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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 126 125 120 it is the complementary color RGB 129 130 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 126 125 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 126 125 120 shade: RGB 131 125 115, RGB 148 143 134, RGB 165 161 153, RGB 182 179 172 and RGB 199 197 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 126 125 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 126 125 120 shade: RGB 126 125 120, RGB 109 107 101, RGB 92 89 82, RGB 75 71 63 and RGB 58 53 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 126 125 120 shade: RGB 124 124 119, RGB 124 122 119, RGB 124 121 119, RGB 124 120 119 and RGB 124 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 126 125 120 shade: RGB 124 124 119, RGB 124 124 119, RGB 123 124 119, RGB 121 124 119 and RGB 120 124 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 126 125 120 shade matches the following richer shades: RGB 124 124 119, RGB 144 137 100, RGB 164 150 80, RGB 184 163 60 and RGB 204 176 40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 126 125 120 shade: RGB 124 124 119, RGB 105 110 139, RGB 85 97 159, RGB 65 84 179 and RGB 45 71 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 126 125 120 shade: RGB 124 121 119, RGB 124 122 119, RGB 124 124 119, RGB 124 124 119 and RGB 123 124 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 126 125 120 shade: RGB 82 82 79, RGB 103 103 99, RGB 124 124 119, RGB 145 144 140 and RGB 165 164 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 126 125 120 shade: RGB 126 125 120, RGB 119 124 120 and RGB 122 119 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 126 125 120 shade: RGB 126 125 120, RGB 119 124 124 and RGB 124 119 124

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 126 125 120 shade: RGB 126 125 120, RGB 119 124 120, RGB 119 120 124 and RGB 124 119 124

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 126 125 120 shade: RGB 126 125 120, RGB 119 124 121, RGB 119 120 124 and RGB 124 119 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

Complementary color

CMYK 4 / 4 / 0 / 47

HEX #818287

RGB 129 130 135

HSL 230, 0.02%, 0.52%

LAB 54.43, 0.65, -2.83

 

CMYK 0 / 5 / 12 / 49

HEX #837D73

RGB 131 125 115

HSL 37.5, 0.07%, 0.48%

LAB 52.65, 0.42, 6.26

 

CMYK 0 / 3 / 9 / 42

HEX #948F86

RGB 148 143 134

HSL 38.57, 0.06%, 0.55%

LAB 59.58, 0.19, 5.44

 

CMYK 0 / 2 / 7 / 35

HEX #A5A199

RGB 165 161 153

HSL 40, 0.06%, 0.62%

LAB 66.36, -0.02, 4.66

 

CMYK 0 / 2 / 5 / 29

HEX #B6B3AC

RGB 182 179 172

HSL 42, 0.06%, 0.69%

LAB 73, -0.21, 3.94

 

CMYK 0 / 1 / 4 / 22

HEX #C7C5BF

RGB 199 197 191

HSL 45, 0.07%, 0.76%

LAB 79.52, -0.38, 3.24

 

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

CMYK 0 / 2 / 7 / 57

HEX #6D6B65

RGB 109 107 101

HSL 45, 0.04%, 0.41%

LAB 45.23, -0.41, 3.63

 

CMYK 0 / 3 / 11 / 64

HEX #5C5952

RGB 92 89 82

HSL 42, 0.06%, 0.34%

LAB 37.89, -0.19, 4.47

 

CMYK 0 / 5 / 16 / 71

HEX #4B473F

RGB 75 71 63

HSL 40, 0.09%, 0.27%

LAB 30.31, 0.07, 5.41

 

CMYK 0 / 9 / 24 / 77

HEX #3A352C

RGB 58 53 44

HSL 38.57, 0.14%, 0.2%

LAB 22.4, 0.39, 6.48

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 0 / 2 / 4 / 51

HEX #7C7A77

RGB 124 122 119

HSL 36, 0.02%, 0.48%

LAB 51.31, 0.17, 1.9

 

CMYK 0 / 2 / 4 / 51

HEX #7C7977

RGB 124 121 119

HSL 24, 0.02%, 0.48%

LAB 51.03, 0.75, 1.49

 

CMYK 0 / 3 / 4 / 51

HEX #7C7877

RGB 124 120 119

HSL 12, 0.02%, 0.48%

LAB 50.75, 1.33, 1.08

 

CMYK 0 / 4 / 4 / 51

HEX #7C7777

RGB 124 119 119

HSL 0, 0.02%, 0.48%

LAB 50.46, 1.91, 0.67

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 1 / 0 / 4 / 51

HEX #7B7C77

RGB 123 124 119

HSL 72, 0.02%, 0.48%

LAB 51.79, -1.36, 2.59

 

CMYK 2 / 0 / 4 / 51

HEX #797C77

RGB 121 124 119

HSL 96, 0.02%, 0.48%

LAB 51.62, -2.12, 2.33

 

CMYK 3 / 0 / 4 / 51

HEX #787C77

RGB 120 124 119

HSL 108, 0.02%, 0.48%

LAB 51.54, -2.5, 2.2

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 0 / 5 / 31 / 44

HEX #908964

RGB 144 137 100

HSL 50.45, 0.18%, 0.48%

LAB 56.82, -3.45, 20.83

 

