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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 225 196 it is the complementary color RGB 129 30 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 225 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 225 196 shade: RGB 131 225 191, RGB 148 243 210, RGB 165 255 229, RGB 182 255 248 and RGB 199 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 225 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 225 196 shade: RGB 126 225 196, RGB 109 207 177, RGB 92 189 158, RGB 75 171 139 and RGB 58 153 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 225 196 shade: RGB 126 224 196, RGB 126 224 169, RGB 126 224 143, RGB 136 224 126 and RGB 163 224 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 225 196 shade: RGB 126 224 196, RGB 126 224 222, RGB 126 200 224, RGB 126 174 224 and RGB 126 147 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 225 196 shade matches the following richer shades: RGB 126 224 196, RGB 114 237 201 and RGB 101 250 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 225 196 shade: RGB 126 224 196, RGB 139 212 190, RGB 152 199 185, RGB 165 186 180 and RGB 178 173 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 225 196 shade: RGB 126 224 143, RGB 126 224 169, RGB 126 224 195, RGB 126 224 221 and RGB 126 202 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 225 196 shade: RGB 60 209 165, RGB 93 217 180, RGB 126 224 196, RGB 160 232 211 and RGB 193 240 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 225 196 shade: RGB 126 225 196, RGB 126 136 224 and RGB 224 156 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 225 196 shade: RGB 126 225 196, RGB 195 126 224 and RGB 224 195 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 225 196 shade: RGB 126 225 196, RGB 126 136 224, RGB 224 126 156 and RGB 224 215 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 225 196 shade: RGB 126 225 196, RGB 146 126 224, RGB 224 126 156 and RGB 205 224 126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

Complementary color

CMYK 0 / 77 / 54 / 49

HEX #811E3B

RGB 129 30 59

HSL 342.42, 0.62%, 0.31%

LAB 29.19, 43.66, 7.58

 

CMYK 42 / 0 / 15 / 12

HEX #83E1BF

RGB 131 225 191

HSL 158.3, 0.61%, 0.7%

LAB 83.15, -35.67, 7.95

 

CMYK 39 / 0 / 14 / 5

HEX #94F3D2

RGB 148 243 210

HSL 159.16, 0.8%, 0.77%

LAB 89.42, -35.47, 7.1

 

CMYK 35 / 0 / 10 / 0

HEX #A5FFE5

RGB 165 255 229

HSL 162.67, 1%, 0.82%

LAB 93.96, -32.5, 3.91

 

CMYK 29 / 0 / 3 / 0

HEX #B6FFF8

RGB 182 255 248

HSL 174.25, 1%, 0.86%

LAB 95.26, -23.8, -3.89

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

CMYK 47 / 0 / 14 / 19

HEX #6DCFB1

RGB 109 207 177

HSL 161.63, 0.51%, 0.62%

LAB 76.71, -36, 6.04

 

CMYK 51 / 0 / 16 / 26

HEX #5CBD9E

RGB 92 189 158

HSL 160.82, 0.42%, 0.55%

LAB 70.27, -36.1, 6.99

 

CMYK 56 / 0 / 19 / 33

HEX #4BAB8B

RGB 75 171 139

HSL 160, 0.39%, 0.48%

LAB 63.74, -36.14, 8.03

 

CMYK 62 / 0 / 22 / 40

HEX #3A9978

RGB 58 153 120

HSL 159.16, 0.45%, 0.41%

LAB 57.11, -36.07, 9.18

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C4

RGB 126 224 196

HSL 162.86, 0.61%, 0.69%

LAB 82.77, -35.39, 4.74

 

CMYK 44 / 0 / 25 / 12

HEX #7EE0A9

RGB 126 224 169

HSL 146.33, 0.61%, 0.69%

LAB 82.17, -41.04, 18.11

 

CMYK 44 / 0 / 36 / 12

HEX #7EE08F

RGB 126 224 143

HSL 130.41, 0.61%, 0.69%

LAB 81.69, -45.71, 30.91

 

CMYK 39 / 0 / 44 / 12

HEX #88E07E

RGB 136 224 126

HSL 113.88, 0.61%, 0.69%

LAB 81.87, -45.36, 39.77

 

CMYK 27 / 0 / 44 / 12

HEX #A3E07E

RGB 163 224 126

HSL 97.35, 0.61%, 0.69%

LAB 83.23, -36.52, 41.79

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C4

RGB 126 224 196

HSL 162.86, 0.61%, 0.69%

LAB 82.77, -35.39, 4.74

 

CMYK 44 / 0 / 1 / 12

HEX #7EE0DE

RGB 126 224 222

HSL 178.78, 0.61%, 0.69%

LAB 83.45, -29.28, -8.03

 

CMYK 44 / 11 / 0 / 12

HEX #7EC8E0

RGB 126 200 224

HSL 194.69, 0.61%, 0.69%

LAB 76.76, -16.83, -19.14

 

CMYK 44 / 22 / 0 / 12

HEX #7EAEE0

RGB 126 174 224

HSL 210.61, 0.61%, 0.69%

LAB 69.53, -2.96, -30.17

 

CMYK 44 / 34 / 0 / 12

HEX #7E93E0

RGB 126 147 224

HSL 227.14, 0.61%, 0.69%

LAB 62.24, 12.37, -41.52

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C4

RGB 126 224 196

HSL 162.86, 0.61%, 0.69%

LAB 82.77, -35.39, 4.74

 

