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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 160 79 it is the complementary color RGB 129 95 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 160 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 160 79 shade: RGB 131 160 74, RGB 148 178 93, RGB 165 196 112, RGB 182 214 131 and RGB 199 232 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 160 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 109 142 60, RGB 92 124 41, RGB 75 106 22 and RGB 58 88 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 148 160 79, RGB 160 150 79, RGB 160 128 79 and RGB 160 106 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 104 160 79, RGB 82 160 79, RGB 79 160 97 and RGB 79 160 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 160 79 shade matches the following richer shades: RGB 126 160 79, RGB 129 179 59, RGB 132 199 40, RGB 135 218 20 and RGB 138 238 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 123 141 98, RGB 120 121 117, RGB 117 102 137 and RGB 113 83 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 160 79 shade: RGB 160 151 79, RGB 148 160 79, RGB 126 160 79, RGB 104 160 79 and RGB 83 160 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 160 79 shade: RGB 82 105 51, RGB 104 132 65, RGB 126 160 79, RGB 146 179 101 and RGB 166 193 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 79 160 129 and RGB 160 79 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 79 126 160 and RGB 160 79 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 79 160 129, RGB 113 79 160 and RGB 160 79 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 160 79 shade: RGB 126 160 79, RGB 79 160 153, RGB 113 79 160 and RGB 160 79 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

Complementary color

CMYK 27 / 46 / 0 / 31

HEX #815FB0

RGB 129 95 176

HSL 265.19, 0.34%, 0.53%

LAB 46.96, 30.82, -38.25

 

CMYK 18 / 0 / 54 / 37

HEX #83A04A

RGB 131 160 74

HSL 80.23, 0.37%, 0.46%

LAB 62.05, -24.09, 41.04

 

CMYK 17 / 0 / 48 / 30

HEX #94B25D

RGB 148 178 93

HSL 81.18, 0.36%, 0.53%

LAB 68.7, -24.24, 39.87

 

CMYK 16 / 0 / 43 / 23

HEX #A5C470

RGB 165 196 112

HSL 82.14, 0.42%, 0.6%

LAB 75.23, -24.32, 38.69

 

CMYK 15 / 0 / 39 / 16

HEX #B6D683

RGB 182 214 131

HSL 83.13, 0.5%, 0.68%

LAB 81.66, -24.36, 37.53

 

CMYK 14 / 0 / 35 / 9

HEX #C7E896

RGB 199 232 150

HSL 84.15, 0.64%, 0.75%

LAB 88, -24.37, 36.41

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 23 / 0 / 58 / 44

HEX #6D8E3C

RGB 109 142 60

HSL 84.15, 0.41%, 0.4%

LAB 54.99, -25.43, 39.29

 

CMYK 26 / 0 / 67 / 51

HEX #5C7C29

RGB 92 124 41

HSL 83.13, 0.5%, 0.32%

LAB 48.07, -25.19, 40.23

 

CMYK 29 / 0 / 79 / 58

HEX #4B6A16

RGB 75 106 22

HSL 82.14, 0.66%, 0.25%

LAB 41, -24.73, 40.55

 

CMYK 34 / 0 / 97 / 65

HEX #3A5803

RGB 58 88 3

HSL 81.18, 0.93%, 0.18%

LAB 33.74, -23.98, 39.69

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 7 / 0 / 51 / 37

HEX #94A04F

RGB 148 160 79

HSL 68.89, 0.34%, 0.47%

LAB 63.34, -16.62, 40.4

 

CMYK 0 / 6 / 51 / 37

HEX #A0964F

RGB 160 150 79

HSL 52.59, 0.34%, 0.47%

LAB 61.53, -6.23, 38.46

 

CMYK 0 / 20 / 51 / 37

HEX #A0804F

RGB 160 128 79

HSL 36.3, 0.34%, 0.47%

LAB 55.56, 5.94, 31.13

 

CMYK 0 / 34 / 51 / 37

HEX #A06A4F

RGB 160 106 79

HSL 20, 0.34%, 0.47%

LAB 49.91, 18.46, 23.93

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 35 / 0 / 51 / 37

HEX #68A04F

RGB 104 160 79

HSL 101.48, 0.34%, 0.47%

LAB 60.47, -33.76, 36.25

 

CMYK 49 / 0 / 51 / 37

HEX #52A04F

RGB 82 160 79

HSL 117.78, 0.34%, 0.47%

LAB 59.43, -40.91, 34.75

 

CMYK 51 / 0 / 39 / 37

HEX #4FA061

RGB 79 160 97

HSL 133.33, 0.34%, 0.47%

LAB 59.59, -38.92, 25.44

 

CMYK 51 / 0 / 26 / 37

HEX #4FA077

RGB 79 160 119

HSL 149.63, 0.34%, 0.47%

LAB 60.01, -34.64, 13.92

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 28 / 0 / 67 / 30

HEX #81B33B

RGB 129 179 59

HSL 85, 0.5%, 0.47%

LAB 67.44, -35.25, 53.77

 

