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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 176 17 it is the complementary color RGB 129 79 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 176 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 176 17 shade: RGB 131 176 12, RGB 148 194 31, RGB 165 212 50, RGB 182 230 69 and RGB 199 248 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 176 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 109 158 0, RGB 92 140 0, RGB 75 122 0 and RGB 58 104 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 169 176 17, RGB 176 140 17, RGB 176 97 17 and RGB 176 54 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 83 176 17, RGB 40 176 17, RGB 17 176 37 and RGB 17 176 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 176 17 shade matches the following richer shades: RGB 126 176 17 and RGB 132 192 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 120 160 33, RGB 114 145 48, RGB 108 129 64 and RGB 103 113 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 176 17 shade: RGB 176 139 17, RGB 171 176 17, RGB 128 176 17, RGB 86 176 17 and RGB 43 176 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 176 17 shade: RGB 72 101 10, RGB 99 138 13, RGB 126 176 17, RGB 153 213 21 and RGB 173 233 42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 17 176 96 and RGB 160 17 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 17 128 176 and RGB 176 17 128

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 17 176 96, RGB 65 17 176 and RGB 176 17 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 176 17 shade: RGB 126 176 17, RGB 17 176 144, RGB 65 17 176 and RGB 176 17 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

Complementary color

CMYK 46 / 67 / 0 / 7

HEX #814FEE

RGB 129 79 238

HSL 258.87, 0.82%, 0.62%

LAB 47.54, 55.96, -72.88

 

CMYK 26 / 0 / 93 / 31

HEX #83B00C

RGB 131 176 12

HSL 76.46, 0.87%, 0.37%

LAB 66.45, -35.21, 66.2

 

CMYK 24 / 0 / 84 / 24

HEX #94C21F

RGB 148 194 31

HSL 76.93, 0.72%, 0.44%

LAB 72.88, -36.16, 68.42

 

CMYK 22 / 0 / 76 / 17

HEX #A5D432

RGB 165 212 50

HSL 77.41, 0.65%, 0.51%

LAB 79.22, -36.89, 69.35

 

CMYK 21 / 0 / 70 / 10

HEX #B6E645

RGB 182 230 69

HSL 77.89, 0.76%, 0.59%

LAB 85.49, -37.45, 69.46

 

CMYK 20 / 0 / 65 / 3

HEX #C7F858

RGB 199 248 88

HSL 78.38, 0.92%, 0.66%

LAB 91.68, -37.89, 69.06

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 31 / 0 / 100 / 38

HEX #6D9E00

RGB 109 158 0

HSL 78.61, 1%, 0.31%

LAB 59.62, -36.01, 61.9

 

CMYK 34 / 0 / 100 / 45

HEX #5C8C00

RGB 92 140 0

HSL 80.57, 1%, 0.27%

LAB 52.98, -34.6, 56.38

 

CMYK 39 / 0 / 100 / 52

HEX #4B7A00

RGB 75 122 0

HSL 83.11, 1%, 0.24%

LAB 46.2, -33.15, 50.73

 

CMYK 44 / 0 / 100 / 59

HEX #3A6800

RGB 58 104 0

HSL 86.54, 1%, 0.2%

LAB 39.24, -31.61, 44.95

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 4 / 0 / 90 / 31

HEX #A9B011

RGB 169 176 17

HSL 62.64, 0.82%, 0.38%

LAB 69.13, -19.15, 68.72

 

CMYK 0 / 20 / 90 / 31

HEX #B08C11

RGB 176 140 17

HSL 46.42, 0.82%, 0.38%

LAB 59.91, 3.02, 61.75

 

CMYK 0 / 45 / 90 / 31

HEX #B06111

RGB 176 97 17

HSL 30.19, 0.82%, 0.38%

LAB 49.28, 26.93, 53.54

 

CMYK 0 / 69 / 90 / 31

HEX #B03611

RGB 176 54 17

HSL 13.96, 0.82%, 0.38%

LAB 41.07, 48.01, 47.35

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 53 / 0 / 90 / 31

HEX #53B011

RGB 83 176 17

HSL 95.09, 0.82%, 0.38%

LAB 64.1, -51.93, 62.54

 

CMYK 77 / 0 / 90 / 31

HEX #28B011

RGB 40 176 17

HSL 111.32, 0.82%, 0.38%

LAB 62.96, -61.42, 61.11

 

CMYK 90 / 0 / 79 / 31

HEX #11B025

RGB 17 176 37

HSL 127.55, 0.82%, 0.38%

LAB 62.76, -62.9, 55.89

 

