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Color name
RGB 126 158 241

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 158 241 it is the complementary color RGB 129 97 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 158 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 158 241 shade: RGB 131 158 236, RGB 148 176 255, RGB 165 194 255, RGB 182 212 255 and RGB 199 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 158 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 158 241 shade: RGB 126 158 241, RGB 109 140 222, RGB 92 122 203, RGB 75 104 184 and RGB 58 86 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 158 241 shade: RGB 126 158 240, RGB 126 127 240, RGB 156 126 240, RGB 187 126 240 and RGB 217 126 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 158 241 shade: RGB 126 158 240, RGB 126 127 240 and RGB 126 126 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 158 241 shade matches the following richer shades: RGB 126 158 240 and RGB 114 153 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 158 241 shade: RGB 126 158 240, RGB 138 163 229, RGB 149 168 217, RGB 161 173 206 and RGB 172 178 194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 158 241 shade: RGB 126 219 240, RGB 126 189 240, RGB 126 158 240, RGB 126 128 240 and RGB 155 126 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 158 241 shade: RGB 52 102 232, RGB 89 130 236, RGB 126 158 240, RGB 163 186 244 and RGB 200 214 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 158 241 shade: RGB 126 158 241, RGB 231 126 240 and RGB 204 240 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 158 241 shade: RGB 126 158 241, RGB 240 126 158 and RGB 158 240 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 158 241 shade: RGB 126 158 241, RGB 231 126 240, RGB 240 208 126 and RGB 135 240 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 158 241 shade: RGB 126 158 241, RGB 240 126 215, RGB 240 208 126 and RGB 126 240 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

Complementary color

CMYK 0 / 25 / 89 / 49

HEX #81610E

RGB 129 97 14

HSL 43.3, 0.8%, 0.28%

LAB 43.13, 5.39, 46.94

 

CMYK 44 / 33 / 0 / 7

HEX #839EEC

RGB 131 158 236

HSL 224.57, 0.73%, 0.72%

LAB 66.01, 10.7, -42.21

 

CMYK 42 / 31 / 0 / 0

HEX #94B0FF

RGB 148 176 255

HSL 224.3, 1%, 0.79%

LAB 72.61, 10.04, -42.15

 

CMYK 35 / 24 / 0 / 0

HEX #A5C2FF

RGB 165 194 255

HSL 220.67, 1%, 0.82%

LAB 78.35, 4.51, -33.16

 

CMYK 29 / 17 / 0 / 0

HEX #B6D4FF

RGB 182 212 255

HSL 215.34, 1%, 0.86%

LAB 84.1, -0.44, -24.26

 

CMYK 22 / 10 / 0 / 0

HEX #C7E6FF

RGB 199 230 255

HSL 206.79, 1%, 0.89%

LAB 89.84, -4.88, -15.48

 

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

CMYK 51 / 37 / 0 / 13

HEX #6D8CDE

RGB 109 140 222

HSL 223.54, 0.63%, 0.65%

LAB 59.23, 11.82, -45.21

 

CMYK 55 / 40 / 0 / 20

HEX #5C7ACB

RGB 92 122 203

HSL 223.78, 0.52%, 0.58%

LAB 52.4, 12.86, -45.38

 

CMYK 59 / 43 / 0 / 28

HEX #4B68B8

RGB 75 104 184

HSL 224.04, 0.43%, 0.51%

LAB 45.44, 14.13, -45.59

 

CMYK 65 / 48 / 0 / 35

HEX #3A56A5

RGB 58 86 165

HSL 224.3, 0.48%, 0.44%

LAB 38.33, 15.72, -45.84

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 48 / 47 / 0 / 6

HEX #7E7FF0

RGB 126 127 240

HSL 239.47, 0.79%, 0.72%

LAB 57.95, 28.81, -57.2

 

CMYK 35 / 48 / 0 / 6

HEX #9C7EF0

RGB 156 126 240

HSL 255.79, 0.79%, 0.72%

LAB 60.14, 36.55, -53.56

 

CMYK 22 / 48 / 0 / 6

HEX #BB7EF0

RGB 187 126 240

HSL 272.11, 0.79%, 0.72%

LAB 63.16, 44.66, -48.59

 

CMYK 10 / 48 / 0 / 6

HEX #D97EF0

RGB 217 126 240

HSL 287.89, 0.79%, 0.72%

LAB 66.49, 52.85, -43.11

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 48 / 47 / 0 / 6

HEX #7E7FF0

RGB 126 127 240

HSL 239.47, 0.79%, 0.72%

LAB 57.95, 28.81, -57.2

 

CMYK 48 / 48 / 0 / 6

HEX #7E7EF0

RGB 126 126 240

HSL 240, 0.79%, 0.72%

LAB 57.7, 29.4, -57.6

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 55 / 39 / 0 / 1

HEX #7299FC

RGB 114 153 252

HSL 223.04, 0.96%, 0.72%

LAB 64.47, 14.56, -53.46

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 40 / 29 / 0 / 10

HEX #8AA3E5

RGB 138 163 229

HSL 223.52, 0.64%, 0.72%

LAB 67.47, 7.66, -36.06

 

