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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 141 200 it is the complementary color RGB 129 114 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 141 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 141 200 shade: RGB 131 141 195, RGB 148 159 214, RGB 165 177 233, RGB 182 195 252 and RGB 199 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 141 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 141 200 shade: RGB 126 141 200, RGB 109 123 181, RGB 92 105 162, RGB 75 87 143 and RGB 58 69 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 141 200 shade: RGB 126 141 199, RGB 131 126 199, RGB 151 126 199, RGB 171 126 199 and RGB 190 126 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 141 200 shade: RGB 126 141 199 and RGB 126 126 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 141 200 shade matches the following richer shades: RGB 126 141 199, RGB 111 132 214, RGB 96 123 229 and RGB 81 114 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 141 200 shade: RGB 126 141 199, RGB 141 150 185, RGB 156 159 170, RGB 171 167 155 and RGB 185 176 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 141 200 shade: RGB 126 181 199, RGB 126 161 199, RGB 126 142 199, RGB 130 126 199 and RGB 149 126 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 141 200 shade: RGB 73 92 170, RGB 97 115 187, RGB 126 141 199, RGB 155 166 212 and RGB 184 192 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 141 200 shade: RGB 126 141 200, RGB 198 126 199 and RGB 171 199 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 141 200 shade: RGB 126 141 200, RGB 199 126 142 and RGB 142 199 126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 141 200 shade: RGB 126 141 200, RGB 198 126 199, RGB 199 184 126 and RGB 127 199 126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 141 200 shade: RGB 126 141 200, RGB 199 126 179, RGB 199 184 126 and RGB 126 199 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

Complementary color

CMYK 0 / 12 / 57 / 49

HEX #817237

RGB 129 114 55

HSL 47.84, 0.4%, 0.36%

LAB 48.23, -2.17, 34.38

 

CMYK 33 / 28 / 0 / 24

HEX #838DC3

RGB 131 141 195

HSL 230.63, 0.35%, 0.64%

LAB 59.72, 9.19, -29.19

 

CMYK 31 / 26 / 0 / 16

HEX #949FD6

RGB 148 159 214

HSL 230, 0.45%, 0.71%

LAB 66.48, 8.74, -29.27

 

CMYK 29 / 24 / 0 / 9

HEX #A5B1E9

RGB 165 177 233

HSL 229.41, 0.61%, 0.78%

LAB 73.11, 8.33, -29.37

 

CMYK 28 / 23 / 0 / 1

HEX #B6C3FC

RGB 182 195 252

HSL 228.86, 0.92%, 0.85%

LAB 79.62, 7.97, -29.51

 

CMYK 22 / 16 / 0 / 0

HEX #C7D5FF

RGB 199 213 255

HSL 225, 1%, 0.89%

LAB 85.48, 4, -22.05

 

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

CMYK 40 / 32 / 0 / 29

HEX #6D7BB5

RGB 109 123 181

HSL 228.33, 0.33%, 0.57%

LAB 52.68, 9.71, -32.28

 

CMYK 43 / 35 / 0 / 36

HEX #5C69A2

RGB 92 105 162

HSL 228.86, 0.28%, 0.5%

LAB 45.62, 10.41, -32.36

 

CMYK 48 / 39 / 0 / 44

HEX #4B578F

RGB 75 87 143

HSL 229.41, 0.31%, 0.43%

LAB 38.37, 11.28, -32.5

 

CMYK 53 / 44 / 0 / 51

HEX #3A457C

RGB 58 69 124

HSL 230, 0.36%, 0.36%

LAB 30.9, 12.39, -32.72

 

CMYK 37 / 29 / 0 / 22

HEX #7E8DC7

RGB 126 141 199

HSL 227.67, 0.39%, 0.64%

LAB 59.53, 8.84, -31.77

 

CMYK 34 / 37 / 0 / 22

HEX #837EC7

RGB 131 126 199

HSL 244.11, 0.39%, 0.64%

LAB 55.96, 19.05, -37.32

 

CMYK 24 / 37 / 0 / 22

HEX #977EC7

RGB 151 126 199

HSL 260.55, 0.39%, 0.64%

LAB 57.68, 24.85, -34.5

 

CMYK 14 / 37 / 0 / 22

HEX #AB7EC7

RGB 171 126 199

HSL 276.99, 0.39%, 0.64%

LAB 59.62, 30.94, -31.33

 

CMYK 5 / 37 / 0 / 22

HEX #BE7EC7

RGB 190 126 199

HSL 292.6, 0.39%, 0.64%

LAB 61.65, 36.87, -28.03

 

CMYK 37 / 29 / 0 / 22

HEX #7E8DC7

RGB 126 141 199

HSL 227.67, 0.39%, 0.64%

LAB 59.53, 8.84, -31.77

 

CMYK 37 / 37 / 0 / 22

HEX #7E7EC7

RGB 126 126 199

HSL 240, 0.39%, 0.64%

LAB 55.56, 17.66, -37.97

 

CMYK 37 / 29 / 0 / 22

HEX #7E8DC7

RGB 126 141 199

HSL 227.67, 0.39%, 0.64%

LAB 59.53, 8.84, -31.77

 

CMYK 48 / 38 / 0 / 16

HEX #6F84D6

RGB 111 132 214

HSL 227.77, 0.56%, 0.64%

LAB 56.82, 14.59, -44.54

 

CMYK 58 / 46 / 0 / 10

HEX #607BE5

RGB 96 123 229

HSL 227.82, 0.72%, 0.64%

LAB 54.35, 21.53, -56.93

 

