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Color name
RGB 126 42 221

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 42 221 it is the complementary color RGB 129 213 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 42 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 42 221 shade: RGB 131 42 216, RGB 148 60 235, RGB 165 78 254, RGB 182 96 255 and RGB 199 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 42 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 42 221 shade: RGB 126 42 221, RGB 109 24 202, RGB 92 6 183, RGB 75 0 164 and RGB 58 0 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 42 221 shade: RGB 127 44 220, RGB 174 44 220, RGB 220 44 219, RGB 220 44 171 and RGB 220 44 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 42 221 shade: RGB 127 44 220, RGB 79 44 220 and RGB 44 44 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 42 221 shade matches the following richer shades: RGB 127 44 220 and RGB 125 24 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 42 221 shade: RGB 127 44 220, RGB 128 64 200, RGB 129 84 181, RGB 130 103 161 and RGB 132 123 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 42 221 shade: RGB 44 56 220, RGB 79 44 220, RGB 126 44 220, RGB 173 44 220 and RGB 220 44 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 42 221 shade: RGB 87 25 157, RGB 107 31 192, RGB 127 44 220, RGB 148 79 226 and RGB 170 115 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 42 221 shade: RGB 126 42 221, RGB 220 44 103 and RGB 44 220 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 42 221 shade: RGB 126 42 221, RGB 220 126 44 and RGB 44 220 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 42 221 shade: RGB 126 42 221, RGB 220 44 103, RGB 138 220 44 and RGB 44 220 161

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 42 221 shade: RGB 126 42 221, RGB 220 44 50, RGB 138 220 44 and RGB 44 220 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

Complementary color

CMYK 39 / 0 / 84 / 16

HEX #81D522

RGB 129 213 34

HSL 88.16, 0.72%, 0.48%

LAB 77.5, -51.12, 71.35

 

CMYK 39 / 81 / 0 / 15

HEX #832AD8

RGB 131 42 216

HSL 270.69, 0.69%, 0.51%

LAB 40.31, 66.96, -72.16

 

CMYK 37 / 74 / 0 / 8

HEX #943CEB

RGB 148 60 235

HSL 270.17, 0.81%, 0.58%

LAB 46.35, 67.19, -73.03

 

CMYK 35 / 69 / 0 / 0

HEX #A54EFE

RGB 165 78 254

HSL 269.66, 0.99%, 0.65%

LAB 52.51, 66.89, -73.54

 

CMYK 29 / 62 / 0 / 0

HEX #B660FF

RGB 182 96 255

HSL 272.45, 1%, 0.69%

LAB 57.59, 62.2, -65.79

 

CMYK 22 / 55 / 0 / 0

HEX #C772FF

RGB 199 114 255

HSL 276.17, 1%, 0.72%

LAB 62.84, 57.29, -57.27

 

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

CMYK 46 / 88 / 0 / 21

HEX #6D18CA

RGB 109 24 202

HSL 268.65, 0.79%, 0.44%

LAB 34.33, 66.38, -73.98

 

CMYK 50 / 97 / 0 / 28

HEX #5C06B7

RGB 92 6 183

HSL 269.15, 0.94%, 0.37%

LAB 28.97, 63.97, -71.71

 

CMYK 54 / 100 / 0 / 36

HEX #4B00A4

RGB 75 0 164

HSL 267.44, 1%, 0.32%

LAB 24.25, 59.4, -68.16

 

CMYK 60 / 100 / 0 / 43

HEX #3A0091

RGB 58 0 145

HSL 264, 1%, 0.28%

LAB 19.82, 53.75, -63.89

 

CMYK 42 / 80 / 0 / 14

HEX #7F2CDC

RGB 127 44 220

HSL 268.3, 0.72%, 0.52%

LAB 40.38, 66.62, -74.36

 

CMYK 21 / 80 / 0 / 14

HEX #AE2CDC

RGB 174 44 220

HSL 284.32, 0.72%, 0.52%

LAB 46.93, 73.93, -63.4

 

CMYK 0 / 80 / 0 / 14

HEX #DC2CDB

RGB 220 44 219

HSL 300.34, 0.72%, 0.52%

LAB 54.17, 82, -50.82

 

CMYK 0 / 80 / 22 / 14

HEX #DC2CAB

RGB 220 44 171

HSL 316.7, 0.72%, 0.52%

LAB 51.79, 75.39, -26.83

 

CMYK 0 / 80 / 44 / 14

HEX #DC2C7C

RGB 220 44 124

HSL 332.73, 0.72%, 0.52%

LAB 50.06, 70.37, -1.35

 

CMYK 42 / 80 / 0 / 14

HEX #7F2CDC

RGB 127 44 220

HSL 268.3, 0.72%, 0.52%

LAB 40.38, 66.62, -74.36

 

CMYK 64 / 80 / 0 / 14

HEX #4F2CDC

RGB 79 44 220

HSL 251.93, 0.72%, 0.52%

LAB 35.26, 60.99, -82.97

 

CMYK 80 / 80 / 0 / 14

HEX #2C2CDC

RGB 44 44 220

HSL 240, 0.72%, 0.52%

LAB 32.93, 58.45, -86.91

 

CMYK 42 / 80 / 0 / 14

HEX #7F2CDC

RGB 127 44 220

HSL 268.3, 0.72%, 0.52%

LAB 40.38, 66.62, -74.36

 

