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Color name
RGB 126 133 224

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 133 224 it is the complementary color RGB 129 122 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 133 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 133 224 shade: RGB 131 133 219, RGB 148 151 238, RGB 165 169 255, RGB 182 187 255 and RGB 199 205 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 133 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 133 224 shade: RGB 126 133 224, RGB 109 115 205, RGB 92 97 186, RGB 75 79 167 and RGB 58 61 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 133 224 shade: RGB 127 134 224, RGB 146 127 224, RGB 172 127 224, RGB 198 127 224 and RGB 224 127 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 133 224 shade: RGB 127 134 224 and RGB 127 127 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 133 224 shade matches the following richer shades: RGB 127 134 224, RGB 114 123 236 and RGB 102 112 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 133 224 shade: RGB 127 134 224, RGB 140 145 211, RGB 153 156 198, RGB 166 167 185 and RGB 178 178 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 133 224 shade: RGB 127 187 224, RGB 127 161 224, RGB 127 135 224, RGB 145 127 224 and RGB 171 127 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 133 224 shade: RGB 61 71 208, RGB 94 103 216, RGB 127 134 224, RGB 160 166 232 and RGB 194 197 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 133 224 shade: RGB 126 133 224, RGB 224 127 212 and RGB 174 224 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 133 224 shade: RGB 126 133 224, RGB 224 127 135 and RGB 135 224 127

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 133 224 shade: RGB 126 133 224, RGB 224 127 212, RGB 224 216 127 and RGB 127 224 138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 133 224 shade: RGB 126 133 224, RGB 224 127 183, RGB 224 216 127 and RGB 127 224 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

Complementary color

CMYK 0 / 5 / 76 / 49

HEX #817A1F

RGB 129 122 31

HSL 55.71, 0.61%, 0.31%

LAB 50.32, -8.28, 47.6

 

CMYK 40 / 39 / 0 / 14

HEX #8385DB

RGB 131 133 219

HSL 238.64, 0.55%, 0.69%

LAB 58.71, 20.42, -44.27

 

CMYK 38 / 37 / 0 / 7

HEX #9497EE

RGB 148 151 238

HSL 238, 0.73%, 0.76%

LAB 65.44, 19.6, -44.12

 

CMYK 35 / 34 / 0 / 0

HEX #A5A9FF

RGB 165 169 255

HSL 237.33, 1%, 0.82%

LAB 71.96, 18.37, -43.08

 

CMYK 29 / 27 / 0 / 0

HEX #B6BBFF

RGB 182 187 255

HSL 235.89, 1%, 0.86%

LAB 77.7, 13.06, -34.06

 

CMYK 22 / 20 / 0 / 0

HEX #C7CDFF

RGB 199 205 255

HSL 233.57, 1%, 0.89%

LAB 83.46, 8.26, -25.13

 

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

CMYK 47 / 44 / 0 / 20

HEX #6D73CD

RGB 109 115 205

HSL 236.25, 0.49%, 0.62%

LAB 51.75, 21.61, -47.5

 

CMYK 51 / 48 / 0 / 27

HEX #5C61BA

RGB 92 97 186

HSL 236.81, 0.41%, 0.55%

LAB 44.76, 22.83, -47.78

 

CMYK 55 / 53 / 0 / 35

HEX #4B4FA7

RGB 75 79 167

HSL 237.39, 0.38%, 0.47%

LAB 37.62, 24.3, -48.11

 

CMYK 61 / 59 / 0 / 42

HEX #3A3D94

RGB 58 61 148

HSL 238, 0.44%, 0.4%

LAB 30.34, 26.1, -48.47

 

CMYK 43 / 40 / 0 / 12

HEX #7F86E0

RGB 127 134 224

HSL 235.67, 0.61%, 0.69%

LAB 58.92, 20.24, -46.75

 

CMYK 35 / 43 / 0 / 12

HEX #927FE0

RGB 146 127 224

HSL 251.75, 0.61%, 0.69%

LAB 58.67, 29.21, -47.05

 

CMYK 23 / 43 / 0 / 12

HEX #AC7FE0

RGB 172 127 224

HSL 267.84, 0.61%, 0.69%

LAB 61.07, 36.32, -43.1

 

CMYK 12 / 43 / 0 / 12

HEX #C67FE0

RGB 198 127 224

HSL 283.92, 0.61%, 0.69%

LAB 63.81, 43.76, -38.61

 

CMYK 0 / 43 / 0 / 12

HEX #E07FDF

RGB 224 127 223

HSL 300.62, 0.61%, 0.69%

LAB 66.79, 51.17, -33.19

 

CMYK 43 / 40 / 0 / 12

HEX #7F86E0

RGB 127 134 224

HSL 235.67, 0.61%, 0.69%

LAB 58.92, 20.24, -46.75

 

CMYK 43 / 43 / 0 / 12

HEX #7F7FE0

RGB 127 127 224

HSL 240, 0.61%, 0.69%

LAB 57.15, 24.38, -49.56

 

CMYK 43 / 40 / 0 / 12

HEX #7F86E0

RGB 127 134 224

HSL 235.67, 0.61%, 0.69%

LAB 58.92, 20.24, -46.75

 

CMYK 52 / 48 / 0 / 7

HEX #727BEC

RGB 114 123 236

HSL 235.57, 0.76%, 0.69%

LAB 55.89, 27.38, -58.33

 