CMYK 52 / 0 / 15 / 7

HEX #72EDC9

RGB 114 237 201

HSL 162.44, 0.77%, 0.69%

LAB 86.19, -42.94, 6.98

 

CMYK 60 / 0 / 18 / 2

HEX #65FACE

RGB 101 250 206

HSL 162.28, 0.94%, 0.69%

LAB 89.67, -49.99, 9.32

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C4

RGB 126 224 196

HSL 162.86, 0.61%, 0.69%

LAB 82.77, -35.39, 4.74

 

CMYK 34 / 0 / 10 / 17

HEX #8BD4BE

RGB 139 212 190

HSL 161.92, 0.46%, 0.69%

LAB 79.78, -27.57, 3.68

 

CMYK 24 / 0 / 7 / 22

HEX #98C7B9

RGB 152 199 185

HSL 162.13, 0.3%, 0.69%

LAB 76.69, -18.32, 1.97

 

CMYK 11 / 0 / 3 / 27

HEX #A5BAB4

RGB 165 186 180

HSL 162.86, 0.13%, 0.69%

LAB 73.81, -8.37, 0.59

 

CMYK 0 / 3 / 2 / 30

HEX #B2ADAF

RGB 178 173 175

HSL 336, 0.03%, 0.69%

LAB 71.18, 2.15, -0.4

 

CMYK 44 / 0 / 36 / 12

HEX #7EE08F

RGB 126 224 143

HSL 130.41, 0.61%, 0.69%

LAB 81.69, -45.71, 30.91

 

CMYK 44 / 0 / 25 / 12

HEX #7EE0A9

RGB 126 224 169

HSL 146.33, 0.61%, 0.69%

LAB 82.17, -41.04, 18.11

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C3

RGB 126 224 195

HSL 162.24, 0.61%, 0.69%

LAB 82.75, -35.62, 5.24

 

CMYK 44 / 0 / 1 / 12

HEX #7EE0DD

RGB 126 224 221

HSL 178.16, 0.61%, 0.69%

LAB 83.43, -29.53, -7.54

 

CMYK 44 / 10 / 0 / 12

HEX #7ECAE0

RGB 126 202 224

HSL 193.47, 0.61%, 0.69%

LAB 77.32, -17.85, -18.29

 

CMYK 71 / 0 / 21 / 18

HEX #3CD1A5

RGB 60 209 165

HSL 162.28, 0.62%, 0.53%

LAB 75.62, -49.08, 10.73

 

CMYK 57 / 0 / 17 / 15

HEX #5DD9B4

RGB 93 217 180

HSL 162.1, 0.62%, 0.61%

LAB 79.18, -43.34, 7.92

 

CMYK 44 / 0 / 13 / 12

HEX #7EE0C4

RGB 126 224 196

HSL 162.86, 0.61%, 0.69%

LAB 82.77, -35.39, 4.74

 

CMYK 31 / 0 / 9 / 9

HEX #A0E8D3

RGB 160 232 211

HSL 162.5, 0.61%, 0.77%

LAB 86.94, -26.78, 3.07

 

CMYK 20 / 0 / 6 / 6

HEX #C1F0E2

RGB 193 240 226

HSL 162.13, 0.61%, 0.85%

LAB 91.3, -17.78, 1.79

 

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

CMYK 44 / 39 / 0 / 12

HEX #7E88E0

RGB 126 136 224

HSL 233.88, 0.61%, 0.69%

LAB 59.37, 18.81, -46.05

 

CMYK 0 / 30 / 44 / 12

HEX #E09C7E

RGB 224 156 126

HSL 18.37, 0.61%, 0.69%

LAB 70.27, 21.84, 25.89

 

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

CMYK 13 / 44 / 0 / 12

HEX #C37EE0

RGB 195 126 224

HSL 282.24, 0.61%, 0.69%

LAB 63.26, 43.43, -39.49

 

CMYK 0 / 13 / 44 / 12

HEX #E0C37E

RGB 224 195 126

HSL 42.24, 0.61%, 0.69%

LAB 79.83, 1.1, 38.39

 

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

CMYK 44 / 39 / 0 / 12

HEX #7E88E0

RGB 126 136 224

HSL 233.88, 0.61%, 0.69%

LAB 59.37, 18.81, -46.05

 

CMYK 0 / 44 / 30 / 12

HEX #E07E9C

RGB 224 126 156

HSL 341.63, 0.61%, 0.69%

LAB 64.3, 41.27, 0.76

 

CMYK 0 / 4 / 44 / 12

HEX #E0D77E

RGB 224 215 126

HSL 54.49, 0.61%, 0.69%

LAB 84.97, -9.17, 44.87

 

CMYK 44 / 0 / 13 / 12

HEX #7EE1C4

RGB 126 225 196

HSL 162.42, 0.62%, 0.69%

LAB 83.06, -35.86, 5.16

 

CMYK 35 / 44 / 0 / 12

HEX #927EE0

RGB 146 126 224

HSL 252.24, 0.61%, 0.69%

LAB 58.43, 29.79, -47.43

 

CMYK 0 / 44 / 30 / 12

HEX #E07E9C

RGB 224 126 156

HSL 341.63, 0.61%, 0.69%

LAB 64.3, 41.27, 0.76

 

CMYK 8 / 0 / 44 / 12

HEX #CDE07E

RGB 205 224 126

HSL 71.63, 0.61%, 0.69%

LAB 85.9, -21.08, 45.71

 

Description

Color code: RGB 126 225 196 | qconv.com Color code: RGB 126 225 196 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 225 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 225 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 13 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 13% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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