CMYK 67 / 53 / 0 / 4

HEX #5172F4

RGB 81 114 244

HSL 227.85, 0.88%, 0.64%

LAB 52.19, 29.56, -68.83

 

CMYK 37 / 29 / 0 / 22

HEX #7E8DC7

RGB 126 141 199

HSL 227.67, 0.39%, 0.64%

LAB 59.53, 8.84, -31.77

 

CMYK 24 / 19 / 0 / 27

HEX #8D96B9

RGB 141 150 185

HSL 227.73, 0.24%, 0.64%

LAB 62.49, 4.55, -19.24

 

CMYK 8 / 6 / 0 / 33

HEX #9C9FAA

RGB 156 159 170

HSL 227.14, 0.08%, 0.64%

LAB 65.57, 1.13, -6.08

 

CMYK 0 / 2 / 9 / 33

HEX #ABA79B

RGB 171 167 155

HSL 45, 0.09%, 0.64%

LAB 68.51, -0.72, 6.71

 

CMYK 0 / 5 / 24 / 27

HEX #B9B08C

RGB 185 176 140

HSL 48, 0.24%, 0.64%

LAB 71.73, -2.62, 19.63

 

CMYK 37 / 9 / 0 / 22

HEX #7EB5C7

RGB 126 181 199

HSL 194.79, 0.39%, 0.64%

LAB 70.6, -13.4, -14.84

 

CMYK 37 / 19 / 0 / 22

HEX #7EA1C7

RGB 126 161 199

HSL 211.23, 0.39%, 0.64%

LAB 65, -2.55, -23.34

 

CMYK 37 / 29 / 0 / 22

HEX #7E8EC7

RGB 126 142 199

HSL 226.85, 0.39%, 0.64%

LAB 59.8, 8.26, -31.35

 

CMYK 35 / 37 / 0 / 22

HEX #827EC7

RGB 130 126 199

HSL 243.29, 0.39%, 0.64%

LAB 55.88, 18.77, -37.45

 

CMYK 25 / 37 / 0 / 22

HEX #957EC7

RGB 149 126 199

HSL 258.9, 0.39%, 0.64%

LAB 57.5, 24.26, -34.8

 

CMYK 57 / 46 / 0 / 33

HEX #495CAA

RGB 73 92 170

HSL 228.25, 0.4%, 0.48%

LAB 41.17, 16.55, -44.2

 

CMYK 48 / 39 / 0 / 27

HEX #6173BB

RGB 97 115 187

HSL 228, 0.4%, 0.56%

LAB 49.97, 13.21, -40.06

 

CMYK 37 / 29 / 0 / 22

HEX #7E8DC7

RGB 126 141 199

HSL 227.67, 0.39%, 0.64%

LAB 59.53, 8.84, -31.77

 

CMYK 27 / 22 / 0 / 17

HEX #9BA6D4

RGB 155 166 212

HSL 228.42, 0.4%, 0.72%

LAB 68.75, 6.37, -24.63

 

CMYK 18 / 14 / 0 / 12

HEX #B8C0E0

RGB 184 192 224

HSL 228, 0.39%, 0.8%

LAB 78.03, 3.8, -16.87

 

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

CMYK 1 / 37 / 0 / 22

HEX #C67EC7

RGB 198 126 199

HSL 299.18, 0.39%, 0.64%

LAB 62.55, 39.39, -26.57

 

CMYK 14 / 0 / 37 / 22

HEX #ABC77E

RGB 171 199 126

HSL 83.01, 0.39%, 0.64%

LAB 76.69, -21.77, 33.5

 

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

CMYK 0 / 37 / 29 / 22

HEX #C77E8E

RGB 199 126 142

HSL 346.85, 0.39%, 0.64%

LAB 60.8, 30.4, 3.29

 

CMYK 29 / 0 / 37 / 22

HEX #8EC77E

RGB 142 199 126

HSL 106.85, 0.39%, 0.64%

LAB 74.89, -32.21, 30.81

 

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

CMYK 1 / 37 / 0 / 22

HEX #C67EC7

RGB 198 126 199

HSL 299.18, 0.39%, 0.64%

LAB 62.55, 39.39, -26.57

 

CMYK 0 / 8 / 37 / 22

HEX #C7B87E

RGB 199 184 126

HSL 47.67, 0.39%, 0.64%

LAB 74.78, -3.16, 31.42

 

CMYK 36 / 0 / 37 / 22

HEX #7FC77E

RGB 127 199 126

HSL 119.18, 0.39%, 0.64%

LAB 74.1, -37.16, 29.63

 

CMYK 37 / 30 / 0 / 22

HEX #7E8DC8

RGB 126 141 200

HSL 227.84, 0.4%, 0.64%

LAB 59.58, 9.11, -32.27

 

CMYK 0 / 37 / 10 / 22

HEX #C77EB3

RGB 199 126 179

HSL 316.44, 0.39%, 0.64%

LAB 61.93, 36.13, -16.19

 

CMYK 0 / 8 / 37 / 22

HEX #C7B87E

RGB 199 184 126

HSL 47.67, 0.39%, 0.64%

LAB 74.78, -3.16, 31.42

 

CMYK 37 / 0 / 26 / 22

HEX #7EC793

RGB 126 199 147

HSL 137.26, 0.39%, 0.64%

LAB 74.44, -33.86, 19

 

Description

Color code: RGB 126 141 200 | qconv.com Color code: RGB 126 141 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 141 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 141 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 30 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 30% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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