LAB 37.53, 19.41, -25.13

 

CMYK 13 / 39 / 0 / 49

HEX #704F81

RGB 112 79 129

HSL 279.6, 0.24%, 0.41%

LAB 38.94, 23.7, -22.84

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 39 / 8 / 49

HEX #814F77

RGB 129 79 119

HSL 312, 0.24%, 0.41%

LAB 40.56, 27.49, -14.03

 

CMYK 0 / 39 / 18 / 49

HEX #814F6A

RGB 129 79 106

HSL 327.6, 0.24%, 0.41%

LAB 40.08, 25.14, -6.73

 

CMYK 3 / 38 / 0 / 69

HEX #4C304E

RGB 76 48 78

HSL 296, 0.24%, 0.25%

LAB 24.32, 18.56, -13.3

 

CMYK 3 / 39 / 0 / 59

HEX #653F68

RGB 101 63 104

HSL 295.61, 0.25%, 0.33%

LAB 32.53, 24.03, -17.28

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 3 / 39 / 0 / 39

HEX #975F9B

RGB 151 95 155

HSL 296, 0.24%, 0.49%

LAB 48.42, 32.85, -23.43

 

CMYK 2 / 31 / 0 / 33

HEX #A877AC

RGB 168 119 172

HSL 295.47, 0.24%, 0.57%

LAB 56.58, 28.3, -20.64

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 33 / 39 / 49

HEX #81564F

RGB 129 86 79

HSL 8.4, 0.24%, 0.41%

LAB 41.04, 16.9, 11.33

 

CMYK 39 / 0 / 18 / 49

HEX #4F816A

RGB 79 129 106

HSL 152.4, 0.24%, 0.41%

LAB 49.98, -22.4, 7.2

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 2 / 39 / 49

HEX #817E4F

RGB 129 126 79

HSL 56.4, 0.24%, 0.41%

LAB 52.01, -6.41, 26.01

 

CMYK 39 / 0 / 2 / 49

HEX #4F817E

RGB 79 129 126

HSL 176.4, 0.24%, 0.41%

LAB 50.53, -17.54, -3.7

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 33 / 39 / 49

HEX #81564F

RGB 129 86 79

HSL 8.4, 0.24%, 0.41%

LAB 41.04, 16.9, 11.33

 

CMYK 36 / 0 / 39 / 49

HEX #52814F

RGB 82 129 79

HSL 116.4, 0.24%, 0.41%

LAB 49.57, -26.72, 22.18

 

CMYK 39 / 5 / 0 / 49

HEX #4F7A81

RGB 79 122 129

HSL 188.4, 0.24%, 0.41%

LAB 48.47, -12.91, -8.54

 

CMYK 2 / 39 / 0 / 49

HEX #7E4F81

RGB 126 79 129

HSL 296.4, 0.24%, 0.41%

LAB 40.59, 28.42, -20.14

 

CMYK 0 / 22 / 39 / 49

HEX #81654F

RGB 129 101 79

HSL 26.4, 0.24%, 0.41%

LAB 45, 7.99, 16.75

 

CMYK 36 / 0 / 39 / 49

HEX #52814F

RGB 82 129 79

HSL 116.4, 0.24%, 0.41%

LAB 49.57, -26.72, 22.18

 

CMYK 39 / 17 / 0 / 49

HEX #4F6B81

RGB 79 107 129

HSL 206.4, 0.24%, 0.41%

LAB 43.89, -4.26, -15.45

 

Description

Color code: RGB 126 79 129 | qconv.com Color code: RGB 126 79 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 79 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 79 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 39 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 39% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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