CMYK 48 / 90 / 0 / 6

HEX #7D18F0

RGB 125 24 240

HSL 268.06, 0.88%, 0.52%

LAB 40.09, 76.5, -86.23

 

CMYK 42 / 80 / 0 / 14

HEX #7F2CDC

RGB 127 44 220

HSL 268.3, 0.72%, 0.52%

LAB 40.38, 66.62, -74.36

 

CMYK 36 / 68 / 0 / 22

HEX #8040C8

RGB 128 64 200

HSL 268.24, 0.55%, 0.52%

LAB 41.89, 53.53, -60.37

 

CMYK 29 / 54 / 0 / 29

HEX #8154B5

RGB 129 84 181

HSL 267.84, 0.4%, 0.52%

LAB 44.72, 38.43, -44.72

 

CMYK 19 / 36 / 0 / 37

HEX #8267A1

RGB 130 103 161

HSL 267.93, 0.24%, 0.52%

LAB 48.28, 22.71, -27.36

 

CMYK 6 / 13 / 0 / 45

HEX #847B8D

RGB 132 123 141

HSL 270, 0.07%, 0.52%

LAB 52.94, 7.04, -8.5

 

CMYK 80 / 75 / 0 / 14

HEX #2C38DC

RGB 44 56 220

HSL 235.91, 0.72%, 0.52%

LAB 35.07, 52.3, -83.37

 

CMYK 64 / 80 / 0 / 14

HEX #4F2CDC

RGB 79 44 220

HSL 251.93, 0.72%, 0.52%

LAB 35.26, 60.99, -82.97

 

CMYK 43 / 80 / 0 / 14

HEX #7E2CDC

RGB 126 44 220

HSL 267.95, 0.72%, 0.52%

LAB 40.25, 66.48, -74.58

 

CMYK 21 / 80 / 0 / 14

HEX #AD2CDC

RGB 173 44 220

HSL 283.98, 0.72%, 0.52%

LAB 46.78, 73.76, -63.66

 

CMYK 0 / 80 / 0 / 14

HEX #DC2CDC

RGB 220 44 220

HSL 300, 0.72%, 0.52%

LAB 54.22, 82.15, -51.3

 

CMYK 45 / 84 / 0 / 38

HEX #57199D

RGB 87 25 157

HSL 268.18, 0.73%, 0.36%

LAB 27.17, 52.78, -59.01

 

CMYK 44 / 84 / 0 / 25

HEX #6B1FC0

RGB 107 31 192

HSL 268.32, 0.72%, 0.44%

LAB 33.8, 61.82, -69

 

CMYK 42 / 80 / 0 / 14

HEX #7F2CDC

RGB 127 44 220

HSL 268.3, 0.72%, 0.52%

LAB 40.38, 66.62, -74.36

 

CMYK 35 / 65 / 0 / 11

HEX #944FE2

RGB 148 79 226

HSL 268.16, 0.72%, 0.6%

LAB 48.73, 56.56, -64.07

 

CMYK 27 / 50 / 0 / 9

HEX #AA73E8

RGB 170 115 232

HSL 268.21, 0.72%, 0.68%

LAB 58.63, 44.28, -51.43

 

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

CMYK 0 / 80 / 53 / 14

HEX #DC2C67

RGB 220 44 103

HSL 339.89, 0.72%, 0.52%

LAB 49.49, 68.65, 10.61

 

CMYK 80 / 0 / 75 / 14

HEX #2CDC38

RGB 44 220 56

HSL 124.09, 0.72%, 0.52%

LAB 77.29, -72.01, 64.05

 

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

CMYK 0 / 43 / 80 / 14

HEX #DC7E2C

RGB 220 126 44

HSL 27.95, 0.72%, 0.52%

LAB 61.93, 30.59, 57.16

 

CMYK 80 / 0 / 43 / 14

HEX #2CDC7E

RGB 44 220 126

HSL 147.95, 0.72%, 0.52%

LAB 78.01, -63.28, 34.28

 

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

CMYK 0 / 80 / 53 / 14

HEX #DC2C67

RGB 220 44 103

HSL 339.89, 0.72%, 0.52%

LAB 49.49, 68.65, 10.61

 

CMYK 37 / 0 / 80 / 14

HEX #8ADC2C

RGB 138 220 44

HSL 87.95, 0.72%, 0.52%

LAB 80.05, -50.49, 71.3

 

CMYK 80 / 0 / 27 / 14

HEX #2CDCA1

RGB 44 220 161

HSL 159.89, 0.72%, 0.52%

LAB 78.63, -56.25, 17.05

 

CMYK 43 / 81 / 0 / 13

HEX #7E2ADD

RGB 126 42 221

HSL 268.16, 0.72%, 0.52%

LAB 40.1, 67.41, -75.4

 

CMYK 0 / 80 / 77 / 14

HEX #DC2C32

RGB 220 44 50

HSL 357.95, 0.72%, 0.52%

LAB 48.57, 65.82, 41.1

 

CMYK 37 / 0 / 80 / 14

HEX #8ADC2C

RGB 138 220 44

HSL 87.95, 0.72%, 0.52%

LAB 80.05, -50.49, 71.3

 

CMYK 80 / 0 / 3 / 14

HEX #2CDCD6

RGB 44 220 214

HSL 177.95, 0.72%, 0.52%

LAB 79.94, -42.73, -9.23

 

Description

Color code: RGB 126 42 221 | qconv.com Color code: RGB 126 42 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 42 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 42 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 81% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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