CMYK 90 / 0 / 55 / 31

HEX #11B04F

RGB 17 176 79

HSL 143.4, 0.82%, 0.38%

LAB 63.12, -58.41, 38.91

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 31 / 0 / 99 / 25

HEX #84C001

RGB 132 192 1

HSL 78.85, 0.99%, 0.38%

LAB 71.29, -42.08, 71.31

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 25 / 0 / 79 / 37

HEX #78A021

RGB 120 160 33

HSL 78.9, 0.66%, 0.38%

LAB 61, -31.59, 56.65

 

CMYK 21 / 0 / 67 / 43

HEX #729130

RGB 114 145 48

HSL 79.18, 0.5%, 0.38%

LAB 56.13, -25.92, 46.16

 

CMYK 16 / 0 / 50 / 49

HEX #6C8140

RGB 108 129 64

HSL 79.38, 0.34%, 0.38%

LAB 50.99, -18.78, 32.51

 

CMYK 9 / 0 / 29 / 56

HEX #677150

RGB 103 113 80

HSL 78.18, 0.17%, 0.38%

LAB 46.01, -10, 17.11

 

CMYK 0 / 21 / 90 / 31

HEX #B08B11

RGB 176 139 17

HSL 46.04, 0.82%, 0.38%

LAB 59.65, 3.57, 61.55

 

CMYK 3 / 0 / 90 / 31

HEX #ABB011

RGB 171 176 17

HSL 61.89, 0.82%, 0.38%

LAB 69.29, -18.28, 68.91

 

CMYK 27 / 0 / 90 / 31

HEX #80B011

RGB 128 176 17

HSL 78.11, 0.82%, 0.38%

LAB 66.27, -36.3, 65.22

 

CMYK 51 / 0 / 90 / 31

HEX #56B011

RGB 86 176 17

HSL 93.96, 0.82%, 0.38%

LAB 64.22, -51.05, 62.68

 

CMYK 76 / 0 / 90 / 31

HEX #2BB011

RGB 43 176 17

HSL 110.19, 0.82%, 0.38%

LAB 63.01, -60.97, 61.18

 

CMYK 29 / 0 / 90 / 60

HEX #48650A

RGB 72 101 10

HSL 79.12, 0.82%, 0.22%

LAB 39.08, -24.11, 42.51

 

CMYK 28 / 0 / 91 / 46

HEX #638A0D

RGB 99 138 13

HSL 78.72, 0.83%, 0.3%

LAB 52.79, -30.56, 54.11

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 28 / 0 / 90 / 16

HEX #99D515

RGB 153 213 21

HSL 78.75, 0.82%, 0.46%

LAB 78.7, -42.9, 75.33

 

CMYK 26 / 0 / 82 / 9

HEX #ADE92A

RGB 173 233 42

HSL 78.85, 0.81%, 0.54%

LAB 85.67, -43.43, 77.52

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 90 / 0 / 45 / 31

HEX #11B060

RGB 17 176 96

HSL 149.81, 0.82%, 0.38%

LAB 63.35, -55.62, 30.61

 

CMYK 9 / 90 / 0 / 31

HEX #A011B0

RGB 160 17 176

HSL 293.96, 0.82%, 0.38%

LAB 39.6, 69.82, -49.75

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 90 / 27 / 0 / 31

HEX #1180B0

RGB 17 128 176

HSL 198.11, 0.82%, 0.38%

LAB 50.33, -11.04, -33.34

 

CMYK 0 / 90 / 27 / 31

HEX #B01180

RGB 176 17 128

HSL 318.11, 0.82%, 0.38%

LAB 39.9, 66.06, -19.95

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 90 / 0 / 45 / 31

HEX #11B060

RGB 17 176 96

HSL 149.81, 0.82%, 0.38%

LAB 63.35, -55.62, 30.61

 

CMYK 63 / 90 / 0 / 31

HEX #4111B0

RGB 65 17 176

HSL 258.11, 0.82%, 0.38%

LAB 25.74, 57.82, -72.97

 

CMYK 0 / 90 / 45 / 31

HEX #B01160

RGB 176 17 96

HSL 330.19, 0.82%, 0.38%

LAB 38.68, 62.76, -1.67

 

CMYK 28 / 0 / 90 / 31

HEX #7EB011

RGB 126 176 17

HSL 78.87, 0.82%, 0.38%

LAB 66.16, -37.09, 65.08

 

CMYK 90 / 0 / 18 / 31

HEX #11B090

RGB 17 176 144

HSL 167.92, 0.82%, 0.38%

LAB 64.31, -44.9, 5.92

 

CMYK 63 / 90 / 0 / 31

HEX #4111B0

RGB 65 17 176

HSL 258.11, 0.82%, 0.38%

LAB 25.74, 57.82, -72.97

 

CMYK 0 / 90 / 72 / 31

HEX #B01131

RGB 176 17 49

HSL 347.92, 0.82%, 0.38%

LAB 37.58, 59.66, 26.88

 

Description

Color code: RGB 126 176 17 | qconv.com Color code: RGB 126 176 17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 176 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 176 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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