CMYK 34 / 0 / 80 / 22

HEX #84C728

RGB 132 199 40

HSL 85.28, 0.67%, 0.47%

LAB 73.48, -44.06, 66.3

 

CMYK 38 / 0 / 91 / 15

HEX #87DA14

RGB 135 218 20

HSL 85.15, 0.83%, 0.47%

LAB 79.24, -51.49, 75.53

 

CMYK 42 / 0 / 100 / 7

HEX #8AEE01

RGB 138 238 1

HSL 85.32, 0.99%, 0.47%

LAB 85.28, -58.57, 82.29

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 13 / 0 / 30 / 45

HEX #7B8D62

RGB 123 141 98

HSL 85.12, 0.18%, 0.47%

LAB 56.23, -14.45, 20.86

 

CMYK 1 / 0 / 3 / 53

HEX #787975

RGB 120 121 117

HSL 75, 0.02%, 0.47%

LAB 50.63, -1.17, 2.05

 

CMYK 15 / 26 / 0 / 46

HEX #756689

RGB 117 102 137

HSL 265.71, 0.15%, 0.47%

LAB 45.76, 13.3, -17.13

 

CMYK 28 / 47 / 0 / 39

HEX #71539C

RGB 113 83 156

HSL 264.66, 0.31%, 0.47%

LAB 41.37, 28.24, -35.36

 

CMYK 0 / 6 / 51 / 37

HEX #A0974F

RGB 160 151 79

HSL 53.33, 0.34%, 0.47%

LAB 61.8, -6.77, 38.79

 

CMYK 7 / 0 / 51 / 37

HEX #94A04F

RGB 148 160 79

HSL 68.89, 0.34%, 0.47%

LAB 63.34, -16.62, 40.4

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 35 / 0 / 51 / 37

HEX #68A04F

RGB 104 160 79

HSL 101.48, 0.34%, 0.47%

LAB 60.47, -33.76, 36.25

 

CMYK 48 / 0 / 51 / 37

HEX #53A04F

RGB 83 160 79

HSL 117.04, 0.34%, 0.47%

LAB 59.48, -40.61, 34.81

 

CMYK 22 / 0 / 51 / 59

HEX #526933

RGB 82 105 51

HSL 85.56, 0.35%, 0.31%

LAB 41.43, -18.57, 27.43

 

CMYK 21 / 0 / 51 / 48

HEX #688441

RGB 104 132 65

HSL 85.07, 0.34%, 0.39%

LAB 51.64, -21.87, 32.71

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 18 / 0 / 44 / 30

HEX #92B365

RGB 146 179 101

HSL 85.38, 0.34%, 0.55%

LAB 68.96, -24.56, 36.12

 

CMYK 14 / 0 / 33 / 24

HEX #A6C181

RGB 166 193 129

HSL 85.31, 0.34%, 0.63%

LAB 74.72, -20.25, 29.29

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 0 / 51 / 1 / 37

HEX #A04F9F

RGB 160 79 159

HSL 300.74, 0.34%, 0.47%

LAB 46.4, 45.07, -28.84

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 51 / 21 / 0 / 37

HEX #4F7EA0

RGB 79 126 160

HSL 205.19, 0.34%, 0.47%

LAB 50.83, -6.18, -23.14

 

CMYK 0 / 51 / 21 / 37

HEX #A04F7E

RGB 160 79 126

HSL 325.19, 0.34%, 0.47%

LAB 45.04, 39.44, -11.11

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 29 / 51 / 0 / 37

HEX #714FA0

RGB 113 79 160

HSL 265.19, 0.34%, 0.47%

LAB 40.64, 31.66, -38.91

 

CMYK 0 / 51 / 31 / 37

HEX #A04F6E

RGB 160 79 110

HSL 337.04, 0.34%, 0.47%

LAB 44.51, 37.13, -2.16

 

CMYK 21 / 0 / 51 / 37

HEX #7EA04F

RGB 126 160 79

HSL 85.19, 0.34%, 0.47%

LAB 61.78, -25.54, 38.14

 

CMYK 51 / 0 / 4 / 37

HEX #4FA099

RGB 79 160 153

HSL 174.81, 0.34%, 0.47%

LAB 60.87, -26.49, -3.97

 

CMYK 29 / 51 / 0 / 37

HEX #714FA0

RGB 113 79 160

HSL 265.19, 0.34%, 0.47%

LAB 40.64, 31.66, -38.91

 

CMYK 0 / 51 / 47 / 37

HEX #A04F55

RGB 160 79 85

HSL 355.56, 0.34%, 0.47%

LAB 43.83, 34.12, 12.19

 

Description

Color code: RGB 126 160 79 | qconv.com Color code: RGB 126 160 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 160 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 160 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 51 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 51% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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