CMYK 0 / 9 / 51 / 36

HEX #A49650

RGB 164 150 80

HSL 50, 0.34%, 0.48%

LAB 61.9, -4.41, 38.48

 

CMYK 0 / 11 / 67 / 28

HEX #B8A33C

RGB 184 163 60

HSL 49.84, 0.51%, 0.48%

LAB 67.06, -4.2, 54.23

 

CMYK 0 / 14 / 80 / 20

HEX #CCB028

RGB 204 176 40

HSL 49.76, 0.67%, 0.48%

LAB 72.26, -3.21, 67.17

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 24 / 21 / 0 / 45

HEX #696E8B

RGB 105 110 139

HSL 231.18, 0.14%, 0.48%

LAB 47, 4.88, -16.52

 

CMYK 47 / 39 / 0 / 38

HEX #55619F

RGB 85 97 159

HSL 230.27, 0.3%, 0.48%

LAB 42.74, 12.62, -35.15

 

CMYK 64 / 53 / 0 / 30

HEX #4154B3

RGB 65 84 179

HSL 230, 0.47%, 0.48%

LAB 39.1, 23.28, -52.86

 

CMYK 77 / 64 / 0 / 22

HEX #2D47C7

RGB 45 71 199

HSL 229.87, 0.63%, 0.48%

LAB 36.34, 36.18, -69.12

 

CMYK 0 / 2 / 4 / 51

HEX #7C7977

RGB 124 121 119

HSL 24, 0.02%, 0.48%

LAB 51.03, 0.75, 1.49

 

CMYK 0 / 2 / 4 / 51

HEX #7C7A77

RGB 124 122 119

HSL 36, 0.02%, 0.48%

LAB 51.31, 0.17, 1.9

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 1 / 0 / 4 / 51

HEX #7B7C77

RGB 123 124 119

HSL 72, 0.02%, 0.48%

LAB 51.79, -1.36, 2.59

 

CMYK 0 / 0 / 4 / 68

HEX #52524F

RGB 82 82 79

HSL 60, 0.02%, 0.32%

LAB 34.79, -0.63, 1.75

 

CMYK 0 / 0 / 4 / 60

HEX #676763

RGB 103 103 99

HSL 60, 0.02%, 0.4%

LAB 43.48, -0.81, 2.25

 

CMYK 0 / 0 / 4 / 51

HEX #7C7C77

RGB 124 124 119

HSL 60, 0.02%, 0.48%

LAB 51.87, -0.98, 2.72

 

CMYK 0 / 1 / 3 / 43

HEX #91908C

RGB 145 144 140

HSL 48, 0.02%, 0.56%

LAB 59.76, -0.39, 2.24

 

CMYK 0 / 1 / 2 / 35

HEX #A5A4A1

RGB 165 164 161

HSL 45, 0.02%, 0.64%

LAB 67.37, -0.2, 1.67

 

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

CMYK 4 / 0 / 3 / 51

HEX #777C78

RGB 119 124 120

HSL 132, 0.02%, 0.48%

LAB 51.49, -2.68, 1.52

 

CMYK 2 / 4 / 0 / 51

HEX #7A777C

RGB 122 119 124

HSL 276, 0.02%, 0.48%

LAB 50.44, 2.15, -2.34

 

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

CMYK 4 / 0 / 0 / 51

HEX #777C7C

RGB 119 124 124

HSL 180, 0.02%, 0.48%

LAB 51.6, -1.86, -0.66

 

CMYK 0 / 4 / 0 / 51

HEX #7C777C

RGB 124 119 124

HSL 300, 0.02%, 0.48%

LAB 50.61, 2.9, -2.06

 

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

CMYK 4 / 0 / 3 / 51

HEX #777C78

RGB 119 124 120

HSL 132, 0.02%, 0.48%

LAB 51.49, -2.68, 1.52

 

CMYK 4 / 3 / 0 / 51

HEX #77787C

RGB 119 120 124

HSL 228, 0.02%, 0.48%

LAB 50.46, 0.45, -2.32

 

CMYK 0 / 4 / 0 / 51

HEX #7C777C

RGB 124 119 124

HSL 300, 0.02%, 0.48%

LAB 50.61, 2.9, -2.06

 

CMYK 0 / 1 / 5 / 51

HEX #7E7D78

RGB 126 125 120

HSL 50, 0.02%, 0.48%

LAB 52.35, -0.6, 2.85

 

CMYK 4 / 0 / 2 / 51

HEX #777C79

RGB 119 124 121

HSL 144, 0.02%, 0.48%

LAB 51.52, -2.48, 0.98

 

CMYK 4 / 3 / 0 / 51

HEX #77787C

RGB 119 120 124

HSL 228, 0.02%, 0.48%

LAB 50.46, 0.45, -2.32

 

CMYK 0 / 4 / 1 / 51

HEX #7C777B

RGB 124 119 123

HSL 312, 0.02%, 0.48%

LAB 50.58, 2.7, -1.52

 

Description

Color code: RGB 126 125 120 | qconv.com Color code: RGB 126 125 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 125 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 125 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 5 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 5% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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