CMYK 59 / 55 / 0 / 2

HEX #6670F9

RGB 102 112 249

HSL 235.92, 0.92%, 0.69%

LAB 53.22, 35.78, -69.88

 

CMYK 43 / 40 / 0 / 12

HEX #7F86E0

RGB 127 134 224

HSL 235.67, 0.61%, 0.69%

LAB 58.92, 20.24, -46.75

 

CMYK 34 / 31 / 0 / 17

HEX #8C91D3

RGB 140 145 211

HSL 235.77, 0.45%, 0.69%

LAB 62.11, 13.67, -34.42

 

CMYK 23 / 21 / 0 / 22

HEX #999CC6

RGB 153 156 198

HSL 236, 0.28%, 0.69%

LAB 65.46, 8.02, -21.92

 

CMYK 10 / 10 / 0 / 27

HEX #A6A7B9

RGB 166 167 185

HSL 236.84, 0.12%, 0.69%

LAB 68.93, 3.24, -9.35

 

CMYK 0 / 0 / 3 / 30

HEX #B2B2AD

RGB 178 178 173

HSL 60, 0.03%, 0.69%

LAB 72.44, -0.92, 2.54

 

CMYK 43 / 17 / 0 / 12

HEX #7FBBE0

RGB 127 187 224

HSL 202.89, 0.61%, 0.69%

LAB 73.18, -9.76, -24.57

 

CMYK 43 / 28 / 0 / 12

HEX #7FA1E0

RGB 127 161 224

HSL 218.97, 0.61%, 0.69%

LAB 66.05, 4.57, -35.57

 

CMYK 43 / 40 / 0 / 12

HEX #7F87E0

RGB 127 135 224

HSL 235.05, 0.61%, 0.69%

LAB 59.18, 19.65, -46.34

 

CMYK 35 / 43 / 0 / 12

HEX #917FE0

RGB 145 127 224

HSL 251.13, 0.61%, 0.69%

LAB 58.58, 28.95, -47.19

 

CMYK 24 / 43 / 0 / 12

HEX #AB7FE0

RGB 171 127 224

HSL 267.22, 0.61%, 0.69%

LAB 60.97, 36.04, -43.26

 

CMYK 71 / 66 / 0 / 18

HEX #3D47D0

RGB 61 71 208

HSL 235.92, 0.61%, 0.53%

LAB 37.94, 41.05, -71.69

 

CMYK 56 / 52 / 0 / 15

HEX #5E67D8

RGB 94 103 216

HSL 235.57, 0.61%, 0.61%

LAB 48.31, 29.16, -59.32

 

CMYK 43 / 40 / 0 / 12

HEX #7F86E0

RGB 127 134 224

HSL 235.67, 0.61%, 0.69%

LAB 58.92, 20.24, -46.75

 

CMYK 31 / 28 / 0 / 9

HEX #A0A6E8

RGB 160 166 232

HSL 235, 0.61%, 0.77%

LAB 69.88, 12.79, -33.85

 

CMYK 19 / 18 / 0 / 6

HEX #C2C5F0

RGB 194 197 240

HSL 236.09, 0.61%, 0.85%

LAB 80.57, 7.72, -21.56

 

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

CMYK 0 / 43 / 5 / 12

HEX #E07FD4

RGB 224 127 212

HSL 307.42, 0.61%, 0.69%

LAB 66.35, 49.24, -27.74

 

CMYK 22 / 0 / 43 / 12

HEX #AEE07F

RGB 174 224 127

HSL 90.93, 0.61%, 0.69%

LAB 83.88, -32.52, 42.25

 

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

CMYK 0 / 43 / 40 / 12

HEX #E07F87

RGB 224 127 135

HSL 355.05, 0.61%, 0.69%

LAB 63.98, 38.22, 12.25

 

CMYK 40 / 0 / 43 / 12

HEX #87E07F

RGB 135 224 127

HSL 115.05, 0.61%, 0.69%

LAB 81.84, -45.52, 39.23

 

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

CMYK 0 / 43 / 5 / 12

HEX #E07FD4

RGB 224 127 212

HSL 307.42, 0.61%, 0.69%

LAB 66.35, 49.24, -27.74

 

CMYK 0 / 4 / 43 / 12

HEX #E0D87F

RGB 224 216 127

HSL 55.05, 0.61%, 0.69%

LAB 85.25, -9.58, 44.72

 

CMYK 43 / 0 / 38 / 12

HEX #7FE08A

RGB 127 224 138

HSL 126.8, 0.61%, 0.69%

LAB 81.65, -46.23, 33.41

 

CMYK 44 / 41 / 0 / 12

HEX #7E85E0

RGB 126 133 224

HSL 235.71, 0.61%, 0.69%

LAB 58.6, 20.58, -47.27

 

CMYK 0 / 43 / 18 / 12

HEX #E07FB7

RGB 224 127 183

HSL 325.36, 0.61%, 0.69%

LAB 65.31, 44.55, -13.04

 

CMYK 0 / 4 / 43 / 12

HEX #E0D87F

RGB 224 216 127

HSL 55.05, 0.61%, 0.69%

LAB 85.25, -9.58, 44.72

 

CMYK 43 / 0 / 25 / 12

HEX #7FE0A7

RGB 127 224 167

HSL 144.74, 0.61%, 0.69%

LAB 82.17, -41.16, 19.16

 

Description

Color code: RGB 126 133 224 | qconv.com Color code: RGB 126 133 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 133 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 133 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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