CMYK 31 / 23 / 0 / 15

HEX #95A8D9

RGB 149 168 217

HSL 223.24, 0.47%, 0.72%

LAB 69.04, 4.73, -26.97

 

CMYK 22 / 16 / 0 / 19

HEX #A1ADCE

RGB 161 173 206

HSL 224, 0.31%, 0.72%

LAB 70.82, 2.91, -18.14

 

CMYK 11 / 8 / 0 / 24

HEX #ACB2C2

RGB 172 178 194

HSL 223.64, 0.15%, 0.72%

LAB 72.57, 1.11, -8.85

 

CMYK 48 / 9 / 0 / 6

HEX #7EDBF0

RGB 126 219 240

HSL 191.05, 0.79%, 0.72%

LAB 82.59, -22.23, -18.87

 

CMYK 48 / 21 / 0 / 6

HEX #7EBDF0

RGB 126 189 240

HSL 206.84, 0.79%, 0.72%

LAB 74.27, -6.65, -31.57

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 48 / 47 / 0 / 6

HEX #7E80F0

RGB 126 128 240

HSL 238.95, 0.79%, 0.72%

LAB 58.19, 28.22, -56.81

 

CMYK 35 / 48 / 0 / 6

HEX #9B7EF0

RGB 155 126 240

HSL 255.26, 0.79%, 0.72%

LAB 60.05, 36.3, -53.71

 

CMYK 78 / 56 / 0 / 9

HEX #3466E8

RGB 52 102 232

HSL 223.33, 0.8%, 0.56%

LAB 47.05, 29.21, -70.51

 

CMYK 62 / 45 / 0 / 7

HEX #5982EC

RGB 89 130 236

HSL 223.27, 0.79%, 0.64%

LAB 56.23, 18.32, -57.85

 

CMYK 48 / 34 / 0 / 6

HEX #7E9EF0

RGB 126 158 240

HSL 223.16, 0.79%, 0.72%

LAB 65.89, 10.66, -44.61

 

CMYK 33 / 24 / 0 / 4

HEX #A3BAF4

RGB 163 186 244

HSL 222.96, 0.79%, 0.8%

LAB 75.72, 5.54, -31.31

 

CMYK 19 / 14 / 0 / 3

HEX #C8D6F8

RGB 200 214 248

HSL 222.5, 0.77%, 0.88%

LAB 85.58, 2.24, -18.2

 

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

CMYK 4 / 48 / 0 / 6

HEX #E77EF0

RGB 231 126 240

HSL 295.26, 0.79%, 0.72%

LAB 68.17, 56.73, -40.36

 

CMYK 15 / 0 / 48 / 6

HEX #CCF07E

RGB 204 240 126

HSL 78.95, 0.79%, 0.72%

LAB 90.17, -29.11, 50.93

 

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

CMYK 0 / 48 / 34 / 6

HEX #F07E9E

RGB 240 126 158

HSL 343.16, 0.79%, 0.72%

LAB 66.46, 47.05, 3.02

 

CMYK 34 / 0 / 48 / 6

HEX #9EF07E

RGB 158 240 126

HSL 103.16, 0.79%, 0.72%

LAB 87.53, -45.27, 47.1

 

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

CMYK 4 / 48 / 0 / 6

HEX #E77EF0

RGB 231 126 240

HSL 295.26, 0.79%, 0.72%

LAB 68.17, 56.73, -40.36

 

CMYK 0 / 13 / 48 / 6

HEX #F0D07E

RGB 240 208 126

HSL 43.16, 0.79%, 0.72%

LAB 84.56, 0.79, 44.65

 

CMYK 44 / 0 / 48 / 6

HEX #87F07E

RGB 135 240 126

HSL 115.26, 0.79%, 0.72%

LAB 86.49, -52.32, 45.59

 

CMYK 48 / 34 / 0 / 5

HEX #7E9EF1

RGB 126 158 241

HSL 223.3, 0.8%, 0.72%

LAB 65.94, 10.95, -45.09

 

CMYK 0 / 48 / 10 / 6

HEX #F07ED7

RGB 240 126 215

HSL 313.16, 0.79%, 0.72%

LAB 68.28, 55.04, -26.28

 

CMYK 0 / 13 / 48 / 6

HEX #F0D07E

RGB 240 208 126

HSL 43.16, 0.79%, 0.72%

LAB 84.56, 0.79, 44.65

 

CMYK 48 / 0 / 37 / 6

HEX #7EF097

RGB 126 240 151

HSL 133.16, 0.79%, 0.72%

LAB 86.5, -51.1, 33.24

 

Description

Color code: RGB 126 158 241 | qconv.com Color code: RGB 126 158 241 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 158 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 158 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 34 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 34% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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